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Best Famous Slaps Poems

Here is a collection of the all-time best famous Slaps poems. This is a select list of the best famous Slaps poetry. Reading, writing, and enjoying famous Slaps poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of slaps poems.

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Written by A R Ammons | Create an image from this poem

**** List; Or Omnium-gatherum Of Diversity Into Unity

 You'll rejoice at how many kinds of **** there are:
gosling **** (which J.
Williams said something was as green as), fish **** (the generality), trout ****, rainbow trout **** (for the nice), mullet ****, sand dab ****, casual sloth ****, elephant **** (awesome as process or payload), wildebeest ****, horse **** (a favorite), caterpillar **** (so many dark kinds, neatly pelleted as mint seed), baby rhinoceros ****, splashy jaybird ****, mockingbird **** (dive-bombed with the aim of song), robin **** that oozes white down lawnchairs or down roots under roosts, chicken **** and chicken mite ****, pelican ****, gannet **** (wholesome guano), fly **** (periodic), cockatoo ****, dog **** (past catalog or assimilation), cricket ****, elk (high plains) ****, and tiny scribbled little shrew ****, whale **** (what a sight, deep assumption), mandril **** (blazing blast off), weasel **** (wiles' waste), gazelle ****, magpie **** (total protein), tiger **** (too acid to contemplate), moral eel and manta ray ****, eerie shark ****, earthworm **** (a soilure), crab ****, wolf **** upon the germicidal ice, snake ****, giraffe **** that accelerates, secretary bird ****, turtle **** suspension invites, remora **** slightly in advance of the shark ****, hornet **** (difficult to assess), camel **** that slaps the ghastly dry siliceous, frog ****, beetle ****, bat **** (the marmoreal), contemptible cat ****, penguin ****, hermit crab ****, prairie hen ****, cougar ****, eagle **** (high totem stuff), buffalo **** (hardly less lofty), otter ****, beaver **** (from the animal of alluvial dreams)—a vast ordure is a broken down cloaca—macaw ****, alligator **** (that floats the Nile along), louse ****, macaque, koala, and coati ****, antelope ****, chuck-will's-widow ****, alpaca **** (very high stuff), gooney bird ****, chigger ****, bull **** (the classic), caribou ****, rasbora, python, and razorbill ****, scorpion ****, man ****, laswing fly larva ****, chipmunk ****, other-worldly wallaby ****, gopher **** (or broke), platypus ****, aardvark ****, spider ****, kangaroo and peccary ****, guanaco ****, dolphin ****, aphid ****, baboon **** (that leopards induce), albatross ****, red-headed woodpecker (nine inches long) ****, tern ****, hedgehog ****, panda ****, seahorse ****, and the **** of the wasteful gallinule.


