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Best Famous Tampa Poems

Here is a collection of the all-time best famous Tampa poems. This is a select list of the best famous Tampa poetry. Reading, writing, and enjoying famous Tampa poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of tampa poems.

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Written by Philip Levine | Create an image from this poem

The Negatives

 On March 1, 1958, four deserters from the French Army of North Africa, 
August Rein, Henri Bruette, Jack Dauville, & Thomas Delain, robbed a 
government pay station at Orleansville. Because of the subsequent 
confession of Dauville the other three were captured or shot. Dauville 
was given his freedom and returned to the land of his birth, the U.S.A.

AUGUST REIN: 
from a last camp near St. Remy

 I dig in the soft earth all 
 afternoon, spacing the holes 
 a foot or so from the wall. 
 Tonight we eat potatoes, 
 tomorrow rice and carrots. 
 The earth here is like the earth 
 nowhere, ancient with wood rot. 
 How can anything come forth, 

 I wonder; and the days are 
 all alike, if there is more 
 than one day. If there is more 
 of this I will not endure. 
 I have grown so used to being 
 watched I can no longer sleep 
 without my watcher. The thing 
 I fought against, the dark cape, 

 crimsoned with terror that 
 I so hated comforts me now. 
 Thomas is dead; insanity, 
 prison, cowardice, or slow 
 inner capitulation 
 has found us all, and all men 
 turn from us, knowing our pain 
 is not theirs or caused by them.

HENRI BRUETTE: 
from a hospital in Algiers

 Dear Suzanne: this letter will 
 not reach you because I can't 
 write it; I have no pencil, 
 no paper, only the blunt 
 end of my anger. My dear, 
 if I had words how could I 
 report the imperfect failure 
 for which I began to die? 

 I might begin by saying 
 that it was for clarity, 
 though I did not find it in 
 terror: dubiously 
 entered each act, unsure 
 of who I was and what I 
 did, touching my face for fear 
 I was another inside 

 my head I played back pictures 
 of my childhood, of my wife 
 even, for it was in her 
 I found myself beaten, safe, 
 and furthest from the present. 
 It is her face I see now 
 though all I say is meant 
 for you, her face in the slow 

 agony of sexual 
 release. I cannot see you. 
 The dark wall ribbed with spittle 
 on which I play my childhood 
 brings me to this bed, mastered 
 by what I was, betrayed by 
 those I trusted. The one word 
 my mouth must open to is why.

JACK DAUVILLE: 
from a hotel in Tampa, Florida

 From Orleansville we drove 
 south until we reached the hills, 
 then east until 
 the road stopped. I was nervous 
 and couldn't eat. Thomas took 
 over, told us when to think 
 and when to ****. 
 We turned north and reached Blida 
 by first dawn and the City 

 by morning, having dumped our 
 weapons beside an empty 
 road. We were free. 
 We parted, and to this hour 
 I haven't seen them, except 
 in photographs: the black hair 
 and torn features 
 of Thomas Delain captured 
 a moment before his death 

 on the pages of the world, 
 smeared in the act. I tortured 
 myself with their 
 betrayal: alone I hurled 
 them into freedom, inner 
 freedom which I can't find 
 nor ever will 
 until they are dead. In my mind 
 Delain stands against the wall 

 precise in detail, steadied 
 for the betrayal. "La France 
 C'Est Moi," he cried, 
 but the irony was lost. Since 
 I returned to the U.S. 
 nothing goes well. I stay up 
 too late, don't sleep, 
 and am losing weight. Thomas, 
 I say, is dead, but what use 

 telling myself what I won't 
 believe. The hotel quiets 
 early at night, 
 the aged brace themselves for 
 another sleep, and offshore 
 the sea quickens its pace. I 
 am suddenly 
 old, caught in a strange country 
 for which no man would die.

THOMAS DELAIN: 
from a journal found on his person

 At night wakened by the freight 
 trains boring through the suburbs 
 of Lyon, I watched first light 
 corrode the darkness, disturb 
 what little wildlife was left 
 in the alleys: birds moved from 
 branch to branch, and the dogs leapt 
 at the garbage. Winter numbed 
 even the hearts of the young 
 who had only their hearts. We 
 heard the war coming; the long 
 wait was over, and we moved 
 along the crowded roads south 
 not looking for what lost loves 
 fell by the roadsides. To flee 
 at all cost, that was my youth. 

 Here in the African night 
 wakened by what I do not 
 know and shivering in the heat, 
 listen as the men fight 
 with sleep. Loosed from their weapons 
 they cry out, frightened and young, 
 who have never been children. 
 Once merely to be strong, 
 to live, was moral. Within 
 these uniforms we accept 
 the evil we were chosen 
 to deliver, and no act 
 human or benign can free 
 us from ourselves. Wait, sleep, blind 
 soldiers of a blind will, and 
 listen for that old command 
 dreaming of authority.


Written by Ogden Nash | Create an image from this poem

Come On In The Senility Is Fine

 People live forever in Jacksonville and St. Petersburg and Tampa,
But you don't have to live forever to become a grampa.
The entrance requirements for grampahood are comparatively mild,
You only have to live until your child has a child.
From that point on you start looking both ways over your shoulder,
Because sometimes you feel thirty years younger and sometimes
thirty years older.
Now you begin to realize who it was that reached the height of
imbecility,
It was whoever said that grandparents have all the fun and none of
the responsibility.
This is the most enticing spiderwebs of a tarradiddle ever spun,
Because everybody would love to have a baby around who was no
responsibility and lots of fun,
But I can think of no one but a mooncalf or a gaby
Who would trust their own child to raise a baby.
So you have to personally superintend your grandchild from diapers
to pants and from bottle to spoon,
Because you know that your own child hasn't sense enough to come
in out of a typhoon.
You don't have to live forever to become a grampa, but if you do
want to live forever,
Don't try to be clever;
If you wish to reach the end of the trail with an uncut throat,
Don't go around saying Quote I don't mind being a grampa but I
hate being married to a gramma Unquote.
Written by David Berman | Create an image from this poem

Governors On Sominex

 It had been four days of no weather
as if nature had conceded its genius to the indoors.

