Written by
Percy Bysshe Shelley |
ARIEL to Miranda:¡ªTake
This slave of music for the sake
Of him who is the slave of thee;
And teach it all the harmony
In which thou canst and only thou 5
Make the delighted spirit glow
Till joy denies itself again
And too intense is turn'd to pain.
For by permission and command
Of thine own Prince Ferdinand 10
Poor Ariel sends this silent token
Of more than ever can be spoken;
Your guardian spirit Ariel who
From life to life must still pursue
Your happiness for thus alone 15
Can Ariel ever find his own.
From Prospero's enchanted cell
As the mighty verses tell
To the throne of Naples he
Lit you o'er the trackless sea 20
Flitting on your prow before
Like a living meteor.
When you die the silent Moon
In her interlunar swoon
Is not sadder in her cell 25
Than deserted Ariel:¡ª
When you live again on earth
Like an unseen Star of birth
Ariel guides you o'er the sea
Of life from your nativity:¡ª 30
Many changes have been run
Since Ferdinand and you begun
Your course of love and Ariel still
Has track'd your steps and served your will.
Now in humbler happier lot 35
This is all remember'd not;
And now alas the poor Sprite is
Imprison'd for some fault of his
In a body like a grave¡ª
From you he only dares to crave 40
For his service and his sorrow
A smile to-day a song to-morrow.
The artist who this viol wrought
To echo all harmonious thought
Fell'd a tree while on the steep 45
The woods were in their winter sleep
Rock'd in that repose divine
On the wind-swept Apennine;
And dreaming some of autumn past
And some of spring approaching fast 50
And some of April buds and showers
And some of songs in July bowers
And all of love; and so this tree ¡ª
Oh that such our death may be!¡ª
Died in sleep and felt no pain 55
To live in happier form again:
From which beneath heaven's fairest star
The artist wrought this loved guitar;
And taught it justly to reply
To all who question skilfully 60
In language gentle as thine own;
Whispering in enamour'd tone
Sweet oracles of woods and dells
And summer winds in sylvan cells.
For it had learnt all harmonies 65
Of the plains and of the skies
Of the forests and the mountains
And the many-voic¨¨d fountains;
The clearest echoes of the hills
The softest notes of falling rills 70
The melodies of birds and bees
The murmuring of summer seas
And pattering rain and breathing dew
And airs of evening; and it knew
That seldom-heard mysterious sound 75
Which driven on its diurnal round
As it floats through boundless day
Our world enkindles on its way:¡ª
All this it knows but will not tell
To those who cannot question well 80
The spirit that inhabits it:
It talks according to the wit
Of its companions; and no more
Is heard than has been felt before
By those who tempt it to betray 85
These secrets of an elder day.
But sweetly as its answers will
Flatter hands of perfect skill
It keeps its highest holiest tone
For one beloved Friend alone. 90
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Written by
A S J Tessimond |
When you are slightly drunk
Things are so close, so friendly.
The road asks to be walked upon,
The road rewards you for walking
With firm upward contact answering your downward contact
Like the pressure of a hand in yours.
You think - this studious balancing
Of right leg while left leg advances, of left while right,
How splendid
Like somebody-or-other-on-a-peak-in-Darien!
How cleverly that seat shapes the body of the girl who sits there.
How well, how skilfully that man there walks towards you,
Arms hanging, swinging, waiting.
You move the muscles of your cheeks,
How cunningly a smile responds.
And now you are actually speaking
Round sounding words
Magnificent
As that lady's hat!
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Written by
Edward Estlin (E E) Cummings |
somewhere i have never traveled,gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near
your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose
or if your wish be to close me,i and
my life will shut very beautifully,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;
nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing
(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain, has such small hands
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Written by
Isaac Watts |
How doth the little busy Bee
Improve each shining Hour,
And gather Honey all the day
From every opening Flower!
How skilfully she builds her Cell!
