Written by
W. E. B. Du Bois |
Of course you have faced the dilemma: it is announced, they all smirk and rise. If they are ultra, they remove their hats and look ecstatic; then they look at you. What shall you do? Noblesse oblige; you cannot be boorish, or ungracious; and too, after all it is your country and you do love its ideals if not all of its realities. Now, then, I have thought of a way out: Arise, gracefully remove your hat, and tilt your head. Then sing as follows, powerfully and with deep unction. They’ll hardly note the little changes and their feelings and your conscience will thus be saved:
My country tis of thee,
Late land of slavery,
Of thee I sing.
Land where my father’s pride
Slept where my mother died,
From every mountain side
Let freedom ring!
My native country thee
Land of the slave set free,
Thy fame I love.
I love thy rocks and rills
And o’er thy hate which chills,
My heart with purpose thrills,
To rise above.
Let laments swell the breeze
And wring from all the trees
Sweet freedom’s song.
Let laggard tongues awake,
Let all who hear partake,
Let Southern silence quake,
The sound prolong.
Our fathers’ God to thee
Author of Liberty,
To thee we sing
Soon may our land be bright,
With Freedom’s happy light
Protect us by Thy might,
Great God our King.
|
Written by
Robert William Service |
The same old sprint in the morning, boys, to the same old din and smut;
Chained all day to the same old desk, down in the same old rut;
Posting the same old greasy books, catching the same old train:
Oh, how will I manage to stick it all, if I ever get back again?
We've bidden good-bye to life in a cage, we're finished with pushing a pen;
They're pumping us full of bellicose rage, they're showing us how to be men.
We're only beginning to find ourselves; we're wonders of brawn and thew;
But when we go back to our Sissy jobs, -- oh, what are we going to do?
For shoulders curved with the counter stoop will be carried erect and square;
And faces white from the office light will be bronzed by the open air;
And we'll walk with the stride of a new-born pride, with a new-found joy in our eyes,
Scornful men who have diced with death under the naked skies.
And when we get back to the dreary grind, and the bald-headed boss's call,
Don't you think that the dingy window-blind, and the dingier office wall,
Will suddenly melt to a vision of space, of violent, flame-scarred night?
Then . . . oh, the joy of the danger-thrill, and oh, the roar of the fight!
Don't you think as we peddle a card of pins the counter will fade away,
And again we'll be seeing the sand-bag rims, and the barb-wire's misty grey?
As a flat voice asks for a pound of tea, don't you fancy we'll hear instead
The night-wind moan and the soothing drone of the packet that's overhead?
Don't you guess that the things we're seeing now will haunt us through all the years;
Heaven and hell rolled into one, glory and blood and tears;
Life's pattern picked with a scarlet thread, where once we wove with a grey
To remind us all how we played our part in the shock of an epic day?
Oh, we're booked for the Great Adventure now, we're pledged to the Real Romance;
We'll find ourselves or we'll lose ourselves somewhere in giddy old France;
We'll know the zest of the fighter's life; the best that we have we'll give;
We'll hunger and thirst; we'll die . . . but first -- we'll live; by the gods, we'll live!
We'll breathe free air and we'll bivouac under the starry sky;
We'll march with men and we'll fight with men, and we'll see men laugh and die;
We'll know such joy as we never dreamed; we'll fathom the deeps of pain:
But the hardest bit of it all will be -- when we come back home again.
For some of us smirk in a chiffon shop, and some of us teach in a school;
Some of us help with the seat of our pants to polish an office stool;
The merits of somebody's soap or jam some of us seek to explain,
But all of us wonder what we'll do when we have to go back again.
|
Written by
Edward Estlin (E E) Cummings |
a clown's smirk in the skull of a baboon
(where once good lips stalked or eyes firmly stir
red)
my mirror gives me on this afternoon;
i am a shape that can but eat and turd
ere with the dirt death shall him vastly gird
a coward waiting clumsily to cease
whom every perfect thing meanwhile doth miss;
a hand's impression in an empty glove
a soon forgotten tune a house for lease.
I have never loved you dear as now i love
behold this fool who in the month of June
having certain stars and planets heard
rose very slowly in a tight balloon
until the smallening world became absurd;
him did an archer spy(whose aim had erred
never)and by that little trick or this
he shot the aeronaut down into the abyss
-and wonderfully i fell through the green groove
of twilight striking into many a piece.
