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Best Famous Soled Poems

Here is a collection of the all-time best famous Soled poems. This is a select list of the best famous Soled poetry. Reading, writing, and enjoying famous Soled poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of soled poems.

Search and read the best famous Soled poems, articles about Soled poems, poetry blogs, or anything else Soled poem related using the PoetrySoup search engine at the top of the page.

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Written by Katherine Mansfield | Create an image from this poem

Opposites

 The Half-Soled-Boots-With-Toecaps-Child
Walked out into the street
And splashed in all the pubbles till
She had such shocking feet

The Patent-Leather-Slipper-Child
Stayed quietly in the house
And sat upon the fender stool
As still as any mouse.

The Half-Soled-Boots-With-Toecaps-Child
Her hands were black as ink;
She would come running through the house
And begging for a drink.

The Patent-Leather-Slipper-Child
Her hands were white as snow;
She did not like to play around,
She only liked to sew.

The Half-Soled-Boots-With-Toecaps-Child
Lost hair ribbons galore;
She dropped them on the garden walks,
She dropped them on the floor.

The Patent-Leather-Slipper-Child
O thoughtful little girl!
She liked to walk quite soberly,
It kept her hair in curl.

The Half-Soled-Boots-With-Toecaps-Child
When she was glad or proud
Just flung her arms round Mother's neck
And kissed her very loud.

The Patent-Leather-Slipper-Child
Was shocked at such a sight,
She only offered you her cheek
At morning and at night.

O Half-Soled-Boots-With-Toecaps-Child
Your happy laughing face
Does like a scented Summer rose
Make sweet the dullest place.

O Patent-Leather-Slipper-Child
My dear, I'm well content
To have my daughter in my arms,
And not an ornament.


Written by Galway Kinnell | Create an image from this poem

The Bear

1
In late winter 
I sometimes glimpse bits of steam
coming up from
some fault in the old snow 
and bend close and see it is lung-colored 
and put down my nose
and know
the chilly, enduring odor of bear. 

2
I take a wolf's rib and whittle
it sharp at both ends
and coil it up
and freeze it in blubber and place it out
on the fairway of the bears. 

And when it has vanished
I move out on the bear tracks, 
roaming in circles 
until I come to the first, tentative, dark
splash on the earth. 

And I set out 
running, following the splashes 
of blood wandering over the world. 
At the cut, gashed resting places 
I stop and rest, 
at the crawl-marks 
where he lay out on his belly 
to overpass some stretch of bauchy ice 
I lie out 
dragging myself forward with bear-knives in my fists. 

3
On the third day I begin to starve, 
at nightfall I bend down as I knew I would 
at a turd sopped in blood, 
and hesitate, and pick it up, 
and thrust it in my mouth, and gnash it down, 
and rise 
and go on running. 

4
On the seventh day, 
living by now on bear blood alone, 
I can see his upturned carcass far out ahead, a scraggled, 
steamy hulk, 
the heavy fur riffling in the wind. 

I come up to him 
and stare at the narrow-spaced, petty eyes, 
the dismayed 
face laid back on the shoulder, the nostrils 
flared, catching 
perhaps the first taint of me as he 
died. 

I hack 
a ravine in his thigh, and eat and drink, 
and tear him down his whole length 
and open him and climb in 
and close him up after me, against the wind, 
and sleep. 

5
And dream
of lumbering flatfooted
over the tundra, 
stabbed twice from within, 
splattering a trail behind me, 
splattering it out no matter which way I lurch, 
no matter which parabola of bear-transcendence, 
which dance of solitude I attempt, 
which gravity-clutched leap, 
which trudge, which groan. 

6
Until one day I totter and fall -- 
fall on this 
stomach that has tried so hard to keep up, 
to digest the blood as it leaked in, 
to break up 
and digest the bone itself: and now the breeze 
blows over me, blows off 
the hideous belches of ill-digested bear blood 
and rotted stomach 
and the ordinary, wretched odor of bear, 

blows across 
my sore, lolled tongue a song 
or screech, until I think I must rise up 
and dance. And I lie still. 

7
I awaken I think. Marshlights 
reappear, geese 
come trailing again up the flyway. 
In her ravine under old snow the dam-bear 
lies, licking 
lumps of smeared fur 
and drizzly eyes into shapes 
with her tongue. And one 
hairy-soled trudge stuck out before me, 
the next groaned out, 
the next, 
the next, 
the rest of my days I spend 
wandering: wondering 
what, anyway, 
was that sticky infusion, that rank flavor of blood, that 
poetry, by which I lived? 

from Body Rags, Galway Kinnell (Boston: Houghton Mifflin, 1967). 
Written by Marriott Edgar | Create an image from this poem

Alberts Return

 You've `eard `ow young Albert Ramsbottom 
At the zoo up at Blackpool one year 
With a stick with an `orse's `ead `andle
Gave a lion a poke in the ear? 

