Written by
G K Chesterton |
White founts falling in the Courts of the sun,
And the Soldan of Byzantium is smiling as they run;
There is laughter like the fountains in that face of all men feared,
It stirs the forest darkness, the darkness of his beard;
It curls the blood-red crescent, the crescent of his lips;
For the inmost sea of all the earth is shaken with his ships.
They have dared the white republics up the capes of Italy,
They have dashed the Adriatic round the Lion of the Sea,
And the Pope has cast his arms abroad for agony and loss,
And called the kings of Christendom for swords about the Cross.
The cold queen of England is looking in the glass;
The shadow of the Valois is yawning at the Mass;
From evening isles fantastical rings faint the Spanish gun,
And the Lord upon the Golden Horn is laughing in the sun.
Dim drums throbbing, in the hills half heard,
Where only on a nameless throne a crownless prince has stirred,
Where, risen from a doubtful seat and half attainted stall,
The last knight of Europe takes weapons from the wall,
The last and lingering troubadour to whom the bird has sung,
That once went singing southward when all the world was young.
In that enormous silence, tiny and unafraid,
Comes up along a winding road the noise of the Crusade.
Strong gongs groaning as the guns boom far,
Don John of Austria is going to the war,
Stiff flags straining in the night-blasts cold
In the gloom black-purple, in the glint old-gold,
Torchlight crimson on the copper kettle-drums,
Then the tuckets, then the trumpets, then the cannon, and he comes.
Don John laughing in the brave beard curled,
Spurning of his stirrups like the thrones of all the world,
Holding his head up for a flag of all the free.
Love-light of Spain--hurrah!
Death-light of Africa!
Don John of Austria
Is riding to the sea.
Mahound is in his paradise above the evening star,
(Don John of Austria is going to the war.
)
He moves a mighty turban on the timeless houri's knees,
His turban that is woven of the sunsets and the seas.
He shakes the peacock gardens as he rises from his ease,
And he strides among the tree-tops and is taller than the trees;
And his voice through all the garden is a thunder sent to bring
Black Azrael and Ariel and Ammon on the wing.
Giants and the Genii,
Multiplex of wing and eye,
Whose strong obedience broke the sky
When Solomon was king.
They rush in red and purple from the red clouds of the morn,
From the temples where the yellow gods shut up their eyes in scorn;
They rise in green robes roaring from the green hells of the sea
Where fallen skies and evil hues and eyeless creatures be,
On them the sea-valves cluster and the grey sea-forests curl,
Splashed with a splendid sickness, the sickness of the pearl;
They swell in sapphire smoke out of the blue cracks of the ground,--
They gather and they wonder and give worship to Mahound.
And he saith, "Break up the mountains where the hermit-folk can hide,
And sift the red and silver sands lest bone of saint abide,
And chase the Giaours flying night and day, not giving rest,
For that which was our trouble comes again out of the west.
We have set the seal of Solomon on all things under sun,
Of knowledge and of sorrow and endurance of things done.
But a noise is in the mountains, in the mountains, and I know
The voice that shook our palaces--four hundred years ago:
It is he that saith not 'Kismet'; it is he that knows not Fate;
It is Richard, it is Raymond, it is Godfrey at the gate!
It is he whose loss is laughter when he counts the wager worth,
Put down your feet upon him, that our peace be on the earth.
"
For he heard drums groaning and he heard guns jar,
(Don John of Austria is going to the war.
)
Sudden and still--hurrah!
Bolt from Iberia!
Don John of Austria
Is gone by Alcalar.
St.
Michaels on his Mountain in the sea-roads of the north
(Don John of Austria is girt and going forth.
)
Where the grey seas glitter and the sharp tides shift
And the sea-folk labour and the red sails lift.
He shakes his lance of iron and he claps his wings of stone;
The noise is gone through Normandy; the noise is gone alone;
The North is full of tangled things and texts and aching eyes,
And dead is all the innocence of anger and surprise,
And Christian killeth Christian in a narrow dusty room,
And Christian dreadeth Christ that hath a newer face of doom,
And Christian hateth Mary that God kissed in Galilee,--
But Don John of Austria is riding to the sea.
Don John calling through the blast and the eclipse
Crying with the trumpet, with the trumpet of his lips,
Trumpet that sayeth ha!
Domino gloria!
Don John of Austria
Is shouting to the ships.
King Philip's in his closet with the Fleece about his neck
(Don John of Austria is armed upon the deck.
