Written by
Etheridge Knight |
Exchange in greed the ungraceful signs.
Thrust
The thick notes between green apple breasts.
Then the shadow of the devil descends,
The violent space cries and angel eyes,
Large and dark, retreat in innocence and in ice.
(Run sister run—the Bugga man comes!)
The violent space cries silently,
Like you cried wide years ago
In another space, speckled by the sun
And the leaves of a green plum tree,
And you were stung
By a red wasp and we flew home.
(Run sister run—the Bugga man comes!)
Well, hell, lil sis, wasps still sting.
You are all of seventeen and as alone now
In your pain as you were with the sting
On your brow.
Well, ****.
lil sis, here we are:
You and I and this poem.
And what should I do? should I squat
In the dust and make strange markings on the ground?
Shall I chant a spell to drive the demon away?
(Run sister run—the Bugga man comes!)
In the beginning you were the Virgin Mary,
And you are the Virgin Mary now.
But somewhere between Nazareth and Bethlehem
You lost your name in the nameless void.
"O Mary don't you weep don't you moan"
O Mary shake your butt to the violent juke,
Absord the demon puke and watch the whites eyes pop,
(Run sister run—the Bugga man comes!)
And what do I do.
I boil my tears in a twisted spoon
And dance like an angel on the point of a needle.
I sit counting syllables like Midas gold.
I am not bold.
I cannot yet take hold of the demon
And lift his weight from you black belly,
So I grab the air and sing my song.
(But the air cannot stand my singing long.
)
|
Written by
Robert Frost |
I stayed the night for shelter at a farm
Behind the mountains, with a mother and son,
Two old-believers.
They did all the talking.
MOTHER: Folks think a witch who has familiar spirits
She could call up to pass a winter evening,
But won’t, should be burned at the stake or something.
Summoning spirits isn’t “Button, button,
Who’s got the button,†I would have them know.
SON: Mother can make a common table rear
And kick with two legs like an army mule.
MOTHER: And when I’ve done it, what good have I done?
Rather than tip a table for you, let me
Tell you what Ralle the Sioux Control once told me.
He said the dead had souls, but when I asked him
How could that be — I thought the dead were souls—
He broke my trance.
Don’t that make you suspicious
That there’s something the dead are keeping back?
Yes, there’s something the dead are keeping back.
SON: You wouldn’t want to tell him what we have
Up attic, mother?
MOTHER: Bones — a skeleton.
SON: But the headboard of mother’s bed is pushed
Against the†attic door: the door is nailed.
It’s harmless.
Mother hears it in the night
Halting perplexed behind the barrier
Of door and headboard.
Where it wants to get
Is back into the cellar where it came from.
MOTHER: We’ll never let them, will we, son! We’ll never!
SON: It left the cellar forty years ago
And carried itself like a pile of dishes
Up one flight from the cellar to the kitchen,
Another from the kitchen to the bedroom,
Another from the bedroom to the attic,
Right past both father and mother, and neither stopped it.
Father had gone upstairs; mother was downstairs.
I was a baby: I don’t know where I was.
35
MOTHER: The only fault my husband found with me —
I went to sleep before I went to bed,
Especially in winter when the bed
Might just as well be ice and the clothes snow.
The night the bones came up the cellar-stairs
Toffile had gone to bed alone and left me,
But left an open door to cool the room off
So as to sort of turn me out of it.
I was just coming to myself enough
To wonder where the cold was coming from,
When I heard Toffile upstairs in the bedroom
And thought I heard him downstairs in the cellar.
The board we had laid down to walk dry-shod on
When there was water in the cellar in spring
Struck the hard cellar bottom.
And then someone
Began the stairs, two footsteps for each step,
The way a man with one leg and a crutch,
Or a little child, comes up.
It wasn’t Toffile:
It wasn’t anyone who could be there.
The bulkhead double-doors were double-locked
And swollen tight and buried under snow.
The cellar windows were banked up with sawdust
And swollen tight and buried under snow.
It was the bones.
I knew them — and good reason.
My first impulse was to get to the knob
And hold the door.
But the bones didn’t try
The door; they halted helpless on the landing,
Waiting for things to happen in their favor.
â€
The faintest restless rustling ran all through them.
I never could have done the thing I did
If the wish hadn’t been too strong in me
To see how they were mounted for this walk.
I had a vision of them put together
Not like a man, but like a chandelier.
