Written by
Rainer Maria Rilke |
Four Translations
Lord: it is time. The summer was immense.
Lay your shadow on the sundials
and let loose the wind in the fields.
Bid the last fruits to be full;
give them another two more southerly days,
press them to ripeness, and chase
the last sweetness into the heavy wine.
Whoever has no house now will not build one
anymore.
Whoever is alone now will remain so for a long
time,
will stay up, read, write long letters,
and wander the avenues, up and down,
restlessly, while the leaves are blowing.
Translated by Galway Kinnell and Hannah Liebmann,
"The Essential Rilke" (Ecco)
Lord, it is time. The summer was too long.
Lay your shadow on the sundials now,
and through the meadow let the winds throng.
Ask the last fruits to ripen on the vine;
give them further two more summer days
to bring about perfection and to raise
the final sweetness in the heavy wine.
Whoever has no house now will establish none,
whoever lives alone now will live on long alone,
will waken, read, and write long letters,
wander up and down the barren paths
the parks expose when the leaves are blown.
Translated by William Gass,
"Reading Rilke: Reflections on the Problem of Translation" (Knopf)
Lord: it is time. The huge summer has gone by.
Now overlap the sundials with your shadows,
and on the meadows let the wind go free.
Command the fruits to swell on tree and vine;
grant them a few more warm transparent days,
urge them on to fulfillment then, and press
the final sweetness into the heavy wine.
Whoever has no house now, will never have one.
Whoever is alone will stay alone,
will sit, read, write long letters through the
evening,
and wander the boulevards, up and down,
restlessly, while the dry leaves are blowing.
Translated by Stephen Mitchell,
"The Selected Poetry of Rainer Maria Rilke" (Random House)
Lord, it is time now,
for the summer has gone on
and gone on.
Lay your shadow along the sun-
dials and in the field
let the great wind blow free.
Command the last fruit
be ripe:
let it bow down the vine --
with perhaps two sun-warm days
more to force the last
sweetness in the heavy wine.
He who has no home
will not build one now.
He who is alone
will stay long
alone, will wake up,
read, write long letters,
and walk in the streets,
walk by in the
streets when the leaves blow.
Translated by John Logan,
"Homage to Rainer Maria Rilke," (BOA Editions)
Original German
Herbsttag
Herr: es ist Zeit. Der Sommer war sehr gross.
Leg deinen Schatten auf die Sonnenuhren,
und auf den Fluren lass die Winde los.
Befiehl den letzten Fruchten voll zu sein;
gieb innen noch zwei sudlichere Tage,
drange sie zur Vollendung hin und jage
die letzte Susse in den schweren Wein.
Wer jetzt kein Haus hat, baut sich keines mehr.
Wer jetzt allein ist, wird es lange bleiben,
wird wachen, lesen, lange Briefe schreiben
und wird in den Alleen hin und her
unruhig wandern, wenn die Blatter treiben.
-- Rainer Maria Rilke, Paris, Sept. 21, 1902
|
Written by
Robert William Service |
You want me to tell you a story, a yarn of the firin' line,
Of our thin red kharki 'eroes, out there where the bullets whine;
Out there where the bombs are bustin',
and the cannons like 'ell-doors slam --
Just order another drink, boys, and I'll tell you of Soulful Sam.
Oh, Sam, he was never 'ilarious, though I've 'ad some mates as was wus;
He 'adn't C. B. on his programme, he never was known to cuss.
For a card or a skirt or a beer-mug he 'adn't a friendly word;
But when it came down to Scriptures, say! Wasn't he just a bird!
He always 'ad tracts in his pocket, the which he would haste to present,
And though the fellers would use them in ways that they never was meant,
I used to read 'em religious, and frequent I've been impressed
By some of them bundles of 'oly dope he carried around in his vest.
For I -- and oh, 'ow I shudder at the 'orror the word conveys!