)
The walls are hung with velvet that is black and soft as sin,
And little dwarfs creep out of it and little dwarfs creep in.
He holds a crystal phial that has colours like the moon,
He touches, and it tingles, and he trembles very soon,
And his face is as a fungus of a leprous white and grey
Like plants in the high houses that are shuttered from the day,
And death is in the phial and the end of noble work,
But Don John of Austria has fired upon the Turk.
Don John's hunting, and his hounds have bayed--
Booms away past Italy the rumour of his raid.
Gun upon gun, ha! ha!
Gun upon gun, hurrah!
Don John of Austria
Has loosed the cannonade.
The Pope was in his chapel before day or battle broke,
(Don John of Austria is hidden in the smoke.
)
The hidden room in man's house where God sits all the year,
The secret window whence the world looks small and very dear.
He sees as in a mirror on the monstrous twilight sea
The crescent of his cruel ships whose name is mystery;
They fling great shadows foe-wards, making Cross and Castle dark,
They veil the plum?d lions on the galleys of St.
Mark;
And above the ships are palaces of brown, black-bearded chiefs,
And below the ships are prisons, where with multitudinous griefs,
Christian captives sick and sunless, all a labouring race repines
Like a race in sunken cities, like a nation in the mines.
They are lost like slaves that sweat, and in the skies of morning hung
The stair-ways of the tallest gods when tyranny was young.
They are countless, voiceless, hopeless as those fallen or fleeing on
Before the high Kings' horses in the granite of Babylon.
And many a one grows witless in his quiet room in hell
Where a yellow face looks inward through the lattice of his cell,
And he finds his God forgotten, and he seeks no more a sign--
(But Don John of Austria has burst the battle-line!)
Don John pounding from the slaughter-painted poop,
Purpling all the ocean like a bloody pirate's sloop,
Scarlet running over on the silvers and the golds,
Breaking of the hatches up and bursting of the holds,
Thronging of the thousands up that labour under sea
White for bliss and blind for sun and stunned for liberty.
Vivat Hispania!
Domino Gloria!
Don John of Austria
Has set his people free!
Cervantes on his galley sets the sword back in the sheath
(Don John of Austria rides homeward with a wreath.
)
And he sees across a weary land a straggling road in Spain,
Up which a lean and foolish knight for ever rides in vain,
And he smiles, but not as Sultans smile, and settles back the blade.
.
.
.
(But Don John of Austria rides home from the Crusade.
)
|
Written by
Dylan Thomas |
My hero bares his nerves along my wrist
That rules from wrist to shoulder,
Unpacks the head that, like a sleepy ghost,
Leans on my mortal ruler,
The proud spine spurning turn and twist.
And these poor nerves so wired to the skull
Ache on the lovelorn paper
I hug to love with my unruly scrawl
That utters all love hunger
And tells the page the empty ill.
My hero bares my side and sees his heart
Tread; like a naked Venus,
The beach of flesh, and wind her bloodred plait;
Stripping my loin of promise,
He promises a secret heat.
He holds the wire from this box of nerves
Praising the mortal error
Of birth and death, the two sad knaves of thieves,
And the hunger's emperor;
He pulls that chain, the cistern moves.
|
Written by
Sor Juana Inés de la Cruz |
(Español)
Hombres necios que acusáis
a la mujer sin razón,
sin ver que sois la ocasión
de lo mismo que culpáis:
si con ansia sin igual
solicitáis su desdén,
¿por qué quereis que obren bien
si las incitáis al mal?
Combatís su resistencia
y luego, con gravedad,
decís que fue liviandad
lo que hizo la diligencia.
Parecer quiere el denuedo
de vuestro parecer loco,
al niño que pone el coco
y luego le tiene miedo.
Queréis, con presunción necia,
hallar a la que buscáis,
para pretendida, Thais,
y en la posesión, Lucrecia
¿Qué humor puede ser más raro
que el que, falto de consejo,
el mismo empaña el espejo
y siente que no esté claro?
Con el favor y el desdén
tenéis condición igual,
quejándoos, si os tratan mal,
burlándoos, si os quieren bien.
Opinión, ninguna gana:
pues la que más se recata,
si no os admite, es ingrata,
y si os admite, es liviana
Siempre tan necios andáis
que, con desigual nivel,
a una culpáis por crüel
y a otra por fácil culpáis.
