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Best Famous Sterling Poems

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Written by Robert William Service | Create an image from this poem

Making Good

 No man can be a failure if he thinks he's a success;
he may not own his roof-tree overhead,
He may be on his uppers and have hocked his evening dress -
(Financially speaking - in the red)
He may have chronic shortage to repay the old home mortgage,
And almost be a bankrupt in his biz.
, But though he skips his dinner, And each day he's growing thinner, If he thinks he is a winner, Then he is.
But when I say Success I mean the sublimated kind; A man may gain it yet be on the dole.
To me it's music of the heart and sunshine of the mind, Serenity and sweetness of the soul.
You may not have a brace of bucks to jingle in your jeans, Far less the dough to buy a motor car; But though the row you're hoeing May be grim, ungodly going, If you think the skies are glowing - Then they are.
For a poor man may be wealthy and a millionaire may fail, It all depends upon the point of view.
It's the sterling of your spirit tips the balance of the scale, It's optimism, and it's up to you.
For what I figure as success is simple Happiness, The consummate contentment of your mood: You may toil with brain and sinew, And though little wealth is win you, If there's health and hope within you - You've made good.


Written by Anne Sexton | Create an image from this poem

The Twelve Dancing Princesses

 If you danced from midnight
to six A.
M.
who would understand? The runaway boy who chucks it all to live on the Boston Common on speed and saltines, pissing in the duck pond, rapping with the street priest, trading talk like blows, another missing person, would understand.
The paralytic's wife who takes her love to town, sitting on the bar stool, downing stingers and peanuts, singing "That ole Ace down in the hole," would understand.
The passengers from Boston to Paris watching the movie with dawn coming up like statues of honey, having partaken of champagne and steak while the world turned like a toy globe, those murderers of the nightgown would understand.
The amnesiac who tunes into a new neighborhood, having misplaced the past, having thrown out someone else's credit cards and monogrammed watch, would understand.
The drunken poet (a genius by daylight) who places long-distance calls at three A.
M.
and then lets you sit holding the phone while he vomits (he calls it "The Night of the Long Knives") getting his kicks out of the death call, would understand.
The insomniac listening to his heart thumping like a June bug, listening on his transistor to Long John Nebel arguing from New York, lying on his bed like a stone table, would understand.
The night nurse with her eyes slit like Venetian blinds, she of the tubes and the plasma, listening to the heart monitor, the death cricket bleeping, she who calls you "we" and keeps vigil like a ballistic missile, would understand.
Once this king had twelve daughters, each more beautiful than the other.
They slept together, bed by bed in a kind of girls' dormitory.
At night the king locked and bolted the door .
How could they possibly escape? Yet each morning their shoes were danced to pieces.
Each was as worn as an old jockstrap.
The king sent out a proclamation that anyone who could discover where the princesses did their dancing could take his pick of the litter.
However there was a catch.
If he failed, he would pay with his life.
Well, so it goes.
Many princes tried, each sitting outside the dormitory, the door ajar so he could observe what enchantment came over the shoes.
But each time the twelve dancing princesses gave the snoopy man a Mickey Finn and so he was beheaded.
Poof! Like a basketball.
It so happened that a poor soldier heard about these strange goings on and decided to give it a try.
On his way to the castle he met an old old woman.
Age, for a change, was of some use.
She wasn't stuffed in a nursing home.
She told him not to drink a drop of wine and gave him a cloak that would make him invisible when the right time came.
And thus he sat outside the dorm.
The oldest princess brought him some wine but he fastened a sponge beneath his chin, looking the opposite of Andy Gump.
The sponge soaked up the wine, and thus he stayed awake.
He feigned sleep however and the princesses sprang out of their beds and fussed around like a Miss America Contest.
Then the eldest went to her bed and knocked upon it and it sank into the earth.
They descended down the opening one after the other.
They crafty soldier put on his invisisble cloak and followed.
Yikes, said the youngest daughter, something just stepped on my dress.
But the oldest thought it just a nail.
Next stood an avenue of trees, each leaf make of sterling silver.
The soldier took a leaf for proof.
The youngest heard the branch break and said, Oof! Who goes there? But the oldest said, Those are the royal trumpets playing triumphantly.
The next trees were made of diamonds.
He took one that flickered like Tinkerbell and the youngest said: Wait up! He is here! But the oldest said: Trumpets, my dear.
Next they came to a lake where lay twelve boats with twelve enchanted princes waiting to row them to the underground castle.
The soldier sat in the youngest's boat and the boat was as heavy as if an icebox had been added but the prince did not suspect.
Next came the ball where the shoes did duty.
The princesses danced like taxi girls at Roseland as if those tickets would run right out.
They were painted in kisses with their secret hair and though the soldier drank from their cups they drank down their youth with nary a thought.
Cruets of champagne and cups full of rubies.
They danced until morning and the sun came up naked and angry and so they returned by the same strange route.
The soldier went forward through the dormitory and into his waiting chair to feign his druggy sleep.
That morning the soldier, his eyes fiery like blood in a wound, his purpose brutal as if facing a battle, hurried with his answer as if to the Sphinx.
The shoes! The shoes! The soldier told.
He brought forth the silver leaf, the diamond the size of a plum.
He had won.
The dancing shoes would dance no more.
The princesses were torn from their night life like a baby from its pacifier.
Because he was old he picked the eldest.
At the wedding the princesses averted their eyes and sagged like old sweatshirts.
Now the runaways would run no more and never again would their hair be tangled into diamonds, never again their shoes worn down to a laugh, never the bed falling down into purgatory to let them climb in after with their Lucifer kicking.
Written by Robert Burns | Create an image from this poem