'Ave been -- let me whisper it 'oarsely -- a gambler 'alf of me days;
A gambler, you 'ear -- a gambler. It makes me wishful to weep,
And yet 'ow it's true, my brethren! -- I'd rather gamble than sleep.
I've gambled the 'ole world over, from Monte Carlo to Maine;
From Dawson City to Dover, from San Francisco to Spain.
Cards! They 'ave been me ruin. They've taken me pride and me pelf,
And when I'd no one to play with -- why, I'd go and I'd play by meself.
And Sam 'e would sit and watch me, as I shuffled a greasy deck,
And 'e'd say: "You're bound to Perdition,"
And I'd answer: "Git off me neck!"
And that's 'ow we came to get friendly, though built on a different plan,
Me wot's a desprite gambler, 'im sich a good young man.
But on to me tale. Just imagine . . . Darkness! The battle-front!
The furious 'Uns attackin'! Us ones a-bearin' the brunt!
Me crouchin' be'ind a sandbag, tryin' 'ard to keep calm,
When I 'ears someone singin' a 'ymn toon; be'old! it is Soulful Sam.
Yes; right in the crash of the combat, in the fury of flash and flame,
'E was shootin' and singin' serenely as if 'e enjoyed the same.
And there in the 'eat of the battle, as the 'ordes of demons attacked,
He dipped down into 'is tunic, and 'e 'anded me out a tract.
Then a star-shell flared, and I read it: Oh, Flee From the Wrath to Come!
Nice cheerful subject, I tell yer, when you're 'earin' the bullets 'um.
And before I 'ad time to thank 'im, just one of them bits of lead
Comes slingin' along in a 'urry, and it 'its my partner. . . . Dead?
No, siree! not by a long sight! For it plugged 'im 'ard on the chest,
Just where 'e'd tracts for a army corps stowed away in 'is vest.
On its mission of death that bullet 'ustled along, and it caved
A 'ole in them tracts to 'is 'ide, boys -- but the life o' me pal was saved.
And there as 'e showed me in triumph, and 'orror was chokin' me breath,
On came another bullet on its 'orrible mission of death;
On through the night it cavorted, seekin' its 'aven of rest,
And it zipped through a crack in the sandbags, and it wolloped me bang on the breast.
Was I killed, do you ask? Oh no, boys. Why am I sittin' 'ere
Gazin' with mournful vision at a mug long empty of beer?
With a throat as dry as a -- oh, thanky! I don't much mind if I do.
Beer with a dash of 'ollands, that's my particular brew.
Yes, that was a terrible moment. It 'ammered me 'ard o'er the 'eart;
It bowled me down like a nine-pin, and I looked for the gore to start;
And I saw in the flash of a moment, in that thunder of hate and strife,
Me wretched past like a pitchur -- the sins of a gambler's life.
For I 'ad no tracts to save me, to thwart that mad missile's doom;
I 'ad no pious pamphlets to 'elp me to cheat the tomb;
I 'ad no 'oly leaflets to baffle a bullet's aim;
I'd only -- a deck of cards, boys, but . . . it seemed to do just the same.
|
Written by
Paul Laurence Dunbar |
I've been list'nin' to them lawyers
In the court house up the street,
An' I've come to the conclusion
That I'm most completely beat.
Fust one feller riz to argy,
An' he boldly waded in
As he dressed the tremblin' pris'ner
In a coat o' deep-dyed sin.
Why, he painted him all over
In a hue o' blackest crime,
An' he smeared his reputation
With the thickest kind o' grime,
Tell I found myself a-wond'rin',
In a misty way and dim,
How the Lord had come to fashion
Sich an awful man as him.
Then the other lawyer started,
An' with brimmin', tearful eyes,
Said his client was a martyr
That was brought to sacrifice.
An' he give to that same pris'ner
Every blessed human grace,
Tell I saw the light o' virtue
Fairly shinin' from his face.
Then I own 'at I was puzzled
How sich things could rightly be;
An' this aggervatin' question
Seems to keep a-puzzlin' me.
