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Best Famous Sill Poems

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Written by Anne Sexton | Create an image from this poem

The Division Of Parts

 1.
Mother, my Mary Gray,
once resident of Gloucester
and Essex County,
a photostat of your will
arrived in the mail today.
This is the division of money.
I am one third
of your daughters counting my bounty
or I am a queen alone
in the parlor still,
eating the bread and honey.
It is Good Friday.
Black birds pick at my window sill.
Your coat in my closet,
your bright stones on my hand,
the gaudy fur animals
I do not know how to use,
settle on me like a debt.
A week ago, while the hard March gales
beat on your house,
we sorted your things: obstacles
of letters, family silver,
eyeglasses and shoes.
Like some unseasoned Christmas, its scales
rigged and reset,
I bundled out gifts I did not choose.
Now the houts of The Cross
rewind. In Boston, the devout
work their cold knees
toward that sweet martyrdom
that Christ planned. My timely loss
is too customary to note; and yet
I planned to suffer
and I cannot. It does not please
my yankee bones to watch
where the dying is done
in its usly hours. Black birds peck
at my window glass
and Easter will take its ragged son.
The clutter of worship
that you taught me, Mary Gray,
is old. I imitate
a memory of belief
that I do not own. I trip
on your death and jesus, my stranger
floats up over
my Christian home, wearing his straight
thorn tree. I have cast my lot
and am one third thief
of you. Time, that rearranger
of estates, equips
me with your garments, but not with grief.

2.
This winter when
cancer began its ugliness
I grieved with you each day
for three months
and found you in your private nook
of the medicinal palace
for New England Women
and never once
forgot how long it took.
I read to you
from The New Yorker, ate suppers
you wouldn't eat, fussed
with your flowers,
joked with your nurses, as if I
were the balm among lepers,
as if I could undo
a life in hours
if I never said goodbye.
But you turned old,
all your fifty-eight years sliding
like masks from your skull;
and at the end
I packed your nightgowns in suitcases,
paid the nurses, came riding
home as if I'd been told
I could pretend
people live in places.

3.
Since then I have pretended ease,
loved with the trickeries of need, but not enough
to shed my daughterhood
or sweeten him as a man.
I drink the five o' clock martinis
and poke at this dry page like a rough
goat. Fool! I fumble my lost childhood
for a mother and lounge in sad stuff
with love to catch and catch as catch can.
And Christ still waits. I have tried
to exorcise the memory of each event
and remain still, a mixed child,
heavy with cloths of you.
Sweet witch, you are my worried guide.
Such dangerous angels walk through Lent.
Their walls creak Anne! Convert! Convert!
My desk moves. Its cavr murmurs Boo
and I am taken and beguiled.
Or wrong. For all the way I've come
I'll have to go again. Instead, I must convert
to love as reasonable
as Latin, as sold as earthenware:
an equilibrium
I never knew. And Lent will keep its hurt
for someone else. Christ knows enough
staunch guys have hitched him in trouble.
thinking his sticks were badges to wear.

4.
Spring rusts on its skinny branch
and last summer's lawn
is soggy and brown.
Yesterday is just a number.
All of its winters avalanche
out of sight. What was, is gone.
Mother, last night I slept
in your Bonwit Teller nightgown.
Divided, you climbed into my head.
There in my jabbering dream
I heard my own angry cries
and I cursed you, Dame
keep out of my slumber.
My good Dame, you are dead.
And Mother, three stones
slipped from your glittering eyes.
Now it's Friday's noon
and I would still curse
you with my rhyming words
and bring you flapping back, old love,
old circus knitting, god-in-her-moon,
all fairest in my lang syne verse,
the gauzy bride among the children,
the fancy amid the absurd
and awkward, that horn for hounds
that skipper homeward, that museum
keeper of stiff starfish, that blaze
within the pilgrim woman,
a clown mender, a dove's
cheek among the stones,
my Lady of first words,
this is the division of ways.
And now, while Christ stays
fastened to his Crucifix
so that love may praise
his sacrifice
and not the grotesque metaphor,
you come, a brave ghost, to fix
in my mind without praise
or paradise
to make me your inheritor.