How neat she spreads the Wax!
And labours hard to store it well
With the sweet Food she makes.
In Works of Labour or of Skill
I would be busy too:
For Satan finds some Mischief still
For idle Hands to do.
In Books, or Work, or healthful Play
Let my first Years be past,
That I may give for every Day
Some good Account at last.
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Written by
Philip Larkin |
Down stucco sidestreets,
Where light is pewter
And afternoon mist
Brings lights on in shops
Above race-guides and rosaries,
A funeral passes.
The hearse is ahead,
But after there follows
A troop of streetwalkers
In wide flowered hats,
Leg-of-mutton sleeves,
And ankle-length dresses.
There is an air of great friendliness,
As if they were honouring
One they were fond of;
Some caper a few steps,
Skirts held skilfully
(Someone claps time),
And of great sadness also.
As they wend away
A voice is heard singing
Of Kitty, or Katy,
As if the name meant once
All love, all beauty.
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Written by
Friedrich von Schiller |
See, he sitteth on his mat
Sitteth there upright,
With the grace with which he sat
While he saw the light.
Where is now the sturdy gripe,--
Where the breath sedate,
That so lately whiffed the pipe
Toward the Spirit great?
Where the bright and falcon eye,
That the reindeer's tread
On the waving grass could spy,
Thick with dewdrops spread?
Where the limbs that used to dart
Swifter through the snow
Than the twenty-membered hart,
Than the mountain roe?
Where the arm that sturdily
Bent the deadly bow?
See, its life hath fleeted by,--
See, it hangeth low!
Happy he!--He now has gone
Where no snow is found:
Where with maize the fields are sown,
Self-sprung from the ground;
Where with birds each bush is filled,
Where with game the wood;
Where the fish, with joy unstilled,
Wanton in the flood.
With the spirits blest he feeds,--
Leaves us here in gloom;
We can only praise his deeds,
And his corpse entomb.
Farewell-gifts, then, hither bring,
Sound the death-note sad!
Bury with him everything
That can make him glad!
'Neath his head the hatchet hide
That he boldly swung;
And the bear's fat haunch beside,
For the road is long;
And the knife, well sharpened,
That, with slashes three,
Scalp and skin from foeman's head
Tore off skilfully.
And to paint his body, place
Dyes within his hand;
Let him shine with ruddy grace
In the Spirit-land!
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Written by
William Topaz McGonagall |
Beautiful new railway bridge of the Silvery Tay,
With your strong brick piers and buttresses in so grand array,
And your thirteen central girders, which seem to my eye
Strong enough all windy storms to defy.
And as I gaze upon thee my heart feels gay,
Because thou are the greatest railway bridge of the present day,
And can be seen for miles away
From North, South, East or West of the Tay
On a beautiful and clear sunshiny day,
And ought to make the hearts of the "Mars" boys feel gay,
Because thine equal nowhere can be seen,
Only near by Dundee and the bonnie Magdalen Green.
Beautiful new railway bridge of the Silvery Tay,
With thy beautiful side-screens along your railway,
Which will be a great protection on a windy day,
So as the railway carriages won`t be blown away,
And ought to cheer the hearts of the passengers night and day
As they are conveyed along thy beautiful railway,
And towering above the Silvery Tay,
Spanning the beautiful river shore to shore
Upwards of two miles and more,
Which is most beautiful to be seen
Near by Dundee and the bonnie Magdalen Green,
Thy structure to my eye seems strong and grand,
And the workmanship most skilfully planned;
And I hope the designers, Messrs Barlow and Arrol, will prosper for many a day
For erecting thee across the beautiful Tay.
And I think nobody need have the least dismay
To cross o`er thee by night or by day,
Because thy strength is visible to be seen
Near by Dundee and the bonnie Magdalen Green.