Written by Robert Burns | Create an image from this poem

Tam OShanter

 A Tale

"Of Brownyis and of Bogilis full is this Buke.
" —Gawin Douglas.
When chapman billies leave the street, And drouthy neebors neebors meet, As market-days are wearing late, An' folk begin to tak' the gate; While we sit bousing at the nappy, An' getting fou and unco happy, We think na on the lang Scots miles, The mosses, waters, slaps, and stiles, That lie between us and our hame, Whare sits our sulky, sullen dame, Gathering her brows like gathering storm, Nursing her wrath to keep it warm.
This truth fand honest Tam o'Shanter, As he frae Ayr ae night did canter, (Auld Ayr, wham ne'er a town surpasses, For honest men and bonie lasses).
O Tam! hadst thou but been sae wise, As ta'en thy ain wife Kate's advice! She tauld thee weel thou was a skellum, A blethering, blustering, drunken blellum, That frae November till October, Ae market-day thou was nae sober; That ilka melder, wi' the miller, Thou sat as lang as thou had siller; That ev'ry naig was ca'd a shoe on, The smith and thee gat roarin fou on; That at the Lord's house, ev'n on Sunday, Thou drank wi' Kirkton Jean till Monday.
She prophesied that, late or soon, Thou would be found deep drowned in Doon; Or catched wi' warlocks in the mirk, By Alloway's auld haunted kirk.
Ah, gentle dames! it gars me greet, To think how mony counsels sweet, How mony lengthened sage advices, The husband frae the wife despises! But to our tale: Ae market-night, Tam had got planted unco right; Fast by an ingle, bleezing finely, Wi' reaming swats, that drank divinely; And at his elbow, Souter Johnny, His ancient, trusty, drouthy crony; Tam lo'ed him like a vera brither; They had been fou for weeks thegither.
The night drave on wi' sangs an' clatter; And aye the ale was growing better: The landlady and Tam grew gracious, Wi' favours, secret, sweet, and precious: The Souter tauld his queerest stories; The landlord's laugh was ready chorus: The storm without might rair and rustle, Tam did na mind the storm a whistle.
Care, mad to see a man sae happy, E'en drowned himself amang the nappy; As bees flee hame wi' lades o' treasure, The minutes winged their way wi' pleasure: Kings may be blest, but Tam was glorious, O'er a' the ills o' life victorious! But pleasures are like poppies spread, You seize the flow'r, its bloom is shed; Or like the snow falls in the river, A moment white—then melts for ever; Or like the borealis race, That flit ere you can point their place; Or like the rainbow's lovely form Evanishing amid the storm.
— Nae man can tether time or tide; The hour approaches Tam maun ride; That hour, o' night's black arch the key-stane, That dreary hour he mounts his beast in; And sic a night he tak's the road in, As ne'er poor sinner was abroad in.
The wind blew as 'twad blawn its last; The rattling showers rose on the blast; The speedy gleams the darkness swallowed; Loud, deep, and lang the thunder bellowed: That night, a child might understand, The De'il had business on his hand.
Weel mounted on his grey mare, Meg, A better never lifted leg, Tam skelpit on thro' dub and mire, Despising wind, and rain, and fire; Whiles holding fast his gude blue bonnet; Whiles crooning o'er some auld Scots sonnet; Whiles glow'rin round wi' prudent cares, Lest bogles catch him unawares; Kirk-Alloway was drawing nigh, Whare ghaists and houlets nightly cry.
By this time he was cross the ford, Whare in the snaw the chapman smoored; And past the birks and meikle stane, Whare drunken Charlie brak's neck-bane; And thro' the whins, and by the cairn, Whare hunters fand the murdered bairn; And near the thorn, aboon the well, Whare Mungo's mither hanged hersel'.
Before him Doon pours all his floods; The doubling storm roars thro' the woods; The lightnings flash from pole to pole; Near and more near the thunders roll; When, glimmering thro' the groaning trees, Kirk-Alloway seemed in a bleeze; Thro' ilka bore the beams were glancing; And loud resounded mirth and dancing.
Inspiring bold John Barleycorn! What dangers thou canst mak' us scorn! Wi' tippenny, we fear nae evil; Wi' usquabae, we'll face the devil! The swats sae reamed in Tammie's noddle, Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished, Till, by the heel and hand admonished, She ventured forward on the light; And, wow! Tam saw an unco sight! Warlocks and witches in a dance; Nae cotillion, brent new frae France, But hornpipes, jigs, strathspeys, and reels, Put life and mettle in their heels.
A winnock-bunker in the east, There sat auld Nick, in shape o' beast; A towzie tyke, black, grim, and large, To gie them music was his charge: He screwed the pipes and gart them skirl, Till roof and rafters a' did dirl.
— Coffins stood round, like open presses, That shawed the Dead in their last dresses; And by some devilish cantraip sleight Each in its cauld hand held a light, By which heroic Tam was able To note upon the haly table, A murderer's banes in gibbet-airns; Twa span-lang, wee, unchristened bairns; A thief, new-cutted frae a rape, Wi' his last gasp his gab did gape; Five tomahawks, wi' blude red-rusted; Five scimitars, wi' murder crusted; A garter, which a babe had strangled; A knife, a father's throat had mangled, Whom his ain son o' life bereft, The grey hairs yet stack to the heft; Wi' mair of horrible and awfu', Which even to name wad be unlawfu'.
As Tammie glowered, amazed and curious, The mirth and fun grew fast and furious: The Piper loud and louder blew; The dancers quick and quicker flew; They reeled, they set, they crossed, they cleekit, Till ilka carlin swat and reekit, And coost her duddies to the wark, And linket at it in her sark! Now Tam, O Tam! had they been queans, A' plump and strapping in their teens; Their sarks, instead o' creeshie flainen, Been snaw-white seventeen hunder linen!— Thir breeks o' mine, my only pair, That ance were plush, o' gude blue hair, I wad hae gi'en them off my hurdies, For ae blink o' the bonie burdies! But withered beldams, auld and droll, Rigwoodie hags wad spean a foal, Lowping and flinging on a crummock, I wonder didna turn thy stomach.
But Tam kenned what was what fu' brawlie: `There was ae winsome wench and waulie', That night enlisted in the core (Lang after kenned on Carrick shore; For mony a beast to dead she shot, And perished mony a bonie boat, And shook baith meikle corn and bear, And kept the country-side in fear); Her cutty sark, o' Paisley harn, That while a lassie she had worn, In longitude tho' sorely scanty, It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie, That sark she coft for her wee Nannie, Wi' twa pund Scots ('twas a' her riches), Wad ever graced a dance of witches! But here my Muse her wing maun cour, Sic flights are far beyond her power; To sing how Nannie lap and flang, (A souple jade she was and strang), And how Tam stood, like ane bewitched, And thought his very een enriched; Even Satan glowered, and fidged fu' fain, And hotched and blew wi' might and main: Till first ae caper, syne anither, Tam tint his reason a' thegither, And roars out, "Weel done, Cutty-sark!" And in an instant all was dark: And scarcely had he Maggie rallied, When out the hellish legion sallied.
As bees bizz out wi' angry fyke, When plundering herds assail their byke; As open pussie's mortal foes, When, pop! she starts before their nose; As eager runs the market-crowd, When "Catch the thief!" resounds aloud; So Maggie runs, the witches follow, Wi' mony an eldritch screech and hollow.
Ah, Tam! ah, Tam! thou'll get thy fairin! In hell they'll roast thee like a herrin! In vain thy Kate awaits thy comin! Kate soon will be a woefu' woman! Now, do thy speedy utmost, Meg, And win the key-stane of the brig; There at them thou thy tail may toss, A running stream they dare na cross.
But ere the key-stane she could make, The fient a tail she had to shake! For Nannie, far before the rest, Hard upon noble Maggie prest, And flew at Tam wi' furious ettle; But little wist she Maggie's mettle— Ae spring brought off her master hale, But left behind her ain grey tail: The carlin claught her by the rump, And left poor Maggie scarce a stump.
Now, wha this tale o' truth shall read, Ilk man and mother's son, take heed: Whene'er to drink you are inclined, Or cutty-sarks run in your mind, Think, ye may buy the joys o'er dear, Remember Tam o'Shanter's mare.
Written by Robert Burns | Create an image from this poem