So, will some one please inform me,
An' this mystery unroll--
How an angel an' a devil
Can persess the self-same soul?
|
Written by
Ingeborg Bachmann |
Last Easter Jim put on his blue
Frock cwoat, the vu'st time-vier new;
Wi' yollow buttons all o' brass,
That glitter'd in the zun lik' glass;
An' pok'd 'ithin the button-hole
A tutty he'd a-begg'd or stole.
A span-new wes-co't, too, he wore,
Wi' yellow stripes all down avore;
An' tied his breeches' lags below
The knee, wi' ribbon in a bow;
An' drow'd his kitty-boots azide,
An' put his laggens on, an' tied
His shoes wi' strings two vingers wide,
Because 'twer Easter Zunday.
An' after mornen church wer out
He come back hwome, an' stroll'd about
All down the vields, an' drough the leane,
Wi' sister Kit an' cousin Jeane,
A-turnen proudly to their view
His yollow breast an' back o' blue.
The lambs did play, the grounds wer green,
The trees did bud, the zun did sheen;
The lark did zing below the sky,
An' roads wer all a-blown so dry,
As if the zummer wer begun;
An' he had sich a bit o' fun!
He meade the maidens squeal an' run,
Because 'twer Easter Zunday.
|
Written by
Paul Laurence Dunbar |
Uncle John, he makes me tired;
Thinks 'at he's jest so all-fired
Smart, 'at he kin pick up, so,
Ever'thing he wants to know.
Tried to ketch me up last night,
But you bet I would n't bite.
I jest kep' the smoothes' face,
But I led him sich a chase,
Could n't corner me, you bet—
I skipped all the traps he set.
Makin' out he wan'ed to know
Who was this an' that girl's beau;
So 's he 'd find out, don't you see,
Who was goin' 'long with me.
But I answers jest ez sly,
An' I never winks my eye,
Tell he hollers with a whirl,
"Look here, ain't you got a girl?"
Y' ought 'o seen me spread my eyes,
Like he 'd took me by surprise,
An' I said, "Oh, Uncle John,
Never thought o' havin' one."
An' somehow that seemed to tickle
Him an' he shelled out a nickel.
Then you ought to seen me leave
Jest a-laffin' in my sleeve.
Fool him—well, I guess I did;
He ain't on to this here kid.
Got a girl! well, I guess yes,
Got a dozen more or less,
But I got one reely one,[Pg 74]
Not no foolin' ner no fun;
Fur I 'm sweet on her, you see,
An' I ruther guess 'at she
Must be kinder sweet on me,
So we 're keepin' company.
Honest Injun! this is true,
Ever' word I 'm tellin' you!
But you won't be sich a scab
Ez to run aroun' an' blab.
Mebbe 't ain't the way with you,
But you know some fellers do.
Spoils a girl to let her know
'At you talk about her so.
Don't you know her? her name 's Liz,
Nicest girl in town she is.
Purty? ah, git out, you gilly—
Liz 'ud purt 'nigh knock you silly.
Y' ought 'o see her when she 's dressed
All up in her Sunday best,
All the fellers nudgin' me,
An' a-whisperin', gemunee!
Betcher life 'at I feel proud
When she passes by the crowd.
'T 's kinder nice to be a-goin'
With a girl 'at makes some showin'—
One you know 'at hain't no snide,
Makes you feel so satisfied.
An' I 'll tell you she 's a trump,
Never even seen her jump
Like some silly girls 'ud do,
When I 'd hide and holler "Boo!"
She 'd jest laff an' say "Git out!
What you hollerin' about?"
When some girls 'ud have a fit
That 'un don't git skeered a bit,
Never makes a bit o' row
When she sees a worm er cow.
Them kind 's few an' far between;
Bravest girl I ever seen.
Tell you 'nuther thing she 'll do,
Mebbe you won't think it 's true,
But if she 's jest got a dime
She 'll go halvers ever' time.
Ah, you goose, you need n't laff;
That's the kinder girl to have.
