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Best Famous Sizzle Poems

Here is a collection of the all-time best famous Sizzle poems. This is a select list of the best famous Sizzle poetry. Reading, writing, and enjoying famous Sizzle poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sizzle poems.

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Written by Robert William Service | Create an image from this poem

The Cremation Of Sam McGee

 There are strange things done in the midnight sun
 By the men who moil for gold;
The Arctic trails have their secret tales
 That would make your blood run cold;
The Northern Lights have seen ***** sights,
 But the queerest they ever did see
Was that night on the marge of Lake Lebarge
 I cremated Sam McGee.
Now Sam McGee was from Tennessee, where the cotton blooms and blows.
Why he left his home in the South to roam 'round the Pole, God only knows.
He was always cold, but the land of gold seemed to hold him like a spell; Though he'd often say in his homely way that he'd "sooner live in hell".
On a Christmas Day we were mushing our way over the Dawson trail.
Talk of your cold! through the parka's fold it stabbed like a driven nail.
If our eyes we'd close, then the lashes froze till sometimes we couldn't see; It wasn't much fun, but the only one to whimper was Sam McGee.
And that very night, as we lay packed tight in our robes beneath the snow, And the dogs were fed, and the stars o'erhead were dancing heel and toe, He turned to me, and "Cap," says he, "I'll cash in this trip, I guess; And if I do, I'm asking that you won't refuse my last request.
" Well, he seemed so low that I couldn't say no; then he says with a sort of moan: "It's the cursed cold, and it's got right hold till I'm chilled clean through to the bone.
Yet 'tain't being dead -- it's my awful dread of the icy grave that pains; So I want you to swear that, foul or fair, you'll cremate my last remains.
" A pal's last need is a thing to heed, so I swore I would not fail; And we started on at the streak of dawn; but God! he looked ghastly pale.
He crouched on the sleigh, and he raved all day of his home in Tennessee; And before nightfall a corpse was all that was left of Sam McGee.
There wasn't a breath in that land of death, and I hurried, horror-driven, With a corpse half hid that I couldn't get rid, because of a promise given; It was lashed to the sleigh, and it seemed to say: "You may tax your brawn and brains, But you promised true, and it's up to you to cremate those last remains.
" Now a promise made is a debt unpaid, and the trail has its own stern code.
In the days to come, though my lips were dumb, in my heart how I cursed that load.
In the long, long night, by the lone firelight, while the huskies, round in a ring, Howled out their woes to the homeless snows -- O God! how I loathed the thing.
And every day that quiet clay seemed to heavy and heavier grow; And on I went, though the dogs were spent and the grub was getting low; The trail was bad, and I felt half mad, but I swore I would not give in; And I'd often sing to the hateful thing, and it hearkened with a grin.
Till I came to the marge of Lake Lebarge, and a derelict there lay; It was jammed in the ice, but I saw in a trice it was called the "Alice May".
And I looked at it, and I thought a bit, and I looked at my frozen chum; Then "Here," said I, with a sudden cry, "is my cre-ma-tor-eum.
" Some planks I tore from the cabin floor, and I lit the boiler fire; Some coal I found that was lying around, and I heaped the fuel higher; The flames just soared, and the furnace roared -- such a blaze you seldom see; And I burrowed a hole in the glowing coal, and I stuffed in Sam McGee.
Then I made a hike, for I didn't like to hear him sizzle so; And the heavens scowled, and the huskies howled, and the wind began to blow.
It was icy cold, but the hot sweat rolled down my cheeks, and I don't know why; And the greasy smoke in an inky cloak went streaking down the sky.
I do not know how long in the snow I wrestled with grisly fear; But the stars came out and they danced about ere again I ventured near; I was sick with dread, but I bravely said: "I'll just take a peep inside.
I guess he's cooked, and it's time I looked"; .
.
.
then the door I opened wide.
And there sat Sam, looking cool and calm, in the heart of the furnace roar; And he wore a smile you could see a mile, and he said: "Please close that door.
It's fine in here, but I greatly fear you'll let in the cold and storm -- Since I left Plumtree, down in Tennessee, it's the first time I've been warm.
" There are strange things done in the midnight sun By the men who moil for gold; The Arctic trails have their secret tales That would make your blood run cold; The Northern Lights have seen ***** sights, But the queerest they ever did see Was that night on the marge of Lake Lebarge I cremated Sam McGee.


