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Best Famous Teens Poems

Here is a collection of the all-time best famous Teens poems. This is a select list of the best famous Teens poetry. Reading, writing, and enjoying famous Teens poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of teens poems.

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Written by Barry Tebb | Create an image from this poem

TO THE SOUND OF VIOLINS

 Give me life at its most garish

Friday night in the Square, pink sequins dazzle

And dance on clubbers bare to the midriff

Young men in crisp shirts and pressed pants

‘Dress code smart’ gyrate to ‘Sex Bomb, Sex Bomb’

And sing along its lyrics to the throng of which I’m one

My shorts, shoulder bag and white beard

Making me stand out in the teeming swarm

Of teens and twenties this foetid Friday night

On my way from the ward where our son paces

And fulminates I throw myself into the drowning

Tide of Friday to be rescued by sheer normality.
The mill girl with her mates asks anxiously "Are you on your own? Come and join us What’s your name?" Age has driven my shyness away As I join the crowd beneath the turning purple screens Bannered ‘****** lasts for ever’ and sip unending Halves of bitter, as I circulate among the crowd, Being complete in itself and out for a good night out, A relief from factory, shop floor and market stall Running from the reality of the ward where my son Pounds the ledge with his fist and seems out to blast My very existence with words like bullets.
The need to anaesthetise the pain resurfaces Again and again.
In Leeds City Square where Pugin’s church, the Black Prince and the Central Post Office In its Edwardian grandeur are startled by the arching spumes Or white water fountains and the steel barricades of Novotel Rise from the ruins of a sixties office block.
I hurry past and join Boar Lane’s Friday crew From Keighley and Dewsbury’s mills, hesitating At the thought of being told I’m past my Sell-by-date and turned away by the West Indian Bouncers, black-suited and city-council badged Who checked my bag but smiled at ‘The Lights of Leeds’ and ‘Poets of Our Time’ tucked away as carefully as condoms- Was it guns or drugs they were after I wondered as I crossed the bare boards to the bar.
I stayed near the fruit machine which no-one played, Where the crowd was thickest, the noise drowned out the pain ‘Sex Bomb, Sex Bomb’ the chorus rang The girls joined in but the young men knew The words no more than me.
Dancing as we knew it In the sixties has gone, you do your own thing And follow the beat, hampered by my bag I just kept going, letting the music and the crowd Hold me, my camera eye moving in search, in search… What I’m searching for I don’t know Searching’s a way of life that has to grow "All of us who are patients here are searchers after truth" My son kept saying, his legs shaking from the side effects Of God-knows- what, pacing the tiny ward kitchen cum smoking room, Denouncing his ‘illegal section’ and ‘poisonous medication’ To an audience of one.
The prospect of TV, Seroxat and Diazepan fazed me: I was beyond unravelling Meltzer on differentiation Of self and object or Rosine Josef Perelberg on ‘Dreaming and Thinking’ Or even the simpler ‘Rise and Crisis of Psychoanalysis in the United States’ So I went out with West Yorkshire on a Friday night.
Nothing dramatic happened; perhaps I’m a little too used To acute wards or worse where chairs fly across rooms, Windows disintegrate and double doors are triple locked And every nurse carries a white panic button and black pager To pinpoint the moment’s crisis.
Normality was a bit of adrenaline, A wild therapy that drew me in, sanity had won the night.
"Are you on your own, love? Come and join us" People kept asking if I was alright and why I had that damned great shoulder bag.
I was introduced To three young men about to tie the knot, a handsome lothario In his midforties winked at me constantly, Dancing with practised ease with sixteen year olds Who all seemed to know him and determined to show him.
Three hours passed in as many minutes and then the crowds Disappeared to catch the last bus home.
The young aren’t As black as they are painted, one I danced with reminded me Of how Margaret would have been at sixteen With straw gold hair Yeats would have immortalised.
People seemed to guess I was haunted by an inner demon I’d tried to leave in the raftered lofts of City Square But failed to.
Girls from sixteen to twenty six kept grabbing me And making me dance and I found my teenage inhibitions Gone at sixty-one and wildly gyrated to ‘Sex Bomb, Sex Bomb’ Egged on by the throng by the fruit machine and continuous Thumbs-up signs from passing men.
I had to forgo A cheerful group of Aussies were intent on taking me clubbing "I’d get killed or turned into a pumpkin If I get home after midnight" I quipped to their delight But being there had somehow put things right.


