Written by
Barry Tebb |
(or ‘Huddersfield the Second Poetry Capital of England Re-visited’)
What was it Janice Simmons said to me as James lay dying in Ireland?
“Phone Peter Pegnall in Leeds, an ex-pupil of Jimmy’s.
He’s organising
A benefit reading, he’d love to hear from you and have your help.
”
‘Like hell he would’ I thought but I phoned him all the same
At his converted farmhouse at Barswill, a Lecturer in Creative Writing
At the uni.
But what’s he written, I wondered, apart from his CV?
“Well I am organising a reading but only for the big people, you understand,
Hardman, Harrison, Doughty, Duhig, Basher O’Brien, you know the kind,
The ones that count, the ones I owe my job to.
”
We nattered on and on until by way of adieu I read the final couplet
Of my Goodbye poem, the lines about ‘One Leeds Jimmy who could fix the world’s.
Duhigs once and for all/Write them into the ground and still have a hundred
Lyrics in his quiver.
’
Pete Stifled a cough which dipped into a gurgle and sank into a mire
Of strangulated affect which almost became a convulsion until finally
He shrieked, “I have to go, the cat’s under the Christmas tree, ripping
Open all the presents, the central heating boiler’s on the blink,
The house is on fucking fire!”
So I was left with the offer of being raffle-ticket tout as a special favour,
Some recompense for giving over two entire newsletters to Jimmy’s work:
The words of the letter before his stroke still burned.
“I don’t know why
They omitted me, Armitage and Harrison were my best mates once.
You and I
Must meet.
”
A whole year’s silence until the card with its cryptic message
‘Jimmy’s recovering slowly but better than expected’.
I never heard from Pegnall about the reading, the pamphlets he asked for
Went unacknowledged.
Whalebone, the fellow-tutor he commended, also stayed silent.
Had the event been cancelled? Happening to be in Huddersfield on Good Friday
I staggered up three flights of stone steps in the Byram Arcade to the Poetry Business
Where, next to the ‘closed’ sign an out-of-date poster announced the reading in Leeds
At a date long gone.
I peered through the slats at empty desks, at brimming racks of books,
At overflowing bin-bags and the yellowing poster.
Desperately I tried to remember
What Janice had said.
“We were sat up in bed, planning to take the children
For a walk when Jimmy stopped looking at me, the pupils of his eyes rolled sideways,
His head lolled and he keeled over.
”
The title of the reading was from Jimmy’s best collection
‘With Energy To Burn’
with energy to burn.
|
Written by
Barry Tebb |
Dawn’s my Mr Right, already
Cocks have crowed, birds flown from nests,
The neon lights of Leeds last night still
Sovereign in my sights, limousines and
Pink baloons, tee shirts with green stencilled
Dates of wedding days to come, the worn dance floor,
Jingling arcades where chrome fendered fruit machines
Rest on plush carpets like the ghosts of fifties Chevies,
Dreams for sale on boulevards where forget-me-nots
Are flowing through the hyaline summer air.
I stood with you in Kings Cross on Thursday night
Waiting for a bus we saw the lighthouse on top
Of a triangle of empty shops and seedy bedsits,
Some relic of a nineteenth century’s eccentric’s dream come true.
But posing now the question "What to do with a listed building
And the Channel Tunnel coming through?" Its welded slats,
Timber frame and listing broken windows blew our minds-
Like discovering a Tintoretto in a gallery of fakes.
Leeds takes away the steely glare of Sutton
Weighing down on me like breeze-blocks by the ton,
When all I want to do is run away and make a home
In Keighley, catch a bus to Haworth and walk and walk
Till human talk is silenced by the sun.
|
Written by
Barry Tebb |
Eggshell and Wedgwood Blue were just two
Of the range on the colour cards Dulux
Tailored to our taste in the fifties,
Brentford nylons, Formica table tops and
Fablon shelf-covering in original oak or
Spruce under neon tubes and Dayglo shades.
Wartime brown and green went out, along with
The Yorkist Range, the wire-mesh food safe
In the cellar, the scrubbed board bath lid
And marbled glass bowl over the light bulb
With its hidden hoard of dead flies and
Rusting three-tier chain.
We moved to the new estate, Airey semis
With their pebble-dash prefabricated slats,
Built-in kitchen units and made-to-measure gardens.