297. Election Ballad for Westerha'

 THE LADDIES by the banks o’ Nith
 Wad trust his Grace 1 wi a’, Jamie;
But he’ll sair them, as he sair’d the King—
 Turn tail and rin awa’, Jamie.
Chorus.
—Up and waur them a’, Jamie, Up and waur them a’; The Johnstones hae the guidin o’t, Ye turncoat Whigs, awa’! The day he stude his country’s friend, Or gied her faes a claw, Jamie, Or frae puir man a blessin wan, That day the Duke ne’er saw, Jamie.
Up and waur them, &c.
But wha is he, his country’s boast? Like him there is na twa, Jamie; There’s no a callent tents the kye, But kens o’ Westerha’, Jamie.
Up and waur them, &c.
To end the wark, here’s Whistlebirk, Lang may his whistle blaw, Jamie; And Maxwell true, o’ sterling blue; And we’ll be Johnstones a’, Jamie.
Up and waur them, &c.
Written by Ellis Parker Butler | Create an image from this poem

When Ida Puts Her Armor On

 The Cowboy had a sterling heart,
The Maiden was from Boston,
The Rancher saw his wealth depart—
The Steers were what he lost on.
The Villain was a banker’s limb, His spats and cane were nifty; The Maiden needs must marry him— Her father was not thrifty.
The Sheepmen were as foul as pitch, The Cowboy was a hero, The gold mine made the hero rich, The Villain’s score was zero.
The Sheepmen tried to steal the maid, The Villain sought the attic, The Hero fifteen bad men slayed With his blue automatic.
The Hero kissed the willing lass, The final scene was snappy; The Villain went to Boston, Mass.
, And everyone was happy.
Written by A E Housman | Create an image from this poem