Written by Alfred Lord Tennyson | Create an image from this poem

The Talking Oak

 Once more the gate behind me falls; 
Once more before my face 
I see the moulder'd Abbey-walls, 
That stand within the chace.
Beyond the lodge the city lies, Beneath its drift of smoke; And ah! with what delighted eyes I turn to yonder oak.
For when my passion first began, Ere that, which in me burn'd, The love, that makes me thrice a man, Could hope itself return'd; To yonder oak within the field I spoke without restraint, And with a larger faith appeal'd Than Papist unto Saint.
For oft I talk'd with him apart And told him of my choice, Until he plagiarized a heart, And answer'd with a voice.
Tho' what he whisper'd under Heaven None else could understand; I found him garrulously given, A babbler in the land.
But since I heard him make reply Is many a weary hour; 'Twere well to question him, and try If yet he keeps the power.
Hail, hidden to the knees in fern, Broad Oak of Sumner-chace, Whose topmost branches can discern The roofs of Sumner-place! Say thou, whereon I carved her name, If ever maid or spouse, As fair as my Olivia, came To rest beneath thy boughs.
--- "O Walter, I have shelter'd here Whatever maiden grace The good old Summers, year by year Made ripe in Sumner-chace: "Old Summers, when the monk was fat, And, issuing shorn and sleek, Would twist his girdle tight, and pat The girls upon the cheek, "Ere yet, in scorn of Peter's-pence, And number'd bead, and shrift, Bluff Harry broke into the spence And turn'd the cowls adrift: "And I have seen some score of those Fresh faces that would thrive When his man-minded offset rose To chase the deer at five; "And all that from the town would stroll, Till that wild wind made work In which the gloomy brewer's soul Went by me, like a stork: "The slight she-slips of royal blood, And others, passing praise, Straight-laced, but all-too-full in bud For puritanic stays: "And I have shadow'd many a group Of beauties, that were born In teacup-times of hood and hoop, Or while the patch was worn; "And, leg and arm with love-knots gay About me leap'd and laugh'd The modish Cupid of the day, And shrill'd his tinsel shaft.
"I swear (and else may insects prick Each leaf into a gall) This girl, for whom your heart is sick, Is three times worth them all.
"For those and theirs, by Nature's law, Have faded long ago; But in these latter springs I saw Your own Olivia blow, "From when she gamboll'd on the greens A baby-germ, to when The maiden blossoms of her teens Could number five from ten.
"I swear, by leaf, and wind, and rain, (And hear me with thine ears,) That, tho' I circle in the grain Five hundred rings of years--- "Yet, since I first could cast a shade, Did never creature pass So slightly, musically made, So light upon the grass: "For as to fairies, that will flit To make the greensward fresh, I hold them exquisitely knit, But far too spare of flesh.
" Oh, hide thy knotted knees in fern, And overlook the chace; And from thy topmost branch discern The roofs of Sumner-place.
But thou, whereon I carved her name, That oft hast heard my vows, Declare when last Olivia came To sport beneath thy boughs.
"O yesterday, you know, the fair Was holden at the town; Her father left his good arm-chair, And rode his hunter down.
"And with him Albert came on his.
I look'd at him with joy: As cowslip unto oxlip is, So seems she to the boy.
"An hour had past---and, sitting straight Within the low-wheel'd chaise, Her mother trundled to the gate Behind the dappled grays.
"But as for her, she stay'd at home, And on the roof she went, And down the way you use to come, She look'd with discontent.
"She left the novel half-uncut Upon the rosewood shelf; She left the new piano shut: She could not please herseif "Then ran she, gamesome as the colt, And livelier than a lark She sent her voice thro' all the holt Before her, and the park.
"A light wind chased her on the wing, And in the chase grew wild, As close as might be would he cling About the darling child: "But light as any wind that blows So fleetly did she stir, The flower, she touch'd on, dipt and rose, And turn'd to look at her.
"And here she came, and round me play'd, And sang to me the whole Of those three stanzas that you made About my Ôgiant bole;' "And in a fit of frolic mirth She strove to span my waist: Alas, I was so broad of girth, I could not be embraced.
"I wish'd myself the fair young beech That here beside me stands, That round me, clasping each in each, She might have lock'd her hands.
"Yet seem'd the pressure thrice as sweet As woodbine's fragile hold, Or when I feel about my feet The berried briony fold.
" O muffle round thy knees with fern, And shadow Sumner-chace! Long may thy topmost branch discern The roofs of Sumner-place! But tell me, did she read the name I carved with many vows When last with throbbing heart I came To rest beneath thy boughs? "O yes, she wander'd round and round These knotted knees of mine, And found, and kiss'd the name she found, And sweetly murmur'd thine.
"A teardrop trembled from its source, And down my surface crept.
My sense of touch is something coarse, But I believe she wept.
"Then flush'd her cheek with rosy light, She glanced across the plain; But not a creature was in sight: She kiss'd me once again.
"Her kisses were so close and kind, That, trust me on my word, Hard wood I am, and wrinkled rind, But yet my sap was stirr'd: "And even into my inmost ring A pleasure I discern'd, Like those blind motions of the Spring, That show the year is turn'd.
"Thrice-happy he that may caress The ringlet's waving balm--- The cushions of whose touch may press The maiden's tender palm.
"I, rooted here among the groves But languidly adjust My vapid vegetable loves With anthers and with dust: "For ah! my friend, the days were brief Whereof the poets talk, When that, which breathes within the leaf, Could slip its bark and walk.
"But could I, as in times foregone, From spray, and branch, and stem, Have suck'd and gather'd into one The life that spreads in them, "She had not found me so remiss; But lightly issuing thro', I would have paid her kiss for kiss, With usury thereto.
" O flourish high, with leafy towers, And overlook the lea, Pursue thy loves among the bowers But leave thou mine to me.
O flourish, hidden deep in fern, Old oak, I love thee well; A thousand thanks for what I learn And what remains to tell.
" ÔTis little more: the day was warm; At last, tired out with play, She sank her head upon her arm And at my feet she lay.
"Her eyelids dropp'd their silken eaves I breathed upon her eyes Thro' all the summer of my leaves A welcome mix'd with sighs.
"I took the swarming sound of life--- The music from the town--- The murmurs of the drum and fife And lull'd them in my own.
"Sometimes I let a sunbeam slip, To light her shaded eye; A second flutter'd round her lip Like a golden butterfly; "A third would glimmer on her neck To make the necklace shine; Another slid, a sunny fleck, From head to ankle fine, "Then close and dark my arms I spread, And shadow'd all her rest--- Dropt dews upon her golden head, An acorn in her breast.
"But in a pet she started up, And pluck'd it out, and drew My little oakling from the cup, And flung him in the dew.
"And yet it was a graceful gift--- I felt a pang within As when I see the woodman lift His axe to slay my kin.
"I shook him down because he was The finest on the tree.
He lies beside thee on the grass.
O kiss him once for me.
"O kiss him twice and thrice for me, That have no lips to kiss, For never yet was oak on lea Shall grow so fair as this.
' Step deeper yet in herb and fern, Look further thro' the chace, Spread upward till thy boughs discern The front of Sumner-place.
This fruit of thine by Love is blest, That but a moment lay Where fairer fruit of Love may rest Some happy future day.
I kiss it twice, I kiss it thrice, The warmth it thence shall win To riper life may magnetise The baby-oak within.
But thou, while kingdoms overset, Or lapse from hand to hand, Thy leaf shall never fail, nor yet Thine acorn in the land.
May never saw dismember thee, Nor wielded axe disjoint, That art the fairest-spoken tree From here to Lizard-point.
O rock upon thy towery-top All throats that gurgle sweet! All starry culmination drop Balm-dews to bathe thy feet! All grass of silky feather grow--- And while he sinks or swells The full south-breeze around thee blow The sound of minster bells.
The fat earth feed thy branchy root, That under deeply strikes! The northern morning o'er thee shoot, High up, in silver spikes! Nor ever lightning char thy grain, But, rolling as in sleep, Low thunders bring the mellow rain, That makes thee broad and deep! And hear me swear a solemn oath, That only by thy side Will I to Olive plight my troth, And gain her for my bride.
And when my marriage morn may fall, She, Dryad-like, shall wear Alternate leaf and acorn-ball In wreath about her hair.
And I will work in prose and rhyme, And praise thee more in both Than bard has honour'd beech or lime, Or that Thessalian growth, In which the swarthy ringdove sat, And mystic sentence spoke; And more than England honours that, Thy famous brother-oak, Wherein the younger Charles abode Till all the paths were dim, And far below the Roundhead rode, And humm'd a surly hymn.
Written by Barry Tebb | Create an image from this poem

