Written by
William Topaz McGonagall |
As I stood upon London Bridge and viewed the mighty throng
Of thousands of people in cabs and 'busses rapidly whirling along,
All furiously driving to and fro,
Up one street and down another as quick as they could go:
Then I was struck with the discordant sound of human voices there,
Which seemed to me like wild geese cackling in the air:
And the river Thames is a most beautiful sight,
To see the steamers sailing upon it by day and by night.
And the Tower of London is most gloomy to behold,
And the crown of Englandlies there, begemmed with precious stones and gold;
King Henry the Sixth was murdered there by the Duke of Glo'ster,
And when he killed him with his sword he called him an impostor.
St.
Paul's Cathedral is the finest building that ever I did see;
There's nothing can surpass it in the city of Dundee,
Because it's most magnificent to behold
With its beautiful dome and spire glittering like gold.
And as for Nelson's Monument that stands in Trafalgar Square,
It is a most stately monument I most solemnly declare,
And towering defiantly very high,
Which arrests strangers' attention while passing by.
Then there's two beautiful water-fountains spouting up very high,
Where the weary travellers can drink when he feels dry;
And at the foot of the monument there's three bronze lions in grand array,
Enough to make the stranger's heart throb with dismay.
Then there's Mr Spurgeon, a great preacher, which no one dare gainsay
I went to hear him preach on the Sabbath-day.
And he made my heart feel light and gay
When I heard him preach and pray.
And the Tabernacle was crowded from ceiling to floor,
And many were standing outside the door;
He is an eloquent preacher, I solemnly declare,
And I was struck with admiration as I on him did stare.
Then there's Petticoat Lane I venture to say,
It's a wonderful place on the Sabbath day;
There wearing apparel can be bought to suit the young or old
For the ready cash-- silver, coppers, or gold.
Oh! mighty city of London! you are wonderful to see,
And thy beauties no doubt fill the tourist's heart with glee;
But during my short stay, and while wandering there,
Mr Spurgeon was the only man I heard speaking proper English I do declare.
|
Written by
Amy Lowell |
I
The inkstand is full of ink, and the paper lies
white and unspotted,
in the round of light thrown by a candle.
Puffs of darkness
sweep into
the corners, and keep rolling through the room behind his chair.
The
air
is silver and pearl, for the night is liquid with moonlight.
See how the roof glitters, like ice!
Over there, a slice of yellow cuts into the silver-blue,
and beside it stand
two geraniums, purple because the light is silver-blue, to-night.
See! She is coming, the young woman with the bright hair.
She swings a basket as she walks, which she places on the sill,
between the geranium stalks.
He laughs, and crumples
his paper
as he leans forward to look.
"The Basket Filled with
Moonlight",
what a title for a book!
The bellying clouds swing over the housetops.
He has forgotten the woman in the room with the geraniums.
He
is beating
his brain, and in his eardrums hammers his heavy pulse.
She
sits
on the window-sill, with the basket in her lap.
And tap! She
cracks a nut.
And tap! Another.
Tap! Tap! Tap! The
shells ricochet upon the roof,
and get into the gutters, and bounce over the edge and disappear.
"It is very *****," thinks Peter, "the basket was
empty, I'm sure.
How could nuts appear from the atmosphere?"
The silver-blue moonlight makes the geraniums purple,
and the roof glitters
like ice.
II
Five o'clock.
The geraniums are very
gay in their crimson array.
The bellying clouds swing over the housetops, and over the roofs
goes Peter
to pay his morning's work with a holiday.
"Annette, it is I.
Have you finished? Can
I come?"
Peter jumps through the window.
"Dear, are you alone?"
"Look, Peter, the dome of the tabernacle is done.
This
gold thread
is so very high, I am glad it is morning, a starry sky would have
seen me bankrupt.
Sit down, now tell me, is your story
going well?"
The golden dome glittered in the orange of the
setting sun.
On the walls,
at intervals, hung altar-cloths and chasubles, and copes, and stoles,
and coffin palls.