So suddenly I flung the door wide on him.
A moment he stood balancing with emotion,
And all but lost himself.
(A tongue of fire
Flashed out and licked along his upper teeth.
Smoke rolled inside the sockets of his eyes.
)
Then he came at me with one hand outstretched,
The way he did in life once; but this time
I struck the hand off brittle on the floor,
And fell back from him on the floor myself.
The finger-pieces slid in all directions.
(Where did I see one of those pieces lately?
Hand me my button-box- it must be there.
)
I sat up on the floor and shouted, “Toffile,
It’s coming up to you.
†It had its choice
Of the door to the cellar or the hall.
It took the hall door for the novelty,
And set off briskly for so slow a thing,
Still going every which way in the joints, though,
So that it looked like lightning or a scribble,
From the slap I had just now given its hand.
I listened till it almost climbed the stairs
From the hall to the only finished bedroom,
Before I got up to do anything;
Then ran and shouted, “Shut the bedroom door,
Toffile, for my sake!†“Company?†he said,
“Don’t make me get up; I’m too warm in bed.
â€
So lying forward weakly on the handrail
I pushed myself upstairs, and in the light
(The kitchen had been dark) I had to own
I could see nothing.
“Toffile, I don’t see it.
It’s with us in the room though.
It’s the bones.
â€
“What bones?†“The cellar bones— out of the grave.
â€
That made him throw his bare legs out of bed
And sit up by me and take hold of me.
I wanted to put out the light and see
If I could see it, or else mow the room,
With our arms at the level of our knees,
And bring the chalk-pile down.
“I’ll tell you what-
It’s looking for another door to try.
The uncommonly deep snow has made him think
Of his old song, The Wild Colonial Boy,
He always used to sing along the tote-road.
He’s after an open door to get out-doors.
Let’s trap him with an open door up attic.
â€
Toffile agreed to that, and sure enough,
Almost the moment he was given an opening,
The steps began to climb the attic stairs.
I heard them.
Toffile didn’t seem to hear them.
“Quick !†I slammed to the door and held the knob.
“Toffile, get nails.
†I made him nail the door shut,
And push the headboard of the bed against it.
Then we asked was there anything
Up attic that we’d ever want again.
The attic was less to us than the cellar.
If the bones liked the attic, let them have it.
Let them stay in the attic.
When they sometimes
Come down the stairs at night and stand perplexed
Behind the door and headboard of the bed,
Brushing their chalky skull with chalky fingers,
With sounds like the dry rattling of a shutter,
That’s what I sit up in the dark to say—
To no one any more since Toffile died.
Let them stay in the attic since they went there.
I promised Toffile to be cruel to them
For helping them be cruel once to him.
SON: We think they had a grave down in the cellar.
MOTHER: We know they had a grave down in the cellar.
SON: We never could find out whose bones they were.
MOTHER: Yes, we could too, son.
Tell the truth for once.
They were a man’s his father killed for me.
I mean a man he killed instead of me.
The least I could do was to help dig their grave.
We were about it one night in the cellar.
Son knows the story: but “twas not for him
To tell the truth, suppose the time had come.
Son looks surprised to see me end a lie
We’d kept all these years between ourselves
So as to have it ready for outsiders.
But to-night I don’t care enough to lie—
I don’t remember why I ever cared.
Toffile, if he were here, I don’t believe
Could tell you why he ever cared himself-
She hadn’t found the finger-bone she wanted
Among the buttons poured out in her lap.
I verified the name next morning: Toffile.
The rural letter-box said Toffile Lajway.
|
Written by
Andrew Barton Paterson |
What! you don't like him; well, maybe -- we all have our fancies, of course:
Brumby to look at, you reckon? Well, no; he's a thoroughbred horse;
Sired by a son of old Panic -- look at his ears and his head --
Lop-eared and Roman-nosed, ain't he? -- well, that's how the Panics are bred.
Gluttonous, ugly and lazy, rough as a tipcart to ride,
Yet if you offered a sovereign apiece for the hairs on his hide
That wouldn't buy him, nor twice that; while I've a pound to the good,
This here old stager stays by me and lives like a thoroughbred should;
Hunt him away from his bedding, and sit yourself down by the wall,
Till you hear how the old fellow saved me from Gilbert, O'Meally and Hall.