Written by Edna St. Vincent Millay | Create an image from this poem

The Suicide

 "Curse thee, Life, I will live with thee no more!
Thou hast mocked me, starved me, beat my body sore!
And all for a pledge that was not pledged by me,
I have kissed thy crust and eaten sparingly
That I might eat again, and met thy sneers
With deprecations, and thy blows with tears,—
Aye, from thy glutted lash, glad, crawled away,
As if spent passion were a holiday!
And now I go. Nor threat, nor easy vow
Of tardy kindness can avail thee now
With me, whence fear and faith alike are flown;
Lonely I came, and I depart alone,
And know not where nor unto whom I go;
But that thou canst not follow me I know."

Thus I to Life, and ceased; but through my brain
My thought ran still, until I spake again:

"Ah, but I go not as I came,—no trace
Is mine to bear away of that old grace
I brought! I have been heated in thy fires,
Bent by thy hands, fashioned to thy desires,
Thy mark is on me! I am not the same
Nor ever more shall be, as when I came.
Ashes am I of all that once I seemed.
In me all's sunk that leapt, and all that dreamed
Is wakeful for alarm,—oh, shame to thee,
For the ill change that thou hast wrought in me,
Who laugh no more nor lift my throat to sing
Ah, Life, I would have been a pleasant thing
To have about the house when I was grown
If thou hadst left my little joys alone!
I asked of thee no favor save this one:
That thou wouldst leave me playing in the sun!
And this thou didst deny, calling my name
Insistently, until I rose and came.
I saw the sun no more.—It were not well
So long on these unpleasant thoughts to dwell,
Need I arise to-morrow and renew
Again my hated tasks, but I am through
With all things save my thoughts and this one night,
So that in truth I seem already quite
Free,and remote from thee,—I feel no haste
And no reluctance to depart; I taste
Merely, with thoughtful mien, an unknown draught,
That in a little while I shall have quaffed."

Thus I to Life, and ceased, and slightly smiled,
Looking at nothing; and my thin dreams filed
Before me one by one till once again
I set new words unto an old refrain:

"Treasures thou hast that never have been mine!
Warm lights in many a secret chamber shine
Of thy gaunt house, and gusts of song have blown
Like blossoms out to me that sat alone!
And I have waited well for thee to show
If any share were mine,—and now I go
Nothing I leave, and if I naught attain
I shall but come into mine own again!"

Thus I to Life, and ceased, and spake no more,
But turning, straightway, sought a certain door
In the rear wall. Heavy it was, and low
And dark,—a way by which none e'er would go
That other exit had, and never knock
Was heard thereat,—bearing a curious lock
Some chance had shown me fashioned faultily,
Whereof Life held content the useless key,
And great coarse hinges, thick and rough with rust,
Whose sudden voice across a silence must,
I knew, be harsh and horrible to hear,—
A strange door, ugly like a dwarf.—So near
I came I felt upon my feet the chill
Of acid wind creeping across the sill.
So stood longtime, till over me at last
Came weariness, and all things other passed
To make it room; the still night drifted deep
Like snow about me, and I longed for sleep.

But, suddenly, marking the morning hour,
Bayed the deep-throated bell within the tower!
Startled, I raised my head,—and with a shout
Laid hold upon the latch,—and was without.

* * * *

Ah, long-forgotten, well-remembered road, 
Leading me back unto my old abode, 
My father's house! There in the night I came, 
And found them feasting, and all things the same 
As they had been before. A splendour hung 
Upon the walls, and such sweet songs were sung 
As, echoing out of very long ago, 
Had called me from the house of Life, I know.
So fair their raiment shone I looked in shame
On the unlovely garb in which I came;
Then straightway at my hesitancy mocked:
"It is my father's house!" I said and knocked;
And the door opened. To the shining crowd
Tattered and dark I entered, like a cloud,
Seeing no face but his; to him I crept,
And "Father!" I cried, and clasped his knees, and wept.

* * * *

Ah, days of joy that followed! All alone
I wandered through the house. My own, my own,
My own to touch, my own to taste and smell,
All I had lacked so long and loved so well!
None shook me out of sleep, nor hushed my song,
Nor called me in from the sunlight all day long.