If you knowed her like I do,
Guess you 'd kinder like her too.
Tell you somep'n' if you 'll swear
You won't tell it anywhere.
Oh, you got to cross yer heart
Earnest, truly, 'fore I start.
Well, one day I kissed her cheek;
Gee, but I felt cheap an' weak,
'Cause at first she kinder flared,
'N', gracious goodness! I was scared.
But I need n't been, fer la!
Why, she never told her ma.
That's what I call grit, don't you?
Sich a girl's worth stickin' to.
|
Written by
James Whitcomb Riley |
When the frost is on the punkin and the fodder's in the shock,
And you hear the kyouck and gobble of the struttin' turkey-cock,
And the clackin' of the guineys, and the cluckin' of the hens,
And the rooster's hallylooyer as he tiptoes on the fence;
O, it's then's the times a feller is a-feelin' at his best,
With the risin' sun to greet him from a night of peaceful rest,
As he leaves the house, bareheaded, and goes out to feed the stock,
When the frost is on the punkin and the fodder's in the shock.
They's something kindo' harty-like about the atmusfere
When the heat of summer's over and the coolin' fall is here--
Of course we miss the flowers, and the blossums on the trees,
And the mumble of the hummin'-birds and buzzin' of the bees;
But the air's so appetizin'; and the landscape through the haze
Of a crisp and sunny morning of the airly autumn days
Is a pictur' that no painter has the colorin' to mock--
When the frost is on the punkin and the fodder's in the shock.
The husky, rusty russel of the tossels of the corn,
And the raspin' of the tangled leaves, as golden as the morn;
The stubble in the furries--kindo' lonesome-like, but still
A-preachin' sermuns to us of the barns they growed to fill;
The strawstack in the medder, and the reaper in the shed;
The hosses in theyr stalls below--the clover over-head!--
O, it sets my hart a-clickin' like the tickin' of a clock,
When the frost is on the punkin and the fodder's in the shock!
Then your apples all is gethered, and the ones a feller keeps
Is poured around the celler-floor in red and yeller heaps;
And your cider-makin' 's over, and your wimmern-folks is through
With their mince and apple-butter, and theyr souse and saussage, too! ...
I don't know how to tell it--but ef sich a thing could be
As the Angels wantin' boardin', and they'd call around on me--
I'd want to 'commodate 'em--all the whole-indurin' flock--
When the frost is on the punkin and the fodder's in the shock!
|
Written by
Rudyard Kipling |
When the 'arf-made recruity goes out to the East
'E acts like a babe an' 'e drinks like a beast,
An' 'e wonders because 'e is frequent deceased
Ere 'e's fit for to serve as a soldier.
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
So-oldier OF the Queen!
Now all you recruities what's drafted to-day,
You shut up your rag-box an' 'ark to my lay,
An' I'll sing you a soldier as far as I may:
A soldier what's fit for a soldier.
Fit, fit, fit for a soldier . . .
First mind you steer clear o' the grog-sellers' huts,
For they sell you Fixed Bay'nets that rots out your guts --
Ay, drink that 'ud eat the live steel from your butts --
An' it's bad for the young British soldier.
Bad, bad, bad for the soldier . . .
When the cholera comes -- as it will past a doubt --
Keep out of the wet and don't go on the shout,
For the sickness gets in as the liquor dies out,
An' it crumples the young British soldier.
Crum-, crum-, crumples the soldier . . .
But the worst o' your foes is the sun over'ead:
You must wear your 'elmet for all that is said:
If 'e finds you uncovered 'e'll knock you down dead,
An' you'll die like a fool of a soldier.
Fool, fool, fool of a soldier . . .
If you're cast for fatigue by a sergeant unkind,
Don't grouse like a woman nor crack on nor blind;
Be handy and civil, and then you will find
That it's beer for the young British soldier.
Beer, beer, beer for the soldier . . .