¿Pues cómo ha de estar templada
la que vuestro amor pretende,
si la que es ingrata, ofende,
y la que es fácil, enfada?
Mas, entre el enfado y pena
que vuestro gusto refiere,
bien haya la que no os quiere
y quejaos en hora buena.
Dan vuestras amantes penas
a sus libertades alas,
y después de hacerlas malas
las queréis hallar muy buenas.
¿Cuál mayor culpa ha tenido
en una pasión errada:
la que cae de rogada
o el que ruega de caído?
¿O cuál es más de culpar,
aunque cualquiera mal haga:
la que peca por la paga
o el que paga por pecar?
Pues ¿para quée os espantáis
de la culpa que tenéis?
Queredlas cual las hacéis
o hacedlas cual las buscáis.
Dejad de solicitar,
y después, con más razón,
acusaréis la afición
de la que os fuere a rogar.
Bien con muchas armas fundo
que lidia vuestra arrogancia,
pues en promesa e instancia
juntáis diablo, carne y mundo.
(English)
Silly, you men-so very adept
at wrongly faulting womankind,
not seeing you're alone to blame
for faults you plant in woman's mind.
After you've won by urgent plea
the right to tarnish her good name,
you still expect her to behave--
you, that coaxed her into shame.
You batter her resistance down
and then, all righteousness, proclaim
that feminine frivolity,
not your persistence, is to blame.
When it comes to bravely posturing,
your witlessness must take the prize:
you're the child that makes a bogeyman,
and then recoils in fear and cries.
Presumptuous beyond belief,
you'd have the woman you pursue
be Thais when you're courting her,
Lucretia once she falls to you.
For plain default of common sense,
could any action be so *****
as oneself to cloud the mirror,
then complain that it's not clear?
Whether you're favored or disdained,
nothing can leave you satisfied.
You whimper if you're turned away,
you sneer if you've been gratified.
With you, no woman can hope to score;
whichever way, she's bound to lose;
spurning you, she's ungrateful--
succumbing, you call her lewd.
Your folly is always the same:
you apply a single rule
to the one you accuse of looseness
and the one you brand as cruel.
What happy mean could there be
for the woman who catches your eye,
if, unresponsive, she offends,
yet whose complaisance you decry?
Still, whether it's torment or anger--
and both ways you've yourselves to blame--
God bless the woman who won't have you,
no matter how loud you complain.
It's your persistent entreaties
that change her from timid to bold.
Having made her thereby naughty,
you would have her good as gold.
So where does the greater guilt lie
for a passion that should not be:
with the man who pleads out of baseness
or the woman debased by his plea?
Or which is more to be blamed--
though both will have cause for chagrin:
the woman who sins for money
or the man who pays money to sin?
So why are you men all so stunned
at the thought you're all guilty alike?
Either like them for what you've made them
or make of them what you can like.
If you'd give up pursuing them,
you'd discover, without a doubt,
you've a stronger case to make
against those who seek you out.
I well know what powerful arms
you wield in pressing for evil:
your arrogance is allied
with the world, the flesh, and the devil!
|
Written by
Robert Browning |
Si credere dignum est.
--Virgil, Georgics, III, 390
Oh, worthy of belief I hold it was,
Virgil, your legend in those strange three lines!
No question, that adventure came to pass
One black night in Arcadia: yes, the pines,
Mountains and valleys mingling made one mass
Of black with void black heaven: the earth's confines,
The sky's embrace,--below, above, around,
All hardened into black without a bound.
Fill up a swart stone chalice to the brim
With fresh-squeezed yet fast-thickening poppy-juice:
See how the sluggish jelly, late a-swim,
Turns marble to the touch of who would loose
The solid smooth, grown jet from rim to rim,
By turning round the bowl! So night can fuse
Earth with her all-comprising sky.
No less,
Light, the least spark, shows air and emptiness.
And thus it proved when--diving into space,
Stript of all vapor, from each web of mist,
Utterly film-free--entered on her race
The naked Moon, full-orbed antagonist
Of night and dark, night's dowry: peak to base,
Upstarted mountains, and each valley, kissed
To sudden life, lay silver-bright: in air
Flew she revealed, Maid-Moon with limbs all bare.
Still as she fled, each depth,--where refuge seemed--
Opening a lone pale chamber, left distinct
Those limbs: mid still-retreating blue, she teemed
Herself with whiteness,--virginal, uncinct
By any halo save what finely gleamed
To outline not disguise her: heavenwas linked
In one accord with earth to quaff the joy,
Drain beauty to the dregs without alloy.