Terence This is Stupid Stuff

 ‘TERENCE, this is stupid stuff: 
You eat your victuals fast enough; 
There can’t be much amiss, ’tis clear, 
To see the rate you drink your beer.
But oh, good Lord, the verse you make, 5 It gives a chap the belly-ache.
The cow, the old cow, she is dead; It sleeps well, the horned head: We poor lads, ’tis our turn now.
To hear such tunes as killed the cow! Pretty friendship 'tis to rhyme Your friends to death before their time Moping melancholy mad! Come, pipe a tune to dance to, lad!" Why, if 'tis dancing you would be, There's brisker pipes than poetry.
Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God's ways to man.
Ale, man, ale's the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world's not.
And faith, 'tis pleasant till 'tis past: The mischief is that 'twill not last.
Oh I have been to Ludlow fair And left my necktie God knows where, And carried half way home, or near, Pints and quarts of Ludlow beer: Then the world seemed none so bad, And I myself a sterling lad; And down in lovely muck I've lain, Happy till I woke again.
Then I saw the morning sky: Heigho, the tale was all a lie; The world, it was the old world yet, I was I, my things were wet, And nothing now remained to do But begin the game anew.
Therefore, since the world has still Much good, but much less good than ill, And while the sun and moon endure Luck's a chance, but trouble's sure, I'd face it as a wise man would, And train for ill and not for good.
'Tis true, the stuff I bring for sale Is not so brisk a brew as ale: Out of a stem that scored the hand I wrung it in a weary land.
But take it: if the smack is sour, The better for the embittered hour; It should do good to heart and head When your soul is in my soul's stead; And I will friend you, if I may, In the dark and cloudy day.
There was a king reigned in the East: There, when kings will sit to feast, They get their fill before they think With poisoned meat and poisoned drink.
He gathered all the springs to birth From the many-venomed earth; First a little, thence to more, He sampled all her killing store; And easy, smiling, seasoned sound, Sate the king when healths went round.
They put arsenic in his meat And stared aghast to watch him eat; They poured strychnine in his cup And shook to see him drink it up: They shook, they stared as white's their shirt: Them it was their poison hurt.
--I tell the tale that I heard told.
Mithridates, he died old.


Written by Andrew Barton Paterson | Create an image from this poem

Johnson's Antidote

 Down along the Snakebite River, where the overlanders camp, 
Where the serpents are in millions, all of the most deadly stamp; 
Where the station-cook in terror, nearly every time he bakes, 
Mixes up among the doughboys half-a-dozen poison-snakes: 
Where the wily free-selector walks in armour-plated pants, 
And defies the stings of scorpions, and the bites of bull-dog ants: 
Where the adder and the viper tear each other by the throat,— 
There it was that William Johnson sought his snake-bite antidote.
Johnson was a free-selector, and his brain went rather *****, For the constant sight of serpents filled him with a deadly fear; So he tramped his free-selection, morning, afternoon, and night, Seeking for some great specific that would cure the serpent’s bite.
Till King Billy, of the Mooki, chieftain of the flour-bag head, Told him, “Spos’n snake bite pfeller, pfeller mostly drop down dead; Spos’n snake bite old goanna, then you watch a while you see, Old goanna cure himself with eating little pfeller tree.
