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Best Famous Subduing Poems

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Written by Robinson Jeffers | Create an image from this poem

Meditation On Saviors

 I
When I considered it too closely, when I wore it like an element
 and smelt it like water,
Life is become less lovely, the net nearer than the skin, a
 little troublesome, a little terrible.
I pledged myself awhile ago not to seek refuge, neither in death nor in a walled garden, In lies nor gated loyalties, nor in the gates of contempt, that easily lock the world out of doors.
Here on the rock it is great and beautiful, here on the foam-wet granite sea-fang it is easy to praise Life and water and the shining stones: but whose cattle are the herds of the people that one should love them? If they were yours, then you might take a cattle-breeder's delight in the herds of the future.
Not yours.
Where the power ends let love, before it sours to jealousy.
Leave the joys of government to Caesar.
Who is born when the world wanes, when the brave soul of the world falls on decay in the flesh increasing Comes one with a great level mind, sufficient vision, sufficient blindness, and clemency for love.
This is the breath of rottenness I smelt; from the world waiting, stalled between storms, decaying a little, Bitterly afraid to be hurt, but knowing it cannot draw the savior Caesar but out of the blood-bath.
The apes of Christ lift up their hands to praise love: but wisdom without love is the present savior, Power without hatred, mind like a many-bladed machine subduing the world with deep indifference.
The apes of Christ itch for a sickness they have never known; words and the little envies will hardly Measure against that blinding fire behind the tragic eyes they have never dared to confront.
II Point Lobos lies over the hollowed water like a humped whale swimming to shoal; Point Lobos Was wounded with that fire; the hills at Point Sur endured it; the palace at Thebes; the hill Calvary.
Out of incestuous love power and then ruin.
A man forcing the imaginations of men, Possessing with love and power the people: a man defiling his own household with impious desire.
King Oedipus reeling blinded from the palace doorway, red tears pouring from the torn pits Under the forehead; and the young Jew writhing on the domed hill in the earthquake, against the eclipse Frightfully uplifted for having turned inward to love the people: -that root was so sweet O dreadful agonist? - I saw the same pierced feet, that walked in the same crime to its expiation; I heard the same cry.
A bad mountain to build your world on.
Am I another keeper of the people, that on my own shore, On the gray rock, by the grooved mass of the ocean, the sicknesses I left behind me concern me? Here where the surf has come incredible ways out of the splendid west, over the deeps Light nor life sounds forever; here where enormous sundowns flower and burn through color to quietness; Then the ecstasy of the stars is present? As for the people, I have found my rock, let them find theirs.
Let them lie down at Caesar's feet and be saved; and he in his time reap their daggers of gratitude.
III Yet I am the one made pledges against the refuge contempt, that easily locks the world out of doors.
This people as much as the sea-granite is part of the God from whom I desire not to be fugitive.
I see them: they are always crying.
The shored Pacific makes perpetual music, and the stone mountains Their music of silence, the stars blow long pipings of light: the people are always crying in their hearts.
One need not pity; certainly one must not love.
But who has seen peace, if he should tell them where peace Lives in the world.
.
.
they would be powerless to understand; and he is not willing to be reinvolved.
IV How should one caught in the stone of his own person dare tell the people anything but relative to that? But if a man could hold in his mind all the conditions at once, of man and woman, of civilized And barbarous, of sick and well, of happy and under torture, of living and dead, of human and not Human, and dimly all the human future: -what should persuade him to speak? And what could his words change? The mountain ahead of the world is not forming but fixed.
But the man's words would be fixed also, Part of that mountain, under equal compulsion; under the same present compulsion in the iron consistency.
And nobody sees good or evil but out of a brain a hundred centuries quieted, some desert Prophet's, a man humped like a camel, gone mad between the mud- walled village and the mountain sepulchres.
V Broad wagons before sunrise bring food into the city from the open farms, and the people are fed.
They import and they consume reality.
Before sunrise a hawk in the desert made them their thoughts.
VI Here is an anxious people, rank with suppressed bloodthirstiness.
Among the mild and unwarlike Gautama needed but live greatly and be heard, Confucius needed but live greatly and be heard: This people has not outgrown blood-sacrifice, one must writhe on the high cross to catch at their memories; The price is known.
I have quieted love; for love of the people I would not do it.
For power I would do it.
--But that stands against reason: what is power to a dead man, dead under torture? --What is power to a man Living, after the flesh is content? Reason is never a root, neither of act nor desire.
For power living I would never do it; they'are not delightful to touch, one wants to be separate.
For power After the nerves are put away underground, to lighten the abstract unborn children toward peace.
.
.
A man might have paid anguish indeed.
Except he had found the standing sea-rock that even this last Temptation breaks on; quieter than death but lovelier; peace that quiets the desire even of praising it.
VII Yet look: are they not pitiable? No: if they lived forever they would be pitiable: But a huge gift reserved quite overwhelms them at the end; they are able then to be still and not cry.
And having touched a little of the beauty and seen a little of the beauty of things, magically grow Across the funeral fire or the hidden stench of burial themselves into the beauty they admired, Themselves into the God, themselves into the sacred steep unconsciousness they used to mimic Asleep between lamp's death and dawn, while the last drunkard stumbled homeward down the dark street.
They are not to be pitied but very fortunate; they need no savior, salvation comes and takes them by force, It gathers them into the great kingdoms of dust and stone, the blown storms, the stream's-end ocean.
With this advantage over their granite grave-marks, of having realized the petulant human consciousness Before, and then the greatness, the peace: drunk from both pitchers: these to be pitied? These not fortunate But while he lives let each man make his health in his mind, to love the coast opposite humanity And so be freed of love, laying it like bread on the waters; it is worst turned inward, it is best shot farthest.
Love, the mad wine of good and evil, the saint's and murderer's, the mote in the eye that makes its object Shine the sun black; the trap in which it is better to catch the inhuman God than the hunter's own image.