Every Saturday I went back to the streets,
Dinner at Auntie Nellie’s, Yorkies, mash and gravy,
Then the matinee at the Princess with Margaret,
The queen of my ten-year old heart.
Everybody was on the move, half the neighbours
To the new estates or death, newcomers with
Rough tongues from over the bridge slum clearance.
A drive-in Readymix cement works bruised the Hollows,
Ellerby Lane School closed, St.
Hilda’s bulldozed.
The trams stopped for good after the Coronation Special
In purple and gold toured the city's tracks and
The red-white and blue on the cake at the street party
Crumbled to dust and the river-bank rats fed on it
Like Miss Haversham’s wedding feast all over again.
The cobbled hill past the Mansions led nowhere,
The buses ran empty, then the route closed.
I returned again and again in friends’ cars,
Now alone, on foot, again and again.
|
Written by
Marianne Moore |
Dürer would have seen a reason for living
in a town like this, with eight stranded whales
to look at; with the sweet sea air coming into your house
on a fine day, from water etched
with waves as formal as the scales
on a fish.
One by one in two's and three's, the seagulls keep
flying back and forth over the town clock,
or sailing around the lighthouse without moving their wings --
rising steadily with a slight
quiver of the body -- or flock
mewing where
a sea the purple of the peacock's neck is
paled to greenish azure as Dürer changed
the pine green of the Tyrol to peacock blue and guinea
gray.
You can see a twenty-five-
pound lobster; and fish nets arranged
to dry.
The
whirlwind fife-and-drum of the storm bends the salt
marsh grass, disturbs stars in the sky and the
star on the steeple; it is a privilege to see so
much confusion.
Disguised by what
might seem the opposite, the sea-
side flowers and
trees are favored by the fog so that you have
the tropics first hand: the trumpet-vine,
fox-glove, giant snap-dragon, a salpiglossis that has
spots and stripes; morning-glories, gourds,
or moon-vines trained on fishing-twine
at the back door;
cat-tails, flags, blueberries and spiderwort,
striped grass, lichens, sunflowers, asters, daisies --
yellow and crab-claw ragged sailors with green bracts -- toad-plant,
petunias, ferns; pink lilies, blue
ones, tigers; poppies; black sweet-peas.
The climate
is not right for the banyan, frangipani, or
jack-fruit trees; or for exotic serpent
life.
Ring lizard and snake-skin for the foot, if you see fit;
but here they've cats, not cobras, to
keep down the rats.
The diffident
little newt
with white pin-dots on black horizontal spaced-
out bands lives here; yet there is nothing that
ambition can buy or take away.
The college student
named Ambrose sits on the hillside
with his not-native books and hat
and sees boats
at sea progress white and rigid as if in
a groove.
Liking an elegance of which
the sourch is not bravado, he knows by heart the antique
sugar-bowl shaped summer-house of
interlacing slats, and the pitch
of the church
spire, not true, from which a man in scarlet lets
down a rope as a spider spins a thread;
he might be part of a novel, but on the sidewalk a
sign says C.
J.
Poole, Steeple Jack,
in black and white; and one in red
and white says
Danger.
The church portico has four fluted
columns, each a single piece of stone, made
modester by white-wash.
Theis would be a fit haven for
waifs, children, animals, prisoners,
and presidents who have repaid
sin-driven
senators by not thinking about them.
The
place has a school-house, a post-office in a
store, fish-houses, hen-houses, a three-masted schooner on
the stocks.
The hero, the student,
the steeple-jack, each in his way,
is at home.
It could not be dangerous to be living
in a town like this, of simple people,
who have a steeple-jack placing danger signs by the church
while he is gilding the solid-
pointed star, which on a steeple
stands for hope.
|
Written by
Sophie Hannah |
I heave my morning like a sack
of signs that don't appear,
say August, August, takes me back.
.
.
That it was not this year.
.
.
say greenness, greenness, that's the link.
.
.
That they were different trees
does not occur to those who think
in anniversaries.
I drive my morning like a truck
with a backsliding load,
say bastard, bastard, always stuck
behind him on the road
(although I saw another man
in a distinct machine
last time a Dentressangle van
was on the Al4).
I draw my evening like a blind,
say darkness, darkness, that's
if not the very then the kind.
.
.
That I see only slats.
.
.
say moonlight, moonlight, shines the same.
.
.