*
Gilbert and Hall and O'Meally, back in the bushranging days,
Made themselves kings of the district -- ruled it in old-fashioned ways --
Robbing the coach and the escort, stealing our horses at night,
Calling sometimes at the homesteads and giving the women a fright:
Came to the station one morning (and why they did this no one knows)
Took a brood mare from the paddock--wanting some fun, I suppose --
Fastened a bucket beneath her, hung by a strap around her flank,
Then turned her loose in the timber back of the seven-mile tank.
Go? She went mad! She went tearing and screaming with fear through the trees,
While the curst bucket beneath her was banging her flanks and her knees.
Bucking and racing and screaming she ran to the back of the run,
Killed herself there in a gully; by God, but they paid for their fun!
Paid for it dear, for the black-boys found tracks, and the bucket, and all,
And I swore that I'd live to get even with Gilbert, O'Meally and Hall.
Day after day then I chased them -- 'course they had friends on the sly,
Friends who were willing to sell them to those who were willing to buy.
Early one morning we found them in camp at the Cockatoo Farm;
One of us shot at O'Meally and wounded him under the arm:
Ran them for miles in the ranges, till Hall, with his horse fairly beat,
Took to the rocks and we lost him -- the others made good their retreat.
It was war to the knife then, I tell you, and once, on the door of my shed,
They nailed up a notice that offered a hundred reward for my head!
Then we heard they were gone from the district; they stuck up a coach in the West,
And I rode by myself in the paddocks, just taking a bit of a rest,
Riding this colt as a youngster -- awkward, half-broken and shy,
He wheeled round one day on a sudden; I looked, but I couldn't see why --
But I soon found out why, for before me the hillside rose up like a wall,
And there on the top with their rifles were Gilbert, O'Meally and Hall!
'Twas a good three-mile run to the homestead -- bad going, with plenty of trees --
So I gathered the youngster together, and gripped at his ribs with my knees.
'Twas a mighty poor chance to escape them! It puts a man's nerve to the test
On a half-broken colt to be hunted by the best mounted men in the West.
But the half-broken colt was a racehorse! He lay down to work with a will.
Flashed through the scrub like a clean-skin-by heavens, we flew down the hill!
Over a twenty-foot gully he swept with the spring of a deer,
And they fired as we jumped, but they missed me -- a bullet sang close to my ear --
And the jump gained us ground, for they shirked it: but I saw as we raced through the gap
That the rails at the homestead were fastened -- I was caught like a rat in a trap.
Fenced with barbed wire was the paddock -- barbed wire that would cut like a knife --
How was a youngster to clear it that never had jumped in his life?
Bang went a rifle behind me -- the colt gave a spring, he was hit;
Straight at the sliprails I rode him -- I felt him take hold of the bit;
Never a foot to the right or the left did he swerve in his stride,
Awkward and frightened, but honest, the sort it's a pleasure to ride!
Straight at the rails, where they'd fastened barbed wire on the top of the post,
Rose like a stag and went over, with hardly a scratch at the most;
Into the homestead I darted, and snatched down my gun from the wall,
And I tell you I made them step lively, Gilbert, O'Meally and Hail.
Yes! There's the mark of the bullet -- he's got it inside of him yet,
Mixed up somehow with his victuals; but, bless you, he don't seem to fret!
Gluttonous, ugly, and lazy -- eats anything he can bite;
Now, let us shut up the stable, and bid the old fellow good night.
Ah! we can't breed 'em, the son that were bred when we old uns were young.
.
.
.
Yes, as I said, these bushrangers, none of 'em lived to be hung.
Gilbert was shot by the troopers, Hall was betrayed by his friend,
Campbell disposed of O'Meally, bringing the lot to an end.
But you can talk about riding -- I've ridden a lot in the past --
Wait till there's rifles behind you, you'll know what it means to go fast!
I've steeplechased, raced, and "run horses", but I think the most dashing of all
Was the ride when that old fellow saved me from Gilbert, O'Meally and Hall!
|
Written by
Rudyard Kipling |
I.
If It be pleasant to look on, stalled in the packed serai,
Does not the Young Man try Its temper and pace ere he buy?
If She be pleasant to look on, what does the Young Man say?
"Lo! She is pleasant to look on, give Her to me to-day!"
II.
Yea, though a Kafir die, to him is remitted Jehannum
If he borrowed in life from a native at sixty per cent.
per anuum.