87. The Twa Dogs

 ’TWAS 1 in that place o’ Scotland’s isle,
That bears the name o’ auld King Coil,
Upon a bonie day in June,
When wearin’ thro’ the afternoon,
Twa dogs, that were na thrang at hame,
Forgather’d ance upon a time.
The first I’ll name, they ca’d him Caesar, Was keepit for His Honor’s pleasure: His hair, his size, his mouth, his lugs, Shew’d he was nane o’ Scotland’s dogs; But whalpit some place far abroad, Whare sailors gang to fish for cod.
His locked, letter’d, braw brass collar Shew’d him the gentleman an’ scholar; But though he was o’ high degree, The fient a pride, nae pride had he; But wad hae spent an hour caressin, Ev’n wi’ al tinkler-gipsy’s messin: At kirk or market, mill or smiddie, Nae tawted tyke, tho’ e’er sae duddie, But he wad stan’t, as glad to see him, An’ stroan’t on stanes an’ hillocks wi’ him.
The tither was a ploughman’s collie— A rhyming, ranting, raving billie, Wha for his friend an’ comrade had him, And in freak had Luath ca’d him, After some dog in Highland Sang, 2 Was made lang syne,—Lord knows how lang.
He was a gash an’ faithfu’ tyke, As ever lap a sheugh or dyke.
His honest, sonsie, baws’nt face Aye gat him friends in ilka place; His breast was white, his touzie back Weel clad wi’ coat o’ glossy black; His gawsie tail, wi’ upward curl, Hung owre his hurdie’s wi’ a swirl.
Nae doubt but they were fain o’ ither, And unco pack an’ thick thegither; Wi’ social nose whiles snuff’d an’ snowkit; Whiles mice an’ moudieworts they howkit; Whiles scour’d awa’ in lang excursion, An’ worry’d ither in diversion; Until wi’ daffin’ weary grown Upon a knowe they set them down.
An’ there began a lang digression.
About the “lords o’ the creation.
” CÆSAR I’ve aften wonder’d, honest Luath, What sort o’ life poor dogs like you have; An’ when the gentry’s life I saw, What way poor bodies liv’d ava.
Our laird gets in his racked rents, His coals, his kane, an’ a’ his stents: He rises when he likes himsel’; His flunkies answer at the bell; He ca’s his coach; he ca’s his horse; He draws a bonie silken purse, As lang’s my tail, where, thro’ the steeks, The yellow letter’d Geordie keeks.
Frae morn to e’en, it’s nought but toiling At baking, roasting, frying, boiling; An’ tho’ the gentry first are stechin, Yet ev’n the ha’ folk fill their pechan Wi’ sauce, ragouts, an’ sic like trashtrie, That’s little short o’ downright wastrie.
Our whipper-in, wee, blasted wonner, Poor, worthless elf, it eats a dinner, Better than ony tenant-man His Honour has in a’ the lan’: An’ what poor cot-folk pit their painch in, I own it’s past my comprehension.
LUATH Trowth, C&æsar, whiles they’re fash’t eneugh: A cottar howkin in a sheugh, Wi’ dirty stanes biggin a dyke, Baring a quarry, an’ sic like; Himsel’, a wife, he thus sustains, A smytrie o’ wee duddie weans, An’ nought but his han’-daurk, to keep Them right an’ tight in thack an’ rape.
An’ when they meet wi’ sair disasters, Like loss o’ health or want o’ masters, Ye maist wad think, a wee touch langer, An’ they maun starve o’ cauld an’ hunger: But how it comes, I never kent yet, They’re maistly wonderfu’ contented; An’ buirdly chiels, an’ clever hizzies, Are bred in sic a way as this is.
CÆSAR But then to see how ye’re negleckit, How huff’d, an’ cuff’d, an’ disrespeckit! Lord man, our gentry care as little For delvers, ditchers, an’ sic cattle; They gang as saucy by poor folk, As I wad by a stinkin brock.
I’ve notic’d, on our laird’s court-day,— An’ mony a time my heart’s been wae,— Poor tenant bodies, scant o’cash, How they maun thole a factor’s snash; He’ll stamp an’ threaten, curse an’ swear He’ll apprehend them, poind their gear; While they maun stan’, wi’ aspect humble, An’ hear it a’, an’ fear an’ tremble! I see how folk live that hae riches; But surely poor-folk maun be wretches! LUATH They’re no sae wretched’s ane wad think.
Tho’ constantly on poortith’s brink, They’re sae accustom’d wi’ the sight, The view o’t gives them little fright.
Then chance and fortune are sae guided, They’re aye in less or mair provided: An’ tho’ fatigued wi’ close employment, A blink o’ rest’s a sweet enjoyment.
The dearest comfort o’ their lives, Their grushie weans an’ faithfu’ wives; The prattling things are just their pride, That sweetens a’ their fire-side.
An’ whiles twalpennie worth o’ nappy Can mak the bodies unco happy: They lay aside their private cares, To mind the Kirk and State affairs; They’ll talk o’ patronage an’ priests, Wi’ kindling fury i’ their breasts, Or tell what new taxation’s comin, An’ ferlie at the folk in Lon’on.