I know not when the wonder came to me
Of what my father's business might be,
And whither fared and on what errands bent
The tall and gracious messengers he sent.
Yet one day with no song from dawn till night
Wondering, I sat, and watched them out of sight.
And the next day I called; and on the third
Asked them if I might go,—but no one heard.
Then, sick with longing, I arose at last
And went unto my father,—in that vast
Chamber wherein he for so many years
Has sat, surrounded by his charts and spheres.
"Father," I said, "Father, I cannot play
The harp that thou didst give me, and all day
I sit in idleness, while to and fro
About me thy serene, grave servants go;
And I am weary of my lonely ease.
Better a perilous journey overseas
Away from thee, than this, the life I lead,
To sit all day in the sunshine like a weed
That grows to naught,—I love thee more than they
Who serve thee most; yet serve thee in no way.
Father, I beg of thee a little task
To dignify my days,—'tis all I ask
Forever, but forever, this denied,
I perish."
 "Child," my father's voice replied,
"All things thy fancy hath desired of me
Thou hast received. I have prepared for thee
Within my house a spacious chamber, where
Are delicate things to handle and to wear,
And all these things are thine. Dost thou love song?
My minstrels shall attend thee all day long.
Or sigh for flowers? My fairest gardens stand
Open as fields to thee on every hand.
And all thy days this word shall hold the same:
No pleasure shalt thou lack that thou shalt name.
But as for tasks—" he smiled, and shook his head;
"Thou hadst thy task, and laidst it by," he said.
Written by Emile Verhaeren | Create an image from this poem

I thought our joy benumbed for ever

I thought our joy benumbed for ever, like a sun faded before it was night, on the day that illness with its leaden arms dragged me heavily towards its chair of weariness.
The flowers and the garden were fear or deception to me; my eyes suffered to see the white noons flaming, and my two hands, my hands, seemed, before their time, too tired to hold captive our trembling happiness.
My desires had become no more than evil weeds; they bit at each other like thistles in the wind; I felt my heart to be at once ice and burning coal and of a sudden dried up and stubborn in forgiveness.
But you said the word that gently comforts, seeking it nowhere else than in your immense love; and I lived with the fire of your word, and at night warmed myself at it until the dawn of day.
The diminished man I felt myself to be, both to myself and all others, did not exist for you; you gathered flowers for me from the window-sill, and, with your faith, I believed in health.
And you brought to me, in the folds of your gown, the keen air, the wind of the fields and forests, and the perfumes of evening or the scents of dawn, and, in your fresh and deep-felt kisses, the sun.
Written by Robert Frost | Create an image from this poem