All stiff with rich embroidery, and
stitched with
so much artistry, they seemed like spun and woven gems, or flower-buds
new-opened on their stems.
Annette looked at the geraniums, very red against the blue sky.
"No matter how I try, I cannot find any thread
of such a red.
My bleeding hearts drip stuff muddy in comparison.
Heigh-ho! See
my little
pecking dove? I'm in love with my own temple.
Only
that halo's wrong.
The colour's too strong, or not strong enough.
I don't
know.
My eyes
are tired.
Oh, Peter, don't be so rough; it is valuable.
I
won't do
any more.
I promise.
You tyrannise, Dear,
that's enough.
Now sit down
and amuse me while I rest.
"
The shadows of the geraniums creep over the floor,
and begin to climb
the opposite wall.
Peter watches her, fluid with fatigue, floating, and drifting,
and undulant in the orange glow.
His senses flow towards
her,
where she lies supine and dreaming.
Seeming drowned in
a golden halo.
The pungent smell of the geraniums is hard to bear.
He pushes against her knees, and brushes his lips across her languid
hands.
His lips are hot and speechless.
He woos her, quivering,
and the room
is filled with shadows, for the sun has set.
But she
only understands
the ways of a needle through delicate stuffs, and the shock of one
colour
on another.
She does not see that this is the same, and
querulously murmurs
his name.
"Peter, I don't want it.
I am tired.
"
And he, the undesired, burns and is consumed.
There is a crescent moon on the rim of the sky.
III
"Go home, now, Peter.
To-night is full
moon.
I must be alone.
"
"How soon the moon is full again! Annette,
let me stay.
Indeed, Dear Love,
I shall not go away.
My God, but you keep me starved! You
write
`No Entrance Here', over all the doors.
Is it not strange,
my Dear,
that loving, yet you deny me entrance everywhere.
Would
marriage
strike you blind, or, hating bonds as you do, why should I be denied
the rights of loving if I leave you free? You want the
whole of me,
you pick my brains to rest you, but you give me not one heart-beat.
Oh, forgive me, Sweet! I suffer in my loving, and you
know it.
I cannot
feed my life on being a poet.
Let me stay.
"
"As you please, poor Peter, but it will hurt me
if you do.
It will
crush your heart and squeeze the love out.
"
He answered gruffly, "I know what I'm about.
"
"Only remember one thing from to-night.
My
work is taxing and I must
have sight! I MUST!"
The clear moon looks in between the geraniums.
On
the wall,
the shadow of the man is divided from the shadow of the woman
by a silver thread.
They are eyes, hundreds of eyes, round like marbles! Unwinking,
for there
are no lids.
Blue, black, gray, and hazel, and the irises
are cased
in the whites, and they glitter and spark under the moon.
The
basket
is heaped with human eyes.
She cracks off the whites
and throws them away.
They ricochet upon the roof, and get into the gutters, and bounce
over the edge and disappear.
But she is here, quietly
sitting
on the window-sill, eating human eyes.
The silver-blue moonlight makes the geraniums purple,
and the roof shines
like ice.
IV
How hot the sheets are! His skin is
tormented with pricks,
and over him sticks, and never moves, an eye.
It lights
the sky with blood,
and drips blood.
And the drops sizzle on his bare skin,
and he smells them
burning in, and branding his body with the name "Annette".
The blood-red sky is outside his window now.
Is
it blood or fire?
Merciful God! Fire! And his heart wrenches
and pounds "Annette!"
The lead of the roof is scorching, he ricochets,
gets to the edge,
bounces over and disappears.
The bellying clouds are red as they swing over
the housetops.
V
The air is of silver and pearl, for the night is
liquid with moonlight.
How the ruin glistens, like a palace of ice! Only two
black holes swallow
the brilliance of the moon.
Deflowered windows, sockets
without sight.
A man stands before the house.
He sees
the silver-blue moonlight,
and set in it, over his head, staring and flickering, eyes of geranium
red.
Annette!
|
Written by
Robert Herrick |
Get up, get up for shame! the blooming morn
Upon her wings presents the god unshorn.