Whereof she grew aware.
What help? When, lo,
A succorable cloud with sleep lay dense:
Some pinetree-top had caught it sailing slow,
And tethered for a prize: in evidence
Captive lay fleece on fleece of piled-up snow
Drowsily patient: flake-heaped how or whence,
The structure of that succorable cloud,
What matter? Shamed she plunged into its shroud.
Orbed--so the woman-figure poets call
Because of rounds on rounds--that apple-shaped
Head which its hair binds close into a ball
Each side the curving ears--that pure undraped
Pout of the sister paps--that .
.
.
once for all,
Say--her consummate circle thus escaped
With its innumerous circlets, sank absorbed,
Safe in the cloud--O naked Moon full-orbed!
But what means this? The downy swathes combine,
Conglobe, the smothery coy-caressing stuff
Curdles about her! Vain each twist and twine
Those lithe limbs try, encroached on by a fluff
Fitting as close as fits the dented spine
Its flexible ivory outside-flesh: enough!
The plumy drifts contract, condense, constringe,
Till she is swallowed by the feathery springe.
As when a pearl slips lost in the thin foam
Churned on a sea-shore, and, o'er-frothed, conceits
Herself safe-housed in Amphitrite's dome,--
If, through the bladdery wave-worked yeast, she meets
What most she loathes and leaps from,--elf from gnome
No gladlier,--finds that safest of retreats
Bubble about a treacherous hand wide ope
To grasp her--(divers who pick pearls so grope)--
So lay this Maid-Moon clasped around and caught
By rough red Pan, the god of all that tract:
He it was schemed the snare thus subtly wrought
With simulated earth-breath,--wool-tufts packed
Into a billowy wrappage.
Sheep far-sought
For spotless shearings yield such: take the fact
As learned Virgil gives it,--how the breed
Whitens itself forever: yes, indeed!
If one forefather ram, though pure as chalk
From tinge on fleece, should still display a tongue
Black 'neath the beast's moist palate, prompt men balk
The propagating plague: he gets no young:
They rather slay him,--sell his hide to calk
Ships with, first steeped with pitch,--nor hands are wrung
In sorrow for his fate: protected thus,
The purity we loved is gained for us.
So did girl-Moon, by just her attribute
Of unmatched modesty betrayed, lie trapped,
Bruised to the breast of Pan, half god half brute,
Raked by his bristly boar-sward while he lapped
--Never say, kissed her! that were to pollute
Love's language--which moreover proves unapt
To tell how she recoiled--as who finds thorns
Where she sought flowers--when, feeling, she touched--horns!
Then--does the legend say?--first moon-eclipse
Happened, first swooning-fit which puzzled sore
The early sages? Is that why she dips
Into the dark, a minute and no more,
Only so long as serves her while she rips
The cloud's womb through and, faultless as before,
Pursues her way? No lesson for a maid
Left she, a maid herself thus trapped, betrayed?
Ha, Virgil? Tell the rest, you! "To the deep
Of his domain the wildwood, Pan forthwith
Called her, and so she followed"--in her sleep,
Surely?--"by no means spurning him.
" The myth
Explain who may! Let all else go, I keep
--As of a ruin just a monolith--
Thus much, one verse of five words, each a boon:
Arcadia, night, a cloud, Pan, and the moon.
|
Written by
Amy Lowell |
Who shall declare the joy of the running!
Who shall tell of the pleasures of flight!
Springing and spurning the tufts of wild heather,
Sweeping, wide-winged, through the blue dome of light.
Everything mortal has moments immortal,
Swift and God-gifted, immeasurably bright.
So with the stretch of the white road before me,
Shining snowcrystals rainbowed by the sun,
Fields that are white, stained with long, cool, blue shadows,
Strong with the strength of my horse as we run.
Joy in the touch of the wind and the sunlight!
Joy! With the vigorous earth I am one.
|
Written by
Emily Dickinson |
How lonesome the Wind must feel Nights --
When people have put out the Lights
And everything that has an Inn
Closes the shutter and goes in --
How pompous the Wind must feel Noons
Stepping to incorporeal Tunes
Correcting errors of the sky
And clarifying scenery
How mighty the Wind must feel Morns
Encamping on a thousand dawns
Espousing each and spurning all
Then soaring to his Temple Tall --
|
Written by
Algernon Charles Swinburne |
Am I not he that hath made thee and begotten thee,
I, God, the spirit of man?