That it's a streetlamp's glow
might be enough to take the name
from everything we know.
I sketch my evening like a plan.
I think I recognise
the Norbert Dentressangle van.
.
.
That mine are clouded eyes.
.
.
say whiteness, whiteness, that's the shade.
.
.
That paint is tins apart
might mean some progress can be made
in worlds outside the heart.
|
Written by
Barry Tebb |
They have vanished, the pop men with their varnished crates
Of Tizer and dandy, American ice-cream soda and one percent shandy.
The clunk of frothy quarts dumped on donkey-stoned doorsteps
Is heard no more, nor the neighs of restless mares between the shafts.
The shining brass of harness hangs in bar-rooms or droops
From imitation beams.
Gelded stallions no longer chomp and champ
In stalls beneath the slats of shadowed lofts with straw-bales
And hay-ricks as high as houses lazing in lantern light.
The ashes of the carts they pulled have smouldered into silence,
The clatter over cobbles of iron shoes and shouts of “Whoa, lass!”
Hushed in this last weariness.
|
Written by
Thomas Hardy |
By Corporal Tullidge.
See "The Trumpet-Major"
In Memory of S.
C.
(Pensioner).
Died 184-
WE trenched, we trumpeted and drummed,
And from our mortars tons of iron hummed
Ath'art the ditch, the month we bombed
The Town o' Valencie?n.
'Twas in the June o' Ninety-dree
(The Duke o' Yark our then Commander be?n)
The German Legion, Guards, and we
Laid siege to Valencie?n.
This was the first time in the war
That French and English spilled each other's gore;
--God knows what year will end the roar
Begun at Valencie?n!
'Twas said that we'd no business there
A-topper?n the French for disagre?n;
However, that's not my affair--
We were at Valencie?n.
Such snocks and slats, since war began
Never knew raw recruit or veter?n:
Stone-deaf therence went many a man
Who served at Valencie?n.
Into the streets, ath'art the sky,
A hundred thousand balls and bombs were fle?n;
And harmless townsfolk fell to die
Each hour at Valencie?n!
And, sweat?n wi' the bombardiers,
A shell was slent to shards anighst my ears:
--'Twas night the end of hopes and fears
For me at Valencie?n!
They bore my wownded frame to camp,
And shut my gap?n skull, and washed en cle?n,
And jined en wi' a zilver clamp
Thik night at Valencie?n.
"We've fetched en back to quick from dead;
But never more on earth while rose is red
Will drum rouse Corpel!" Doctor said
O' me at Valencie?n.
'Twer true.
No voice o' friend or foe
Can reach me now, or any live?n be?n;
And little have I power to know
Since then at Valencie?n!
I never hear the zummer hums
O' bees; and don't know when the cuckoo comes;
But night and day I hear the bombs
We threw at Valencie?n.
.
.
.
As for the Duke o' Yark in war,
There be some volk whose judgment o' en is me?n;
But this I say--'a was not far
From great at Valencie?n.
O' wild wet nights, when all seems sad,
My wownds come back, as though new wownds I'd had;
But yet--at times I'm sort o' glad
I fout at Valencie?n.
Well: Heaven wi' its jasper halls
Is now the on'y Town I care to be in.
.
.
.
Good Lord, if Nick should bomb the walls
As we did Valencie?n!
|
Written by
Carl Sandburg |
DO you know how the dream looms? how if summer misses one of us the two of us miss summer—
Summer when the lungs of the earth take a long breath for the change to low contralto singing mornings when the green corn leaves first break through the black loam—
And another long breath for the silver soprano melody of the moon songs in the light nights when the earth is lighter than a feather, the iron mountains lighter than a goose down—
So I shall look for you in the light nights then, in the laughter of slats of silver under a hill hickory.
In the listening tops of the hickories, in the wind motions of the hickory shingle leaves, in the imitations of slow sea water on the shingle silver in the wind—
I shall look for you.
|
Written by
Amy Lowell |
All night our room was outer-walled with rain.
Drops fell and flattened on the tin roof,
And rang like little disks of metal.
Ping!—Ping!—and there was not a pin-point of silence between
them.
The rain rattled and clashed,
And the slats of the shutters danced and glittered.
But to me the darkness was red-gold and crocus-colored
With your brightness,
And the words you whispered to me
Sprang up and flamed—orange torches against the rain.
Torches against the wall of cool, silver rain!
|