Now, if you must marry, take care she is old --
A troop-sergeant's widow's the nicest I'm told,
For beauty won't help if your rations is cold,
Nor love ain't enough for a soldier.
'Nough, 'nough, 'nough for a soldier . . .
If the wife should go wrong with a comrade, be loath
To shoot when you catch 'em -- you'll swing, on my oath! --
Make 'im take 'er and keep 'er: that's Hell for them both,
An' you're shut o' the curse of a soldier.
Curse, curse, curse of a soldier . . .
When first under fire an' you're wishful to duck,
Don't look nor take 'eed at the man that is struck,
Be thankful you're livin', and trust to your luck
And march to your front like a soldier.
Front, front, front like a soldier . . .
When 'arf of your bullets fly wide in the ditch,
Don't call your Martini a cross-eyed old *****;
She's human as you are -- you treat her as sich,
An' she'll fight for the young British soldier.
Fight, fight, fight for the soldier . . .
When shakin' their bustles like ladies so fine,
The guns o' the enemy wheel into line,
Shoot low at the limbers an' don't mind the shine,
For noise never startles the soldier.
Start-, start-, startles the soldier . . .
If your officer's dead and the sergeants look white,
Remember it's ruin to run from a fight:
So take open order, lie down, and sit tight,
And wait for supports like a soldier.
Wait, wait, wait like a soldier . . .
When you're wounded and left on Afghanistan's plains,
And the women come out to cut up what remains,
Jest roll to your rifle and blow out your brains
An' go to your Gawd like a soldier.
Go, go, go like a soldier,
Go, go, go like a soldier,
Go, go, go like a soldier,
So-oldier of the Queen!
|
Written by
Paul Laurence Dunbar |
Dear Miss Lucy: I been t'inkin' dat I 'd write you long fo' dis,
But dis writin' 's mighty tejous, an' you know jes' how it is.
But I 's got a little lesure, so I teks my pen in han'
Fu' to let you know my feelin's since I retched dis furrin' lan'.
I 's right well, I 's glad to tell you (dough dis climate ain't to blame),
An' I hopes w'en dese lines reach you, dat dey 'll fin' yo' se'f de same.
Cose I 'se feelin kin' o' homesick—dat 's ez nachul ez kin be,[Pg 152]
Wen a feller 's mo'n th'ee thousand miles across dat awful sea.
(Don't you let nobidy fool you 'bout de ocean bein' gran';
If you want to see de billers, you jes' view dem f'om de lan'.)
'Bout de people? We been t'inkin' dat all white folks was alak;
But dese Englishmen is diffunt, an' dey 's curus fu' a fac'.
Fust, dey's heavier an' redder in dey make-up an' dey looks,
An' dey don't put salt nor pepper in a blessed t'ing dey cooks!
Wen dey gin you good ol' tu'nips, ca'ots, pa'snips, beets, an' sich,
Ef dey ain't some one to tell you, you cain't 'stinguish which is which.
Wen I t'ought I 's eatin' chicken—you may b'lieve dis hyeah 's a lie—
But de waiter beat me down dat I was eatin' rabbit pie.
An' dey 'd t'ink dat you was crazy—jes' a reg'lar ravin' loon,
Ef you 'd speak erbout a 'possum or a piece o' good ol' coon.
O, hit's mighty nice, dis trav'lin', an' I 's kin' o' glad I come.
But, I reckon, now I 's willin' fu' to tek my way back home.
I done see de Crystal Palace, an' I 's hyeahd dey string-band play,
But I has n't seen no banjos layin' nowhahs roun' dis way.
Jes' gin ol' Jim Bowles a banjo, an' he 'd not go very fu',
'Fo' he 'd outplayed all dese fiddlers, wif dey flourish and dey stir.
Evahbiddy dat I 's met wif has been monst'ous kin an' good;
But I t'ink I 'd lak it better to be down in Jones's wood,
Where we ust to have sich frolics, Lucy, you an' me an' Nelse,
Dough my appetite 'ud call me, ef dey was n't nuffin else.