Wherefore now these eighteen years hast thou forgotten me,
From whom thy life began?
Thy life-blood and thy life-breath and thy beauty,
Thy might of hands and feet,
Thy soul made strong for divinity of duty
And service which was sweet.
Through the red sea brimmed with blood didst thou not follow me,
As one that walks in trance?
Was the storm strong to break or the sea to swallow thee,
When thou wast free and France?
I am Freedom, God and man, O France, that plead with thee;
How long now shall I plead?
Was I not with thee in travail, and in need with thee,
Thy sore travail and need?
Thou wast fairest and first of my virgin-vested daughters,
Fairest and foremost thou;
And thy breast was white, though thy hands were red with slaughters,
Thy breast, a harlot's now.
O foolish virgin and fair among the fallen,
A ruin where satyrs dance,
A garden wasted for beasts to crawl and brawl in,
What hast thou done with France?
Where is she who bared her bosom but to thunder,
Her brow to storm and flame,
And before her face was the red sea cloven in sunder
And all its waves made tame?
And the surf wherein the broad-based rocks were shaking
She saw far off divide,
At the blast of the breath of the battle blown and breaking,
And weight of wind and tide;
And the ravin and the ruin of throned nations
And every royal race,
And the kingdoms and kings from the state of their high stations
That fell before her face.
Yea, great was the fall of them, all that rose against her,
From the earth's old-historied heights;
For my hands were fire, and my wings as walls that fenced her,
Mine eyes as pilot-lights.
Not as guerdons given of kings the gifts I brought her,
Not strengths that pass away;
But my heart, my breath of life, O France, O daughter,
I gave thee in that day.
Yea, the heart's blood of a very God I gave thee,
Breathed in thy mouth his breath;
Was my word as a man's, having no more strength to save thee
From this worse thing than death?
Didst thou dream of it only, the day that I stood nigh thee,
Was all its light a dream?
When that iron surf roared backwards and went by thee
Unscathed of storm or stream:
When thy sons rose up and thy young men stood together,
One equal face of fight,
And my flag swam high as the swimming sea-foam's feather,
Laughing, a lamp of light?
Ah the lordly laughter and light of it, that lightened
Heaven-high, the heaven's whole length!
Ah the hearts of heroes pierced, the bright lips whitened
Of strong men in their strength!
Ah the banner-poles, the stretch of straightening streamers
Straining their full reach out!
Ah the men's hands making true the dreams of dreamers,
The hopes brought forth in doubt!
Ah the noise of horse, the charge and thunder of drumming,
And swaying and sweep of swords!
Ah the light that led them through of the world's life coming,
Clear of its lies and lords!
By the lightning of the lips of guns whose flashes
Made plain the strayed world's way;
By the flame that left her dead old sins in ashes,
Swept out of sight of day;
By thy children whose bare feet were shod with thunder,
Their bare hands mailed with fire;
By the faith that went with them, waking fear and wonder,
Heart's love and high desire;
By the tumult of the waves of nations waking
Blind in the loud wide night;
By the wind that went on the world's waste waters, making
Their marble darkness white,
As the flash of the flakes of the foam flared lamplike, leaping
From wave to gladdening wave,
Making wide the fast-shut eyes of thraldom sleeping
The sleep of the unclean grave;
By the fire of equality, terrible, devouring,
Divine, that brought forth good;
By the lands it purged and wasted and left flowering
With bloom of brotherhood;
By the lips of fraternity that for love's sake uttered
Fierce words and fires of death,
But the eyes were deep as love's, and the fierce lips fluttered
With love's own living breath;
By thy weaponed hands, brows helmed, and bare feet spurning
The bared head of a king;
By the storm of sunrise round thee risen and burning,
Why hast thou done this thing?
Thou hast mixed thy limbs with the son of a harlot, a stranger,
Mouth to mouth, limb to limb,
Thou, bride of a God, because of the bridesman Danger,
To bring forth seed to him.
For thou thoughtest inly, the terrible bridegroom wakes me,
When I would sleep, to go;
The fire of his mouth consumes, and the red kiss shakes me,
More bitter than a blow.
Rise up, my beloved, go forth to meet the stranger,
Put forth thine arm, he saith;
Fear thou not at all though the bridesman should be Danger,
The bridesmaid should be Death.
