Written by
Helen Hunt Jackson |
This is the treacherous month when autumn days
With summer's voice come bearing summer's gifts.
Beguiled, the pale down-trodden aster lifts
Her head and blooms again. The soft, warm haze
Makes moist once more the sere and dusty ways,
And, creeping through where dead leaves lie in drifts,
The violet returns. Snow noiseless sifts
Ere night, an icy shroud, which morning's rays
Willidly shine upon and slowly melt,
Too late to bid the violet live again.
The treachery, at last, too late, is plain;
Bare are the places where the sweet flowers dwelt.
What joy sufficient hath November felt?
What profit from the violet's day of pain?
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Written by
William Rose Benet |
Blake saw a treeful of angels at Peckham Rye,
And his hands could lay hold on the tiger's terrible heart.
Blake knew how deep is Hell, and Heaven how high,
And could build the universe from one tiny part.
Blake heard the asides of God, as with furrowed brow
He sifts the star-streams between the Then and the Now,
In vast infant sagacity brooding, an infant's grace
Shining serene on his simple, benignant face.
Blake was mad, they say, -- and Space's Pandora-box
Loosed its wonders upon him -- devils, but angels indeed.
I, they say, am sane, but no key of mine unlocks
One lock of one gate wherethrough Heaven's glory is freed.
And I stand and I hold my breath, daylong, yearlong,
Out of comfort and easy dreaming evermore starting awake, --
Yearning beyond all sanity for some echo of that Song
Of Songs that was sung to the soul of the madman, Blake!
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Written by
Amy Lowell |
I walk down the garden paths,
And all the daffodils
Are blowing, and the bright blue squills.
I walk down the patterned garden-paths
In my stiff, brocaded gown.
With my powdered hair and jewelled fan,
I too am a rare
Pattern. As I wander down
The garden paths.
My dress is richly figured,
And the train
Makes a pink and silver stain
On the gravel, and the thrift
Of the borders.
Just a plate of current fashion,
Tripping by in high-heeled, ribboned shoes.
Not a softness anywhere about me,
Only whalebone and brocade.
And I sink on a seat in the shade
Of a lime tree. For my passion
Wars against the stiff brocade.
The daffodils and squills
Flutter in the breeze
As they please.
And I weep;
For the lime-tree is in blossom
And one small flower has dropped upon my bosom.
And the plashing of waterdrops
In the marble fountain
Comes down the garden-paths.
The dripping never stops.
Underneath my stiffened gown
Is the softness of a woman bathing in a marble basin,
A basin in the midst of hedges grown
So thick, she cannot see her lover hiding,
But she guesses he is near,
And the sliding of the water
Seems the stroking of a dear
Hand upon her.
What is Summer in a fine brocaded gown!
I should like to see it lying in a heap upon the ground.
All the pink and silver crumpled up on the ground.
I would be the pink and silver as I ran along the
paths,
And he would stumble after,
Bewildered by my laughter.
I should see the sun flashing from his sword-hilt and the buckles
on his shoes.
I would choose
To lead him in a maze along the patterned paths,
A bright and laughing maze for my heavy-booted lover,
Till he caught me in the shade,
And the buttons of his waistcoat bruised my body as he clasped me,
Aching, melting, unafraid.
With the shadows of the leaves and the sundrops,
And the plopping of the waterdrops,
All about us in the open afternoon --
I am very like to swoon
With the weight of this brocade,
For the sun sifts through the shade.
Underneath the fallen blossom
In my bosom,
Is a letter I have hid.
It was brought to me this morning by a rider from the Duke.
"Madam, we regret to inform you that Lord Hartwell
Died in action Thursday se'nnight."
As I read it in the white, morning sunlight,
The letters squirmed like snakes.
"Any answer, Madam," said my footman.
"No," I told him.
"See that the messenger takes some refreshment.
No, no answer."
And I walked into the garden,
Up and down the patterned paths,
In my stiff, correct brocade.
The blue and yellow flowers stood up proudly in the sun,
Each one.
I stood upright too,
Held rigid to the pattern
By the stiffness of my gown.
Up and down I walked,
Up and down.
In a month he would have been my husband.
In a month, here, underneath this lime,
We would have broke the pattern;
He for me, and I for him,
He as Colonel, I as Lady,
On this shady seat.
He had a whim
That sunlight carried blessing.
And I answered, "It shall be as you have said."
Now he is dead.
In Summer and in Winter I shall walk
Up and down
The patterned garden-paths
In my stiff, brocaded gown.
The squills and daffodils
Will give place to pillared roses, and to asters, and to snow.
I shall go
Up and down,
In my gown.
Gorgeously arrayed,
Boned and stayed.
And the softness of my body will be guarded from embrace
By each button, hook, and lace.
For the man who should loose me is dead,
Fighting with the Duke in Flanders,
In a pattern called a war.
Christ! What are patterns for?
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Written by
Philip Levine |
I bend to the ground
to catch
something whispered,
urgent, drifting
across the ditches.
The heaviness of
flies stuttering
in orbit, dirt
ripening, the sweat
of eggs.
There are
small streams
the width ofa thumb
running in the villages
of sheaves, whole
eras of grain
wakening on
the stalks, a roof
that breathes over
my head.
Behind me
the tracks creaking
like a harness,
an abandoned bicycle
that cries and cries,
a bottle of common
wine that won't
pour.
At such times
I expect the earth
to pronounce. I say,
"I've been waiting
so long."
Up ahead
a stand of eucalyptus
guards the river,
the river moving
east, the heavy light
sifts down driving
the sparrows for
cover, and the women
bow as they slap
the life out
of sheets and pants
and worn hands.