LETTERS TO FRIENDS

 I


Eddie Linden

Dear Eddie we’ve not met

Except upon the written page 

And at your age the wonder 

Is that you write at all

When so many have gone under 

Or been split asunder by narcissistic humours

Blunder following blunder

Barker and Graham, godfathering my verse

Bearing me cloud-handed to Haworth moor

From my chained metropolitan moorings,

O hyaline March morning with Leeds

At its thrusting best, the thirsty beasts

Of night quenched as the furnaces

Of Hunslet where Hudswell Clarke’s locos

Rust in their skeletal sheds, rails skewed

To graveyards platforms and now instead

Skyscrapers circle the city, cranes, aeroplanes,

Electric trains but even they cannot hinder

Branches bursting with semen

Seraphic cloud sanctuaries shunting

Us homeward to the beckoning moors.
II Brenda Williams Leeds voices soothe the turbulence ‘Ey’ ‘sithee’ and ‘love’, lastingly lilt From cradle to grave, from backstreet On the social, our son, beat his way To Eton, Balliol, to Calcatta’s Shantiniketan And all the way back to a locked ward.
While I in the meantime fondly fiddled With rhyme and unreason, publishing pamphlets And Leeds Poetry Weekly while under the bane Of his tragic illness, poet and mother, You were driven from pillar to post By the taunting yobbery of your family And the crass insensitivity of wild therapy To the smoking dark of despair, Locked in your flat in the Abbey Road With seven cats and poetry.
O stop and strop your bladed darkness On the rock of ages while plangent tollings Mock your cradled rockings, knock by knock.
III Debjani Chatterjee In these doom-laden days You are steady as a pilot nursing tired ships homeward Through churning seas Where grey gulls scream Forlornly and for ever.
I am the red-neck, Bear-headed blaster Shifting sheer rock To rape the ore of poetry’s plunder Or bulldozing trees to glean mines of silver While you sail serenely onward Ever the diplomat’s daughter Toujours de la politesse.
IV Daisy Abey Daisy, dearest of all, safest And kindest, watcher and warner Of chaotic corners looming Round poetry’s boomerang bends I owe you most a letter While you are here beside me Patient as a miller waiting on wind To drive the great sails Through summer.
When the muse takes over I am snatched from order and duty Blowing routine into a riot of going And coming, blind, backwards, tip Over ****, sea waves crashing in suburbia, Saturnalia in Sutton, headlines of mad poet Striding naked over moors, roaring "I am here I am waiting".
V Jeremy Reed Niagaras of letters on pink sheets In sheaths of silver envelopes Mutually exchanged.
I open your missives Like undressing a girl in my teens Undoing the flap like a recalcitrant Bra strap, the letters stiff as nipples While I stroke the creviced folds Of amber and mauve and lick As I stick stamps like the ******** Of a reluctant virgin, urgent for Defloration and the pulse of ******.
Written by Robert Burns | Create an image from this poem