Written by Friedrich von Schiller | Create an image from this poem

The Gods Of Greece

 Ye in the age gone by,
Who ruled the world--a world how lovely then!--
And guided still the steps of happy men
In the light leading-strings of careless joy!
Ah, flourished then your service of delight!
How different, oh, how different, in the day
When thy sweet fanes with many a wreath were bright,
O Venus Amathusia!

Then, through a veil of dreams
Woven by song, truth's youthful beauty glowed,
And life's redundant and rejoicing streams
Gave to the soulless, soul--where'r they flowed
Man gifted nature with divinity
To lift and link her to the breast of love;
All things betrayed to the initiate eye
The track of gods above!

Where lifeless--fixed afar,
A flaming ball to our dull sense is given,
Phoebus Apollo, in his golden car,
In silent glory swept the fields of heaven!
On yonder hill the Oread was adored,
In yonder tree the Dryad held her home;
And from her urn the gentle Naiad poured
The wavelet's silver foam.
Yon bay, chaste Daphne wreathed, Yon stone was mournful Niobe's mute cell, Low through yon sedges pastoral Syrinx breathed, And through those groves wailed the sweet Philomel, The tears of Ceres swelled in yonder rill-- Tears shed for Proserpine to Hades borne; And, for her lost Adonis, yonder hill Heard Cytherea mourn!-- Heaven's shapes were charmed unto The mortal race of old Deucalion; Pyrrha's fair daughter, humanly to woo, Came down, in shepherd-guise, Latona's son Between men, heroes, gods, harmonious then Love wove sweet links and sympathies divine; Blest Amathusia, heroes, gods, and men, Equals before thy shrine! Not to that culture gay, Stern self-denial, or sharp penance wan! Well might each heart be happy in that day-- For gods, the happy ones, were kin to man! The beautiful alone the holy there! No pleasure shamed the gods of that young race; So that the chaste Camoenae favoring were, And the subduing grace! A palace every shrine; Your sports heroic;--yours the crown Of contests hallowed to a power divine, As rushed the chariots thundering to renown.
Fair round the altar where the incense breathed, Moved your melodious dance inspired; and fair Above victorious brows, the garland wreathed Sweet leaves round odorous hair! The lively Thyrsus-swinger, And the wild car the exulting panthers bore, Announced the presence of the rapture-bringer-- Bounded the Satyr and blithe Faun before; And Maenads, as the frenzy stung the soul, Hymned in their maddening dance, the glorious wine-- As ever beckoned to the lusty bowl The ruddy host divine! Before the bed of death No ghastly spectre stood--but from the porch Of life, the lip--one kiss inhaled the breath, And the mute graceful genius lowered a torch.
The judgment-balance of the realms below, A judge, himself of mortal lineage, held; The very furies at the Thracian's woe, Were moved and music-spelled.
In the Elysian grove The shades renewed the pleasures life held dear: The faithful spouse rejoined remembered love, And rushed along the meads the charioteer; There Linus poured the old accustomed strain; Admetus there Alcestis still could greet; his Friend there once more Orestes could regain, His arrows--Philoctetes! More glorious than the meeds That in their strife with labor nerved the brave, To the great doer of renowned deeds The Hebe and the heaven the Thunderer gave.
Before the rescued rescuer [10] of the dead, Bowed down the silent and immortal host; And the twain stars [11] their guiding lustre shed, On the bark tempest-tossed! Art thou, fair world, no more? Return, thou virgin-bloom on Nature's face; Ah, only on the minstrel's magic shore, Can we the footstep of sweet fable trace! The meadows mourn for the old hallowing life; Vainly we search the earth of gods bereft; Where once the warm and living shapes were rife, Shadows alone are left! Cold, from the north, has gone Over the flowers the blast that killed their May; And, to enrich the worship of the one, A universe of gods must pass away! Mourning, I search on yonder starry steeps, But thee no more, Selene, there I see! And through the woods I call, and o'er the deeps, And--Echo answers me! Deaf to the joys she gives-- Blind to the pomp of which she is possessed-- Unconscious of the spiritual power that lives Around, and rules her--by our bliss unblessed-- Dull to the art that colors or creates, Like the dead timepiece, godless nature creeps Her plodding round, and, by the leaden weights, The slavish motion keeps.
To-morrow to receive New life, she digs her proper grave to-day; And icy moons with weary sameness weave From their own light their fulness and decay.
Home to the poet's land the gods are flown, Light use in them that later world discerns, Which, the diviner leading-strings outgrown, On its own axle turns.
Home! and with them are gone The hues they gazed on and the tones they heard; Life's beauty and life's melody:--alone Broods o'er the desolate void, the lifeless word; Yet rescued from time's deluge, still they throng Unseen the Pindus they were wont to cherish: All, that which gains immortal life in song, To mortal life must perish!
Written by Henry Wadsworth Longfellow | Create an image from this poem