I the bridegroom, am I not with thee, O bridal nation,
O wedded France, to strive?
To destroy the sins of the earth with divine devastation,
Till none be left alive?
Lo her growths of sons, foliage of men and frondage,
Broad boughs of the old-world tree,
With iron of shame and with pruning-hooks of bondage
They are shorn from sea to sea.
Lo, I set wings to thy feet that have been wingless,
Till the utter race be run;
Till the priestless temples cry to the thrones made kingless,
Are we not also undone?
Till the immeasurable Republic arise and lighten
Above these quick and dead,
And her awful robes be changed, and her red robes whiten,
Her warring-robes of red.
But thou wouldst not, saying, I am weary and faint to follow,
Let me lie down and rest;
And hast sought out shame to sleep with, mire to wallow,
Yea, a much fouler breast:
And thine own hast made prostitute, sold and shamed and bared it,
Thy bosom which was mine,
And the bread of the word I gave thee hast soiled, and shared it
Among these snakes and swine.
As a harlot thou wast handled and polluted,
Thy faith held light as foam,
That thou sentest men thy sons, thy sons imbruted,
To slay thine elder Rome.
Therefore O harlot, I gave thee to the accurst one,
By night to be defiled,
To thy second shame, and a fouler than the first one,
That got thee first with child.
Yet I know thee turning back now to behold me,
To bow thee and make thee bare,
Not for sin's sake but penitence, by my feet to hold me,
And wipe them with thine hair.
And sweet ointment of thy grief thou hast brought thy master,
And set before thy lord,
From a box of flawed and broken alabaster,
Thy broken spirit, poured.
And love-offerings, tears and perfumes, hast thou given me,
To reach my feet and touch;
Therefore thy sins, which are many, are forgiven thee,
Because thou hast loved much.
|
Written by
Robert Burns |
WHEN Nature her great master-piece design’d,
And fram’d her last, best work, the human mind,
Her eye intent on all the mazy plan,
She form’d of various parts the various Man.
Then first she calls the useful many forth;
Plain plodding Industry, and sober Worth:
Thence peasants, farmers, native sons of earth,
And merchandise’ whole genus take their birth:
Each prudent cit a warm existence finds,
And all mechanics’ many-apron’d kinds.
Some other rarer sorts are wanted yet,
The lead and buoy are needful to the net:
The caput mortuum of gross desires
Makes a material for mere knights and squires;
The martial phosphorus is taught to flow,
She kneads the lumpish philosophic dough,
Then marks th’ unyielding mass with grave designs,
Law, physic, politics, and deep divines;
Last, she sublimes th’ Aurora of the poles,
The flashing elements of female souls.
The order’d system fair before her stood,
Nature, well pleas’d, pronounc’d it very good;
But ere she gave creating labour o’er,
Half-jest, she tried one curious labour more.
Some spumy, fiery, ignis fatuus matter,
Such as the slightest breath of air might scatter;
With arch-alacrity and conscious glee,
(Nature may have her whim as well as we,
Her Hogarth-art perhaps she meant to show it),
She forms the thing and christens it—a Poet:
Creature, tho’ oft the prey of care and sorrow,
When blest to-day, unmindful of to-morrow;
A being form’d t’ amuse his graver friends,
Admir’d and prais’d-and there the homage ends;
A mortal quite unfit for Fortune’s strife,
Yet oft the sport of all the ills of life;
Prone to enjoy each pleasure riches give,
Yet haply wanting wherewithal to live;
Longing to wipe each tear, to heal each groan,
Yet frequent all unheeded in his own.
But honest Nature is not quite a Turk,
She laugh’d at first, then felt for her poor work:
Pitying the propless climber of mankind,
She cast about a standard tree to find;
And, to support his helpless woodbine state,
Attach’d him to the generous, truly great:
A title, and the only one I claim,
To lay strong hold for help on bounteous Graham.
Pity the tuneful Muses’ hapless train,
Weak, timid landsmen on life’s stormy main!
Their hearts no selfish stern absorbent stuff,
That never gives—tho’ humbly takes enough;
The little fate allows, they share as soon,
Unlike sage proverb’d Wisdom’s hard-wrung boon:
The world were blest did bliss on them depend,
Ah, that “the friendly e’er should want a friend!”
Let Prudence number o’er each sturdy son,
Who life and wisdom at one race begun,
Who feel by reason and who give by rule,
(Instinct’s a brute, and sentiment a fool!)