Tam OShanter

 A Tale

"Of Brownyis and of Bogilis full is this Buke.
" —Gawin Douglas.
When chapman billies leave the street, And drouthy neebors neebors meet, As market-days are wearing late, An' folk begin to tak' the gate; While we sit bousing at the nappy, An' getting fou and unco happy, We think na on the lang Scots miles, The mosses, waters, slaps, and stiles, That lie between us and our hame, Whare sits our sulky, sullen dame, Gathering her brows like gathering storm, Nursing her wrath to keep it warm.
This truth fand honest Tam o'Shanter, As he frae Ayr ae night did canter, (Auld Ayr, wham ne'er a town surpasses, For honest men and bonie lasses).
O Tam! hadst thou but been sae wise, As ta'en thy ain wife Kate's advice! She tauld thee weel thou was a skellum, A blethering, blustering, drunken blellum, That frae November till October, Ae market-day thou was nae sober; That ilka melder, wi' the miller, Thou sat as lang as thou had siller; That ev'ry naig was ca'd a shoe on, The smith and thee gat roarin fou on; That at the Lord's house, ev'n on Sunday, Thou drank wi' Kirkton Jean till Monday.
She prophesied that, late or soon, Thou would be found deep drowned in Doon; Or catched wi' warlocks in the mirk, By Alloway's auld haunted kirk.
Ah, gentle dames! it gars me greet, To think how mony counsels sweet, How mony lengthened sage advices, The husband frae the wife despises! But to our tale: Ae market-night, Tam had got planted unco right; Fast by an ingle, bleezing finely, Wi' reaming swats, that drank divinely; And at his elbow, Souter Johnny, His ancient, trusty, drouthy crony; Tam lo'ed him like a vera brither; They had been fou for weeks thegither.
The night drave on wi' sangs an' clatter; And aye the ale was growing better: The landlady and Tam grew gracious, Wi' favours, secret, sweet, and precious: The Souter tauld his queerest stories; The landlord's laugh was ready chorus: The storm without might rair and rustle, Tam did na mind the storm a whistle.
Care, mad to see a man sae happy, E'en drowned himself amang the nappy; As bees flee hame wi' lades o' treasure, The minutes winged their way wi' pleasure: Kings may be blest, but Tam was glorious, O'er a' the ills o' life victorious! But pleasures are like poppies spread, You seize the flow'r, its bloom is shed; Or like the snow falls in the river, A moment white—then melts for ever; Or like the borealis race, That flit ere you can point their place; Or like the rainbow's lovely form Evanishing amid the storm.
— Nae man can tether time or tide; The hour approaches Tam maun ride; That hour, o' night's black arch the key-stane, That dreary hour he mounts his beast in; And sic a night he tak's the road in, As ne'er poor sinner was abroad in.
The wind blew as 'twad blawn its last; The rattling showers rose on the blast; The speedy gleams the darkness swallowed; Loud, deep, and lang the thunder bellowed: That night, a child might understand, The De'il had business on his hand.
Weel mounted on his grey mare, Meg, A better never lifted leg, Tam skelpit on thro' dub and mire, Despising wind, and rain, and fire; Whiles holding fast his gude blue bonnet; Whiles crooning o'er some auld Scots sonnet; Whiles glow'rin round wi' prudent cares, Lest bogles catch him unawares; Kirk-Alloway was drawing nigh, Whare ghaists and houlets nightly cry.
By this time he was cross the ford, Whare in the snaw the chapman smoored; And past the birks and meikle stane, Whare drunken Charlie brak's neck-bane; And thro' the whins, and by the cairn, Whare hunters fand the murdered bairn; And near the thorn, aboon the well, Whare Mungo's mither hanged hersel'.
Before him Doon pours all his floods; The doubling storm roars thro' the woods; The lightnings flash from pole to pole; Near and more near the thunders roll; When, glimmering thro' the groaning trees, Kirk-Alloway seemed in a bleeze; Thro' ilka bore the beams were glancing; And loud resounded mirth and dancing.
Inspiring bold John Barleycorn! What dangers thou canst mak' us scorn! Wi' tippenny, we fear nae evil; Wi' usquabae, we'll face the devil! The swats sae reamed in Tammie's noddle, Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished, Till, by the heel and hand admonished, She ventured forward on the light; And, wow! Tam saw an unco sight! Warlocks and witches in a dance; Nae cotillion, brent new frae France, But hornpipes, jigs, strathspeys, and reels, Put life and mettle in their heels.
A winnock-bunker in the east, There sat auld Nick, in shape o' beast; A towzie tyke, black, grim, and large, To gie them music was his charge: He screwed the pipes and gart them skirl, Till roof and rafters a' did dirl.
— Coffins stood round, like open presses, That shawed the Dead in their last dresses; And by some devilish cantraip sleight Each in its cauld hand held a light, By which heroic Tam was able To note upon the haly table, A murderer's banes in gibbet-airns; Twa span-lang, wee, unchristened bairns; A thief, new-cutted frae a rape, Wi' his last gasp his gab did gape; Five tomahawks, wi' blude red-rusted; Five scimitars, wi' murder crusted; A garter, which a babe had strangled; A knife, a father's throat had mangled, Whom his ain son o' life bereft, The grey hairs yet stack to the heft; Wi' mair of horrible and awfu', Which even to name wad be unlawfu'.
As Tammie glowered, amazed and curious, The mirth and fun grew fast and furious: The Piper loud and louder blew; The dancers quick and quicker flew; They reeled, they set, they crossed, they cleekit, Till ilka carlin swat and reekit, And coost her duddies to the wark, And linket at it in her sark! Now Tam, O Tam! had they been queans, A' plump and strapping in their teens; Their sarks, instead o' creeshie flainen, Been snaw-white seventeen hunder linen!— Thir breeks o' mine, my only pair, That ance were plush, o' gude blue hair, I wad hae gi'en them off my hurdies, For ae blink o' the bonie burdies! But withered beldams, auld and droll, Rigwoodie hags wad spean a foal, Lowping and flinging on a crummock, I wonder didna turn thy stomach.
But Tam kenned what was what fu' brawlie: `There was ae winsome wench and waulie', That night enlisted in the core (Lang after kenned on Carrick shore; For mony a beast to dead she shot, And perished mony a bonie boat, And shook baith meikle corn and bear, And kept the country-side in fear); Her cutty sark, o' Paisley harn, That while a lassie she had worn, In longitude tho' sorely scanty, It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie, That sark she coft for her wee Nannie, Wi' twa pund Scots ('twas a' her riches), Wad ever graced a dance of witches! But here my Muse her wing maun cour, Sic flights are far beyond her power; To sing how Nannie lap and flang, (A souple jade she was and strang), And how Tam stood, like ane bewitched, And thought his very een enriched; Even Satan glowered, and fidged fu' fain, And hotched and blew wi' might and main: Till first ae caper, syne anither, Tam tint his reason a' thegither, And roars out, "Weel done, Cutty-sark!" And in an instant all was dark: And scarcely had he Maggie rallied, When out the hellish legion sallied.
As bees bizz out wi' angry fyke, When plundering herds assail their byke; As open pussie's mortal foes, When, pop! she starts before their nose; As eager runs the market-crowd, When "Catch the thief!" resounds aloud; So Maggie runs, the witches follow, Wi' mony an eldritch screech and hollow.
Ah, Tam! ah, Tam! thou'll get thy fairin! In hell they'll roast thee like a herrin! In vain thy Kate awaits thy comin! Kate soon will be a woefu' woman! Now, do thy speedy utmost, Meg, And win the key-stane of the brig; There at them thou thy tail may toss, A running stream they dare na cross.
But ere the key-stane she could make, The fient a tail she had to shake! For Nannie, far before the rest, Hard upon noble Maggie prest, And flew at Tam wi' furious ettle; But little wist she Maggie's mettle— Ae spring brought off her master hale, But left behind her ain grey tail: The carlin claught her by the rump, And left poor Maggie scarce a stump.
Now, wha this tale o' truth shall read, Ilk man and mother's son, take heed: Whene'er to drink you are inclined, Or cutty-sarks run in your mind, Think, ye may buy the joys o'er dear, Remember Tam o'Shanter's mare.
Written by John Davidson | Create an image from this poem