I have never loved you dear as now i love
god's terrible face brighter than a spoon
collects the image of one fatal word;
so that my life(which liked the sun and the moon)
resembles something that has not occurred:
i am a birdcage without any bird
a collar looking for a dog a kiss
without lips;a prayer lacking any knees
but something beats within my shirt to prove
he is undead who living noone is.
I have never loved you dear as now i love.
Hell(by most humble me which shall increase)
open thy fire!for i have had some bliss
of one small lady upon earth above;
to whom i cry remembering her face
i have never loved you dear as now i love
|
Written by
A S J Tessimond |
Clothes: to compose
The furtive, lone
Pillar of bone
To some repose.
To let hands shirk
Utterance behind
A pocket's blind
Deceptive smirk.
To mask, belie
The undue haste
Of breast for breast
Or thigh for thigh.
To screen, conserve
The pose, when death
Half strips the sheath
And leaves the nerve.
To edit, glose
Lyric desire
And slake its fire
In polished prose.
|
Written by
Henry Lawson |
PART I
Queen Hilda rode along the lines,
And she was young and fair;
And forward on her shoulders fell
The heavy braids of hair:
No gold was ever dug from earth
Like that burnished there –
No sky so blue as were her eyes
Had man seen anywhere.
'Twas so her gay court poets sang,
And we believed it true.
But men must fight for golden hair
And die for eyes of blue!
Cheer after cheer, the long half mile
(It has been ever thus),
And evermore her winsome smile
She turned and turned on us.
The Spring-burst over wood and sea,
The day was warm and bright –
Young Clarence stood on my left hand,
Old Withen on the right.
With fifteen thousand men, or more,
With plumes and banners gay,
To sail that day to foreign war,
And our ships swarmed on the bay.
Old Withen muttered in his beard I listened with a sigh –
"Good Faith! for such a chit as that
Strong men must kill and die.
She'll back to her embroideree,
And fools that bow and smirk,
And we must sail across the sea
And go to other work.
"And wherefore? Wherefore," Withen said,
"Is this red quarrel sought?
Because of clacking painted hags
And foreign fops at Court!
Because 'tis said a drunken king,
In lands we've never seen,
Said something foolish in his cups
Of our young silly queen!
"Good faith! in her old great-aunt's time
'Twere different, I vow:
If old Dame Ruth were here, she'd get
Some sharp advising now!"
(At this a grim smile went about
For men could say in sooth
That none who'd seen her face could doubt
The fair fame of Dame Ruth.)
If Clarence heard, he said no word;
His soul was fresh and clean;
The glory in his boyish eyes
Was shining for his Queen!
And as she passed, he gazed as one
An angel might regard.
(Old Withen looked as if he'd like
To take and smack her hard.)
We only smiled at anything
That good old Withen said,
For he, half blind, through smoke and flame
Had borne her grandsire dead;
And he, in Virland's danger time,
Where both her brothers died,
Had ridden to red victory
By her brave father's side.
Queen Hilda rode along the lines
'Mid thundering cheers the while,
And each man sought – and seemed to get –
Her proud and happy smile.
Queen Hilda little dreamed – Ah, me! –
On what dark miry plain,
And what blood-blinded eyes would see
Her girlish smile again!
Queen Hilda rode on through the crowd,
We heard the distant roar;
We heard the clack of gear and plank,
The sailors on the shore.
Queen Hilda sought her "bower" to rest,
(For her day's work was done),
We kissed our wives – or others' wives –
And sailed ere set of sun.
(Some sail because they're married men,
And some because they're free –
To come or not come back agen,
And such of old were we.
Some sail for fame and some for loot
And some for love – or lust –
And some to fish and some to shoot
And some because they must.
(Some sail who know not why they roam
When they are come aboard,
And some for wives and loves at home,
And some for those abroad.
Some sail because the path is plain,
And some because they choose,
And some with nothing left to gain
And nothing left to lose.
(And we have sailed from Virland, we,
For a woman's right or wrong,
And we are One, and One, and Three,
And Fifteen Thousand strong.
For Right or Wrong and Virland's fame –
You dared us and we come
To write in blood a woman's name
And take a letter home.)
