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Best Famous Sufficed Poems

Here is a collection of the all-time best famous Sufficed poems. This is a select list of the best famous Sufficed poetry. Reading, writing, and enjoying famous Sufficed poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sufficed poems.

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Written by Emily Dickinson | Create an image from this poem

A Dew sufficed itself --

 A Dew sufficed itself --
And satisfied a Leaf
And felt "how vast a destiny" --
"How trivial is Life!"

The Sun went out to work --
The Day went out to play
And not again that Dew be seen
By Physiognomy

Whether by Day Abducted
Or emptied by the Sun
Into the Sea in passing
Eternally unknown

Attested to this Day
That awful Tragedy
By Transport's instability
And Doom's celerity.


Written by Rainer Maria Rilke | Create an image from this poem

Interior Portrait

 You don't survive in me
because of memories;
nor are you mine because
of a lovely longing's strength.

What does make you present
is the ardent detour
that a slow tenderness
traces in my blood.

I do not need
to see you appear;
being born sufficed for me
to lose you a little less.
Written by A E Housman | Create an image from this poem

Fragment of a Greek Tragedy

 CHORUS: O suitably-attired-in-leather-boots
Head of a traveller, wherefore seeking whom
Whence by what way how purposed art thou come
To this well-nightingaled vicinity?
My object in inquiring is to know.
But if you happen to be deaf and dumb
And do not understand a word I say,
Then wave your hand, to signify as much.

ALCMAEON: I journeyed hither a Boetian road.
CHORUS: Sailing on horseback, or with feet for oars?
ALCMAEON: Plying with speed my partnership of legs.
CHORUS: Beneath a shining or a rainy Zeus?
ALCMAEON: Mud's sister, not himself, adorns my shoes.
CHORUS: To learn your name would not displease me much.
ALCMAEON: Not all that men desire do they obtain.
CHORUS: Might I then hear at what thy presence shoots.
ALCMAEON: A shepherd's questioned mouth informed me that--
CHORUS: What? for I know not yet what you will say.
ALCMAEON: Nor will you ever, if you interrupt.
CHORUS: Proceed, and I will hold my speechless tongue.
ALCMAEON: This house was Eriphyle's, no one else's.
CHORUS: Nor did he shame his throat with shameful lies.
ALCMAEON: May I then enter, passing through the door?
CHORUS: Go chase into the house a lucky foot.
And, O my son, be, on the one hand, good,
And do not, on the other hand, be bad;
For that is much the safest plan.
ALCMAEON: I go into the house with heels and speed.

CHORUS

Strophe

In speculation
I would not willingly acquire a name
For ill-digested thought;
But after pondering much
To this conclusion I at last have come:
LIFE IS UNCERTAIN.
This truth I have written deep
In my reflective midriff
On tablets not of wax,
Nor with a pen did I inscribe it there,
For many reasons: LIFE, I say, IS NOT
A STRANGER TO UNCERTAINTY.
Not from the flight of omen-yelling fowls
This fact did I discover,
Nor did the Delphine tripod bark it out,
Nor yet Dodona.
Its native ingunuity sufficed
My self-taught diaphragm.

Antistrophe

Why should I mention
The Inachean daughter, loved of Zeus?
Her whom of old the gods,
More provident than kind,
Provided with four hoofs, two horns, one tail,
A gift not asked for,
And sent her forth to learn
The unfamiliar science
Of how to chew the cud.
She therefore, all about the Argive fields,
Went cropping pale green grass and nettle-tops,
Nor did they disagree with her.
But yet, howe'er nutritious, such repasts
I do not hanker after:
Never may Cypris for her seat select
My dappled liver!
Why should I mention Io? Why indeed?
I have no notion why.

Epode

But now does my boding heart,
Unhired, unaccompanied, sing
A strain not meet for the dance.
Yes even the palace appears
To my yoke of circular eyes
(The right, nor omit I the left)
Like a slaughterhouse, so to speak,
Garnished with woolly deaths
And many sphipwrecks of cows.
I therefore in a Cissian strain lament:
And to the rapid
Loud, linen-tattering thumps upon my chest
Resounds in concert
The battering of my unlucky head.

