Written by
Amy Lowell |
Cross-ribboned shoes; a muslin gown,
High-waisted, girdled with bright blue;
A straw poke bonnet which hid the frown
She pluckered her little brows into
As she picked her dainty passage through
The dusty street.
"Ah, Mademoiselle,
A dirty pathway, we need rain,
My poor fruits suffer, and the shell
Of this nut's too big for its kernel, lain
Here in the sun it has shrunk again.
The baker down at the corner says
We need a battle to shake the clouds;
But I am a man of peace, my ways
Don't look to the killing of men in crowds.
Poor fellows with guns and bayonets for shrouds!
Pray, Mademoiselle, come out of the sun.
Let me dust off that wicker chair.
It's cool
In here, for the green leaves I have run
In a curtain over the door, make a pool
Of shade.
You see the pears on that stool --
The shadow keeps them plump and fair.
"
Over the fruiterer's door, the leaves
Held back the sun, a greenish flare
Quivered and sparked the shop, the sheaves
Of sunbeams, glanced from the sign on the eaves,
Shot from the golden letters, broke
And splintered to little scattered lights.
Jeanne Tourmont entered the shop, her poke
Bonnet tilted itself to rights,
And her face looked out like the moon on nights
Of flickering clouds.
"Monsieur Popain, I
Want gooseberries, an apple or two,
Or excellent plums, but not if they're high;
Haven't you some which a strong wind blew?
I've only a couple of francs for you.
"
Monsieur Popain shrugged and rubbed his hands.
What could he do, the times were sad.
A couple of francs and such demands!
And asking for fruits a little bad.
Wind-blown indeed! He never had
Anything else than the very best.
He pointed to baskets of blunted pears
With the thin skin tight like a bursting vest,
All yellow, and red, and brown, in smears.
Monsieur Popain's voice denoted tears.
He took up a pear with tender care,
And pressed it with his hardened thumb.
"Smell it, Mademoiselle, the perfume there
Is like lavender, and sweet thoughts come
Only from having a dish at home.
And those grapes! They melt in the mouth like wine,
Just a click of the tongue, and they burst to honey.
They're only this morning off the vine,
And I paid for them down in silver money.
The Corporal's widow is witness, her pony
Brought them in at sunrise to-day.
Those oranges -- Gold! They're almost red.
They seem little chips just broken away
From the sun itself.
Or perhaps instead
You'd like a pomegranate, they're rarely gay,
When you split them the seeds are like crimson spray.
Yes, they're high, they're high, and those Turkey figs,
They all come from the South, and Nelson's ships
Make it a little hard for our rigs.
They must be forever giving the slips
To the cursed English, and when men clips
Through powder to bring them, why dainties mounts
A bit in price.
Those almonds now,
I'll strip off that husk, when one discounts
A life or two in a ****** row
With the man who grew them, it does seem how
They would come dear; and then the fight
At sea perhaps, our boats have heels
And mostly they sail along at night,
But once in a way they're caught; one feels
Ivory's not better nor finer -- why peels
From an almond kernel are worth two sous.
It's hard to sell them now," he sighed.
"Purses are tight, but I shall not lose.
There's plenty of cheaper things to choose.
"
He picked some currants out of a wide
Earthen bowl.
"They make the tongue
Almost fly out to suck them, bride
Currants they are, they were planted long
Ago for some new Marquise, among
Other great beauties, before the Chateau
Was left to rot.
Now the Gardener's wife,
He that marched off to his death at Marengo,
Sells them to me; she keeps her life
From snuffing out, with her pruning knife.
She's a poor old thing, but she learnt the trade
When her man was young, and the young Marquis
Couldn't have enough garden.
The flowers he made
All new! And the fruits! But 'twas said that
he
Was no friend to the people, and so they laid
Some charge against him, a cavalcade
Of citizens took him away; they meant
Well, but I think there was some mistake.
He just pottered round in his garden, bent
On growing things; we were so awake
In those days for the New Republic's sake.
He's gone, and the garden is all that's left
Not in ruin, but the currants and apricots,
And peaches, furred and sweet, with a cleft
Full of morning dew, in those green-glazed pots,
Why, Mademoiselle, there is never an eft
Or worm among them, and as for theft,
How the old woman keeps them I cannot say,
But they're finer than any grown this way.