” “That’s the cure,” said William Johnson, “point me out this plant sublime,” But King Billy, feeling lazy, said he’d go another time.
Thus it came to pass that Johnson, having got the tale by rote, Followed every stray goanna, seeking for the antidote.
.
.
.
.
.
Loafing once beside the river, while he thought his heart would break, There he saw a big goanna fighting with a tiger-snake, In and out they rolled and wriggled, bit each other, heart and soul, Till the valiant old goanna swallowed his opponent whole.
Breathless, Johnson sat and watched him, saw him struggle up the bank, Saw him nibbling at the branches of some bushes, green and rank; Saw him, happy and contented, lick his lips, as off he crept, While the bulging in his stomach showed where his opponent slept.
Then a cheer of exultation burst aloud from Johnson’s throat; “Luck at last,” said he, “I’ve struck it! ’tis the famous antidote.
“Here it is, the Grand Elixir, greatest blessing ever known,— Twenty thousand men in India die each year of snakes alone.
Think of all the foreign nations, *****, chow, and blackamoor, Saved from sudden expiration, by my wondrous snakebite cure.
It will bring me fame and fortune! In the happy days to be, Men of every clime and nation will be round to gaze on me— Scientific men in thousands, men of mark and men of note, Rushing down the Mooki River, after Johnson’s antidote.
It will cure delirium tremens, when the patient’s eyeballs stare At imaginary spiders, snakes which really are not there.
When he thinks he sees them wriggle, when he thinks he sees them bloat, It will cure him just to think of Johnson’s Snakebite Antidote.
” Then he rushed to the museum, found a scientific man— “Trot me out a deadly serpent, just the deadliest you can; I intend to let him bite me, all the risk I will endure, Just to prove the sterling value of my wondrous snakebite cure.
Even though an adder bit me, back to life again I’d float; Snakes are out of date, I tell you, since I’ve found the antidote.
” Said the scientific person, “If you really want to die, Go ahead—but, if you’re doubtful, let your sheep-dog have a try.
Get a pair of dogs and try it, let the snake give both a nip; Give your dog the snakebite mixture, let the other fellow rip; If he dies and yours survives him, then it proves the thing is good.
Will you fetch your dog and try it?” Johnson rather thought he would.
So he went and fetched his canine, hauled him forward by the throat.
“Stump, old man,” says he, “we’ll show them we’ve the genwine antidote.
” Both the dogs were duly loaded with the poison-gland’s contents; Johnson gave his dog the mixture, then sat down to wait events.
“Mark,” he said, “in twenty minutes Stump’ll be a-rushing round, While the other wretched creature lies a corpse upon the ground.
” But, alas for William Johnson! ere they’d watched a half-hour’s spell Stumpy was as dead as mutton, t’other dog was live and well.
And the scientific person hurried off with utmost speed, Tested Johnson’s drug and found it was a deadly poison-weed; Half a tumbler killed an emu, half a spoonful killed a goat, All the snakes on earth were harmless to that awful antidote.
.
.
.
.
.
Down along the Mooki River, on the overlanders’ camp, Where the serpents are in millions, all of the most deadly stamp, Wanders, daily, William Johnson, down among those poisonous hordes, Shooting every stray goanna, calls them “black and yaller frauds”.
And King Billy, of the Mooki, cadging for the cast-off coat, Somehow seems to dodge the subject of the snake-bite antidote.
Written by Robert Burns | Create an image from this poem