Beautiful new railway bridge of the Silvery Tay,
I wish you success for many a year and a day,
And I hope thousands of people will come from faraway,
Both high and low without delay,
From the North, South, East and West,
Because as a railway bridge thou art the best;
Thou standest unequalled to be seen
Near by Dundee and bonnie Magdalen Green.
And for beauty thou art most lovely to be seen
As the train crosses o'er thee with her cloud of steam;
And you look well, painted the colour of marone,
And to find thy equal there is none,
Which, without fear of contradiction, I venture to say,
Because you are the longest railway bridge of the present day
That now crosses o'er a tidal river stream,
And the most handsome to be seen
Near by Dundee and the bonnie Magdalen Green.
The New Yorkers boast about their Brooklyn Bridge,
But in comparison to thee it seems like a midge,
Because thou spannest the Silvery Tay
A mile and more longer I venture to say;
Besides the railway carriages are pulled across by a rope,
Therefore Brooklyn Bridge cannot with thee cope;
And as you have been opened on the 20th day of June,
I hope Her Majesty Queen Victoria will visit thee very soon,
Because thou art worthy of a visit from Duke, Lord or Queen,
And strong and securely built, which is most worthy to be seen
Near by Dundee and the bonnie Magdalen Green.
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Written by
Elinor Wylie |
You are a rose, but set with sharpest spine;
You are a pretty bird that pecks at me;
You are a little squirrel on a tree,
Pelting me with the prickly fruit of the pine;
A diamond, torn from a crystal mine,
Not like that milky treasure of the sea,
A smooth, translucent pearl, but skilfully
Carven to cut, and faceted to shine.
If you are flame, it dances and burns blue;
If you are light, it pierces like a star
Intenser than a needlepoint of ice.
The dextrous touch that shaped the soul of you,
Mingled, to mix, and make you what you are,
Magic between the sugar and the spice.
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Written by
Francesco Petrarch |
SONNET LXXI.
Piangete, donne, e con voi pianga Amore.
ON THE DEATH OF CINO DA PISTOIA.
Weep, beauteous damsels, and let Cupid weep,
Of every region weep, ye lover train;
He, who so skilfully attuned his strain
To your fond cause, is sunk in death's cold sleep!
Such limits let not my affliction keep,
As may the solace of soft tears restrain;
And, to relieve my bosom of its pain,
Be all my sighs tumultuous, utter'd deep!
Let song itself, and votaries of verse,
Breathe mournful accents o'er our Cino's bier,
[Pg 91]Who late is gone to number with the blest!
Oh! weep, Pistoia, weep your sons perverse;
Its choicest habitant has fled our sphere,
And heaven may glory in its welcome guest!
Nott.
Ye damsels, pour your tears! weep with you.
Love!
Weep, all ye lovers, through the peopled sphere!
Since he is dead who, while he linger'd here,
With all his might to do you honour strove.
For me, this tyrant grief my prayers shall move
Not to contest the comfort of a tear,
Nor check those sighs, that to my heart are dear,
Since ease from them alone it hopes to prove.
Ye verses, weep!—ye rhymes, your woes renew!
For Cino, master of the love-fraught lay,
E'en now is from our fond embraces torn!
Pistoia, weep, and all your thankless crew!
Your sweetest inmate now is reft away—
But, heaven, rejoice, and hail your son new-born!
Charlemont.
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Written by
Claude McKay |
It was the silver, heart-enveloping view
Of the mysterious sea-line far away,
Seen only on a gleaming gold-white day,
That made it dear and beautiful to you.
And Laura loved it for the little hill,
Where the quartz sparkled fire, barren and dun,
Whence in the shadow of the dying sun,
She contemplated Hallow's wooden mill.
While Danny liked the sheltering high grass,
In which he lay upon a clear dry night,
To hear and see, screened skilfully from sight,
The happy lovers of the valley pass.
But oh! I loved it for the big round moon
That swung out of the clouds and swooned aloft,
Burning with passion, gloriously soft,
Lighting the purple flowers of fragrant June.
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