Thirty Bob a Week

 I couldn't touch a stop and turn a screw,
And set the blooming world a-work for me,
Like such as cut their teeth -- I hope, like you --
On the handle of a skeleton gold key;
I cut mine on a leek, which I eat it every week:
I'm a clerk at thirty bob as you can see.
But I don't allow it's luck and all a toss; There's no such thing as being starred and crossed; It's just the power of some to be a boss, And the bally power of others to be bossed: I face the music, sir; you bet I ain't a cur; Strike me lucky if I don't believe I'm lost! For like a mole I journey in the dark, A-travelling along the underground From my Pillar'd Halls and broad Suburbean Park, To come the daily dull official round; And home again at night with my pipe all alight, A-scheming how to count ten bob a pound.
And it's often very cold and very wet, And my missus stitches towels for a hunks; And the Pillar'd Halls is half of it to let-- Three rooms about the size of travelling trunks.
And we cough, my wife and I, to dislocate a sigh, When the noisy little kids are in their bunks.
But you never hear her do a growl or whine, For she's made of flint and roses, very odd; And I've got to cut my meaning rather fine, Or I'd blubber, for I'm made of greens and sod: So p'r'haps we are in Hell for all that I can tell, And lost and damn'd and served up hot to God.
I ain't blaspheming, Mr.
Silver-tongue; I'm saying things a bit beyond your art: Of all the rummy starts you ever sprung, Thirty bob a week's the rummiest start! With your science and your books and your the'ries about spooks, Did you ever hear of looking in your heart? I didn't mean your pocket, Mr.
, no: I mean that having children and a wife, With thirty bob on which to come and go, Isn't dancing to the tabor and the fife: When it doesn't make you drink, by Heaven! it makes you think, And notice curious items about life.
I step into my heart and there I meet A god-almighty devil singing small, Who would like to shout and whistle in the street, And squelch the passers flat against the wall; If the whole world was a cake he had the power to take, He would take it, ask for more, and eat them all.
And I meet a sort of simpleton beside, The kind that life is always giving beans; With thirty bob a week to keep a bride He fell in love and married in his teens: At thirty bob he stuck; but he knows it isn't luck: He knows the seas are deeper than tureens.
And the god-almighty devil and the fool That meet me in the High Street on the strike, When I walk about my heart a-gathering wool, Are my good and evil angels if you like.
And both of them together in every kind of weather Ride me like a double-seated bike.
That's rough a bit and needs its meaning curled.
But I have a high old hot un in my mind -- A most engrugious notion of the world, That leaves your lightning 'rithmetic behind: I give it at a glance when I say 'There ain't no chance, Nor nothing of the lucky-lottery kind.
' And it's this way that I make it out to be: No fathers, mothers, countres, climates -- none; Not Adam was responsible for me, Nor society, nor systems, nary one: A little sleeping seed, I woke -- I did, indeed -- A million years before the blooming sun.
I woke because I thought the time had come; Beyond my will there was no other cause; And everywhere I found myself at home, Because I chose to be the thing I was; And in whatever shape of mollusc or of ape I always went according to the laws.
I was the love that chose my mother out; I joined two lives and from the union burst; My weakness and my strength without a doubt Are mine alone for ever from the first: It's just the very same with a difference in the name As 'Thy will be done.
' You say it if you durst! They say it daily up and down the land As easy as you take a drink, it's true; But the difficultest go to understand, And the difficultest job a man can do, Is to come it brave and meek with thirty bob a week, And feel that that's the proper thing for you.
It's a naked child against a hungry wolf; It's playing bowls upon a splitting wreck; It's walking on a string across a gulf With millstones fore-and-aft about your neck; But the thing is daily done by many and many a one; And we fall, face forward, fighting, on the deck.


