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Best Famous Skirling Poems

Here is a collection of the all-time best famous Skirling poems. This is a select list of the best famous Skirling poetry. Reading, writing, and enjoying famous Skirling poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of skirling poems.

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Written by Amy Lowell | Create an image from this poem

The Cross-Roads

 A bullet through his heart at dawn. On 
the table a letter signed
with a woman's name. A wind that goes howling round the 
house,
and weeping as in shame. Cold November dawn peeping through 
the windows,
cold dawn creeping over the floor, creeping up his cold legs,
creeping over his cold body, creeping across his cold face.
A glaze of thin yellow sunlight on the staring eyes. Wind 
howling
through bent branches. A wind which never dies down. Howling, 
wailing.
The gazing eyes glitter in the sunlight. The lids are 
frozen open
and the eyes glitter.

The thudding of a pick on hard earth. A spade grinding 
and crunching.
Overhead, branches writhing, winding, interlacing, unwinding, scattering;
tortured twinings, tossings, creakings. Wind flinging 
branches apart,
drawing them together, whispering and whining among them. A 
waning,
lobsided moon cutting through black clouds. A stream 
of pebbles and earth
and the empty spade gleams clear in the moonlight, then is rammed 
again
into the black earth. Tramping of feet. Men 
and horses.
Squeaking of wheels.
"Whoa! Ready, Jim?"
"All ready."
Something falls, settles, is still. Suicides 
have no coffin.
"Give us the stake, Jim. Now."
Pound! Pound!
"He'll never walk. Nailed to the ground."
An ash stick pierces his heart, if it buds the 
roots will hold him.
He is a part of the earth now, clay to clay. Overhead 
the branches sway,
and writhe, and twist in the wind. He'll never walk with 
a bullet
in his heart, and an ash stick nailing him to the cold, black ground.

Six months he lay still. Six months. And the 
water welled up in his body,
and soft blue spots chequered it. He lay still, for the 
ash stick
held him in place. Six months! Then her face 
came out of a mist of green.
Pink and white and frail like Dresden china, lilies-of-the-valley
at her breast, puce-coloured silk sheening about her. Under 
the young
green leaves, the horse at a foot-pace, the high yellow wheels of 
the chaise
scarcely turning, her face, rippling like grain a-blowing,
under her puce-coloured bonnet; and burning beside her, flaming 
within
his correct blue coat and brass buttons, is someone. What 
has dimmed the sun?
The horse steps on a rolling stone; a wind in the branches makes 
a moan.
The little leaves tremble and shake, turn and quake, over and over,
tearing their stems. There is a shower of young leaves,
and a sudden-sprung gale wails in the trees.
The yellow-wheeled chaise is rocking -- rocking, 
and all the branches
are knocking -- knocking. The sun in the sky is a flat, 
red plate,
the branches creak and grate. She screams and cowers, 
for the green foliage
is a lowering wave surging to smother her. But she sees 
nothing.
The stake holds firm. The body writhes, the body squirms.
The blue spots widen, the flesh tears, but the stake wears well
in the deep, black ground. It holds the body in the still, 
black ground.