90. Epistle to James Smith

 DEAR SMITH, the slee’st, pawkie thief,
That e’er attempted stealth or rief!
Ye surely hae some warlock-brief
 Owre human hearts;
For ne’er a bosom yet was prief
 Against your arts.
For me, I swear by sun an’ moon, An’ ev’ry star that blinks aboon, Ye’ve cost me twenty pair o’ shoon, Just gaun to see you; An’ ev’ry ither pair that’s done, Mair taen I’m wi’ you.
That auld, capricious carlin, Nature, To mak amends for scrimpit stature, She’s turn’d you off, a human creature On her first plan, And in her freaks, on ev’ry feature She’s wrote the Man.
Just now I’ve ta’en the fit o’ rhyme, My barmie noddle’s working prime.
My fancy yerkit up sublime, Wi’ hasty summon; Hae ye a leisure-moment’s time To hear what’s comin? Some rhyme a neibor’s name to lash; Some rhyme (vain thought!) for needfu’ cash; Some rhyme to court the countra clash, An’ raise a din; For me, an aim I never fash; I rhyme for fun.
The star that rules my luckless lot, Has fated me the russet coat, An’ damn’d my fortune to the groat; But, in requit, Has blest me with a random-shot O’countra wit.
This while my notion’s taen a sklent, To try my fate in guid, black prent; But still the mair I’m that way bent, Something cries “Hooklie!” I red you, honest man, tak tent? Ye’ll shaw your folly; “There’s ither poets, much your betters, Far seen in Greek, deep men o’ letters, Hae thought they had ensur’d their debtors, A’ future ages; Now moths deform, in shapeless tatters, Their unknown pages.
” Then farewell hopes of laurel-boughs, To garland my poetic brows! Henceforth I’ll rove where busy ploughs Are whistlin’ thrang, An’ teach the lanely heights an’ howes My rustic sang.
I’ll wander on, wi’ tentless heed How never-halting moments speed, Till fate shall snap the brittle thread; Then, all unknown, I’ll lay me with th’ inglorious dead Forgot and gone! But why o’ death being a tale? Just now we’re living sound and hale; Then top and maintop crowd the sail, Heave Care o’er-side! And large, before Enjoyment’s gale, Let’s tak the tide.
This life, sae far’s I understand, Is a’ enchanted fairy-land, Where Pleasure is the magic-wand, That, wielded right, Maks hours like minutes, hand in hand, Dance by fu’ light.
The magic-wand then let us wield; For ance that five-an’-forty’s speel’d, See, crazy, weary, joyless eild, Wi’ wrinkl’d face, Comes hostin, hirplin owre the field, We’ creepin pace.
When ance life’s day draws near the gloamin, Then fareweel vacant, careless roamin; An’ fareweel cheerfu’ tankards foamin, An’ social noise: An’ fareweel dear, deluding woman, The Joy of joys! O Life! how pleasant, in thy morning, Young Fancy’s rays the hills adorning! Cold-pausing Caution’s lesson scorning, We frisk away, Like school-boys, at th’ expected warning, To joy an’ play.
We wander there, we wander here, We eye the rose upon the brier, Unmindful that the thorn is near, Among the leaves; And tho’ the puny wound appear, Short while it grieves.
Some, lucky, find a flow’ry spot, For which they never toil’d nor swat; They drink the sweet and eat the fat, But care or pain; And haply eye the barren hut With high disdain.
With steady aim, some Fortune chase; Keen hope does ev’ry sinew brace; Thro’ fair, thro’ foul, they urge the race, An’ seize the prey: Then cannie, in some cozie place, They close the day.
And others, like your humble servan’, Poor wights! nae rules nor roads observin, To right or left eternal swervin, They zig-zag on; Till, curst with age, obscure an’ starvin, They aften groan.
Alas! what bitter toil an’ straining— But truce with peevish, poor complaining! Is fortune’s fickle Luna waning? E’n let her gang! Beneath what light she has remaining, Let’s sing our sang.
My pen I here fling to the door, And kneel, ye Pow’rs! and warm implore, “Tho’ I should wander Terra o’er, In all her climes, Grant me but this, I ask no more, Aye rowth o’ rhymes.
“Gie dreepin roasts to countra lairds, Till icicles hing frae their beards; Gie fine braw claes to fine life-guards, And maids of honour; An’ yill an’ whisky gie to cairds, Until they sconner.
“A title, Dempster 1 merits it; A garter gie to Willie Pitt; Gie wealth to some be-ledger’d cit, In cent.
per cent.
; But give me real, sterling wit, And I’m content.
“While ye are pleas’d to keep me hale, I’ll sit down o’er my scanty meal, Be’t water-brose or muslin-kail, Wi’ cheerfu’ face, As lang’s the Muses dinna fail To say the grace.
” An anxious e’e I never throws Behint my lug, or by my nose; I jouk beneath Misfortune’s blows As weel’s I may; Sworn foe to sorrow, care, and prose, I rhyme away.
O ye douce folk that live by rule, Grave, tideless-blooded, calm an’cool, Compar’d wi’ you—O fool! fool! fool! How much unlike! Your hearts are just a standing pool, Your lives, a dyke! Nae hair-brain’d, sentimental traces In your unletter’d, nameless faces! In arioso trills and graces Ye never stray; But gravissimo, solemn basses Ye hum away.
Ye are sae grave, nae doubt ye’re wise; Nae ferly tho’ ye do despise The hairum-scairum, ram-stam boys, The rattling squad: I see ye upward cast your eyes— Ye ken the road! Whilst I—but I shall haud me there, Wi’ you I’ll scarce gang ony where— Then, Jamie, I shall say nae mair, But quat my sang, Content wi’ you to mak a pair.
Whare’er I gang.
Note 1.
George Dempster of Dunnichen, M.
P.
[back]
Written by Andrew Barton Paterson | Create an image from this poem