Written by Amy Lowell | Create an image from this poem

The Basket

 I
The inkstand is full of ink, and the paper lies 
white and unspotted,
in the round of light thrown by a candle.
Puffs of darkness sweep into the corners, and keep rolling through the room behind his chair.
The air is silver and pearl, for the night is liquid with moonlight.
See how the roof glitters, like ice! Over there, a slice of yellow cuts into the silver-blue, and beside it stand two geraniums, purple because the light is silver-blue, to-night.
See! She is coming, the young woman with the bright hair.
She swings a basket as she walks, which she places on the sill, between the geranium stalks.
He laughs, and crumples his paper as he leans forward to look.
"The Basket Filled with Moonlight", what a title for a book! The bellying clouds swing over the housetops.
He has forgotten the woman in the room with the geraniums.
He is beating his brain, and in his eardrums hammers his heavy pulse.
She sits on the window-sill, with the basket in her lap.
And tap! She cracks a nut.
And tap! Another.
Tap! Tap! Tap! The shells ricochet upon the roof, and get into the gutters, and bounce over the edge and disappear.
"It is very *****," thinks Peter, "the basket was empty, I'm sure.
How could nuts appear from the atmosphere?" The silver-blue moonlight makes the geraniums purple, and the roof glitters like ice.
II Five o'clock.
The geraniums are very gay in their crimson array.
The bellying clouds swing over the housetops, and over the roofs goes Peter to pay his morning's work with a holiday.
"Annette, it is I.
Have you finished? Can I come?" Peter jumps through the window.
"Dear, are you alone?" "Look, Peter, the dome of the tabernacle is done.
This gold thread is so very high, I am glad it is morning, a starry sky would have seen me bankrupt.
Sit down, now tell me, is your story going well?" The golden dome glittered in the orange of the setting sun.
On the walls, at intervals, hung altar-cloths and chasubles, and copes, and stoles, and coffin palls.
All stiff with rich embroidery, and stitched with so much artistry, they seemed like spun and woven gems, or flower-buds new-opened on their stems.
Annette looked at the geraniums, very red against the blue sky.
"No matter how I try, I cannot find any thread of such a red.
My bleeding hearts drip stuff muddy in comparison.
Heigh-ho! See my little pecking dove? I'm in love with my own temple.
Only that halo's wrong.
The colour's too strong, or not strong enough.
I don't know.
My eyes are tired.
Oh, Peter, don't be so rough; it is valuable.
I won't do any more.
I promise.
You tyrannise, Dear, that's enough.
Now sit down and amuse me while I rest.
" The shadows of the geraniums creep over the floor, and begin to climb the opposite wall.
Peter watches her, fluid with fatigue, floating, and drifting, and undulant in the orange glow.
His senses flow towards her, where she lies supine and dreaming.
Seeming drowned in a golden halo.
The pungent smell of the geraniums is hard to bear.
He pushes against her knees, and brushes his lips across her languid hands.
His lips are hot and speechless.
He woos her, quivering, and the room is filled with shadows, for the sun has set.
But she only understands the ways of a needle through delicate stuffs, and the shock of one colour on another.
She does not see that this is the same, and querulously murmurs his name.
"Peter, I don't want it.
I am tired.
" And he, the undesired, burns and is consumed.
There is a crescent moon on the rim of the sky.
III "Go home, now, Peter.
To-night is full moon.
I must be alone.
" "How soon the moon is full again! Annette, let me stay.
Indeed, Dear Love, I shall not go away.
My God, but you keep me starved! You write `No Entrance Here', over all the doors.
Is it not strange, my Dear, that loving, yet you deny me entrance everywhere.
Would marriage strike you blind, or, hating bonds as you do, why should I be denied the rights of loving if I leave you free? You want the whole of me, you pick my brains to rest you, but you give me not one heart-beat.
Oh, forgive me, Sweet! I suffer in my loving, and you know it.
I cannot feed my life on being a poet.
Let me stay.
" "As you please, poor Peter, but it will hurt me if you do.
It will crush your heart and squeeze the love out.
" He answered gruffly, "I know what I'm about.
" "Only remember one thing from to-night.
My work is taxing and I must have sight! I MUST!" The clear moon looks in between the geraniums.
On the wall, the shadow of the man is divided from the shadow of the woman by a silver thread.
They are eyes, hundreds of eyes, round like marbles! Unwinking, for there are no lids.
Blue, black, gray, and hazel, and the irises are cased in the whites, and they glitter and spark under the moon.
The basket is heaped with human eyes.
She cracks off the whites and throws them away.
They ricochet upon the roof, and get into the gutters, and bounce over the edge and disappear.
But she is here, quietly sitting on the window-sill, eating human eyes.
The silver-blue moonlight makes the geraniums purple, and the roof shines like ice.
IV How hot the sheets are! His skin is tormented with pricks, and over him sticks, and never moves, an eye.
It lights the sky with blood, and drips blood.
And the drops sizzle on his bare skin, and he smells them burning in, and branding his body with the name "Annette".
The blood-red sky is outside his window now.
Is it blood or fire? Merciful God! Fire! And his heart wrenches and pounds "Annette!" The lead of the roof is scorching, he ricochets, gets to the edge, bounces over and disappears.
The bellying clouds are red as they swing over the housetops.
V The air is of silver and pearl, for the night is liquid with moonlight.
How the ruin glistens, like a palace of ice! Only two black holes swallow the brilliance of the moon.
Deflowered windows, sockets without sight.
A man stands before the house.
He sees the silver-blue moonlight, and set in it, over his head, staring and flickering, eyes of geranium red.
Annette!

Book: Reflection on the Important Things