As bleak-fac’d Hallowmass returns, They get the jovial, rantin kirns, When rural life, of ev’ry station, Unite in common recreation; Love blinks, Wit slaps, an’ social Mirth Forgets there’s Care upo’ the earth.
That merry day the year begins, They bar the door on frosty win’s; The nappy reeks wi’ mantling ream, An’ sheds a heart-inspiring steam; The luntin pipe, an’ sneeshin mill, Are handed round wi’ right guid will; The cantie auld folks crackin crouse, The young anes rantin thro’ the house— My heart has been sae fain to see them, That I for joy hae barkit wi’ them.
Still it’s owre true that ye hae said, Sic game is now owre aften play’d; There’s mony a creditable stock O’ decent, honest, fawsont folk, Are riven out baith root an’ branch, Some rascal’s pridefu’ greed to quench, Wha thinks to knit himsel the faster In favour wi’ some gentle master, Wha, aiblins, thrang a parliamentin, For Britain’s guid his saul indentin— CÆSAR Haith, lad, ye little ken about it: For Britain’s guid! guid faith! I doubt it.
Say rather, gaun as Premiers lead him: An’ saying ay or no’s they bid him: At operas an’ plays parading, Mortgaging, gambling, masquerading: Or maybe, in a frolic daft, To Hague or Calais takes a waft, To mak a tour an’ tak a whirl, To learn bon ton, an’ see the worl’.
There, at Vienna, or Versailles, He rives his father’s auld entails; Or by Madrid he takes the rout, To thrum guitars an’ fecht wi’ nowt; Or down Italian vista startles, Wh-re-hunting amang groves o’ myrtles: Then bowses drumlie German-water, To mak himsel look fair an’ fatter, An’ clear the consequential sorrows, Love-gifts of Carnival signoras.
For Britain’s guid! for her destruction! Wi’ dissipation, feud, an’ faction.
LUATH Hech, man! dear sirs! is that the gate They waste sae mony a braw estate! Are we sae foughten an’ harass’d For gear to gang that gate at last? O would they stay aback frae courts, An’ please themsels wi’ country sports, It wad for ev’ry ane be better, The laird, the tenant, an’ the cotter! For thae frank, rantin, ramblin billies, Feint haet o’ them’s ill-hearted fellows; Except for breakin o’ their timmer, Or speakin lightly o’ their limmer, Or shootin of a hare or moor-cock, The ne’er-a-bit they’re ill to poor folk, But will ye tell me, Master C&æsar, Sure great folk’s life’s a life o’ pleasure? Nae cauld nor hunger e’er can steer them, The very thought o’t need na fear them.
CÆSAR L—d, man, were ye but whiles whare I am, The gentles, ye wad ne’er envy them! It’s true, they need na starve or sweat, Thro’ winter’s cauld, or simmer’s heat: They’ve nae sair wark to craze their banes, An’ fill auld age wi’ grips an’ granes: But human bodies are sic fools, For a’ their colleges an’ schools, That when nae real ills perplex them, They mak enow themsel’s to vex them; An’ aye the less they hae to sturt them, In like proportion, less will hurt them.
A country fellow at the pleugh, His acre’s till’d, he’s right eneugh; A country girl at her wheel, Her dizzen’s dune, she’s unco weel; But gentlemen, an’ ladies warst, Wi’ ev’n-down want o’ wark are curst.
They loiter, lounging, lank an’ lazy; Tho’ deil-haet ails them, yet uneasy; Their days insipid, dull, an’ tasteless; Their nights unquiet, lang, an’ restless.
An’ev’n their sports, their balls an’ races, Their galloping through public places, There’s sic parade, sic pomp, an’ art, The joy can scarcely reach the heart.
The men cast out in party-matches, Then sowther a’ in deep debauches.
Ae night they’re mad wi’ drink an’ whoring, Niest day their life is past enduring.
The ladies arm-in-arm in clusters, As great an’ gracious a’ as sisters; But hear their absent thoughts o’ ither, They’re a’ run-deils an’ jads thegither.
Whiles, owre the wee bit cup an’ platie, They sip the scandal-potion pretty; Or lee-lang nights, wi’ crabbit leuks Pore owre the devil’s pictur’d beuks; Stake on a chance a farmer’s stackyard, An’ cheat like ony unhanged blackguard.
There’s some exceptions, man an’ woman; But this is gentry’s life in common.
By this, the sun was out of sight, An’ darker gloamin brought the night; The bum-clock humm’d wi’ lazy drone; The kye stood rowtin i’ the loan; When up they gat an’ shook their lugs, Rejoic’d they werena men but dogs; An’ each took aff his several way, Resolv’d to meet some ither day.
Note 1.
Luath was Burns’ own dog.
[back] Note 2.
Cuchullin’s dog in Ossian’s “Fingal.
”—R.
B.
[back]
Written by John Betjeman | Create an image from this poem