See how Aurora throws her fair
Fresh-quilted colours through the air!
Get up, sweet slug-a-bed, and see
The dew bespangled herb and tree.
Each flower has wept and bowed toward the east
Above an hour since,—yet you not dressed;
Nay! not so much as out of bed?
When all the birds have matins said
And sung their thankful hymns, 'tis sin—
Nay, profanation—to keep in,
Whenas a thousand virgins on this day
Spring sooner than the lark, to fetch in May.
Rise, and put on your foliage, and be seen
To come forth, like the springtime, fresh and green
And sweet as Flora.
Take no care
For jewels for your gown or hair:
Fear not, the leaves will strew
Gems in abundance upon you:
Besides, the childhood of the day has kept,
Against you come, some orient pearls unwept.
Come, and receive them while the light
Hangs on the dew-locks of the night:
And Titan on the eastern hill
Retires himself, or else stands still
Till you come forth.
Wash, dress, be brief in praying:
Few beads are best when once we go a-Maying.
Come, my Corinna, come; and coming, mark
How each field turns a street, each street a park
Made green and trimmed with trees! See how
Devotion gives each house a bough
Or branch! Each porch, each door, ere this
An ark, a tabernacle is,
Made up of whitethorn neatly interwove,
As if here were those cooler shades of love.
Can such delights be in the street
And open fields and we not see 't?
Come, we'll abroad; and let's obey
The proclamation made for May,
And sin no more, as we have done, by staying;
But, my Corinna, come, let's go a-Maying.
There's not a budding boy or girl this day
But is got up and gone to bring in May.
A deal of youth, ere this, is come
Back, and with whitethorn laden, home.
Some have dispatched their cakes and cream,
Before that we have left to dream;
And some have wept and wooed and plighted troth,
And chose their priest, ere we can cast off sloth:
Many a green-gown has been given,
Many a kiss, both odd and even;
Many a glance too has been sent
From out the eye, love's firmament;
Many a jest told of the key's betraying
This night, and locks picked: yet we're not a-Maying!
Come, let us go while we are in our prime,
And take the harmless folly of the time!
We shall grow old apace, and die
Before we know our liberty.
Our life is short, and our days run
As fast away as does the sun;
And, as a vapour or a drop of rain,
Once lost can ne'er be found again;
So when or you or I are made
A fable, song, or fleeting shade,
All love, all liking, all delight
Lies drowned with us in endless night.
Then while time serves, and we are but decaying,
Come, my Corinna, come, let's go a-Maying!
|
Written by
Robert Browning |
Vanity, saith the preacher, vanity!
Draw round my bed: is Anselm keeping back?
Nephews -- sons mine -- ah God, I know not! Well --
She, men would have to be your mother once,
Old Gandolf envied me, so fair she was!
What's done is done, and she is dead beside,
Dead long ago, and I am Bishop since,
And as she died so must we die ourselves,
And thence ye may perceive the world's a dream.
Life, how and what is it? As here I lie
In this state-chamber, dying by degrees,
Hours and long hours in the dead night, I ask
"Do I live, am I dead?" Peace, peace seems all.
Saint Praxed's ever was the church for peace;
And so, about this tomb of mine.
I fought
With tooth and nail to save my niche, ye know:
-- Old Gandolf cozened me, despite my care;
Shrewd was that snatch from out the corner South
He graced his carrion with, God curse the same!
Yet still my niche is not so cramped but thence
One sees the pulpit o' the epistle-side,
And somewhat of the choir, those silent seats,
And up into the very dome where live
The angels, and a sunbeam's sure to lurk:
And I shall fill my slab of basalt there,
And 'neath my tabernacle take my rest,
With those nine columns round me, two and two,
The odd one at my feet where Anselm stands:
Peach-blossom marble all, the rare, the ripe
As fresh poured red wine of a mighty pulse
-- Old Gandolf with his paltry onion-stone,
Put me where I may look at him! True peach,
Rosy and flawless: how I earned the prize!