Two years! The body has been in the ground two years. It 
is worn away;
it is clay to clay. Where the heart moulders, a greenish 
dust, the stake
is thrust. Late August it is, and night; a night flauntingly 
jewelled
with stars, a night of shooting stars and loud insect noises.
Down the road to Tilbury, silence -- and the slow flapping of large 
leaves.
Down the road to Sutton, silence -- and the darkness of heavy-foliaged 
trees.
Down the road to Wayfleet, silence -- and the whirring scrape of 
insects
in the branches. Down the road to Edgarstown, silence 
-- and stars like
stepping-stones in a pathway overhead. It is very quiet 
at the cross-roads,
and the sign-board points the way down the four roads, endlessly 
points
the way where nobody wishes to go.
A horse is galloping, galloping up from Sutton. Shaking 
the wide,
still leaves as he goes under them. Striking sparks with 
his iron shoes;
silencing the katydids. Dr. Morgan riding to a child-birth 
over Tilbury way;
riding to deliver a woman of her first-born son. One 
o'clock from
Wayfleet bell tower, what a shower of shooting stars! And 
a breeze
all of a sudden, jarring the big leaves and making them jerk up 
and down.
Dr. Morgan's hat is blown from his head, the horse swerves, and 
curves away
from the sign-post. An oath -- spurs -- a blurring of 
grey mist.
A quick left twist, and the gelding is snorting and racing
down the Tilbury road with the wind dropping away behind him.
The stake has wrenched, the stake has started, 
the body, flesh from flesh,
has parted. But the bones hold tight, socket and ball, 
and clamping them down
in the hard, black ground is the stake, wedged through ribs and 
spine.
The bones may twist, and heave, and twine, but the stake holds them 
still
in line. The breeze goes down, and the round stars shine, 
for the stake
holds the fleshless bones in line.

Twenty years now! Twenty long years! The body 
has powdered itself away;
it is clay to clay. It is brown earth mingled with brown 
earth. Only flaky
bones remain, lain together so long they fit, although not one bone 
is knit
to another. The stake is there too, rotted through, but 
upright still,
and still piercing down between ribs and spine in a straight line.
Yellow stillness is on the cross-roads, yellow 
stillness is on the trees.
The leaves hang drooping, wan. The four roads point four 
yellow ways,
saffron and gamboge ribbons to the gaze. A little swirl 
of dust
blows up Tilbury road, the wind which fans it has not strength to 
do more;
it ceases, and the dust settles down. A little whirl 
of wind
comes up Tilbury road. It brings a sound of wheels and 
feet.
The wind reels a moment and faints to nothing under the sign-post.
Wind again, wheels and feet louder. Wind again -- again 
-- again.
A drop of rain, flat into the dust. Drop! -- Drop! Thick 
heavy raindrops,
and a shrieking wind bending the great trees and wrenching off their 
leaves.
Under the black sky, bowed and dripping with rain, 
up Tilbury road,
comes the procession. A funeral procession, bound for 
the graveyard
at Wayfleet. Feet and wheels -- feet and wheels. And 
among them
one who is carried.
The bones in the deep, still earth shiver and pull. There 
is a quiver
through the rotted stake. Then stake and bones fall together
in a little puffing of dust.
Like meshes of linked steel the rain shuts down 
behind the procession,
now well along the Wayfleet road.
He wavers like smoke in the buffeting wind. His 
fingers blow out like smoke,
his head ripples in the gale. Under the sign-post, in 
the pouring rain,
he stands, and watches another quavering figure drifting down
the Wayfleet road. Then swiftly he streams after it. It 
flickers
among the trees. He licks out and winds about them. Over, 
under,
blown, contorted. Spindrift after spindrift; smoke following 
smoke.
There is a wailing through the trees, a wailing of fear,
and after it laughter -- laughter -- laughter, skirling up to the 
black sky.
Lightning jags over the funeral procession. A heavy clap 
of thunder.
Then darkness and rain, and the sound of feet and wheels.


Written by Robert William Service | Create an image from this poem

The Ballad Of How Macpherson Held The Floor

 Said President MacConnachie to Treasurer MacCall:
"We ought to have a piper for our next Saint Andrew's Ball.
Yon squakin' saxophone gives me the syncopated gripes.
I'm sick of jazz, I want to hear the skirling of the pipes."
"Alas! it's true," said Tam MacCall. "The young folk of to-day
Are fox-trot mad and dinna ken a reel from Strathspey.
Now, what we want's a kiltie lad, primed up wi' mountain dew,
To strut the floor at supper time, and play a lilt or two.
In all the North there's only one; of him I've heard them speak:
His name is Jock MacPherson, and he lives on Boulder Creek;
An old-time hard-rock miner, and a wild and wastrel loon,
Who spends his nights in glory, playing pibrochs to the moon.
I'll seek him out; beyond a doubt on next Saint Andrew's night
We'll proudly hear the pipes to cheer and charm our appetite.