PART II
King Death came riding down the lines
And broken lines were they,
With scarce a soldier who could tell
Where friend or foeman lay:
The storm cloud looming over all,
Save where the west was red,
And on the field, of friend and foe,
Ten thousand men lay dead.
Boy Clarence lay in slush and blood
With his face deathly white;
Old Withen lay by his left side
And I knelt at his right.
And Clarence ever whispered,
Though with dying eyes serene:
"I loved her for her girlhood,.
Will someone tell the Queen?"
And this old Withen's message,
When his time shortly came:
"I loved her for her father's sake
But I fought for Virland's fame:
Go, take you this, a message
From me," Old Withen said,
"Who knelt beside her father,
And his when they were dead:
"I who in sport or council,
I who as boy and man,
Would aye speak plainly to them
Were it Court, or battle's van –
(Nay! fear not, she will listen
And my words be understood,
And she will heed my message,
For I know her father's blood.)
"If shame there was – (I judge not
As I'd not be judged above:
The Royal blood of Virland
Was ever hot to love,
Or fight.) – the slander's wiped out,
As witness here the slain:
But, if shame there was, then tell her
Let it not be again."
At home once more in Virland
The glorious Spring-burst shines:
Queen Hilda rides right proudly
Down our victorious lines.
The gaps were filled with striplings,
And Hilda wears a rose:
And what the wrong or right of it
Queen Hilda only knows.
But, be it state or nation
Or castle, town, or shed,
Or be she wife or monarch
Or widowed or unwed –
Now this is for your comfort,
And it has ever been:
That, wrong or right, a man must fight
For his country and his queen.
|
Written by
Robert Herrick |
Till I shall come again, let this suffice,
I send my salt, my sacrifice
To thee, thy lady, younglings, and as far
As to thy Genius and thy Lar;
To the worn threshold, porch, hall, parlour, kitchen,
The fat-fed smoking temple, which in
The wholesome savour of thy mighty chines,
Invites to supper him who dines:
Where laden spits, warp'd with large ribs of beef,
Not represent, but give relief
To the lank stranger and the sour swain,
Where both may feed and come again;
For no black-bearded Vigil from thy door
Beats with a button'd-staff the poor;
But from thy warm love-hatching gates, each may
Take friendly morsels, and there stay
To sun his thin-clad members, if he likes;
For thou no porter keep'st who strikes.
No comer to thy roof his guest-rite wants;
Or, staying there, is scourged with taunts
Of some rough groom, who, yirk'd with corns, says, 'Sir,
'You've dipp'd too long i' th' vinegar;
'And with our broth and bread and bits, Sir friend,
'You've fared well; pray make an end;
'Two days you've larded here; a third, ye know,
'Makes guests and fish smell strong; pray go
'You to some other chimney, and there take
'Essay of other giblets; make
'Merry at another's hearth; you're here
'Welcome as thunder to our beer;
'Manners knows distance, and a man unrude
'Would soon recoil, and not intrude
'His stomach to a second meal.'--No, no,
Thy house, well fed and taught, can show
No such crabb'd vizard: Thou hast learnt thy train
With heart and hand to entertain;
And by the arms-full, with a breast unhid,
As the old race of mankind did,
When either's heart, and either's hand did strive
To be the nearer relative;
Thou dost redeem those times: and what was lost
Of ancient honesty, may boast
It keeps a growth in thee, and so will run
A course in thy fame's pledge, thy son.
Thus, like a Roman Tribune, thou thy gate
Early sets ope to feast, and late;
Keeping no currish waiter to affright,
With blasting eye, the appetite,
Which fain would waste upon thy cates, but that
The trencher creature marketh what
Best and more suppling piece he cuts, and by
Some private pinch tells dangers nigh,
A hand too desp'rate, or a knife that bites
Skin-deep into the pork, or lights
Upon some part of kid, as if mistook,
When checked by the butler's look.
No, no, thy bread, thy wine, thy jocund beer
Is not reserved for Trebius here,
But all who at thy table seated are,
Find equal freedom, equal fare;
And thou, like to that hospitable god,
Jove, joy'st when guests make their abode
To eat thy bullocks thighs, thy veals, thy fat
Wethers, and never grudged at.