Draw close: that conflagration of my church
-- What then? So much was saved if aught were missed!
My sons, ye would not be my death? Go dig
The white-grape vineyard where the oil-press stood,
Drop water gently till the surface sink,
And if ye find -- Ah God, I know not, I! --
Bedded in store of rotten fig-leaves soft,
And corded up in a tight olive-frail,
Some lump, ah God, of lapis lazuli,
Big as a Jew's head cut off at the nape,
Blue as a vein o'er the Madonna's breast
Sons, all have I bequeathed you, villas, all,
That brave Frascati villa with its bath,
So, let the blue lump poise between my knees,
Like God the Father's globe on both his hands
Ye worship in the Jesu Church so gay,
For Gandolf shall not choose but see and burst!
Swift as a weaver's shuttle fleet our years:
Man goeth to the grave, and where is he?
Did I say basalt for my slab, sons? Black --
'Twas ever antique-black I meant! How else
Shall ye contrast my frieze to come beneath?
The bas-relief in bronze ye promised me.
Those Pans and Nymphs ye wot of, and perchance
Some tripod, thyrsus, with a vase or so,
The Saviour at his sermon on the mount,
Saint Praxed in a glory, and one Pan
Ready to twitch the Nymph's last garment off,
And Moses with the tables -- but I know
Ye mark me not! What do they whisper thee,
Child of my bowels, Anselm? Ah, ye hope
To revel down my villas while I gasp
Bricked o'er with beggar's mouldy travertine
Which Gandolf from his tomb-top chuckles at!
Nay, boys, ye love me -- all of jasper, then!
'Tis jasper ye stand pledged to, lest I grieve.
My bath must needs be left behind, alas!
One block, pure green as a pistachio-nut,
There's plenty jasper somewhere in the world --
And have I not Saint Praxed's ear to pray
Horses for ye, and brown Greek manuscripts,
And mistresses with great smooth marbly limbs?
-- That's if ye carve my epitaph aright,
Choice Latin, picked phrase, Tully's every word,
No gaudy ware like Gandolf's second line --
Tully, my masters? Ulpian serves his need!
And then how I shall lie through centuries,
And hear the blessed mutter of the mass,
And see God made and eaten all day long,
And feel the steady candle-flame, and taste
Good strong thick stupefying incense-smoke!
For as I lie here, hours of the dead night,
Dying in state and by such slow degrees,
I fold my arms as if they clasped a crook,
And stretch my feet forth straight as stone can point,
And let the bedclothes, for a mortcloth, drop
Into great laps and folds of sculptor's work:
And as yon tapers dwindle, and strange thoughts
Grow, with a certain humming in my ears,
About the life before I lived this life,
And this life too, popes, cardinals and priests,
Saint Praxed at his sermon on the mount,
Your tall pale mother with her talking eyes,
And new-found agate urns as fresh as day,
And marble's language, Latin pure, discreet,
-- Aha, ELUCESCEBAT quoth our friend?
No Tully, said I, Ulpian at the best!
Evil and brief hath been my pilgrimage.
All lapis, all, sons! Else I give the Pope
My villas! Will ye ever eat my heart?
Ever your eyes were as a lizard's quick,
They glitter like your mother's for my soul,
Or ye would heighten my impoverished frieze,
Piece out its starved design, and fill my vase
With grapes, and add a visor and a Term,
And to the tripod ye would tie a lynx
That in his struggle throws the thyrsus down,
To comfort me on my entablature
Whereon I am to lie till I must ask
"Do I live, am I dead?" There, leave me, there!
For ye have stabbed me with ingratitude
To death -- ye wish it -- God, ye wish it! Stone --
Gritstone, a crumble! Clammy squares which sweat
As if the corpse they keep were oozing through --
And no more lapis to delight the world!
Well, go! I bless ye.
Fewer tapers there,
But in a row: and, going, turn your backs
-- Ay, like departing altar-ministrants,
And leave me in my church, the church for peace,
That I may watch at leisure if he leers --
Old Gandolf -- at me, from his onion-stone,
As still he envied me, so fair she was!
|
Written by
Sir Philip Sidney |
The heavenly frame sets forth the fame
Of him that only thunders;
The firmament, so strangely bent,
Shows his handworking wonders.