Oh lads were neat and lassies sweet who graced Saint Andrew's Ball;
But there was none so full of fun as Treasurer MacCall.
And as Maloney's rag-time bank struck up the newest hit,
He smiled a smile behind his hand, and chuckled: "Wait a bit."
And so with many a Celtic snort, with malice in his eye,
He watched the merry crowd cavort, till supper time drew nigh.
Then gleefully he seemed to steal, and sought the Nugget Bar,
Wherein there sat a tartaned chiel, as lonely as a star;
A huge and hairy Highlandman as hearty as a breeze,
A glass of whisky in his hand, his bag-pipes on his knees.
"Drink down your doch and doris, Jock," cried Treasurer MacCall;
"The time is ripe to up and pipe; they wait you in the hall.
Gird up your loins and grit your teeth, and here's a pint of hooch
To mind you of your native heath - jist pit it in your pooch.
Play on and on for all you're worth; you'll shame us if you stop.
Remember you're of Scottish birth - keep piping till you drop.
Aye, though a bunch of Willie boys should bluster and implore,
For the glory of the Highlands, lad, you've got to hold the floor."
The dancers were at supper, and the tables groaned with cheer,
When President MacConnachie exclaimed: "What do I hear?
Methinks it's like a chanter, and its coming from the hall."
"It's Jock MacPherson tuning up," cried Treasurer MacCall.
So up they jumped with shouts of glee, and gaily hurried forth.
Said they: "We never thought to see a piper in the North."
Aye, all the lads and lassies braw went buzzing out like bees,
And Jock MacPherson there they saw, with red and rugged knees.
Full six foot four he strode the floor, a grizzled son of Skye,
With glory in his whiskers and with whisky in his eye.
With skelping stride and Scottish pride he towered above them all:
"And is he no' a bonny sight?" said Treasurer MacCall.
While President MacConnachie was fairly daft with glee,
And there was jubilation in the Scottish Commy-tee.
But the dancers seemed uncertain, and they signified their doubt,
By dashing back to eat as fast as they had darted out.
And someone raised the question 'twixt the coffee and the cakes:
"Does the Piper walk to get away from all the noise he makes?"
Then reinforced with fancy food they slowly trickled forth,
And watching in patronizing mood the Piper of the North.

Proud, proud was Jock MacPherson, as he made his bag-pipes skirl,
And he set his sporran swinging, and he gave his kilts a whirl.
And President MacConnachie was jumping like a flea,
And there was joy and rapture in the Scottish Commy-tee.
"Jist let them have their saxophones wi' constipated squall;
We're having Heaven's music now," said Treasurer MacCall.
But the dancers waxed impatient, and they rather seemed to fret
For Maloney and the jazz of his Hibernian Quartette.
Yet little recked the Piper, as he swung with head on high,
Lamenting with MacCrimmon on the heather hills of Skye.
With Highland passion in his heart he held the centre floor;
Aye, Jock MacPherson played as he had never played before.

Maloney's Irish melodists were sitting in their place,
And as Maloney waited, there was wonder in his face.
'Twas sure the gorgeous music - Golly! wouldn't it be grand
If he could get MacPherson as a member of his band?
But the dancers moped and mumbled, as around the room they sat:
"We paid to dance," they grumbled; "But we cannot dance to that.
Of course we're not denying that it's really splendid stuff;
But it's mighty satisfying - don't you think we've had enough?"
"You've raised a pretty problem," answered Treasurer MacCall;
"For on Saint Andrew's Night, ye ken, the Piper rules the Ball."
Said President MacConnachie: "You've said a solemn thing.
Tradition holds him sacred, and he's got to have his fling.
But soon, no doubt, he'll weary out. Have patience; bide a wee."
"That's right. Respect the Piper," said the Scottish Commy-tee.