The Black Cottage

 We chanced in passing by that afternoon 
To catch it in a sort of special picture 
Among tar-banded ancient cherry trees, 
Set well back from the road in rank lodged grass, 
The little cottage we were speaking of, 
A front with just a door between two windows, 
Fresh painted by the shower a velvet black. 
We paused, the minister and I, to look. 
He made as if to hold it at arm's length 
Or put the leaves aside that framed it in. 
"Pretty," he said. "Come in. No one will care." 
The path was a vague parting in the grass 
That led us to a weathered window-sill. 
We pressed our faces to the pane. "You see," he said, 
"Everything's as she left it when she died. 
Her sons won't sell the house or the things in it. 
They say they mean to come and summer here 
Where they were boys. They haven't come this year. 
They live so far away--one is out west-- 
It will be hard for them to keep their word. 
Anyway they won't have the place disturbed." 
A buttoned hair-cloth lounge spread scrolling arms 
Under a crayon portrait on the wall 
Done sadly from an old daguerreotype. 
"That was the father as he went to war. 
She always, when she talked about war, 
Sooner or later came and leaned, half knelt 
Against the lounge beside it, though I doubt 
If such unlifelike lines kept power to stir 
Anything in her after all the years. 
He fell at Gettysburg or Fredericksburg, 
I ought to know--it makes a difference which: 
Fredericksburg wasn't Gettysburg, of course. 
But what I'm getting to is how forsaken 
A little cottage this has always seemed; 
Since she went more than ever, but before-- 
I don't mean altogether by the lives 
That had gone out of it, the father first, 
Then the two sons, till she was left alone. 
(Nothing could draw her after those two sons. 
She valued the considerate neglect 
She had at some cost taught them after years.) 
I mean by the world's having passed it by-- 
As we almost got by this afternoon. 
It always seems to me a sort of mark 
To measure how far fifty years have brought us. 
Why not sit down if you are in no haste? 
These doorsteps seldom have a visitor. 
The warping boards pull out their own old nails 
With none to tread and put them in their place. 
She had her own idea of things, the old lady. 
And she liked talk. She had seen Garrison 
And Whittier, and had her story of them. 
One wasn't long in learning that she thought 
Whatever else the Civil War was for 
It wasn't just to keep the States together, 
Nor just to free the slaves, though it did both. 
She wouldn't have believed those ends enough 
To have given outright for them all she gave. 
Her giving somehow touched the principle 
That all men are created free and equal. 
And to hear her quaint phrases--so removed 
From the world's view to-day of all those things. 
That's a hard mystery of Jefferson's. 
What did he mean? Of course the easy way 
Is to decide it simply isn't true. 
It may not be. I heard a fellow say so. 
But never mind, the Welshman got it planted 
Where it will trouble us a thousand years. 
Each age will have to reconsider it. 
You couldn't tell her what the West was saying, 
And what the South to her serene belief. 
She had some art of hearing and yet not 
Hearing the latter wisdom of the world. 
White was the only race she ever knew. 
Black she had scarcely seen, and yellow never. 
But how could they be made so very unlike 
By the same hand working in the same stuff? 
She had supposed the war decided that. 
What are you going to do with such a person? 
Strange how such innocence gets its own way. 
I shouldn't be surprised if in this world 
It were the force that would at last prevail. 
Do you know but for her there was a time 
When to please younger members of the church, 
Or rather say non-members in the church, 
Whom we all have to think of nowadays, 
I would have changed the Creed a very little? 
Not that she ever had to ask me not to; 
It never got so far as that; but the bare thought 
Of her old tremulous bonnet in the pew, 
And of her half asleep was too much for me. 
Why, I might wake her up and startle her. 
It was the words 'descended into Hades' 
That seemed too pagan to our liberal youth. 
You know they suffered from a general onslaught. 
And well, if they weren't true why keep right on 
Saying them like the heathen? We could drop them. 
Only--there was the bonnet in the pew. 
Such a phrase couldn't have meant much to her. 
But suppose she had missed it from the Creed 
As a child misses the unsaid Good-night, 
And falls asleep with heartache--how should I feel? 
I'm just as glad she made me keep hands off, 
For, dear me, why abandon a belief 
Merely because it ceases to be true. 
Cling to it long enough, and not a doubt 
It will turn true again, for so it goes. 
Most of the change we think we see in life 
Is due to truths being in and out of favour. 
As I sit here, and oftentimes, I wish 
I could be monarch of a desert land 
I could devote and dedicate forever 
To the truths we keep coming back and back to. 
So desert it would have to be, so walled 
By mountain ranges half in summer snow, 
No one would covet it or think it worth 
The pains of conquering to force change on. 
Scattered oases where men dwelt, but mostly 
Sand dunes held loosely in tamarisk 
Blown over and over themselves in idleness. 
Sand grains should sugar in the natal dew 
The babe born to the desert, the sand storm 
Retard mid-waste my cowering caravans-- 
"There are bees in this wall." He struck the clapboards, 
Fierce heads looked out; small bodies pivoted. 
We rose to go. Sunset blazed on the windows.
Written by John Greenleaf Whittier | Create an image from this poem

Barbara Frietchie

 Up from the meadows rich with corn,
Clear in the cool September morn,

The clustered spires of Frederick stand
Green-walled by the hills of Maryland.

Round about them orchards sweep,
Apple and peach tree fruited deep,

Fair as the garden of the Lord
To the eyes of the famished rebel horde,

On that pleasant morn of the early fall
When Lee marched over the mountain-wall;

Over the mountains winding down,
Horse and foot, into Frederick town.