Day unto day doth it display,
Their course doth it acknowledge,
And night to night succeeding right
In darkness teach clear knowledge.
There is no speech, no language which
Is so of skill bereaved,
But of the skies the teaching cries
They have heard and conceived.
There be no eyen but read the line
From so fair book proceeding,
Their words be set in letters great
For everybody's reading.
Is not he blind that doth not find
The tabernacle builded
There by His Grace for sun's fair face
In beams of beauty gilded?
Who forth doth come, like a bridegroom,
From out his veiling places,
As glad is he, as giants be
To run their mighty races.
His race is even from ends of heaven;
About that vault he goeth;
There be no realms hid from his beams;
His heat to all he throweth.
O law of His, how perfect 'tis
The very soul amending;
God's witness sure for aye doth dure
To simplest wisdom lending.
God's dooms be right, and cheer the sprite,
All His commandments being
So purely wise it gives the eyes
Both light and force of seeing.
Of Him the fear doth cleanness bear
And so endures forever,
His judgments be self verity,
They are unrighteous never.
Then what man would so soon seek gold
Or glittering golden money?
By them is past in sweetest taste,
Honey or comb of honey.
By them is made Thy servants' trade
Most circumspectly guarded,
And who doth frame to keep the same
Shall fully be rewarded.
Who is the man that ever can
His faults know and acknowledge?
O Lord, cleanse me from faults that be
Most secret from all knowledge.
Thy servant keep, lest in him creep
Presumtuous sins' offenses;
Let them not have me for their slave
Nor reign upon my senses.
So shall my sprite be still upright
In thought and conversation,
So shall I bide well purified
From much abomination.
So let words sprung from my weak tongue
And my heart's meditation,
My saving might, Lord, in Thy sight,
Receive good acceptation!
|
Written by
Emily Dickinson |
Drab Habitation of Whom?
Tabernacle or Tomb --
Or Dome of Worm --
Or Porch of Gnome --
Or some Elf's Catacomb?
|
Written by
John Milton |
I
Ere-while of Musick, and Ethereal mirth,
Wherwith the stage of Ayr and Earth did ring,
And joyous news of heav'nly Infants birth,
My muse with Angels did divide to sing;
But headlong joy is ever on the wing,
In Wintry solstice like the shortn'd light
Soon swallow'd up in dark and long out-living night.
II
For now to sorrow must I tune my song,
And set my Harpe to notes of saddest wo,
Which on our dearest Lord did sease er'e long,
Dangers, and snares, and wrongs, and worse then so,
Which he for us did freely undergo.
Most perfect Heroe, try'd in heaviest plight
Of labours huge and hard, too hard for human wight.
III
He sov'ran Priest stooping his regall head
That dropt with odorous oil down his fair eyes,
Poor fleshly Tabernacle entered,
His starry front low-rooft beneath the skies;
O what a Mask was there, what a disguise!
Yet more; the stroke of death he must abide,
Then lies him meekly down fast by his Brethrens side.
IV
These latter scenes confine my roving vers,
To this Horizon is my Phoebus bound,
His Godlike acts, and his temptations fierce,
And former sufferings other where are found;
Loud o're the rest Cremona's Trump doth sound;
Me softer airs befit, and softer strings
Of Lute, or Viol still, more apt for mournful things.
Note: 22 latter] latest 1673.
V
Befriend me night best Patroness of grief,
Over the Pole thy thickest mantle throw,
And work my flatterd fancy to belief,
That Heav'n and Earth are colour'd with my wo;
My sorrows are too dark for day to know:
The leaves should all be black wheron I write,
And letters where my tears have washt a wannish white.
VI
See see the Chariot, and those rushing wheels,
That whirl'd the Prophet up at Chebar flood,
My spirit som transporting Cherub feels,
To bear me where the Towers of Salem stood,
Once glorious Towers, now sunk in guiltles blood;
There doth my soul in holy vision sit
In pensive trance, and anguish, and ecstatick fit.