Who make poor “will do” wait upon “I should”—
We own they’re prudent, but who feels they’re good?
Ye wise ones hence! ye hurt the social eye!
God’s image rudely etch’d on base alloy!
But come ye who the godlike pleasure know,
Heaven’s attribute distinguished—to bestow!
Whose arms of love would grasp the human race:
Come thou who giv’st with all a courtier’s grace;
FRIEND OF MY LIFE, true patron of my rhymes!
Prop of my dearest hopes for future times.
Why shrinks my soul half blushing, half afraid,
Backward, abash’d to ask thy friendly aid?
I know my need, I know thy giving hand,
I crave thy friendship at thy kind command;
But there are such who court the tuneful Nine—
Heavens! should the branded character be mine!
Whose verse in manhood’s pride sublimely flows,
Yet vilest reptiles in their begging prose.
Mark, how their lofty independent spirit
Soars on the spurning wing of injured merit!
Seek not the proofs in private life to find
Pity the best of words should be but wind!
So, to heaven’s gates the lark’s shrill song ascends,
But grovelling on the earth the carol ends.
In all the clam’rous cry of starving want,
They dun Benevolence with shameless front;
Oblige them, patronise their tinsel lays—
They persecute you all your future days!
Ere my poor soul such deep damnation stain,
My horny fist assume the plough again,
The pie-bald jacket let me patch once more,
On eighteenpence a week I’ve liv’d before.
Tho’, thanks to Heaven, I dare even that last shift,
I trust, meantime, my boon is in thy gift:
That, plac’d by thee upon the wish’d-for height,
Where, man and nature fairer in her sight,
My Muse may imp her wing for some sublimer flight.
|
Written by
Robert William Service |
"But it isn't playing the game," he said,
And he slammed his books away;
"The Latin and Greek I've got in my head
Will do for a duller day.
"
"Rubbish!" I cried; "The bugle's call
Isn't for lads from school.
"
D'ye think he'd listen? Oh, not at all:
So I called him a fool, a fool.
Now there's his dog by his empty bed,
And the flute he used to play,
And his favourite bat .
.
.
but Dick he's dead,
Somewhere in France, they say:
Dick with his rapture of song and sun,
Dick of the yellow hair,
Dicky whose life had but begun,
Carrion-cold out there.
Look at his prizes all in a row:
Surely a hint of fame.
Now he's finished with, -- nothing to show:
Doesn't it seem a shame?
Look from the window! All you see
Was to be his one day:
Forest and furrow, lawn and lea,
And he goes and chucks it away.
Chucks it away to die in the dark:
Somebody saw him fall,
Part of him mud, part of him blood,
The rest of him -- not at all.
And yet I'll bet he was never afraid,
And he went as the best of 'em go,
For his hand was clenched on his broken blade,
And his face was turned to the foe.
And I called him a fool .
.
.
oh how blind was I!
And the cup of my grief's abrim.
Will Glory o' England ever die
So long as we've lads like him?
So long as we've fond and fearless fools,
Who, spurning fortune and fame,
Turn out with the rallying cry of their schools,
Just bent on playing the game.
A fool! Ah no! He was more than wise.
His was the proudest part.
He died with the glory of faith in his eyes,
And the glory of love in his heart.
And though there's never a grave to tell,
Nor a cross to mark his fall,
Thank God! we know that he "batted well"
In the last great Game of all.
|
Written by
Robert Burns |
HOW cold is that bosom which folly once fired,
How pale is that cheek where the rouge lately glisten’d;
How silent that tongue which the echoes oft tired,
How dull is that ear which to flatt’ry so listen’d!
If sorrow and anguish their exit await,
From friendship and dearest affection remov’d;
How doubly severer, Maria, thy fate,
Thou diedst unwept, as thou livedst unlov’d.
Loves, Graces, and Virtues, I call not on you;
So shy, grave, and distant, ye shed not a tear:
But come, all ye offspring of Folly so true,
And flowers let us cull for Maria’s cold bier.
We’ll search through the garden for each silly flower,
We’ll roam thro’ the forest for each idle weed;
But chiefly the nettle, so typical, shower,
For none e’er approach’d her but rued the rash deed.
We’ll sculpture the marble, we’ll measure the lay;
Here Vanity strums on her idiot lyre;
There keen Indignation shall dart on his prey,
Which spurning Contempt shall redeem from his ire.
|