THE GOOD PART THAT SHALL NOT BE TAKEN AWAY

 She dwells by Great Kenhawa's side,
In valleys green and cool;
And all her hope and all her pride
Are in the village school.
Her soul, like the transparent air That robes the hills above, Though not of earth, encircles there All things with arms of love.
And thus she walks among her girls With praise and mild rebukes; Subduing e'en rude village churls By her angelic looks.
She reads to them at eventide Of One who came to save; To cast the captive's chains aside And liberate the slave.
And oft the blessed time foretells When all men shall be free; And musical, as silver bells, Their falling chains shall be.
And following her beloved Lord, In decent poverty, She makes her life one sweet record And deed of charity.
For she was rich, and gave up all To break the iron bands Of those who waited in her hall, And labored in her lands.
Long since beyond the Southern Sea Their outbound sails have sped, While she, in meek humility, Now earns her daily bread.
It is their prayers, which never cease, That clothe her with such grace; Their blessing is the light of peace That shines upon her face.
Written by William Topaz McGonagall | Create an image from this poem

Saved by Music

 At on time, in America, many years ago,
Large gray wolves wont to wander to and fro;
And from the farm yards they carried pigs and calves away,
Which they devoured ravenously, without dismay.
But, as the story goes, there was a ***** fiddler called old Dick, Who was invited by a wedding party to give them music, In the winter time, when the snow lay thick upon the ground, And the rivers far and near were frozen all around.
So away went Dick to the wedding as fast as he could go, Walking cautiously along o'er the crisp and crackling snow, And the path was a narrow one, the greater part of the way Through a dark forest, which filled his heart with dismay.
And when hurrying onward, not to be late at the festival, He heard the howl of a wolf, which did his heart appal, And the howl was answered, and as the howl came near Poor Old Dick, fiddle in hand, began to shake with fear.
And as the wolves gathered in packs from far and near, Old Dick in the crackling bushes did them hear, And they ran along to keep pace with him, Then poor Dick began to see the danger he was in.
And every few minutes a wolf would rush past him with a snap, With a snapping sound like the ring of a steel trap, And the pack of wolves gathered with terrible rapidity, So that Dick didn't know whether to stand or flee.
And his only chance, he thought, was to keep them at bay By preserving the greatest steadiness without dismay, Until he was out of the forest and on open ground, Where he thought a place of safety might be found.
He remembered an old hut stood in the clearing, And towards it he was slowly nearing, And the hope of reaching it urged him on, But he felt a trifle dispirited and woe-begone.
And the poor fellow's heart with fear gave a bound, When he saw the wolves' green eyes glaring all around, And they rushed at him boldly, one after another, Snapping as they passed, which to him was great bother.
And Dick sounded his fiddle and tried to turn them back, And the sound caused the wolves to leap back in a crack, When Dick took to his heels at full run, But now poor Dick's danger was only begun: For the wolves pursued him without delay, But Dick arrived at the hut in great dismay, And had just time to get on the roof and play, And at the strains of the music the wolves felt gay.
And for several hours he sat there in pain, Knowing if he stopped playing the wolves would be at him again, But the rage of the wolves abated to the subduing strains, And at last he was rewarded for all his pains: For the wedding-party began to weary for some music, And they all came out to look for old Dick, And on top of the hut they found him fiddling away, And they released him from his dangerous position without delay.
Written by Francesco Petrarch | Create an image from this poem

SESTINA VIII

[Pg 210]

SESTINA VIII.