I 'd jes' lak to have some sweet-pertaters roasted in de skin;
I 's a-longin' fu' my chittlin's an' my mustard greens ergin;
I 's a-wishin' fu' some buttermilk, an' co'n braid, good an' brown,
An' a drap o' good ol' bourbon fu' to wash my feelin's down!
An' I 's comin' back to see you jes' as ehly as I kin,
So you better not go spa'kin' wif dat wuffless scoun'el Quin!
Well, I reckon, I mus' close now; write ez soon's dis reaches you;
Gi' my love to Sister Mandy an' to Uncle Isham, too.
Tell de folks I sen' 'em howdy; gin a kiss to pap an' mam;
Closin' I is, deah Miss Lucy, Still Yo' Own True-Lovin' Sam.[Pg 153]
P. S. Ef you cain't mek out dis letter, lay it by erpon de she'f,
An' when I git home, I 'll read it, darlin', to you my own se'f.
|
Written by
Paul Laurence Dunbar |
Whut you say, dah? huh, uh! chile,
You 's enough to dribe me wile.
Want a sto'y; jes' hyeah dat!
Whah' 'll I git a sto'y at?
Di'n' I tell you th'ee las' night?
Go 'way, honey, you ain't right.
I got somep'n' else to do,
'Cides jes' tellin' tales to you.
Tell you jes' one? Lem me see
Whut dat one's a-gwine to be.[Pg 154]
When you 's ole, yo membry fails;
Seems lak I do' know no tales.
Well, set down dah in dat cheer,
Keep still ef you wants to hyeah.
Tek dat chin up off yo' han's,
Set up nice now. Goodness lan's!
Hol' yo'se'f up lak yo' pa.
Bet nobidy evah saw
Him scrunched down lak you was den—
High-tone boys meks high-tone men.
Once dey was a ole black bah,
Used to live 'roun' hyeah some whah
In a cave. He was so big
He could ca'y off a pig
Lak you picks a chicken up,
Er yo' leetles' bit o' pup.
An' he had two gread big eyes,
Jes' erbout a saucer's size.
Why, dey looked lak balls o' fiah
Jumpin' 'roun' erpon a wiah
W'en dat bah was mad; an' laws!
But you ought to seen his paws!
Did I see 'em? How you 'spec
I 's a-gwine to ricollec'
Dis hyeah ya'n I 's try'n' to spin
Ef you keeps on puttin' in?
You keep still an' don't you cheep
Less I 'll sen' you off to sleep.
Dis hyeah bah 'd go trompin' 'roun'
Eatin' evahthing he foun';
No one could n't have a fa'm
But dat bah 'u'd do' em ha'm;
And dey could n't ketch de scamp.
Anywhah he wan'ed to tramp.
Dah de scoun'el 'd mek his track,
Do his du't an' come on back.
He was sich a sly ole limb,
Traps was jes' lak fun to him.
Now, down neah whah Mistah Bah
Lived, dey was a weasel dah;
But dey was n't fren's a-tall
Case de weasel was so small.
An' de bah 'u'd, jes' fu' sass,
Tu'n his nose up w'en he 'd pass.
Weasels 's small o' cose, but my!
Dem air animiles is sly.
So dis hyeah one says, says he,
"I 'll jes' fix dat bah, you see."
So he fixes up his plan
An' hunts up de fa'merman.
When de fa'mer see him come,
He 'mence lookin' mighty glum,
An' he ketches up a stick;
But de weasel speak up quick:
"Hol' on, Mistah Fa'mer man,
I wan' 'splain a little plan.
Ef you waits, I 'll tell you whah
An' jes' how to ketch ol' Bah.
But I tell yow now you mus'
Gin me one fat chicken fus'."
Den de man he scratch his haid,
Las' he say, "I'll mek de trade."