An answer to Various Bards

 Well, I've waited mighty patient while they all came rolling in, 
Mister Lawson, Mister Dyson, and the others of their kin, 
With their dreadful, dismal stories of the Overlander's camp, 
How his fire is always smoky, and his boots are always damp; 
And they paint it so terrific it would fill one's soul with gloom -- 
But you know they're fond of writing about "corpses" and "the tomb".
So, before they curse the bushland, they should let their fancy range, And take something for their livers, and be cheerful for a change.
Now, for instance, Mr Lawson -- well, of course, we almost cried At the sorrowful description how his "little 'Arvie" died, And we lachrymosed in silence when "His Father's mate" was slain; Then he went and killed the father, and we had to weep again.
Ben Duggan and Jack Denver, too, he caused them to expire, After which he cooked the gander of Jack Dunn, of Nevertire; And, no doubt, the bush is wretched if you judge it by the groan Of the sad and soulful poet with a graveyard of his own.
And he spoke in terms prophetic of a revolution's heat, When the world should hear the clamour of those people in the street; But the shearer chaps who start it -- why, he rounds on them the blame, And he calls 'em "agitators who are living on the game".
Bur I "over-write" the bushmen! Well, I own without a doubt That I always see the hero in the "man from furthest out".
I could never contemplate him through an atmosphere of gloom, And a bushman never struck me as a subject for "the tomb".
If it ain't all "golden sunshine" where the "wattle branches wave", Well, it ain't all damp and dismal, and it ain't all "lonely grave".
And, of course, there's no denying that the bushman's life is rough, But a man can easy stand it if he's built of sterling stuff; Though it's seldom that the drover gets a bed of eiderdown, Yet the man who's born a bushman, he gets mighty sick of town, For he's jotting down the figures, and he's adding up the bills While his heart is simply aching for a sight of Southern hills.
Then he hears a wool-team passing with a rumble and a lurch, And, although the work is pressing, yet it brings him off his perch, For it stirs him like a message from his station friends afar And he seems to sniff the ranges in the scent of wool and tar; And it takes him back in fancy, half in laughter, half in tears, to a sound of other voices and a thought of other years, When the woolshed rang with bustle from the dawning of the day, And the shear-blades were a-clicking to the cry of "Wool away!" Then his face was somewhat browner, and his frame was firmer set -- And he feels his flabby muscles with a feeling of regret.
But the wool-team slowly passes, and his eyes go slowly back To the dusty little table and the papers in the rack, And his thoughts go to the terrace where his sickly children squall, And he thinks there's something healthy in the bush-life after all.
But we'll go no more a-droving in the wind or in the sun, For out fathers' hearts have failed us, and the droving days are done.
There's a nasty dash of danger where the long-horned bullock wheels, And we like to live in comfort and to get our reg'lar meals.
For to hang around the township suits us better, you'll agree, And a job at washing bottles is the job for such as we.
Let us herd into the cities, let us crush and crowd and push Till we lose the love of roving, and we learn to hate the bush; And we'll turn our aspirations to a city life and beer, And we'll slip across to England -- it's a nicer place than here; For there's not much risk of hardship where all comforts are in store, And the theatres are in plenty, and the pubs are more and more.
But that ends it, Mr Lawson, and it's time to say good-bye, So we must agree to differ in all friendship, you and I.
Yes, we'll work our own salvation with the stoutest hearts we may, And if fortune only favours we will take the road some day, And go droving down the river 'neath the sunshine and the stars, And then return to Sydney and vermilionize the bars.
Written by Gerard Manley Hopkins | Create an image from this poem

The Soldier

 Yes.
Why do we ?ll, seeing of a soldier, bless him? bless Our redcoats, our tars? Both these being, the greater part, But frail clay, nay but foul clay.
Here it is: the heart, Since, proud, it calls the calling manly, gives a guess That, hopes that, makesbelieve, the men must be no less; It fancies, feigns, deems, dears the artist after his art; And fain will find as sterling all as all is smart, And scarlet wear the spirit of w?r th?re express.
Mark Christ our King.
He knows war, served this soldiering through; He of all can handle a rope best.
There he bides in bliss Now, and s?eing somewh?re some m?n do all that man can do, For love he leans forth, needs his neck must fall on, kiss, And cry 'O Christ-done deed! So God-made-flesh does too: Were I come o'er again' cries Christ 'it should be this'.
Written by Emily Dickinson | Create an image from this poem

The Symptom of the Gale --

 The Symptom of the Gale --
The Second of Dismay --
Between its Rumor and its Face --
Is almost Revelry --

The Houses firmer root --
The Heavens cannot be found --
The Upper Surfaces of things
Take covert in the Ground --

The Mem'ry of the Sun
Not Any can recall --
Although by Nature's sterling Watch
So scant an interval --

And when the Noise is caught
And Nature looks around --
"We dreamed it"? She interrogates --
"Good Morning" -- We propound?

Book: Reflection on the Important Things