"
Jeanne Tourmont drew back the filigree ring
Of her striped silk purse, tipped it upside down
And shook it, two coins fell with a ding
Of striking silver, beneath her gown
One rolled, the other lay, a thing
Sparked white and sharply glistening,
In a drop of sunlight between two shades.
She jerked the purse, took its empty ends
And crumpled them toward the centre braids.
The whole collapsed to a mass of blends
Of colours and stripes.
"Monsieur Popain, friends
We have always been.
In the days before
The Great Revolution my aunt was kind
When you needed help.
You need no more;
'Tis we now who must beg at your door,
And will you refuse?" The little man
Bustled, denied, his heart was good,
But times were hard.
He went to a pan
And poured upon the counter a flood
Of pungent raspberries, tanged like wood.
He took a melon with rough green rind
And rubbed it well with his apron tip.
Then he hunted over the shop to find
Some walnuts cracking at the lip,
And added to these a barberry slip
Whose acrid, oval berries hung
Like fringe and trembled.
He reached a round
Basket, with handles, from where it swung
Against the wall, laid it on the ground
And filled it, then he searched and found
The francs Jeanne Tourmont had let fall.
"You'll return the basket, Mademoiselle?"
She smiled, "The next time that I call,
Monsieur.
You know that very well.
"
'Twas lightly said, but meant to tell.
Monsieur Popain bowed, somewhat abashed.
She took her basket and stepped out.
The sunlight was so bright it flashed
Her eyes to blindness, and the rout
Of the little street was all about.
Through glare and noise she stumbled, dazed.
The heavy basket was a care.
She heard a shout and almost grazed
The panels of a chaise and pair.
The postboy yelled, and an amazed
Face from the carriage window gazed.
She jumped back just in time, her heart
Beating with fear.
Through whirling light
The chaise departed, but her smart
Was keen and bitter.
In the white
Dust of the street she saw a bright
Streak of colours, wet and gay,
Red like blood.
Crushed but fair,
Her fruit stained the cobbles of the way.
Monsieur Popain joined her there.
"Tiens, Mademoiselle,
c'est le General Bonaparte,
partant pour la Guerre!"
|
Written by
Adrienne Rich |
She had thought the studio would keep itself;
no dust upon the furniture of love.
Half heresy, to wish the taps less vocal,
the panes relieved of grime.
A plate of pears,
a piano with a Persian shawl, a cat
stalking the picturesque amusing mouse
had risen at his urging.
Not that at five each separate stair would writhe
under the milkman's tramp; that morning light
so coldly would delineate the scraps
of last night's cheese and three sepulchral bottles;
that on the kitchen shelf amoong the saucers
a pair of beetle-eyes would fix her own--
envoy from some village in the moldings.
.
.
Meanwhile, he, with a yawn,
sounded a dozen notes upon the keyboard,
declared it out of tune, shrugged at the mirror,
rubbed at his beard, went out for cigarettes;
while she, jeered by the minor demons,
pulled back the sheets and made the bed and found
a towel to dust the table-top,
and let the coffee-pot boil over on the stove.
By evening she was back in love again,
though not so wholly but throughout the night
she woke sometimes to feel the daylight coming
like a relentless milkman up the stairs.
|
Written by
Marriott Edgar |
It were after the Battle of Crecy-
The foe all lay dead on the ground-
And King Edward went out with his soldiers
To clean up the places around.
The first place they came to were Calais,
Where t' burghers all stood in a row,
And when Edward told them to surrender
They told Edward where he could go.
Said he, " I'll beleaguer this city,
I'll teach them to flout their new King -
Then he told all his lads to get camp-stools
And sit round the place in a ring.
Now the burghers knew nowt about Crecy-
They laughed when they saw Edward's plan-
And thinking their side were still winning,
They shrugged and said- " San fairy Ann.
"
But they found at the end of a fortnight
That things wasn't looking so nice,
With nowt going out but the pigeons,
And nowt coming in but the mice.
For the soldiers sat round on their camp-stools,
And never a foot did they stir,
But passed their time doing their knitting,
And crosswords, and things like that there.