So de weasel et his hen,
Smacked his mouf and says, "Well, den,
Set yo' trap an' bait ternight,
An' I 'll ketch de bah all right."[Pg 155]
Den he ups an' goes to see
Mistah Bah, an' says, says he:
"Well, fren' Bah, we ain't been fren's,
But ternight ha'd feelin' 'en's.
Ef you ain't too proud to steal,
We kin git a splendid meal.
Cose I would n't come to you,
But it mus' be done by two;
Hit's a trap, but we kin beat
All dey tricks an' git de meat."
"Cose I 's wif you," says de bah,
"Come on, weasel, show me whah."
Well, dey trots erlong ontwell
Dat air meat beginned to smell
In de trap. Den weasel say:
"Now you put yo' paw dis way
While I hol' de spring back so,
Den you grab de meat an' go."
Well, de bah he had to grin
Ez he put his big paw in,
Den he juked up, but—kerbing!
Weasel done let go de spring.
"Dah now," says de weasel, "dah,
I done cotched you, Mistah Bah!"
O, dat bah did sno't and spout,
Try'n' his bestes' to git out,
But de weasel say, "Goo'-bye!
Weasel small, but weasel sly."
Den he tu'ned his back an' run
Tol' de fa'mer whut he done.
So de fa'mer come down dah,
Wif a axe and killed de bah.
Dah now, ain't dat sto'y fine?
Run erlong now, nevah min'.
Want some mo', you rascal, you?
No, suh! no, suh! dat 'll do.
|
Written by
Sidney Lanier |
I knowed a man, which he lived in Jones,
Which Jones is a county of red hills and stones,
And he lived pretty much by gittin' of loans,
And his mules was nuthin' but skin and bones,
And his hogs was flat as his corn-bread pones,
And he had 'bout a thousand acres o' land.
This man -- which his name it was also Jones --
He swore that he'd leave them old red hills and stones,
Fur he couldn't make nuthin' but yallerish cotton,
And little o' THAT, and his fences was rotten,
And what little corn he had, HIT was boughten
And dinged ef a livin' was in the land.
And the longer he swore the madder he got,
And he riz and he walked to the stable lot,
And he hollered to Tom to come thar and hitch
Fur to emigrate somewhar whar land was rich,
And to quit raisin' cock-burrs, thistles and sich,
And a wastin' ther time on the cussed land.
So him and Tom they hitched up the mules,
Pertestin' that folks was mighty big fools
That 'ud stay in Georgy ther lifetime out,
Jest scratchin' a livin' when all of 'em mought
Git places in Texas whar cotton would sprout
By the time you could plant it in the land.
And he driv by a house whar a man named Brown
Was a livin', not fur from the edge o' town,
And he bantered Brown fur to buy his place,
And said that bein' as money was skace,
And bein' as sheriffs was hard to face,
Two dollars an acre would git the land.
They closed at a dollar and fifty cents,
And Jones he bought him a waggin and tents,
And loaded his corn, and his wimmin, and truck,
And moved to Texas, which it tuck
His entire pile, with the best of luck,
To git thar and git him a little land.
But Brown moved out on the old Jones' farm,
And he rolled up his breeches and bared his arm,
And he picked all the rocks from off'n the groun',
And he rooted it up and he plowed it down,
Then he sowed his corn and his wheat in the land.
Five years glid by, and Brown, one day
(Which he'd got so fat that he wouldn't weigh),
Was a settin' down, sorter lazily,
To the bulliest dinner you ever see,
When one o' the children jumped on his knee
And says, "Yan's Jones, which you bought his land."
And thar was Jones, standin' out at the fence,
And he hadn't no waggin, nor mules, nor tents,
Fur he had left Texas afoot and cum
To Georgy to see if he couldn't git sum
Employment, and he was a lookin' as hum-
Ble as ef he had never owned any land.
But Brown he axed him in, and he sot
Him down to his vittles smokin' hot,
And when he had filled hisself and the floor
Brown looked at him sharp and riz and swore
That, "whether men's land was rich or poor
Thar was more in the MAN than thar was in the LAND."
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