The name of the lion was Wallace, 
The poke in the ear made `im wild 
And before you could say "Bob's yer uncle" 
E'd upped and `e'd swallowed the child. 

`E were sorry the moment `e done it; 
With children `e'd always been chums, 
And besides, `e'd no teeth in his muzzle, 
And `e couldn't chew Albert on't gums. 

`E could feel the lad movin' inside `im 
As `e lay on `is bed of dried ferns; 
And it might `ave been little lad's birthday-
E wished `im such `appy returns. 

But Albert kept kickin' and fightin'- 
And Wallace got up, feelin' bad.
Decided 'twere time that `e started 
To stage a comeback for the lad. 

Then puttin' `ead down in one corner, 
On `is front paws `e started to walk; 
And `e coughed, and `e sneezed, and `e gargled 
`Till Albert shot out - like a cork! 

Now Wallace felt better directly 
And `is figure once more became lean.
But the only difference with Albert Was,
`is face and `is `ands were quite clean. 

Meanwhile Mr. and Mrs. Ramsbottom 
`Ad gone back to their tea, feelin' blue.
Ma said, "I feel down in the mouth, like.
" Pa said, "Aye, I bet Albert does, too." 

Said Mother, "It just goes to show yer 
That the future is never revealed;
If I'd thowt we was goin' to lose `im,
I'd `ave not `ad `is boots soled and `eeled." 

"Let's look on the bright side," said Father,
"Wot can't be `elped must be endured; 
Each cloud `as a silvery lining, 
And we did `ave young Albert insured." 

A knock on the door came that moment 
As Father these kind words did speak. 
`Twas the man from Prudential - `e'd come for 
Their tuppence per person per week. 

When Father saw `oo `ad been knockin', 
`E laughed, and `e kept laughin` so -
The man said "`Ere, wot's there to laugh at?" 
Pa said "You'll laugh and all when you know!" 

"Excuse `im for laughing," said Mother, 
"But really, things `appen so strange - 
Our Albert's been et by a lion; 
You've got to pay us for a change!"

Said the young man from the Prudential:
"Now, come, come, let's understand this- 
You don't mean to say that you've lost `im?" 
Pa said "Oh, no, we know where `e is!" 

When the young man `ad `eard all the details, 
A purse from `is pocket he drew 
And `e paid them with interest and bonus 
The sum of nine pounds, four and two. 

Pa `ad scarce got `is `and on the money 
When a face at the window they see-
And Mother cried "Eee, look, it's Albert!"
And Father said "Aye, it would be."

Albert came in all excited, 
And started `is story to give; 
And Pa said "I'll never trust lions
Again, not as long as I live." 

The young man from the Prudential 
To pick up the money began 
But Father said "`ere, wait a moment, 
Don't be in a `urry, young man." 

Then giving young Albert a shilling, 
`E said "`Ere, pop off back to the zoo; 
Get your stick with the `orse's `ead `andle-
Go and see wot the tigers can do!"
Written by Marriott Edgar | Create an image from this poem

The Return of Albert

 You've 'eard 'ow young Albert Ramsbottom,
In the Zoo up at Blackpool one year,
With a stick and 'orse's 'ead 'andle,
Gave a lion a poke in the ear.

The name of the lion was Wallace,
The poke in the ear made 'im wild;
And before you could say 'Bob's your Uncle,'
'E'd up and 'e'd swallered the child.

'E were sorry the moment 'e'd done it,
With children 'e'd always been chums,
And besides, 'e'd no teeth in 'is noodle,
And 'e couldn't chew Albert on t'gums.

'E could feel the lad moving inside 'im,
As 'e lay on 'is bed of dried ferns,
And it might 'ave been little lad's birthday,
'E wished 'im such 'appy returns.

But Albert kept kicking and fighting, 
Till Wallace arose feeling bad,
And felt it were time that 'e started to stage
A come-back for the lad.

So with 'is 'ead down in a corner,
On 'is front paws 'e started to walk,
And 'e coughed and 'e sneezed and 'e gargled,
Till Albert shot out like a cork.

Old Wallace felt better direc'ly,
And 'is figure once more became lean,
But the only difference with Albert
Was 'is face and 'is 'ands were quite clean.

Meanwhile Mister and Missus Ramsbottom
'Ad gone 'ome to tea feeling blue;
Ma says 'I feel down in the mouth like,'
Pa says "Aye! I bet Albert does too.'

Said Ma 'It just goes for to show yer
That the future is never revealed,
If I thought we was going to lose 'im
I'd 'ave not 'ad 'is boots soled and 'eeled.

'Let's look on the bright side,' said Father
'What can't be 'elped must be endured,
Every cloud 'as a silvery lining,
And we did 'ave young Albert insured.'

A knock at the door came that moment,
As Father these kind words did speak,
'Twas the man from t'Prudential,
E'd called for their 'tuppence per person per week.'