III.
Blister we not for bursati? So when the heart is vexed,
The pain of one maiden's refusal is drowned in the pain of the next.
IV.
The temper of chums, the love of your wife, and a new piano's tune --
Which of the three will you trust at the end of an Indian June?
V.
Who are the rulers of Ind -- to whom shall we bow the knee?
Make your peace with the women, and men will make you L.
G.
VI.
Does the woodpecker flit round the young ferash?
Does grass clothe a new-built wall?
Is she under thirty, the woman who holds a boy in her thrall?
VII.
If She grow suddenly gracious -- reflect.
Is it all for thee?
The black-buck is stalked through the bullock, and Man through jealousy.
VIII.
Seek not for favor of women.
So shall you find it indeed.
Does not the boar break cover just when you're lighting a weed?
IX.
If He play, being young and unskilful, for shekels of silver and gold,
Take his money, my son, praising Allah.
The kid was ordained to be sold.
X.
With a "weed" amoung men or horses verily this is the best,
That you work him in office or dog-cart lightly -- but give him no rest.
XI.
Pleasant the snaffle of Courtship, improving the manners and carriage;
But the colt who is wise will abstain from the terrible thorn-bit of Marriage.
XII.
As the thriless gold of the babul, so is the gold that we spend
On a derby Sweep, or our neighbor's wife, or the horse that we buy from a friend.
XIII.
The ways of man with a maid be strange, yet simple and tame
To the ways of a man with a horse, when selling or racing that same.
XIV.
In public Her face turneth to thee, and pleasant Her smile when ye meet.
It is ill.
The cold rocks of El-Gidar smile thus on the waves at their feet.
In public Her face is averted, with anger She nameth thy name.
It is well.
Was there ever a loser content with the loss of the game?
XV.
If She have spoken a word, remember thy lips are sealed,
And the Brand of the Dog is upon him by whom is the secret revealed.
If She have written a letter, delay not an instant, but burn it.
Tear it to pieces, O Fool, and the wind to her mate shall return it!
If there be trouble to Herward, and a lie of the blackest can clear,
Lie, while thy lips can move or a man is alive to hear.
XVI.
My Son, if a maiden deny thee and scufflingly bid thee give o'er,
Yet lip meets with lip at the last word -- get out!
She has been there before.
They are pecked on the ear and the chin and the nose who are lacking in lore.
XVII.
If we fall in the race, though we win, the hoff-slide is scarred on the course.
Though Allah and Earth pardon Sin, remaineth forever Remorse.
XVIII.
"By all I am misunderstood!" if the Matron shall say, or the Maid:
"Alas! I do not understand," my son, be thou nowise afraid.
In vain in the sight of the Bird is the net of the Fowler displayed.
XIX.
My son, if I, Hafiz, the father, take hold of thy knees in my pain,
Demanding thy name on stamped paper, one day or one hour -- refrain.
Are the links of thy fetters so light that thou cravest another man's chain?
|
Written by
Carl Sandburg |
NEW-MOWN hay smell and wind of the plain made her
a woman whose ribs had the power of the hills in
them and her hands were tough for work and there
was passion for life in her womb.
She and her man crossed the ocean and the years that
marked their faces saw them haggling with landlords
and grocers while six children played on the stones
and prowled in the garbage cans.
One child coughed its lungs away, two more have adenoids
and can neither talk nor run like their mother,
one is in jail, two have jobs in a box factory
And as they fold the pasteboard, they wonder what the
wishing is and the wistful glory in them that flutters
faintly when the glimmer of spring comes on
the air or the green of summer turns brown:
They do not know it is the new-mown hay smell calling
and the wind of the plain praying for them to come
back and take hold of life again with tough hands
and with passion.
|
Written by
Carl Sandburg |
THERE are no handles upon a language
Whereby men take hold of it
And mark it with signs for its remembrance.
It is a river, this language,
Once in a thousand years
Breaking a new course
Changing its way to the ocean.
It is mountain effluvia
Moving to valleys
And from nation to nation
Crossing borders and mixing.
Languages die like rivers.
Words wrapped round your tongue today
And broken to shape of thought
Between your teeth and lips speaking
Now and today
Shall be faded hieroglyphics
Ten thousand years from now.
Sing--and singing--remember
Your song dies and changes
And is not here to-morrow
Any more than the wind
Blowing ten thousand years ago.
|