Written by Robert Burns | Create an image from this poem

310. Tam o' Shanter: A Tale

 WHEN chapman billies leave the street,
And drouthy neibors, neibors, meet;
As market days are wearing late,
And folk begin to tak the gate,
While we sit bousing at the nappy,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps and stiles,
That lie between us and our hame,
Where sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.
This truth fand honest TAM O’ SHANTER, As he frae Ayr ae night did canter: (Auld Ayr, wham ne’er a town surpasses, For honest men and bonie lasses).
O Tam! had’st thou but been sae wise, As taen thy ain wife Kate’s advice! She tauld thee weel thou was a skellum, A blethering, blustering, drunken blellum; That frae November till October, Ae market-day thou was na sober; That ilka melder wi’ the Miller, Thou sat as lang as thou had siller; That ev’ry naig was ca’d a shoe on The Smith and thee gat roarin’ fou on; That at the L—d’s house, ev’n on Sunday, Thou drank wi’ Kirkton Jean till Monday, She prophesied that late or soon, Thou wad be found, deep drown’d in Doon, Or catch’d wi’ warlocks in the mirk, By Alloway’s auld, haunted kirk.
Ah, gentle dames! it gars me greet, To think how mony counsels sweet, How mony lengthen’d, sage advices, The husband frae the wife despises! But to our tale:—Ae market night, Tam had got planted unco right, Fast by an ingle, bleezing finely, Wi reaming sAats, that drank divinely; And at his elbow, Souter Johnie, His ancient, trusty, drougthy crony: Tam lo’ed him like a very brither; They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter; And aye the ale was growing better: The Landlady and Tam grew gracious, Wi’ favours secret, sweet, and precious: The Souter tauld his queerest stories; The Landlord’s laugh was ready chorus: The storm without might rair and rustle, Tam did na mind the storm a whistle.
Care, mad to see a man sae happy, E’en drown’d himsel amang the nappy.
As bees flee hame wi’ lades o’ treasure, The minutes wing’d their way wi’ pleasure: Kings may be blest, but Tam was glorious, O’er a’ the ills o’ life victorious! But pleasures are like poppies spread, You seize the flow’r, its bloom is shed; Or like the snow falls in the river, A moment white—then melts for ever; Or like the Borealis race, That flit ere you can point their place; Or like the Rainbow’s lovely form Evanishing amid the storm.
— Nae man can tether Time nor Tide, The hour approaches Tam maun ride; That hour, o’ night’s black arch the key-stane, That dreary hour he mounts his beast in; And sic a night he taks the road in, As ne’er poor sinner was abroad in.
The wind blew as ’twad blawn its last; The rattling showers rose on the blast; The speedy gleams the darkness swallow’d; Loud, deep, and lang, the thunder bellow’d: That night, a child might understand, The deil had business on his hand.
Weel-mounted on his grey mare, Meg, A better never lifted leg, Tam skelpit on thro’ dub and mire, Despising wind, and rain, and fire; Whiles holding fast his gude blue bonnet, Whiles crooning o’er some auld Scots sonnet, Whiles glow’rin round wi’ prudent cares, Lest bogles catch him unawares; Kirk-Alloway was drawing nigh, Where ghaists and houlets nightly cry.
By this time he was cross the ford, Where in the snaw the chapman smoor’d; And past the birks and meikle stane, Where drunken Charlie brak’s neck-bane; And thro’ the whins, and by the cairn, Where hunters fand the murder’d bairn; And near the thorn, aboon the well, Where Mungo’s mither hang’d hersel’.
Before him Doon pours all his floods, The doubling storm roars thro’ the woods, The lightnings flash from pole to pole, Near and more near the thunders roll, When, glimmering thro’ the groaning trees, Kirk-Alloway seem’d in a bleeze, Thro’ ilka bore the beams were glancing, And loud resounded mirth and dancing.
Inspiring bold John Barleycorn! What dangers thou canst make us scorn! Wi’ tippenny, we fear nae evil; Wi’ usquabae, we’ll face the devil! The swats sae ream’d in Tammie’s noddle, Fair play, he car’d na deils a boddle, But Maggie stood, right sair astonish’d, Till, by the heel and hand admonish’d, She ventur’d forward on the light; And, wow! Tam saw an unco sight! Warlocks and witches in a dance: Nae cotillon, brent new frae France, But hornpipes, jigs, strathspeys, and reels, Put life and mettle in their heels.
A winnock-bunker in the east, There sat auld Nick, in shape o’ beast; A towzie tyke, black, grim, and large, To gie them music was his charge: He screw’d the pipes and gart them skirl, Till roof and rafters a’ did dirl.
— Coffins stood round, like open presses, That shaw’d the Dead in their last dresses; And (by some devilish cantraip sleight) Each in its cauld hand held a light.
By which heroic Tam was able To note upon the haly table, A murderer’s banes, in gibbet-airns; Twa span-lang, wee, unchristened bairns; A thief, new-cutted frae a rape, Wi’ his last gasp his gabudid gape; Five tomahawks, wi’ blude red-rusted: Five scimitars, wi’ murder crusted; A garter which a babe had strangled: A knife, a father’s throat had mangled.
Whom his ain son of life bereft, The grey-hairs yet stack to the heft; Wi’ mair of horrible and awfu’, Which even to name wad be unlawfu’.
As Tammie glowr’d, amaz’d, and curious, The mirth and fun grew fast and furious; The Piper loud and louder blew, The dancers quick and quicker flew, The reel’d, they set, they cross’d, they cleekit, Till ilka carlin swat and reekit, And coost her duddies to the wark, And linkit at it in her sark! Now Tam, O Tam! had they been queans, A’ plump and strapping in their teens! Their sarks, instead o’ creeshie flainen, Been snaw-white seventeen hunder linen!— Thir breeks o’ mine, my only pair, That ance were plush o’ guid blue hair, I wad hae gien them off my hurdies, For ae blink o’ the bonie burdies! But wither’d beldams, auld and droll, Rigwoodie hags wad spean a foal, Louping an’ flinging on a crummock.
I wonder did na turn thy stomach.
But Tam kent what was what fu’ brawlie: There was ae winsome wench and waulie That night enlisted in the core, Lang after ken’d on Carrick shore; (For mony a beast to dead she shot, And perish’d mony a bonie boat, And shook baith meikle corn and bear, And kept the country-side in fear); Her cutty sark, o’ Paisley harn, That while a lassie she had worn, In longitude tho’ sorely scanty, It was her best, and she was vauntie.
Ah! little ken’d thy reverend grannie, That sark she coft for her wee Nannie, Wi twa pund Scots (’twas a’ her riches), Wad ever grac’d a dance of witches! But here my Muse her wing maun cour, Sic flights are far beyond her power; To sing how Nannie lap and flang, (A souple jade she was and strang), And how Tam stood, like ane bewithc’d, And thought his very een enrich’d: Even Satan glowr’d, and fidg’d fu’ fain, And hotch’d and blew wi’ might and main: Till first ae caper, syne anither, Tam tint his reason a thegither, And roars out, “Weel done, Cutty-sark!” And in an instant all was dark: And scarcely had he Maggie rallied.
When out the hellish legion sallied.
As bees bizz out wi’ angry fyke, When plundering herds assail their byke; As open pussie’s mortal foes, When, pop! she starts before their nose; As eager runs the market-crowd, When “Catch the thief!” resounds aloud; So Maggie runs, the witches follow, Wi’ mony an eldritch skreich and hollow.
Ah, Tam! Ah, Tam! thou’ll get thy fairin! In hell, they’ll roast thee like a herrin! In vain thy Kate awaits thy comin! Kate soon will be a woefu’ woman! Now, do thy speedy-utmost, Meg, And win the key-stone o’ the brig; There, at them thou thy tail may toss, A running stream they dare na cross.
But ere the keystane she could make, The fient a tail she had to shake! For Nannie, far before the rest, Hard upon noble Maggie prest, And flew at Tam wi’ furious ettle; But little wist she Maggie’s mettle! Ae spring brought off her master hale, But left behind her ain grey tail: The carlin claught her by the rump, And left poor Maggie scarce a stump.
Now, wha this tale o’ truth shall read, Ilk man and mother’s son, take heed: Whene’er to Drink you are inclin’d, Or Cutty-sarks rin in your mind, Think ye may buy the joys o’er dear; Remember Tam o’ Shanter’s mare.
Written by Ogden Nash | Create an image from this poem