They'd closed down the Bureau of Sad Endings
and my wife sat on the couch and read the paper out loud.

The evening edition carried the magic death of a child
backlit by a construction site sunrise on its front page.

I kept my back to her and fingered the items on the mantle.

Souvenirs only reminded you of buying them.

* * *

The moon hung solid over the boarded-up Hobby Shop.

P.K. was in the precinct house, using his one phone call
to dedicate a song to Tammy, for she was the light
by which he traveled into this and that

And out in the city, out in the wide readership,
his younger brother was kicking an ice bucket
in the woods behind the Marriott,

his younger brother who was missing that part of the brain
that allows you to make out with your pillow.

Poor kid.

It was the light in things that made them last.

* * *

Tammy called her caseworker from a closed gas station
to relay ideas unaligned with the world we loved.

The tall grass bent in the wind like tachometer needles
and he told her to hang in there, slowly repeating
the number of the Job Info Line.

She hung up and glared at the Killbuck Sweet Shoppe.
The words that had been running through her head,
"employees must wash hands before returning to work,"
kept repeating and the sky looked dead.

* * *

Hedges formed the long limousine a Tampa sky could die behind.
A sailor stood on the wharf with a clipper ship
reflected on the skin of the bell pepper he held.

He'd had mouthwash at the inn and could still feel
the ice blue carbon pinwheels spinning in his mouth.

There were no new ways to understand the world,
only new days to set our understandings against.

Through the lanes came virgins in tennis shoes,
their hair shining like videotape,

singing us into a kind of sleep we hadn't tried yet.

Each page was a new chance to understand the last.

And somehow the sea was always there to make you feel stupid.
Written by Philip Levine | Create an image from this poem

Salts And Oils

 In Havana in 1948 I ate fried dog
believing it was Peking duck. Later,
in Tampa I bunked with an insane sailor
who kept a .38 Smith and Wesson in his shorts.
In the same room were twins, oilers
from Toledo, who argued for hours
each night whose turn it was
to get breakfast and should he turn
the eggs or not. On the way north
I lived for three days on warm water
in a DC-6 with a burned out radio
on the runway at Athens, Georgia. We sang
a song, "Georgia's Big Behind," and prayed
for WWIII and complete, unconditional surrender.
Napping in an open field near Newport News,
I chewed on grass while the shadows of September
lengthened; in the distance a man hammered
on the roof of a hangar and groaned how he
was out of luck and vittles. Bummed a ride
in from Mitchell Field and had beet borscht
and white bread at 34th and 8th Avenue.
I threw up in the alley behind the YMCA
and slept until they turned me out.
I walked the bridge to Brooklyn
while the East River browned below.
A mile from Ebbetts Field, from all
that history, I found Murray, my papa's
buddy, in his greasy truck shop, polishing
replacement parts. Short, unshaven, puffed,
he strutted the filthy aisles,
a tiny Ghengis Khan. He sent out for soup
and sandwiches. The world turned on barley,
pickled meats, yellow mustard, kasha,
rye breads. It rained in October, rained
so hard I couldn't walk and smoke, so I
chewed pepsin chewing gum. The rain
spoiled Armistice Day in Lancaster, Pa.
The open cars overflowed, girls cried,
the tubas and trombones went dumb,
the floral displays shredded, the gutters
clogged with petals. Afterwards had ham
on buttered whole-wheat bread, ham
and butter for the first time
on the same day in Zanesville with snow
forecast, snow, high winds, closed roads,
solid darkness before 5 p.m. These were not
the labors of Hercules, these were not
of meat or moment to anyone but me
or destined for story or to learn from
or to make me fit to take the hand
of a toad or a toad princess or to stand
in line for food stamps. One quiet morning
at the end of my thirteenth year a little bird
with a dark head and tattered tail feathers
had come to the bedroom window and commanded
me to pass through the winding miles
of narrow dark corridors and passageways
of my growing body the filth and glory
of the palatable world. Since then I've
been going out and coming back
the way a swallow does with unerring grace
and foreknowledge because all of this
was prophesied in the final, unread book
of the Midrash and because I have to
grow up and because it pleases me.
Written by Sidney Lanier | Create an image from this poem

Tampa Robins

 The robin laughed in the orange-tree:
"Ho, windy North, a fig for thee:
While breasts are red and wings are bold
And green trees wave us globes of gold,
Time's scythe shall reap but bliss for me
-- Sunlight, song, and the orange-tree.

Burn, golden globes in leafy sky,
My orange-planets: crimson I
Will shine and shoot among the spheres
(Blithe meteor that no mortal fears)
And thrid the heavenly orange-tree
With orbits bright of minstrelsy.

If that I hate wild winter's spite --
The gibbet trees, the world in white,
The sky but gray wind over a grave --
Why should I ache, the season's slave?
I'll sing from the top of the orange-tree
`Gramercy, winter's tyranny.'

I'll south with the sun, and keep my clime;
My wing is king of the summer-time;
My breast to the sun his torch shall hold;
And I'll call down through the green and gold
`Time, take thy scythe, reap bliss for me,
Bestir thee under the orange-tree.'"



Book: Reflection on the Important Things