A Bay In Anglesey

 The sleepy sound of a tea-time tide
Slaps at the rocks the sun has dried,

Too lazy, almost, to sink and lift
Round low peninsulas pink with thrift.
The water, enlarging shells and sand, Grows greener emerald out from land And brown over shadowy shelves below The waving forests of seaweed show.
Here at my feet in the short cliff grass Are shells, dried bladderwrack, broken glass, Pale blue squills and yellow rock roses.
The next low ridge that we climb discloses One more field for the sheep to graze While, scarcely seen on this hottest of days, Far to the eastward, over there, Snowdon rises in pearl-grey air.
Multiple lark-song, whispering bents, The thymy, turfy and salty scents And filling in, brimming in, sparkling and free The sweet susurration of incoming sea.
Written by Amy Lowell | Create an image from this poem

The Red Lacquer Music-Stand

 A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players Sitting to viols or standing up to sing, four layers Of music to serve every instrument, are there, And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights, When the sun flares the old barn-chamber with its flights And skips upon the crystal knobs of dim sideboards, Legless and mouldy, and hops, glint to glint, on hoards Of scythes, and spades, and dinner-horns, so the old tools Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust Covering its flames like smoke and thinning as a gust Of brighter sunshine makes the colours leap and range, The strange old music-stand seems to strike out and change; To stroke and tear the darkness with sharp golden claws; To dart a forked, vermilion tongue from open jaws; To puff out bitter smoke which chokes the sun; and fade Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red, He sees it split and stream, and all about his head Spikes and spears of gold are licking, pricking, flicking, Scratching against the walls and furniture, and nicking The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door And the sun widens out all along the floor, Filling the barn-chamber with white, straightforward light, So not one blurred outline can tease the mind to fright.
"O All ye Works of the Lord, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him, and Magnify Him for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O All ye Green Things upon the Earth, Bless ye the Lord; Praise Him, and Magnify Him for ever.
" The Boy will praise his God on an altar builded fair, Will heap it with the Works of the Lord.
In the morning air, Spices shall burn on it, and by their pale smoke curled, Like shoots of all the Green Things, the God of this bright World Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze An altar meet and worthy, but each table and chair Has some defect, each piece is needing some repair To perfect it; the chairs have broken legs and backs, The tables are uneven, and every highboy lacks A handle or a drawer, the desks are bruised and worn, And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there The lacquer music-stand is elegant and rare, Clear and slim of line, with its four wings outspread, The sound of old quartets, a tenuous, faint thread, Hanging and floating over it, it stands supreme -- Black, and gold, and crimson, in one twisted scheme! A candle on the bookcase feels a draught and wavers, Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling, And shadows, strangely altered, stain the walls, revealing Eagles, and rabbits, and weird faces pulled awry, And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun Must touch it, stands the music-stand, and on each one Of its broad platforms is a pyramid of stones, And metals, and dried flowers, and pine and hemlock cones, An oriole's nest with the four eggs neatly blown, The rattle of a rattlesnake, and three large brown Butternuts uncracked, six butterflies impaled With a green luna moth, a snake-skin freshly scaled, Some sunflower seeds, wampum, and a bloody-tooth shell, A blue jay feather, all together piled pell-mell The stand will hold no more.
The Boy with humming head Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy It burns his soul to emptiness, and sets it free For adoration only, for worship.
Dedicate, His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him Whose splendour must be veiled by starry cherubim, Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even, Fronting the window-sill, and when the casement glows Rose-red with the new-blown morning, then the fire which flows From the sun will fall upon the altar and ignite The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim, `Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the wall When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass Upon the mantelpiece till he could seek a plate Worthy to hold them burning.
Alas! He had been late In thinking of this need, and now he could not find Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down Into the barn-chamber, lest some door should be blown And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared, Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid Them on the flat-topped pear, most carefully displayed To light with ease, then stood a little to one side, Focussed a burning-glass and painstakingly tried To hold it angled so the bunched and prismed rays Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame, Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced, Split to a multitude of pointed spears, and lanced, A deeper, hotter flame, it took the incense pile Which welcomed it and broke into a little smile Of yellow flamelets, creeping, crackling, thrusting up, A golden, red-slashed lily in a lacquer cup.
"O ye Fire and Heat, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise Him, and Magnify Him for ever.
" A moment so it hung, wide-curved, bright-petalled, seeming A chalice foamed with sunrise.
The Boy woke from his dreaming.
A spike of flame had caught the card of butterflies, The oriole's nest took fire, soon all four galleries Where he had spread his treasures were become one tongue Of gleaming, brutal fire.
The Boy instantly swung His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown Acute by fear, the Boy grabbed the quilt from his bed And flung it over all, and then with aching head He watched the early sunshine glint on the remains Of his holy offering.
The lacquer stand had stains Ugly and charred all over, and where the golden pear Had been, a deep, black hole gaped miserably.
His dear Treasures were puffs of ashes; only the stones were there, Winking in the brightness.
The clock upon the stair Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.