When Father saw who 'ad been knocking,
'E laughed and 'e kept laughing so,
That the young man said 'What's there to laugh at?'
Pa said 'You'll laugh an' all when you know.'

'Excuse 'im for laughing,' said Mother,
'But really things 'appen so strange,
Our Albert's been ate by a lion,
You've got to pay us for a change.'

Said the young feller from the Prudential,
'Now, come come, let's understand this,
You don't mean to say that you've lost 'im?'
Ma says 'Oh, no! we know where 'e is.'

When the young man 'ad 'eard all the details,
A bag from 'is pocket he drew,
And he paid them with interest and bonus,
The sum of nine pounds four and two.

Pa 'ad scarce got 'is 'and on the money,
When a face at the window they see,
And Mother says 'Eeh! look, it's Albert,'
And Father says 'Aye, it would be.'

Young Albert came in all excited,
and started 'is story to give,
And Pa says 'I'll never trust lions again,
Not as long as I live.'

The young feller from the Prudential
To pick up his money began,
And Father says 'Eeh! just a moment,
Don't be in a hurry, young man.'

Then giving young Albert a shilling,
He said 'Pop off back to the Zoo.
'Ere's your stick with the 'orse's 'ead 'andle,
Go and see what the Tigers can do!'
Written by Henry Lawson | Create an image from this poem

Dan The Wreck

 Tall, and stout, and solid-looking, 
Yet a wreck; 
None would think Death's finger's hooking 
Him from deck. 
Cause of half the fun that's started -- 
`Hard-case' Dan -- 
Isn't like a broken-hearted, 
Ruined man. 

Walking-coat from tail to throat is 
Frayed and greened -- 
Like a man whose other coat is 
Being cleaned; 
Gone for ever round the edging 
Past repair -- 
Waistcoat pockets frayed with dredging 
After `sprats' no longer there. 

Wearing summer boots in June, or 
Slippers worn and old -- 
Like a man whose other shoon are 
Getting soled. 
Pants? They're far from being recent -- 
But, perhaps, I'd better not -- 
Says they are the only decent 
Pair he's got. 

And his hat, I am afraid, is 
Troubling him -- 
Past all lifting to the ladies 
By the brim. 
But, although he'd hardly strike a 
Girl, would Dan, 
Yet he wears his wreckage like a 
Gentleman! 

Once -- no matter how the rest dressed -- 
Up or down -- 
Once, they say, he was the best-dressed 
Man in town. 
Must have been before I knew him -- 
Now you'd scarcely care to meet 
And be noticed talking to him 
In the street. 

Drink the cause, and dissipation, 
That is clear -- 
Maybe friend or kind relation 
Cause of beer. 
And the talking fool, who never 
Reads or thinks, 
Says, from hearsay: `Yes, he's clever; 
But, you know, he drinks.' 

Been an actor and a writer -- 
Doesn't whine -- 
Reckoned now the best reciter 
In his line. 
Takes the stage at times, and fills it -- 
`Princess May' or `Waterloo'. 
Raise a sneer! -- his first line kills it, 
`Brings 'em', too. 

Where he lives, or how, or wherefore 
No one knows; 
Lost his real friends, and therefore 
Lost his foes. 
Had, no doubt, his own romances -- 
Met his fate; 
Tortured, doubtless, by the chances 
And the luck that comes too late. 

Now and then his boots are polished, 
Collar clean, 
And the worst grease stains abolished 
By ammonia or benzine: 
Hints of some attempt to shove him 
From the taps, 
Or of someone left to love him -- 
Sister, p'r'aps. 

After all, he is a grafter, 
Earns his cheer -- 
Keeps the room in roars of laughter 
When he gets outside a beer. 
Yarns that would fall flat from others 
He can tell; 
How he spent his `stuff', my brothers, 
You know well. 

Manner puts a man in mind of 
Old club balls and evening dress, 
Ugly with a handsome kind of 
Ugliness. 

. . . . . 

One of those we say of often, 
While hearts swell, 
Standing sadly by the coffin: 
`He looks well.' 

. . . . . 

We may be -- so goes a rumour -- 
Bad as Dan; 
But we may not have the humour 
Of the man; 
Nor the sight -- well, deem it blindness, 
As the general public do -- 
And the love of human kindness, 
Or the GRIT to see it through!


Written by Barry Tebb | Create an image from this poem

Hymn

 How I love the working-class girls of Leeds,

Their mile-wide smiles, eyes bright as beads,

Their young breasts bobbing as they run,

Hands quick as darting fish, lithe legs

Bare as they scramble over the Hollows

With brown-soled feet and dimpled bums

Half-covered with knickers, and short frocks

Full of flowers and their delicate ears,

Perfect teeth and flickering tongues, the

Fragile bones of their cheeks, the soft

Sweetness of their soprano voices dying

Away into the unforgotten magenta and

Yellow-ochre of innumerable twilights.

Book: Reflection on the Important Things