The Romantic Age

 This one is entering her teens,
Ripe for sentimental scenes,
Has picked a gangling unripe male,
Sees herself in bridal veil,
Presses lips and tosses head,
Declares she's not too young to wed,
Informs you pertly you forget
Romeo and Juliet.
Do not argue, do not shout; Remind her how that one turned out.
Written by Oliver Wendell Holmes | Create an image from this poem

Bill and Joe

 COME, dear old comrade, you and I
Will steal an hour from days gone by,
The shining days when life was new,
And all was bright with morning dew,
The lusty days of long ago,
When you were Bill and I was Joe.
Your name may flaunt a titled trail Proud as a cockerel's rainbow tail, And mine as brief appendix wear As Tam O'Shanter's luckless mare; To-day, old friend, remember still That I am Joe and you are Bill.
You've won the great world's envied prize, And grand you look in people's eyes, With H O N.
and L L.
D.
In big brave letters, fair to see,-- Your fist, old fellow! off they go!-- How are you, Bill? How are you, Joe? You've worn the judge's ermined robe; You've taught your name to half the globe; You've sung mankind a deathless strain; You've made the dead past live again: The world may call you what it will, But you and I are Joe and Bill.
The chaffing young folks stare and say "See those old buffers, bent and gray,-- They talk like fellows in their teens Mad, poor old boys! That's what it means,"-- And shake their heads; they little know The throbbing hearts of Bill and Joe!-- How Bill forgets his hour of pride, While Joe sits smiling at his side; How Joe, in spite of time's disguise, Finds the old schoolmate in his eyes,-- Those calm, stern eyes that melt and fill As Joe looks fondly up at Bill.
Ah, pensive scholar, what is fame? A fitful tongue of leaping flame; A giddy whirlwind's fickle gust, That lifts a pinch of mortal dust; A few swift years, and who can show Which dust was Bill and which was Joe? The weary idol takes his stand, Holds out his bruised and aching hand, While gaping thousands come and go,-- How vain it seems, this empty show! Till all at once his pulses thrill;-- 'T is poor old Joe's "God bless you, Bill!" And shall we breathe in happier spheres The names that pleased our mortal ears; In some sweet lull of harp and song For earth-born spirits none too long, Just whispering of the world below Where this was Bill and that was Joe? No matter; while our home is here No sounding name is half so dear; When fades at length our lingering day, Who cares what pompous tombstones say? Read on the hearts that love us still, Hic jacet Joe.
Hic jacet Bill.
Written by Marilyn L Taylor | Create an image from this poem

Again

 The children are back, the children are back—
They’ve come to take refuge, exhale and unpack;
The marriage has faltered, the job has gone bad,
Come open the door for them, Mother and Dad.
The city apartment is leaky and cold, The landlord lascivious, greedy and old— The mattress is lumpy, the oven’s encrusted, The freezer, the fan, and the toilet have rusted.
The company caved, the boss went broke, The job and the love-affair, all up in smoke.
The anguish of loneliness comes as a shock— O heart in the doldrums, O heart in hock.
And so they return with their piles of possessions, Their terrified cats and their mournful expressions Reclaiming the bedrooms they had in their teens, Clean towels, warm comforter, glass figurines.
Downstairs in the kitchen the father and mother Don’t say a word, but they look at each other As down the hill comes Jill, comes Jack.
The children are back.
The children are back.
Written by Paul Laurence Dunbar | Create an image from this poem