And so MacPherson stalked the floor, and fast the moments flew,
Till half an hour went past, as irritation grew and grew.
Then the dancers held a council, and with faces fiercely set,
They hailed Maloney, heading his Hibernian Quartette:
"It's long enough, we've waited. Come on, Mike, play up the Blues."
And Maloney hesitated, but he didn't dare refuse.
So banjo and piano, and guitar and saxophone
Contended with the shrilling of the chanter and the drone;
And the women's ears were muffled, so infernal was the din,
But MacPherson was unruffled, for he knew that he would win.
Then two bright boys jazzed round him, and they sought to play the clown,
But MacPherson jolted sideways, and the Sassenachs went down.
And as if it was a signal, with a wild and angry roar,
The gates of wrath were riven - yet MacPherson held the floor.

Aye, amid the rising tumult, still he strode with head on high,
With ribbands gaily streaming, yet with battle in his eye.
Amid the storm that gathered, still he stalked with Highland pride,
While President and Treasurer sprang bravely to his side.
And with ire and indignation that was glorious to see,
Around him in a body ringed the Scottish Commy-tee.
Their teeth were clenched with fury; their eyes with anger blazed:
"Ye manna touch the Piper," was the slogan that they raised.
Then blows were struck, and men went down; yet 'mid the rising fray
MacPherson towered in triumph - and he never ceased to play.

Alas! his faithful followers were but a gallant few,
And faced defeat, although they fought with all the skill they knew.
For President MacConnachie was seen to slip and fall,
And o'er his prostrate body stumbled Treasurer MacCall.
And as their foes with triumph roared, and leagured them about,
It looked as if their little band would soon be counted out.
For eyes were black and noses red, yet on that field of gore,
As resolute as Highland rock - MacPherson held the floor.

Maloney watched the battle, and his brows were bleakly set,
While with him paused and panted his Hibernian Quartette.
For sure it is an evil spite, and breaking to the heart,
For Irishman to watch a fight and not be taking part.
Then suddenly on high he soared, and tightened up his belt:
"And shall we see them crush," he roared, "a brother and a Celt?
A fellow artiste needs our aid. Come on, boys, take a hand."
Then down into the mêlée dashed Maloney and his band.

Now though it was Saint Andrew's Ball, yet men of every race,
That bow before the Great God Jazz were gathered in that place.
Yea, there were those who grunt: "Ya! Ya!" and those who squeak: "We! We!"
Likewise Dutch, Dago, Swede and Finn, Polack and Portugee.
Yet like ripe grain before the gale that national hotch-potch
Went down before the fury of the Irish and the Scotch.
Aye, though they closed their gaping ranks and rallied to the fray,
To the Shamrock and the Thistle went the glory of the day.

You should have seen the carnage in the drooling light of dawn,
Yet 'mid the scene of slaughter Jock MacPherson playing on.
Though all lay low about him, yet he held his head on high,
And piped as if he stood upon the caller crags of Skye.
His face was grim as granite, and no favour did he ask,
Though weary were his mighty lungs and empty was his flask.
And when a fallen foe wailed out: "Say! when will you have done?"
MacPherson grinned and answered: "Hoots! She's only ha'f begun."
Aye, though his hands were bloody, and his knees were gay with gore,
A Grampian of Highland pride - MacPherson held the floor.

And still in Yukon valleys where the silent peaks look down,
They tell of how the Piper was invited up to town,
And he went in kilted glory, and he piped before them all,
But wouldn't stop his piping till he busted up the Ball.
Of that Homeric scrap they speak, and how the fight went on,
With sally and with rally till the breaking of the dawn.
And how the Piper towered like a rock amid the fray,
And the battle surged about him, but he never ceased to play.
Aye, by the lonely camp-fires, still they tell the story o'er-
How the Sassenach was vanquished and - MacPherson held the floor.

Book: Reflection on the Important Things