The pheasant, partridge, gotwit, reeve, ruff, rail,
The cock, the curlew, and the quail,
These, and thy choicest viands, do extend
Their tastes unto the lower end
Of thy glad table; not a dish more known
To thee, than unto any one:
But as thy meat, so thy immortal wine
Makes the smirk face of each to shine,
And spring fresh rose-buds, while the salt, the wit,
Flows from the wine, and graces it;
While Reverence, waiting at the bashful board,
Honours my lady and my lord.
No scurril jest, no open scene is laid
Here, for to make the face afraid;
But temp'rate mirth dealt forth, and so discreet-
Ly, that it makes the meat more sweet,
And adds perfumes unto the wine, which thou
Dost rather pour forth, than allow
By cruse and measure; thus devoting wine,
As the Canary isles were thine;
But with that wisdom and that method, as
No one that's there his guilty glass
Drinks of distemper, or has cause to cry
Repentance to his liberty.
No, thou know'st orders, ethics, and hast read
All oeconomics, know'st to lead
A house-dance neatly, and canst truly show
How far a figure ought to go,
Forward or backward, side-ward, and what pace
Can give, and what retract a grace;
What gesture, courtship, comeliness agrees,
With those thy primitive decrees,
To give subsistence to thy house, and proof
What Genii support thy roof,
Goodness and greatness, not the oaken piles;
For these, and marbles have their whiles
To last, but not their ever; virtue's hand
It is which builds 'gainst fate to stand.
Such is thy house, whose firm foundations trust
Is more in thee than in her dust,
Or depth; these last may yield, and yearly shrink,
When what is strongly built, no chink
Or yawning rupture can the same devour,
But fix'd it stands, by her own power
And well-laid bottom, on the iron and rock,
Which tries, and counter-stands the shock
And ram of time, and by vexation grows
The stronger. Virtue dies when foes
Are wanting to her exercise, but, great
And large she spreads by dust and sweat.
Safe stand thy walls, and thee, and so both will,
Since neither's height was raised by th'ill
Of others; since no stud, no stone, no piece
Was rear'd up by the poor-man's fleece;
No widow's tenement was rack'd to gild
Or fret thy cieling, or to build
A sweating-closet, to anoint the silk-
Soft skin, or bath[e] in asses' milk;
No orphan's pittance, left him, served to set
The pillars up of lasting jet,
For which their cries might beat against thine ears,
Or in the damp jet read their tears.
No plank from hallow'd altar does appeal
To yond' Star-chamber, or does seal
A curse to thee, or thine; but all things even
Make for thy peace, and pace to heaven.
--Go on directly so, as just men may
A thousand times more swear, than say
This is that princely Pemberton, who can
Teach men to keep a God in man;
And when wise poets shall search out to see
Good men, they find them all in thee.
|
Written by
Thomas Hardy |
The church flings forth a battled shade
Over the moon-blanched sward:
The church; my gift; whereto I paid
My all in hand and hoard;
Lavished my gains
With stintless pains
To glorify the Lord.
I squared the broad foundations in
Of ashlared masonry;
I moulded mullions thick and thin,
Hewed fillet and ogee;
I circleted
Each sculptured head
With nimb and canopy.
I called in many a craftsmaster
To fix emblazoned glass,
To figure Cross and Sepulchure
On dossal, boss, and brass.
My gold all spent,
My jewels went
To gem the cups of Mass.
I borrowed deep to carve the screen
And raise the ivoried Rood;
I parted with my small demesne
To make my owings good.
Heir-looms unpriced
I sacrificed,
Until debt-free I stood.
So closed the task. "Deathless the Creed
Here substanced!" said my soul:
"I heard me bidden to this deed,
And straight obeyed the call.
Illume this fane,
That not in vain
I build it, Lord of all!"
But, as it chanced me, then and there
Did dire misfortunes burst;
My home went waste for lack of care,
My sons rebelled and curst;
Till I confessed
That aims the best
Were looking like the worst.
Enkindled by my votive work
No burnng faith I find;
The deeper thinkers sneer and smirk,
And give my toil no mind;
From nod and wink
I read they think
That I am fool and blind.
My gift to God seems futile, quite;
The world moves as erstwhile;
And powerful Wrong on feeble Right
Tramples in olden style.