THE SPELLIN'-BEE

I never shall furgit that night when father hitched up Dobbin,
An' all us youngsters clambered in an' down the road went bobbin'
To school where we was kep' at work in every kind o' weather,
But where that night a spellin'-bee was callin' us together.
'Twas one o' Heaven's banner nights, the stars was all a glitter,
The moon was shinin' like the hand o' God had jest then lit her.[Pg 43]
The ground was white with spotless snow, the blast was sort o' stingin';
But underneath our round-abouts, you bet our hearts was singin'.
That spellin'-bee had be'n the talk o' many a precious moment,
The youngsters all was wild to see jes' what the precious show meant,
An' we whose years was in their teens was little less desirous
O' gittin' to the meetin' so 's our sweethearts could admire us.
So on we went so anxious fur to satisfy our mission
That father had to box our ears, to smother our ambition.
But boxin' ears was too short work to hinder our arrivin',
He jest turned roun' an' smacked us all, an' kep' right on a-drivin'.
Well, soon the schoolhouse hove in sight, the winders beamin' brightly;
The sound o' talkin' reached our ears, and voices laffin' lightly.
It puffed us up so full an' big 'at I 'll jest bet a dollar,
There wa'n't a feller there but felt the strain upon his collar.
So down we jumped an' in we went ez sprightly ez you make 'em,
But somethin' grabbed us by the knees an' straight began to shake 'em.
Fur once within that lighted room, our feelin's took a canter,
An' scurried to the zero mark ez quick ez Tam O'Shanter.
'Cause there was crowds o' people there, both sexes an' all stations;
It looked like all the town had come an' brought all their relations.
The first I saw was Nettie Gray, I thought that girl was dearer
'N' gold; an' when I got a chance, you bet I aidged up near her.
An' Farmer Dobbs's girl was there, the one 'at Jim was sweet on,
An' Cyrus Jones an' Mandy Smith an' Faith an' Patience Deaton.
Then Parson Brown an' Lawyer Jones were present—all attention,
An' piles on piles of other folks too numerous to mention.
The master rose an' briefly said: "Good friends, dear brother Crawford,
To spur the pupils' minds along, a little prize has offered.
To him who spells the best to-night—or 't may be 'her'—no tellin'[Pg 44]—
He offers ez a jest reward, this precious work on spellin'."
A little blue-backed spellin'-book with fancy scarlet trimmin';
We boys devoured it with our eyes—so did the girls an' women.
He held it up where all could see, then on the table set it,
An' ev'ry speller in the house felt mortal bound to get it.
At his command we fell in line, prepared to do our dooty,
Outspell the rest an' set 'em down, an' carry home the booty.
'T was then the merry times began, the blunders, an' the laffin',
The nudges an' the nods an' winks an' stale good-natured chaffin'.
Ole Uncle Hiram Dane was there, the clostest man a-livin',
Whose only bugbear seemed to be the dreadful fear o' givin'.
His beard was long, his hair uncut, his clothes all bare an' dingy;
It wasn't 'cause the man was pore, but jest so mortal stingy;
An' there he sot by Sally Riggs a-smilin' an' a-smirkin',
An' all his children lef' to home a diggin' an' a-workin'.
A widower he was, an' Sal was thinkin' 'at she 'd wing him;
I reckon he was wond'rin' what them rings o' hern would bring him.
An' when the spellin'-test commenced, he up an' took his station,
A-spellin' with the best o' them to beat the very nation.
An' when he 'd spell some youngster down, he 'd turn to look at Sally,
An' say: "The teachin' nowadays can't be o' no great vally."
But true enough the adage says, "Pride walks in slipp'ry places,"
Fur soon a thing occurred that put a smile on all our faces.
The laffter jest kep' ripplin' 'roun' an' teacher could n't quell it,
Fur when he give out "charity" ole Hiram could n't spell it.
But laffin' 's ketchin' an' it throwed some others off their bases,
An' folks 'u'd miss the very word that seemed to fit their cases.
Why, fickle little Jessie Lee come near the house upsettin'
By puttin' in a double "kay" to spell the word "coquettin'."
An' when it come to Cyrus Jones, it tickled me all over—
Him settin' up to Mandy Smith an' got sot down on "lover."[Pg 45]
But Lawyer Jones of all gone men did shorely look the gonest,
When he found out that he 'd furgot to put the "h" in "honest."
An' Parson Brown, whose sermons were too long fur toleration,
Caused lots o' smiles by missin' when they give out "condensation."
So one by one they giv' it up—the big words kep' a-landin',
Till me an' Nettie Gray was left, the only ones a-standin',
An' then my inward strife began—I guess my mind was petty—
I did so want that spellin'-book; but then to spell down Nettie
Jest sort o' went ag'in my grain—I somehow could n't do it,
An' when I git a notion fixed, I 'm great on stickin' to it.
So when they giv' the next word out—I had n't orter tell it,
But then 't was all fur Nettie's sake—I missed so's she could spell it.
She spelt the word, then looked at me so lovin'-like an' mello',
I tell you 't sent a hunderd pins a shootin' through a fello'.
O' course I had to stand the jokes an' chaffin' of the fello's,
But when they handed her the book I vow I was n't jealous.
We sung a hymn, an' Parson Brown dismissed us like he orter,
Fur, la! he 'd learned a thing er two an' made his blessin' shorter.
'T was late an' cold when we got out, but Nettie liked cold weather,
An' so did I, so we agreed we 'd jest walk home together.
We both wuz silent, fur of words we nuther had a surplus,
'Till she spoke out quite sudden like, "You missed that word on purpose."
Well, I declare it frightened me; at first I tried denyin',
But Nettie, she jest smiled an' smiled, she knowed that I was lyin'.
Sez she: "That book is yourn by right;" sez I: "It never could be—
I—I—you—ah—" an' there I stuck, an' well she understood me.
So we agreed that later on when age had giv' us tether,
We 'd jine our lots an' settle down to own that book together.[Pg 46]

Book: Reflection on the Important Things