Written by Robert Burns | Create an image from this poem

310. Tam o' Shanter: A Tale

 WHEN chapman billies leave the street,
And drouthy neibors, neibors, meet;
As market days are wearing late,
And folk begin to tak the gate,
While we sit bousing at the nappy,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps and stiles,
That lie between us and our hame,
Where sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.
This truth fand honest TAM O’ SHANTER, As he frae Ayr ae night did canter: (Auld Ayr, wham ne’er a town surpasses, For honest men and bonie lasses).
O Tam! had’st thou but been sae wise, As taen thy ain wife Kate’s advice! She tauld thee weel thou was a skellum, A blethering, blustering, drunken blellum; That frae November till October, Ae market-day thou was na sober; That ilka melder wi’ the Miller, Thou sat as lang as thou had siller; That ev’ry naig was ca’d a shoe on The Smith and thee gat roarin’ fou on; That at the L—d’s house, ev’n on Sunday, Thou drank wi’ Kirkton Jean till Monday, She prophesied that late or soon, Thou wad be found, deep drown’d in Doon, Or catch’d wi’ warlocks in the mirk, By Alloway’s auld, haunted kirk.
Ah, gentle dames! it gars me greet, To think how mony counsels sweet, How mony lengthen’d, sage advices, The husband frae the wife despises! But to our tale:—Ae market night, Tam had got planted unco right, Fast by an ingle, bleezing finely, Wi reaming sAats, that drank divinely; And at his elbow, Souter Johnie, His ancient, trusty, drougthy crony: Tam lo’ed him like a very brither; They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter; And aye the ale was growing better: The Landlady and Tam grew gracious, Wi’ favours secret, sweet, and precious: The Souter tauld his queerest stories; The Landlord’s laugh was ready chorus: The storm without might rair and rustle, Tam did na mind the storm a whistle.
Care, mad to see a man sae happy, E’en drown’d himsel amang the nappy.
As bees flee hame wi’ lades o’ treasure, The minutes wing’d their way wi’ pleasure: Kings may be blest, but Tam was glorious, O’er a’ the ills o’ life victorious! But pleasures are like poppies spread, You seize the flow’r, its bloom is shed; Or like the snow falls in the river, A moment white—then melts for ever; Or like the Borealis race, That flit ere you can point their place; Or like the Rainbow’s lovely form Evanishing amid the storm.
— Nae man can tether Time nor Tide, The hour approaches Tam maun ride; That hour, o’ night’s black arch the key-stane, That dreary hour he mounts his beast in; And sic a night he taks the road in, As ne’er poor sinner was abroad in.
The wind blew as ’twad blawn its last; The rattling showers rose on the blast; The speedy gleams the darkness swallow’d; Loud, deep, and lang, the thunder bellow’d: That night, a child might understand, The deil had business on his hand.
Weel-mounted on his grey mare, Meg, A better never lifted leg, Tam skelpit on thro’ dub and mire, Despising wind, and rain, and fire; Whiles holding fast his gude blue bonnet, Whiles crooning o’er some auld Scots sonnet, Whiles glow’rin round wi’ prudent cares, Lest bogles catch him unawares; Kirk-Alloway was drawing nigh, Where ghaists and houlets nightly cry.
By this time he was cross the ford, Where in the snaw the chapman smoor’d; And past the birks and meikle stane, Where drunken Charlie brak’s neck-bane; And thro’ the whins, and by the cairn, Where hunters fand the murder’d bairn; And near the thorn, aboon the well, Where Mungo’s mither hang’d hersel’.
Before him Doon pours all his floods, The doubling storm roars thro’ the woods, The lightnings flash from pole to pole, Near and more near the thunders roll, When, glimmering thro’ the groaning trees, Kirk-Alloway seem’d in a bleeze, Thro’ ilka bore the beams were glancing, And loud resounded mirth and dancing.
Inspiring bold John Barleycorn! What dangers thou canst make us scorn! Wi’ tippenny, we fear nae evil; Wi’ usquabae, we’ll face the devil! The swats sae ream’d in Tammie’s noddle, Fair play, he car’d na deils a boddle, But Maggie stood, right sair astonish’d, Till, by the heel and hand admonish’d, She ventur’d forward on the light; And, wow! Tam saw an unco sight! Warlocks and witches in a dance: Nae cotillon, brent new frae France, But hornpipes, jigs, strathspeys, and reels, Put life and mettle in their heels.
A winnock-bunker in the east, There sat auld Nick, in shape o’ beast; A towzie tyke, black, grim, and large, To gie them music was his charge: He screw’d the pipes and gart them skirl, Till roof and rafters a’ did dirl.
— Coffins stood round, like open presses, That shaw’d the Dead in their last dresses; And (by some devilish cantraip sleight) Each in its cauld hand held a light.
By which heroic Tam was able To note upon the haly table, A murderer’s banes, in gibbet-airns; Twa span-lang, wee, unchristened bairns; A thief, new-cutted frae a rape, Wi’ his last gasp his gabudid gape; Five tomahawks, wi’ blude red-rusted: Five scimitars, wi’ murder crusted; A garter which a babe had strangled: A knife, a father’s throat had mangled.
Whom his ain son of life bereft, The grey-hairs yet stack to the heft; Wi’ mair of horrible and awfu’, Which even to name wad be unlawfu’.
As Tammie glowr’d, amaz’d, and curious, The mirth and fun grew fast and furious; The Piper loud and louder blew, The dancers quick and quicker flew, The reel’d, they set, they cross’d, they cleekit, Till ilka carlin swat and reekit, And coost her duddies to the wark, And linkit at it in her sark! Now Tam, O Tam! had they been queans, A’ plump and strapping in their teens! Their sarks, instead o’ creeshie flainen, Been snaw-white seventeen hunder linen!— Thir breeks o’ mine, my only pair, That ance were plush o’ guid blue hair, I wad hae gien them off my hurdies, For ae blink o’ the bonie burdies! But wither’d beldams, auld and droll, Rigwoodie hags wad spean a foal, Louping an’ flinging on a crummock.
I wonder did na turn thy stomach.
But Tam kent what was what fu’ brawlie: There was ae winsome wench and waulie That night enlisted in the core, Lang after ken’d on Carrick shore; (For mony a beast to dead she shot, And perish’d mony a bonie boat, And shook baith meikle corn and bear, And kept the country-side in fear); Her cutty sark, o’ Paisley harn, That while a lassie she had worn, In longitude tho’ sorely scanty, It was her best, and she was vauntie.
Ah! little ken’d thy reverend grannie, That sark she coft for her wee Nannie, Wi twa pund Scots (’twas a’ her riches), Wad ever grac’d a dance of witches! But here my Muse her wing maun cour, Sic flights are far beyond her power; To sing how Nannie lap and flang, (A souple jade she was and strang), And how Tam stood, like ane bewithc’d, And thought his very een enrich’d: Even Satan glowr’d, and fidg’d fu’ fain, And hotch’d and blew wi’ might and main: Till first ae caper, syne anither, Tam tint his reason a thegither, And roars out, “Weel done, Cutty-sark!” And in an instant all was dark: And scarcely had he Maggie rallied.
When out the hellish legion sallied.
As bees bizz out wi’ angry fyke, When plundering herds assail their byke; As open pussie’s mortal foes, When, pop! she starts before their nose; As eager runs the market-crowd, When “Catch the thief!” resounds aloud; So Maggie runs, the witches follow, Wi’ mony an eldritch skreich and hollow.
Ah, Tam! Ah, Tam! thou’ll get thy fairin! In hell, they’ll roast thee like a herrin! In vain thy Kate awaits thy comin! Kate soon will be a woefu’ woman! Now, do thy speedy-utmost, Meg, And win the key-stone o’ the brig; There, at them thou thy tail may toss, A running stream they dare na cross.
But ere the keystane she could make, The fient a tail she had to shake! For Nannie, far before the rest, Hard upon noble Maggie prest, And flew at Tam wi’ furious ettle; But little wist she Maggie’s mettle! Ae spring brought off her master hale, But left behind her ain grey tail: The carlin claught her by the rump, And left poor Maggie scarce a stump.
Now, wha this tale o’ truth shall read, Ilk man and mother’s son, take heed: Whene’er to Drink you are inclin’d, Or Cutty-sarks rin in your mind, Think ye may buy the joys o’er dear; Remember Tam o’ Shanter’s mare.
Written by Robert Burns | Create an image from this poem