My faith burns down,
I see no crown;
But Cares, and Griefs, and Guile.
So now, the remedy? Yea, this:
I gently swing the door
Here, of my fane--no soul to wis--
And cross the patterned floor
To the rood-screen
That stands between
The nave and inner chore.
The rich red windows dim the moon,
But little light need I;
I mount the prie-dieu, lately hewn
From woods of rarest dye;
Then from below
My garment, so,
I draw this cord, and tie
One end thereof around the beam
Midway 'twixt Cross and truss:
I noose the nethermost extreme,
And in ten seconds thus
I journey hence--
To that land whence
No rumour reaches us.
Well: Here at morn they'll light on one
Dangling in mockery
Of what he spent his substance on
Blindly and uselessly!...
"He might," they'll say,
"Have built, some way,
A cheaper gallows-tree!"
|
Written by
Erica Jong |
If you ask him he will talk for hours--
how at fourteen he hammered signs, fingers
raw with cold, and later painted bowers
in ladies' boudoirs; how he played checkers
for two weeks in jail, and lived on dark bread;
how he fled the border to a country
which disappeared wars ago; unfriended
crossed a continent while this century
began. He seldom speaks of painting now.
Young men have time and theories; old men work.
He has painted countless portraits. Sallow
nameless faces, made glistening in oil, smirk
above anonymous mantelpieces.
The turpentine has a familiar smell,
but his hand trembles with odd, new palsies.
Perched on the maulstick, it nears the easel.
He has come to like his resignation.
In his sketch books, ink-dark cossacks hear
the snorts of horses in the crunch of snow.
His pen alone recalls that years ago,
one horseman set his teeth and aimed his spear
which, poised, seemed pointed straight to pierce the sun.
|
Written by
Hart Crane |
We will make our meek adjustments,
Contented with such random consolations
As the wind deposits
In slithered and too ample pockets.
For we can still love the world, who find
A famished kitten on the step, and know
Recesses for it from the fury of the street,
Or warm torn elbow coverts.
We will sidestep, and to the final smirk
Dally the doom of that inevitable thumb
That slowly chafes its puckered index toward us,
Facing the dull squint with what innocence
And what surprise!
And yet these fine collapses are not lies
More than the pirouettes of any pliant cane;
Our obsequies are, in a way, no enterprise.
We can evade you, and all else but the heart:
What blame to us if the heart live on.
The game enforces smirks; but we have seen
The moon in lonely alleys make
A grail of laughter of an empty ash can,
And through all sound of gaiety and quest
Have heard a kitten in the wilderness.
|
Written by
Amy Lowell |
"Hullo, Alice!"
"Hullo, Leon!"
"Say, Alice, gi' me a couple
O' them two for five cigars,
Will yer?"
"Where's your nickel?"
"My! Ain't you close!
Can't trust a feller, can yer."
"Trust you! Why
What you owe this store
Would set you up in business.
I can't think why Father 'lows it."
"Yer Father's a sight more neighbourly
Than you be. That's a fact.
Besides, he knows I got a vote."
"A vote! Oh, yes, you got a vote!
A lot o' good the Senate'll be to Father
When all his bank account
Has run away in credits.
There's your cigars,
If you can relish smokin'
With all you owe us standin'."
"I dunno as that makes 'em taste any diff'rent.
You ain't fair to me, Alice, 'deed you ain't.
I work when anythin's doin'.
I'll get a carpenterin' job next Summer sure.
Cleve was tellin' me to-day he'd take me on come Spring."
"Come Spring, and this December!
I've no patience with you, Leon,
Shilly-shallyin' the way you do.
Here, lift over them crates o' oranges
I wanter fix 'em in the winder."
"It riles yer, don't it, me not havin' work.
You pepper up about it somethin' good.
You pick an' pick, and that don't help a mite.
Say, Alice, do come in out o' that winder.
Th' oranges c'n wait,
An' I don't like talkin' to yer back."
"Don't you! Well, you'd better make the best o' what
you can git.
Maybe you won't have my back to talk to soon.
They look good in pyramids with the 'lectric light on 'em,
Don't they?
Now hand me them bananas
An' I'll string 'em right acrost."
"What do yer mean
'Bout me not havin' you to talk to?
Are yer springin' somethin' on me?"