VII
Mine eye hath found that sad Sepulchral rock
That was the Casket of Heav'ns richest store,
And here though grief my feeble hands up-lock,
Yet on the softned Quarry would I score
My plaining vers as lively as before;
For sure so well instructed are my tears,
They would fitly fall in order'd Characters.
VIII
I thence hurried on viewles wing,
Take up a weeping on the Mountains wilde,
The gentle neighbourhood of grove and spring
Would soon unboosom all their Echoes milde,
And I (for grief is easily beguild)
Might think th'infection of my sorrows bound,
Had got a race of mourners on som pregnant cloud.
Note: This subject the Author finding to be above the yeers he had,
when he wrote it, and nothing satisfi'd with what was begun,
left it unfinish'd.
|
Written by
William Strode |
Though after Death, Thanks lessen into Praise,
And Worthies be not crown'd with gold, but bayes;
Shall we not thank? To praise Thee all agree;
We Debtors must out doe it, heartily.
Deserved Nobility of True Descent,
Though not so old in Thee grew Ancient:
We number not the Tree of Branched Birth,
But genealogie of Vertue, spreading forth
To many Births in value.
Piety,
True Valour, Bounty, Meeknesse, Modesty,
These noble off-springs swell Thy Name as much,
As Richards, Edwards, three, foure, twenty such:
For in thy Person's linage surnam'd are
The great, the good, the wise, the just, the faire.
One of these stiles innobles a whole stemme;
If all be found in One, what race like him!
Long stayres of birth, unlesse they likewise grow
To higher vertue, must descend more low.
When water comes through numerous veins of lead,
'Tis water still; Thy blood, from One pipe's head,
Grew Aqua-vit? streight, with spirits fill'd,
As not traduc'd, but rais'd, sublim'd, distill'd.
Nobility farre spread, I may behold,
Like the expanded skie, or dissolv'd gold,
Much rarified; I see't contracted here
Into a starre, the strength of all the spheare;
Extracted like the Elixir from the mine,
And highten'd so that 'tis too soone divine.
Divinity continues not beneath;
Alas nor He; but though He passe by death,
He that for many liv'd, gaines many lives
After hee's dead: Each friend and servant strives
To give him breath in praise; this Hospital,
That Prison, Colledge, Church, must needs recall
To mind their Patron; whose rich legacies
In forreigne lands, and under other skies
To them assign'd, shew that his heart did even
In France love England, as in England Heaven:
Heav'n well perceiv'd this double pious love,
Both to his Country here, and that above:
Therefore the day, that saw Him landed here,
Hath seen him landed in his Haven there;
The selfe-same day (but two yeares interpos'd)
Saw Sun and Him round shining twice & clos'd.
No Citizen so covetous could be
Of getting wealth, as of bestowing, He;
His Body and Estate went as they came,
Stript of Appendix Both, and left the same
But in th' Originall; Necessity
Devested one, the other Charity.
It cost him more to clothe his soule in death,
Than e're to cloth his flesh for short-liv'd breath;
And whereas Lawes exact from Niggards dead
A Portion for the Poore, they now are said
To moderate His Bounty; never such
Was known but once, that men should give too much:
A Tabernacle then was built, and now
The like in heav'n is purchas'd: Learn you how;
Partly by building Men, and partly by
Erecting walls, by new-found Chymistry,
Turning of Gold to Stones.
Our Christ-Church Pile,
Great Henrie's Monument, shall grow awhile
With Bayning's Treasure; who a way hath took.
Like those at Westminster, to fill a nook
'Mongst beds of Kings.
Thus speak, speak while we may
For Stones will speak when We are hush'd in Clay.
|
Written by
Emily Dickinson |
Talk not to me of Summer Trees
The foliage of the mind
A Tabernacle is for Birds
Of no corporeal kind
And winds do go that way at noon
To their Ethereal Homes
Whose Bugles call the least of us
To undepicted Realms
|