Là ver l' aurora, che sì dolce l' aura.

SHE IS MOVED NEITHER BY HIS VERSES NOR HIS TEARS.

When music warbles from each thorn,
And Zephyr's dewy wings
Sweep the young flowers; what time the morn
Her crimson radiance flings:
Then, as the smiling year renews,
I feel renew'd Love's tender pain;
Renew'd is Laura's cold disdain;
And I for comfort court the weeping muse.
Oh! could my sighs in accents flow
So musically lorn,
That thou might'st catch my am'rous woe,
And cease, proud Maid! thy scorn:
Yet, ere within thy icy breast
The smallest spark of passion's found,
Winter's cold temples shall be bound
With all the blooms that paint spring's glowing vest.
The drops that bathe the grief-dew'd eye,
The love-impassion'd strain
To move thy flinty bosom try
Full oft;—but, ah! in vain
Would tears, and melting song avail;
As vainly might the silken breeze,
That bends the flowers, that fans the trees,
Some rugged rock's tremendous brow assail.
Both gods and men alike are sway'd
By Love, as poets tell;—
And I, when flowers in every shade
Their bursting gems reveal,
First felt his all-subduing power:
While Laura knows not yet the smart;
Nor heeds the tortures of my heart,
My prayers, my plaints, and sorrow's pearly shower!
Thy wrongs, my soul! with patience bear,
While life shall warm this clay;
And soothing sounds to Laura's ear
My numbers shall convey;
[Pg 211]Numbers with forceful magic charm
All nature o'er the frost-bound earth,
Wake summer's fragrant buds to birth,
And the fierce serpent of its rage disarm.
The blossom'd shrubs in smiles are drest,
Now laughs his purple plain;
And shall the nymph a foe profest
To tenderness remain?
But oh! what solace shall I find,
If fortune dooms me yet to bear
The frowns of my relentless Fair,
Save with soft moan to vex the pitying wind?
In baffling nets the light-wing'd gale
I'd fetter as it blows,
The vernal rose that scents the vale
I'd cull on wintery snows;
Still I'd ne'er hope that mind to move
Which dares defy the wiles of verse, and Love.
Anon.
1777.


Written by Anne Kingsmill Finch | Create an image from this poem

To The Painter Of An Ill-drawn Picture of Cleone

 Sooner I'd praise a Cloud which Light beguiles, 
Than thy rash Hand which robs this Face of Smiles; 
And does that sweet and pleasing Air control, 
Which to us paints the fair CLEONE's Soul.
'Tis vain to boast of Rules or labour'd Art; I miss the Look that captivates my Heart, Attracts my Love, and tender Thoughts inspires; Nor can my Breast be warm'd by common Fires; Nor can ARDELIA love but where she first admires.
Like Jupiter's, thy Head was sure in Pain When this Virago struggl'd in thy Brain; And strange it is, thou hast not made her wield A mortal Dart, or penetrating Shield, Giving that Hand of disproportion'd size The Pow'r, of which thou hast disarm'd her Eyes: As if, like Amazons, she must oppose, And into Lovers force her vanquish'd Foes.
Had to THEANOR thus her Form been shown To gain her Heart, he had not lost his own; Nor, by the gentlest Bands of Human Life, At once secur'd the Mistress and the Wife.
For still CLEONE's Beauties are the same, And what first lighten'd, still upholds his Flame.
Fain his Compassion wou'd thy Works approve, Were pitying thee consistent with his Love, Or with the Taste which Italy has wrought In his refin'd and daily heighten'd Thought, Where Poetry, or Painting find no place, Unless perform'd with a superior Grace.
Cou'd but my Wish some Influence infuse, Ne'er shou'd the Pencil, or the Sister-Muse Be try'd by those who easily excuse: But strictest Censors shou'd of either judge, Applaud the Artist, and despise the Drudge.
Then never wou'd thy Colours have debas'd CLEONE's Features, and her Charms defac'd: Nor had my Pen (more subject to their Laws) Assay'd to vindicate her Beauty's Cause.
A rigid Fear had kept us both in Awe, Nor I compos'd, nor thou presum'd to draw; But in CLEONE viewing with Surprize That Excellence, to which we ne'er cou'd rise, By less Attempts we safely might have gain'd That humble Praise which neither has obtain'd, Since to thy Shadowings, or my ruder Verse, It is not giv'n to shew, or to rehearse What Nature in CLEONE's Face has writ, A soft Endearment, and a chearful Wit, That all-subduing, that enliv'ning Air By which, a sympathizing Joy we share, For who forbears to smile, when smil'd on by the Fair?

Book: Reflection on the Important Things