68. The Holy Fair

 UPON 1 a simmer Sunday morn
 When Nature’s face is fair,
I walked forth to view the corn,
 An’ snuff the caller air.
The rising sun owre Galston muirs Wi’ glorious light was glintin; The hares were hirplin down the furrs, The lav’rocks they were chantin Fu’ sweet that day.
As lightsomely I glowr’d abroad, To see a scene sae gay, Three hizzies, early at the road, Cam skelpin up the way.
Twa had manteeles o” dolefu’ black, But ane wi’ lyart lining; The third, that gaed a wee a-back, Was in the fashion shining Fu’ gay that day.
The twa appear’d like sisters twin, In feature, form, an’ claes; Their visage wither’d, lang an’ thin, An’ sour as only slaes: The third cam up, hap-stap-an’-lowp, As light as ony lambie, An’ wi’a curchie low did stoop, As soon as e’er she saw me, Fu’ kind that day.
Wi’ bonnet aff, quoth I, “Sweet lass, I think ye seem to ken me; I’m sure I’ve seen that bonie face But yet I canna name ye.
” Quo’ she, an’ laughin as she spak, An’ taks me by the han’s, “Ye, for my sake, hae gien the feck Of a’ the ten comman’s A screed some day.
” “My name is Fun—your cronie dear, The nearest friend ye hae; An’ this is Superstitution here, An’ that’s Hypocrisy.
I’m gaun to Mauchline Holy Fair, To spend an hour in daffin: Gin ye’ll go there, yon runkl’d pair, We will get famous laughin At them this day.
” Quoth I, “Wi’ a’ my heart, I’ll do’t; I’ll get my Sunday’s sark on, An’ meet you on the holy spot; Faith, we’se hae fine remarkin!” Then I gaed hame at crowdie-time, An’ soon I made me ready; For roads were clad, frae side to side, Wi’ mony a weary body In droves that day.
Here farmers gash, in ridin graith, Gaed hoddin by their cotters; There swankies young, in braw braid-claith, Are springing owre the gutters.
The lasses, skelpin barefit, thrang, In silks an’ scarlets glitter; Wi’ sweet-milk cheese, in mony a whang, An’ farls, bak’d wi’ butter, Fu’ crump that day.
When by the plate we set our nose, Weel heaped up wi’ ha’pence, A greedy glowr black-bonnet throws, An’ we maun draw our tippence.
Then in we go to see the show: On ev’ry side they’re gath’rin; Some carrying dails, some chairs an’ stools, An’ some are busy bleth’rin Right loud that day.
Here stands a shed to fend the show’rs, An’ screen our countra gentry; There “Racer Jess, 2 an’ twa-three whores, Are blinkin at the entry.
Here sits a raw o’ tittlin jads, Wi’ heaving breast an’ bare neck; An’ there a batch o’ wabster lads, Blackguarding frae Kilmarnock, For fun this day.
Here, some are thinkin on their sins, An’ some upo’ their claes; Ane curses feet that fyl’d his shins, Anither sighs an’ prays: On this hand sits a chosen swatch, Wi’ screwed-up, grace-proud faces; On that a set o’ chaps, at watch, Thrang winkin on the lasses To chairs that day.
O happy is that man, an’ blest! Nae wonder that it pride him! Whase ain dear lass, that he likes best, Comes clinkin down beside him! Wi’ arms repos’d on the chair back, He sweetly does compose him; Which, by degrees, slips round her neck, An’s loof upon her bosom, Unkend that day.
Now a’ the congregation o’er Is silent expectation; For Moodie 3 speels the holy door, Wi’ tidings o’ damnation: Should Hornie, as in ancient days, ’Mang sons o’ God present him, The vera sight o’ Moodie’s face, To ’s ain het hame had sent him Wi’ fright that day.
Hear how he clears the point o’ faith Wi’ rattlin and wi’ thumpin! Now meekly calm, now wild in wrath, He’s stampin, an’ he’s jumpin! His lengthen’d chin, his turned-up snout, His eldritch squeel an’ gestures, O how they fire the heart devout, Like cantharidian plaisters On sic a day! But hark! the tent has chang’d its voice, There’s peace an’ rest nae langer; For a’ the real judges rise, They canna sit for anger, Smith 4 opens out his cauld harangues, On practice and on morals; An’ aff the godly pour in thrangs, To gie the jars an’ barrels A lift that day.
What signifies his barren shine, Of moral powers an’ reason? His English style, an’ gesture fine Are a’ clean out o’ season.
Like Socrates or Antonine, Or some auld pagan heathen, The moral man he does define, But ne’er a word o’ faith in That’s right that day.
In guid time comes an antidote Against sic poison’d nostrum; For Peebles, 5 frae the water-fit, Ascends the holy rostrum: See, up he’s got, the word o’ God, An’ meek an’ mim has view’d it, While Common-sense has taen the road, An’ aff, an’ up the Cowgate 6 Fast, fast that day.
Wee Miller 7 neist the guard relieves, An’ Orthodoxy raibles, Tho’ in his heart he weel believes, An’ thinks it auld wives’ fables: But faith! the birkie wants a manse, So, cannilie he hums them; Altho’ his carnal wit an’ sense Like hafflins-wise o’ercomes him At times that day.
Now, butt an’ ben, the change-house fills, Wi’ yill-caup commentators; Here ’s cryin out for bakes and gills, An’ there the pint-stowp clatters; While thick an’ thrang, an’ loud an’ lang, Wi’ logic an’ wi’ scripture, They raise a din, that in the end Is like to breed a rupture O’ wrath that day.
Leeze me on drink! it gies us mair Than either school or college; It kindles wit, it waukens lear, It pangs us fou o’ knowledge: Be’t whisky-gill or penny wheep, Or ony stronger potion, It never fails, or drinkin deep, To kittle up our notion, By night or day.
The lads an’ lasses, blythely bent To mind baith saul an’ body, Sit round the table, weel content, An’ steer about the toddy: On this ane’s dress, an’ that ane’s leuk, They’re makin observations; While some are cozie i’ the neuk, An’ forming assignations To meet some day.
But now the L—’s ain trumpet touts, Till a’ the hills are rairin, And echoes back return the shouts; Black Russell is na sparin: His piercin words, like Highlan’ swords, Divide the joints an’ marrow; His talk o’ Hell, whare devils dwell, Our vera “sauls does harrow” Wi’ fright that day! A vast, unbottom’d, boundless pit, Fill’d fou o’ lowin brunstane, Whase raging flame, an’ scorching heat, Wad melt the hardest whun-stane! The half-asleep start up wi’ fear, An’ think they hear it roarin; When presently it does appear, ’Twas but some neibor snorin Asleep that day.
’Twad be owre lang a tale to tell, How mony stories past; An’ how they crouded to the yill, When they were a’ dismist; How drink gaed round, in cogs an’ caups, Amang the furms an’ benches; An’ cheese an’ bread, frae women’s laps, Was dealt about in lunches An’ dawds that day.
In comes a gawsie, gash guidwife, An’ sits down by the fire, Syne draws her kebbuck an’ her knife; The lasses they are shyer: The auld guidmen, about the grace Frae side to side they bother; Till some ane by his bonnet lays, An’ gies them’t like a tether, Fu’ lang that day.
Waesucks! for him that gets nae lass, Or lasses that hae naething! Sma’ need has he to say a grace, Or melvie his braw claithing! O wives, be mindfu’ ance yoursel’ How bonie lads ye wanted; An’ dinna for a kebbuck-heel Let lasses be affronted On sic a day! Now Clinkumbell, wi’ rattlin tow, Begins to jow an’ croon; Some swagger hame the best they dow, Some wait the afternoon.
At slaps the billies halt a blink, Till lasses strip their shoon: Wi’ faith an’ hope, an’ love an’ drink, They’re a’ in famous tune For crack that day.
How mony hearts this day converts O’ sinners and o’ lasses! Their hearts o’ stane, gin night, are gane As saft as ony flesh is: There’s some are fou o’ love divine; There’s some are fou o’ brandy; An’ mony jobs that day begin, May end in houghmagandie Some ither day.
Note 1.
“Holy Fair” is a common phrase in the west of Scotland for a sacramental occasion.
—R.
B.
[back] Note 2.
Racer Jess (d.
1813) was a half-witted daughter of Poosie Nansie.
She was a great pedestrian.
[back] Note 3.
Rev.
Alexander Moodie of Riccarton.
[back] Note 4.
Rev.
George Smith of Galston.
[back] Note 5.
Rev.
Wm.
Peebles of Newton-upon-Ayr.
[back] Note 6.
A street so called which faces the tent in Mauchline.
—R.
B.
[back] Note 7.
Rev.
Alex.
Miller, afterward of Kilmaurs.
[back]
Written by Amy Lowell | Create an image from this poem