Forty flags with their silver stars,
Forty flags with their crimson bars,

Flapped in the morning wind: the sun
Of noon looked down, and saw not one.

Up rose old Barbara Frietchie then,
Bowed with her fourscore years and ten;

Bravest of all in Frederick town,
She took up the flag the men hauled down;

In her attic window the staff she set,
To show that one heart was loyal yet,

Up the street came the rebel tread,
Stonewall Jackson riding ahead.

Under his slouched hat left and right
He glanced; the old flag met his sight.

'Halt!' - the dust-brown ranks stood fast.
'Fire!' - out blazed the rifle-blast.

It shivered the window, pane and sash;
It rent the banner with seam and gash.

Quick, as it fell, from the broken staff
Dame Barbara snatched the silken scarf.

She leaned far out on the window-sill,
And shook it forth with a royal will.

'Shoot, if you must, this old gray head,
But spare your country's flag,' she said.

A shade of sadness, a blush of shame,
Over the face of the leader came;

The nobler nature within him stirred
To life at that woman's deed and word;

'Who touches a hair of yon gray head
Dies like a dog! March on! he said.

All day long through Frederick street
Sounded the tread of marching feet:

All day long that free flag tost
Over the heads of the rebel host.

Ever its torn folds rose and fell
On the loyal winds that loved it well;

And through the hill-gaps sunset light
Shone over it with a warm good-night.

Barbara Frietchie's work is o'er,
And the Rebel rides on his raids nor more.

Honor to her! and let a tear
Fall, for her sake, on Stonewalls' bier.

Over Barbara Frietchie's grave,
Flag of Freedom and Union, wave!

Peace and order and beauty draw
Round they symbol of light and law;

And ever the stars above look down
On thy stars below in Frederick town!


Written by Katherine Mansfield | Create an image from this poem

The Wounded Bird

 In the wide bed
Under the freen embroidered quilt
With flowers and leaves always in soft motion
She is like a wounded bird resting on a pool.

The hunter threw his dart
And hit her breast,--
Hit her but did not kill.
"O my wings, lift me--lift me!
I am not dreadfully hurt!"
Down she dropped and was still.

Kind people come to the edge of the pool with baskets.
"Of course what the poor bird wants is plenty of food!"
Their bags and pockets are crammed almost to bursting
With dinner scrapings and scraps from the servants'
lunch.
Oh! how pleased they are to be really giving!
"In the past, you know you know, you were always so
fly-away.
So seldom came to the window-sill, so rarely
Shared the delicious crumbs thrown into the yard.
Here is a delicate fragment and her a tit-bit
As good as new. And here's a morsel of relish
And cake and bread and bread and bread and bread."

At night, in the wide bed
With the leaves and flowers
Gently weaving in the darkness,
She is like a wounded bird at rest on a pool.
Timidly, timidly she lifts her head from her wing.
In the sky there are two stars
Floating, shining...
O waters--do not cover me!
I would look long and long at those beautiful stars!
O my wings--lift me--lift me!
I am not so dreadfully hurt...
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

The Old Gumbie Cat

 I have a Gumbie Cat in mind, her name is Jennyanydots;
Her coat is of the tabby kind, with tiger stripes and leopard spots.
All day she sits upon the stair or on the steps or on the mat;
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!

But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
And when all the family's in bed and asleep,
She tucks up her skirts to the basement to creep.
She is deeply concerned with the ways of the mice--
Their behaviour's not good and their manners not nice;
So when she has got them lined up on the matting,
She teachs them music, crocheting and tatting.

I have a Gumbie Cat in mind, her name is Jennyanydots;
Her equal would be hard to find, she likes the warm and sunny spots.
All day she sits beside the hearth or on the bed or on my hat:
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!

But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
As she finds that the mice will not ever keep quiet,
She is sure it is due to irregular diet;
And believing that nothing is done without trying,
She sets right to work with her baking and frying.
She makes them a mouse--cake of bread and dried peas,
And a beautiful fry of lean bacon and cheese.