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Written by
Conrad Aiken |
Here on the pale beach, in the darkness;
With the full moon just to rise;
They sit alone, and look over the sea,
Or into each other's eyes. . .
She pokes her parasol into the sleepy sand,
Or sifts the lazy whiteness through her hand.
'A lovely night,' he says, 'the moon,
Comes up for you and me.
Just like a blind old spotlight there,
Fizzing across the sea!'
She pays no heed, nor even turns her head:
He slides his arm around her waist instead.
'Why don't we do a sketch together--
Those songs you sing are swell.
Where did you get them, anyway?
They suit you awfully well.'
She will not turn to him--will not resist.
Impassive, she submits to being kissed.
'My husband wrote all four of them.
You know,--my husband drowned.
He was always sickly, soon depressed. . .'
But still she hears the sound
Of a stateroom door shut hard, and footsteps going
Swiftly and steadily, and the dark sea flowing.
She hears the dark sea flowing, and sees his eyes
Hollow with disenchantment, sick surprise,--
And hate of her whom he had loved too well. . .
She lowers her eyes, demurely prods a shell.
'Yes. We might do an act together.
That would be very nice.'
He kisses her passionately, and thinks
She's carnal, but cold as ice.
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Written by
Emily Dickinson |
It sifts from Leaden Sieves --
It powders all the Wood.
It fills with Alabaster Wool
The Wrinkles of the Road --
It makes an Even Face
Of Mountain, and of Plain --
Unbroken Forehead from the East
Unto the East again --
It reaches to the Fence --
It wraps it Rail by Rail
Till it is lost in Fleeces --
It deals Celestial Vail
To Stump, and Stack -- and Stem --
A Summer's empty Room --
Acres of Joints, where Harvests were,
Recordless, but for them--
It Ruffles Wrists of Posts
As Ankles of a Queen --
Then stills its Artisans -- like Ghosts --
Denying they have been --
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Written by
Ella Wheeler Wilcox |
This is the place that I love the best,
A little brown house, like a ground-bird's nest,
Hid among grasses, and vines, and trees,
Summer retreat of the birds and bees.
The tenderest light that ever was seen
Sifts through the vine-made window screen--
Sifts and quivers, and flits and falls
On home-made carpets and gray-hung walls.
All through June the west wind free
The breath of clover brings to me.
All through the languid July day
I catch the scent of new-mown hay.
The morning-glories and scarlet vine
Over the doorway twist and twine;
And every day, when the house is still,
The humming-bird comes to the window-sill.
In the cunningest chamber under the sun
I sink to sleep when the day is done;
And am waked at morn, in my snow-white bed,
By a singing bird on the roof o'erhead.
Better than treasures brought from Rome,
Are the living pictures I see at home--
My aged father, with frosted hair,
And mother's face, like a painting rare.
Far from the city's dust and heat,
I get but sounds and odors sweet.
Who can wonder I love to stay,
Week after week, here hidden away,
In this sly nook that I love the best--
This little brown house like a ground-bird's nest?
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Written by
Conrad Aiken |
Here on the pale beach, in the darkness;
With the full moon just to rise;
They sit alone, and look over the sea,
Or into each other's eyes. . .
She pokes her parasol into the sleepy sand,
Or sifts the lazy whiteness through her hand.
'A lovely night,' he says, 'the moon,
Comes up for you and me.
Just like a blind old spotlight there,
Fizzing across the sea!'
She pays no heed, nor even turns her head:
He slides his arm around her waist instead.
'Why don't we do a sketch together—
Those songs you sing are swell.
Where did you get them, anyway?
They suit you awfully well.'
She will not turn to him—will not resist.
Impassive, she submits to being kissed.
'My husband wrote all four of them.
You know,—my husband drowned.
He was always sickly, soon depressed. . .'
But still she hears the sound
Of a stateroom door shut hard, and footsteps going
Swiftly and steadily, and the dark sea flowing.
She hears the dark sea flowing, and sees his eyes
Hollow with disenchantment, sick surprise,—
And hate of her whom he had loved too well. . .
She lowers her eyes, demurely prods a shell.
'Yes. We might do an act together.
That would be very nice.'
He kisses her passionately, and thinks
She's carnal, but cold as ice.
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Written by
A S J Tessimond |
Light's patterns freeze:
Frost on our faces.
Light's pollen sifts
Through the lids of our eyes ...
Light sinks and rusts
In water; is broken
By glass ... rests
On deserted dust.
Light lies like torn
Paper in corners:
A rock-pool's pledge
Of the sea's return.
Light, wrenched at the edges
By wind, looks down
At itself in wrinkled
Mirrors from bridges.
Light thinly unweaves
Itself through darkness
Like foam's unknotting
Strings in waves ...
Now light is again
Accumulated
Swords against us ...
Now it is gone.
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Written by
Emile Verhaeren |
I dedicate to your tears, to your smile, my gentlest thoughts, those I tell you, those also that remain undefined and too deep to tell.
I dedicate to your tears, to your smile, to your whole soul, my soul, with its tears and its smiles and its kiss.
See, the dawn whitens the ground that is the colour of lees of wine; shadowy bonds seem to slip and glide away with melancholy; the water of the ponds grows bright and sifts its noise; the grass glitters and the flowers open, and the golden woods free themselves from the night.
Oh! what if we could one day enter thus into the full light; oh, what if we could one day, with conquering cries and lofty prayers, with no more veils upon us and no more remorse in us, oh! what if we could one day enter together into lucid love.
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