The Allies

 August 14th, 1914

Into the brazen, burnished sky, the cry hurls itself.
The zigzagging cry of hoarse throats, it floats against the hard winds, and binds the head of the serpent to its tail, the long snail-slow serpent of marching men.
Men weighed down with rifles and knapsacks, and parching with war.
The cry jars and splits against the brazen, burnished sky.
This is the war of wars, and the cause? Has this writhing worm of men a cause? Crackling against the polished sky is an eagle with a sword.
The eagle is red and its head is flame.
In the shoulder of the worm is a teacher.
His tongue laps the war-sucked air in drought, but he yells defiance at the red-eyed eagle, and in his ears are the bells of new philosophies, and their tinkling drowns the sputter of the burning sword.
He shrieks, "God damn you! When you are broken, the word will strike out new shoots.
" His boots are tight, the sun is hot, and he may be shot, but he is in the shoulder of the worm.
A dust speck in the worm's belly is a poet.
He laughs at the flaring eagle and makes a long nose with his fingers.
He will fight for smooth, white sheets of paper, and uncurdled ink.
The sputtering sword cannot make him blink, and his thoughts are wet and rippling.
They cool his heart.
He will tear the eagle out of the sky and give the earth tranquillity, and loveliness printed on white paper.
The eye of the serpent is an owner of mills.
He looks at the glaring sword which has snapped his machinery and struck away his men.
But it will all come again, when the sword is broken to a million dying stars, and there are no more wars.
Bankers, butchers, shop-keepers, painters, farmers -- men, sway and sweat.
They will fight for the earth, for the increase of the slow, sure roots of peace, for the release of hidden forces.
They jibe at the eagle and his scorching sword.
One! Two! -- One! Two! -- clump the heavy boots.
The cry hurtles against the sky.
Each man pulls his belt a little tighter, and shifts his gun to make it lighter.
Each man thinks of a woman, and slaps out a curse at the eagle.
The sword jumps in the hot sky, and the worm crawls on to the battle, stubbornly.
This is the war of wars, from eye to tail the serpent has one cause: PEACE!
Written by Robert Burns | Create an image from this poem

27. The Death and Dying Words of Poor Mailie

 AS Mailie, an’ her lambs thegither,
Was ae day nibbling on the tether,
Upon her cloot she coost a hitch,
An’ owre she warsl’d in the ditch:
There, groaning, dying, she did lie,
When Hughoc he cam doytin by.
Wi’ glowrin een, and lifted han’s Poor Hughoc like a statue stan’s; He saw her days were near-hand ended, But, wae’s my heart! he could na mend it! He gaped wide, but naething spak, At langth poor Mailie silence brak.
“O thou, whase lamentable face Appears to mourn my woefu’ case! My dying words attentive hear, An’ bear them to my Master dear.
“Tell him, if e’er again he keep As muckle gear as buy a sheep— O, bid him never tie them mair, Wi’ wicked strings o’ hemp or hair! But ca’ them out to park or hill, An’ let them wander at their will: So may his flock increase, an’ grow To scores o’ lambs, an’ packs o’ woo’! “Tell him, he was a Master kin’, An’ aye was guid to me an’ mine; An’ now my dying charge I gie him, My helpless lambs, I trust them wi’ him.
“O, bid him save their harmless lives, Frae dogs, an’ tods, an’ butcher’s knives! But gie them guid cow-milk their fill, Till they be fit to fend themsel’; An’ tent them duly, e’en an’ morn, Wi’ taets o’ hay an’ ripps o’ corn.
“An’ may they never learn the gaets, Of ither vile, wanrestfu’ pets— To slink thro’ slaps, an’ reave an’ steal At stacks o’ pease, or stocks o’ kail! So may they, like their great forbears, For mony a year come thro the shears: So wives will gie them bits o’ bread, An’ bairns greet for them when they’re dead.
“My poor toop-lamb, my son an’ heir, O, bid him breed him up wi’ care! An’ if he live to be a beast, To pit some havins in his breast! “An’ warn him—what I winna name— To stay content wi’ yowes at hame; An’ no to rin an’ wear his cloots, Like ither menseless, graceless brutes.
“An’ neist, my yowie, silly thing, Gude keep thee frae a tether string! O, may thou ne’er forgather up, Wi’ ony blastit, moorland toop; But aye keep mind to moop an’ mell, Wi’ sheep o’ credit like thysel’! “And now, my bairns, wi’ my last breath, I lea’e my blessin wi’ you baith: An’ when you think upo’ your mither, Mind to be kind to ane anither.
“Now, honest Hughoc, dinna fail, To tell my master a’ my tale; An’ bid him burn this cursed tether, An’ for thy pains thou’se get my blather.
” This said, poor Mailie turn’d her head, And clos’d her een amang the dead!
Written by Philip Larkin | Create an image from this poem

Why Did I Dream Of You Last Night?

 Why did I dream of you last night?
 Now morning is pushing back hair with grey light
 Memories strike home, like slaps in the face;
Raised on elbow, I stare at the pale fog
 beyond the window.
So many things I had thought forgotten Return to my mind with stranger pain: - Like letters that arrive addressed to someone Who left the house so many years ago.

Book: Shattered Sighs