ERIPHYLE (within): O, I am smitten with a hatchet's jaw;
And that in deed and not in word alone.
CHORUS: I thought I heard a sound within the house
Unlike the voice of one that jumps for joy.
ERIPHYLE: He splits my skull, not in a friendly way,
Once more: he purposes to kill me dead.
CHORUS: I would not be reputed rash, but yet
I doubt if all be gay within the house.
ERIPHYLE: O! O! another stroke! that makes the third.
He stabs me to the heart against my wish.
CHORUS: If that be so, thy state of health is poor;
But thine arithmetic is quite correct.
Written by Joyce Kilmer | Create an image from this poem

The Robe of Christ

 (For Cecil Chesterton)

At the foot of the Cross on Calvary
Three soldiers sat and diced,
And one of them was the Devil
And he won the Robe of Christ.
When the Devil comes in his proper form
To the chamber where I dwell,
I know him and make the Sign of the Cross
Which drives him back to Hell.
And when he comes like a friendly man
And puts his hand in mine,
The fervour in his voice is not
From love or joy or wine.
And when he comes like a woman,
With lovely, smiling eyes,
Black dreams float over his golden head
Like a swarm of carrion flies.
Now many a million tortured souls
In his red halls there be:
Why does he spend his subtle craft
In hunting after me?
Kings, queens and crested warriors
Whose memory rings through time,
These are his prey, and what to him
Is this poor man of rhyme,
That he, with such laborious skill,
Should change from role to role,
Should daily act so many a part
To get my little soul?
Oh, he can be the forest,
And he can be the sun,
Or a buttercup, or an hour of rest
When the weary day is done.
I saw him through a thousand veils,
And has not this sufficed?
Now, must I look on the Devil robed
In the radiant Robe of Christ?
He comes, and his face is sad and mild,
With thorns his head is crowned;
There are great bleeding wounds in his feet,
And in each hand a wound.
How can I tell, who am a fool,
If this be Christ or no?
Those bleeding hands outstretched to me!
Those eyes that love me so!
I see the Robe -- I look -- I hope --
I fear -- but there is one
Who will direct my troubled mind;
Christ's Mother knows her Son.
O Mother of Good Counsel, lend
Intelligence to me!
Encompass me with wisdom,
Thou Tower of Ivory!
"This is the Man of Lies," she says,
"Disguised with fearful art:
He has the wounded hands and feet,
But not the wounded heart."
Beside the Cross on Calvary
She watched them as they diced.
She saw the Devil join the game
And win the Robe of Christ.
Written by Ella Wheeler Wilcox | Create an image from this poem

All Roads That Lead To God Are Good

 All roads that lead to God are good.
What matters it, your faith, or mine?
Both centre at the goal divine
Of love’s eternal Brotherhood.

The kindly life in house or street –
The life of prayer and mystic rite –
The student’s search for truth and light –
These paths at one great Junction meet.

Before the oldest book was writ,
Full many a prehistoric soul
Arrived at this unchanging goal,
Through changeless Love, that leads to it.

What matters that one found his Christ
In rising sun, or burning fire?
In faith within him did not tire,
His longing for the Truth sufficed.

Before our modern hell was brought
To edify the modern world,
Full many a hate-filled soul was hurled
In lakes of fire by its own thought.

A thousand creeds have come and gone,
But what is that to you or me?
Creeds are but branches of a tree –
The root of love lives on and on.

Though branch by branch proved withered wood,
The root is warm with precious wine.
Then keep your faith, and leave me mine –
All roads that lead to God are good.


Written by Alan Seeger | Create an image from this poem

El Extraviado

 Over the radiant ridges borne out on the offshore wind, 
I have sailed as a butterfly sails whose priming wings unfurled 
Leave the familiar gardens and visited fields behind 
To follow a cloud in the east rose-flushed on the rim of the world. 