I have a Gumbie Cat in mind, her name is Jennyanydots;
The curtain-cord she likes to wind, and tie it into sailor-knots.
She sits upon the window-sill, or anything that's smooth and flat:
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!

But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
She thinks that the cockroaches just need employment
To prevent them from idle and wanton destroyment.
So she's formed, from that lot of disorderly louts,
A troop of well-disciplined helpful boy-scouts,
With a purpose in life and a good deed to do--
And she's even created a Beetles' Tattoo.

So for Old Gumbie Cats let us now give three cheers--
On whom well-ordered households depend, it appears.
Written by Alan Seeger | Create an image from this poem

The Need to Love

 The need to love that all the stars obey
Entered my heart and banished all beside.
Bare were the gardens where I used to stray;
Faded the flowers that one time satisfied.

Before the beauty of the west on fire,
The moonlit hills from cloister-casements viewed
Cloud-like arose the image of desire,
And cast out peace and maddened solitude.

I sought the City and the hopes it held:
With smoke and brooding vapors intercurled,
As the thick roofs and walls close-paralleled
Shut out the fair horizons of the world---

A truant from the fields and rustic joy,
In my changed thought that image even so
Shut out the gods I worshipped as a boy
And all the pure delights I used to know.

Often the veil has trembled at some tide
Of lovely reminiscence and revealed
How much of beauty Nature holds beside
Sweet lips that sacrifice and arms that yield:

Clouds, window-framed, beyond the huddled eaves
When summer cumulates their golden chains,
Or from the parks the smell of burning leaves,
Fragrant of childhood in the country lanes,

An organ-grinder's melancholy tune
In rainy streets, or from an attic sill
The blue skies of a windy afternoon
Where our kites climbed once from some grassy hill:

And my soul once more would be wrapped entire
In the pure peace and blessing of those years.
Before the fierce infection of Desire
Had ravaged all the flesh. Through starting tears

Shone that lost Paradise; but, if it did,
Again ere long the prison-shades would fall
That Youth condemns itself to walk amid,
So narrow, but so beautiful withal.

And I have followed Fame with less devotion,
And kept no real ambition but to see
Rise from the foam of Nature's sunlit ocean
My dream of palpable divinity;

And aught the world contends for to mine eye
Seemed not so real a meaning of success
As only once to clasp before I die
My vision of embodied happiness.
Written by John Betjeman | Create an image from this poem

A Shropshire Lad

 The gas was on in the Institute,
The flare was up in the gym,
A man was running a mineral line,
A lass was singing a hymn,
When Captain Webb the Dawley man,
Captain Webb from Dawley,
Came swimming along the old canal
That carried the bricks to Lawley.
Swimming along -
Swimming along -
Swimming along from Severn,
And paying a call at Dawley Bank while swimming along to Heaven.

The sun shone low on the railway line
And over the bricks and stacks
And in at the upstairs windows
Of the Dawley houses' backs
When we saw the ghost of Captain Webb,
Webb in a water sheeting,
Come dripping along in a bathing dress
To the Saturday evening meeting.
Dripping along -
Dripping along -
To the Congregational Hall;
Dripping and still he rose over the sill and faded away in a wall.

There wasn't a man in Oakengates
That hadn't got hold of the tale,
And over the valley in Ironbridge,
And round by Coalbrookdale,
How CAptain Webb the Dawley man,
Captain Webb from Dawley,
Rose rigid and dead from the old canal
That carries the bricks to Lawley.
Rigid and dead -
Rigid and dead -
To the Saturday congregation,
Paying a call at Dawley Bank on the way to his destination.
Written by Anne Sexton | Create an image from this poem

Elegy In The Classroom

 In the thin classroom, where your face
was noble and your words were all things,
I find this boily creature in your place;

find you disarranged, squatting on the window sill,
irrefutably placed up there,
like a hunk of some big frog
watching us through the V
of your woolen legs.

Even so, I must admire your skill.
You are so gracefully insane.
We fidget in our plain chairs
and pretend to catalogue
our facts for your burly sorcery

or ignore your fat blind eyes
or the prince you ate yesterday
who was wise, wise, wise.

Book: Radiant Verses: A Journey Through Inspiring Poetry