"I don't know 'bout springin'
When I'm tellin' you right out.
I'm goin' away, that's all."
"Where? Why?
What yer mean -- goin' away?"
"I've took a place
Down to Boston, in a candy store
For the holidays."
"Good Land, Alice,
What in the Heavens fer!"
"To earn some money,
And to git away from here, I guess."
"Ain't yer Father got enough?
Don't he give yer proper pocket-money?"
"He'd have a plenty, if you folks paid him."
"He's rich I tell yer.
I never figured he'd be close with you."
"Oh, he ain't. Not close.
That ain't why.
But I must git away from here.
I must! I must!"
"You got a lot o' reason in yer
To-night.
How long d' you cal'late
You'll be gone?"
"Maybe for always."
"What ails yer, Alice?
Talkin' wild like that.
Ain't you an' me goin' to be married
Some day."
"Some day! Some day!
I guess the sun'll never rise on some day."
"So that's the trouble.
Same old story.
'Cause I ain't got the cash to settle right now.
You know I love yer,
An' I'll marry yer as soon
As I c'n raise the money."
"You've said that any time these five year,
But you don't do nothin'."
"Wot could I do?
Ther ain't no work here Winters.
Not fer a carpenter, ther ain't."
"I guess you warn't born a carpenter.
Ther's ice-cuttin' a plenty."
"I got a dret'ful tender throat;
Dr. Smiles he told me
I mustn't resk ice-cuttin'."
"Why haven't you gone to Boston,
And hunted up a job?"
"Have yer forgot the time I went expressin'
In the American office, down ther?"
"And come back two weeks later!
No, I ain't."
"You didn't want I should git hurted,
Did yer?
I'm a sight too light fer all that liftin' work.
My back was commencin' to strain, as 'twas.
Ef I was like yer brother now,
I'd ha' be'n down to the city long ago.
But I'm too clumsy fer a dancer.
I ain't got Arthur's luck."
"Do you call it luck to be a disgrace to your folks,
And git locked up in jail!"
"Oh, come now, Alice,
`Disgrace' is a mite strong.
Why, the jail was a joke.
Art's all right."
"All right!
All right to dance, and smirk, and lie
For a livin',
And then in the end
Lead a silly girl to give you
What warn't hers to give
By pretendin' you'd marry her --
And she a pupil."
"He'd ha' married her right enough,
Her folks was millionaires."
"Yes, he'd ha' married her!
Thank God, they saved her that."
"Art's a fine feller.
I wish I had his luck.
Swellin' round in Hart, Schaffner & Marx fancy suits,
And eatin' in rest'rants.
But somebody's got to stick to the old place,
Else Foxfield'd have to shut up shop,
Hey, Alice?"
"You admire him!
You admire Arthur!
You'd be like him only you can't dance.
Oh, Shame! Shame!
And I've been like that silly girl.
Fooled with your promises,
And I give you all I had.
I knew it, oh, I knew it,
But I wanted to git away 'fore I proved it.
You've shamed me through and through.
Why couldn't you hold your tongue,
And spared me seein' you
As you really are."
"What the Devil's the row?
I only said Art was lucky.
What you spitfirin' at me fer?
Ferget it, Alice.
We've had good times, ain't we?
I'll see Cleve 'bout that job agin to-morrer,
And we'll be married 'fore hayin' time."
"It's like you to remind me o' hayin' time.
I've good cause to love it, ain't I?
Many's the night I've hid my face in the dark
To shut out thinkin'!"
"Why, that ain't nothin'.
You ain't be'n half so kind to me
As lots o' fellers' girls.
Gi' me a kiss, Dear,
And let's make up."
"Make up!
You poor fool.
Do you suppose I care a ten cent piece
For you now.
You've killed yourself for me.
Done it out o' your own mouth.
You've took away my home,
I hate the sight o' the place.
You're all over it,
Every stick an' stone means you,
An' I hate 'em all."
"Alice, I say,
Don't go on like that.
I can't marry yer
Boardin' in one room,
But I'll see Cleve to-morrer,
I'll make him ----"
"Oh, you fool!
You terrible fool!"
"Alice, don't go yit,
Wait a minit,
I'll see Cleve ----"
"You terrible fool!"
"Alice, don't go.
Alice ----" (Door slams)
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