I have strayed from the trodden highway for walking with upturned eyes 
On the way of the wind in the treetops, and the drift of the tinted rack. 
For the will to be losing no wonder of sunny or starlit skies 
I have chosen the sod for my pillow and a threadbare coat for my back. 


Evening of ample horizons, opaline, delicate, pure, 
Shadow of clouds on green valleys, trailed over meadows and trees, 
Cities of ardent adventure where the harvests of Joy mature, 
Forests whose murmuring voices are amorous prophecies, 


World of romance and profusion, still round my journey spread 
The glamours, the glints, the enthralments, the nurture of one whose feet 
From hours unblessed by beauty nor lighted by love have fled 
As the shade of the tomb on his pathway and the scent of the winding-sheet. 


I never could rest from roving nor put from my heart this need 
To be seeing how lovably Nature in flower and face hath wrought, -- 
In flower and meadow and mountain and heaven where the white clouds breed 
And the cunning of silken meshes where the heart's desire lies caught. 


Over the azure expanses, on the offshore breezes borne, 
I have sailed as a butterfly sails, nor recked where the impulse led, 
Sufficed with the sunshine and freedom, the warmth and the summer morn, 
The infinite glory surrounding, the infinite blue ahead
Written by Robert William Service | Create an image from this poem

Divine Detachment

 One day the Great Designer sought
His Clerk of Birth and Death.
Said he: "Two souls are in my thought,
to whom I gave life-breath.
I deemed my work was fitly done,
But yester-eve I saw
That in the finished brain of one
There was a tiny flaw.

"It worried me, and I would know,
Since I am all to blame,
What happened to them down below,
Of honour or of shame;
For if the later did befall,
My sorrow will be grave . . ."
Then numbers astronomical
unto the Clerk he gave.

The Keeper of the Rolls replied:
"Of them I've little trace;
But one he was a Prince of pride
And one of lowly race.
One was a Holy Saint proclaimed;
For one no hell sufficed . . . .
Let's see - the last was Nero named,
The other . . . Jesus Christ."
Written by Amy Lowell | Create an image from this poem

Leisure

 Leisure, thou goddess of a bygone age,
When hours were long and days sufficed to hold
Wide-eyed delights and pleasures uncontrolled
By shortening moments, when no gaunt presage
Of undone duties, modern heritage,
Haunted our happy minds; must thou withhold
Thy presence from this over-busy world,
And bearing silence with thee disengage
Our twined fortunes? Deeps of unhewn woods
Alone can cherish thee, alone possess
Thy quiet, teeming vigor. This our crime:
Not to have worshipped, marred by alien moods
That sole condition of all loveliness,
The dreaming lapse of slow, unmeasured time.
Written by Ella Wheeler Wilcox | Create an image from this poem

Conversion

 When this world's pleasures for my soul sufficed, 
Ere my heart's plummet sounded depths of pain, 
I call on Reason to control my brain, 
And scoffed at that old story of Christ.

But when o'er burning wastes my feet had trod, 
And all my life was desolate with loss, 
With bleeding hands I clung about the cross, 
And cried aloud, 'Man needs a suffering God! '
Written by Delmore Schwartz | Create an image from this poem

To Helen

 (After Valery)


O Sea! ... 'Tis I, risen from death once more
To hear the waves' harmonious roar
And see the galleys, sharp, in dawn's great awe
Raised from the dark by the rising and gold oar.

My fickle hands sufficed to summon kings
Their salt beards amused my fingers, deft and pure.
I wept. They sang of triumphs now obscure:
And the first abyss flooded the hull as if with falling wings.

I hear the profound horns and trumpets of war
Matching the rhythm, swinging of the flying oars:
The galleys' chant enchains the foam of sound;
And the gods, exalted at the heroic prow,
E'en though the spit of spray insults each smiling brow,
Beckon to me, with arms indulgent, frozen, sculptured,
 and dead long long ago.

Book: Radiant Verses: A Journey Through Inspiring Poetry