The burghers began to get desperate
Wi' t' food supply sinking so low,
For they'd nowt left but dry bread and water,
Or what they called in French "pang" and "oh"
They stuck it all autumn and winter,
But when at last spring came around
They was bothered, bewitched and beleaguered,
And cods' heads was tenpence a pound.
So they hung a white flag on the ramparts
To show they was sick of this 'ere-
And the soldiers, who'd finished their knitting,
All stood up and gave them a cheer.
When King Edward heard they had surrendered
He said to them, in their own tongue,
"You've kept me here all football season,
And twelve of you's got to be hung.
"
Then up stood the Lord Mayor of Calais,
"I'll make one" he gallantly cried-
Then he called to his friends on the Council
To make up the rest of the side.
When the townspeople heard of the hanging
They rushed in a crowd through the gate-
They was all weeping tears of compassion,
And hoping they wasn't too late.
With ropes round their necks the twelve heroes
Stood proudly awaiting their doom,
Till the hangman at last crooked his finger
And coaxingly said to them-" Come.
At that moment good Queen Phillippa
Ran out of her bower and said-
Oh, do have some mercy, my husband;
Oh don't be so spiteful, dear Ted.
"
Then down on her knee-joints before them
She flopped, and in accents that rang,
Said, "Please, Edward, just to oblige me,
You can't let these poor burghers hang.
The King was so touched with her pleading,
He lifted his wife by the hand
And he gave her all twelve as a keepsake
And peace once again reigned in the land.
|
Written by
Robert William Service |
Said Hongray de la Glaciere unto his proud Papa:
"I want to take a wife mon Père," The Marquis laughed: "Ha! Ha!
And whose, my son?" he slyly said; but Hongray with a frown
Cried, "Fi! Papa, I mean - to wed, I want to settle down.
"
The Marquis de la Glaciere responded with a smile;
"You're young my boy; I much prefer that you should wait awhile.
"
But Hongray sighed: "I cannot wait, for I am twenty-four;
And I have met my blessed fate: I worship and adore.
Such beauty, grace and charm has she, I'm sure you will approve,
For if I live a century none other can I love.
"
"I have no doubt," the Marquis shrugged, "that she's a proper pet;
But has she got a decent dot, and is she of our set?"
"Her dot," said Hongray, "will suffice; her family you know.
The girl with whom I fain would splice is Mirabelle du Veau.
"
What made the Marquis start and stare, and clutch his perfumed beard?
Why did he stagger to a chair and murmur: "As I feared?"
Dilated were his eyes with dread, and in a voice of woe
He wailed: "My son, you cannot wed with Mirabelle du Veau.
"
"Why not? my Parent," Hongray cried.
"Her name's without a slur.
Why should you look so horrified that I should wed with her?"
The Marquis groaned: "Unhappy lad! Forget her if you can,
And see in your respected Dad a miserable man.
"
"What id the matter? I repeat," said Hongray growing hot.
"She's witty, pretty, rich and sweet.
.
.
Then- mille diables!- what?"
The Marquis moaned: "Alas! that I your dreams of bliss should banish;
It happened in the days gone-by, when I was Don Juanish.
Her mother was your mother's friend, and we were much together.
Ah well! You know how such things end.
(I blame it on the weather.
)
We had a very sultry spell.
One day, mon Dieu! I kissed her.
My son, you can't wed Mirabelle.
She is.
.
.
she is your sister.
"
So broken-hearted Hongray went and roamed the world around,
Till hunting in the Occident forgetfulness he found.
Then quite recovered, he returned to the paternal nest,
Until one day, with brow that burned, the Marquis he addresses:
"Felicitate me, Father mine; my brain s in a whirl;
For I have found the mate divine, the one, the perfect girl.
She's healthy, wealthy, witching, wise, with loveliness serene.
And Proud am I to win a prize, half angel and half queen.
"
"'Tis time to wed," the Marquis said, "You must be twenty-seven.
But who is she whose lot may be to make your life a heaven?"
"A friend of childhood," Hongray cried.
"For whom regard you feel.
The maid I fain would be my bride is Raymonde de la Veal.
"
The Marquis de la Glaciere collapsed upon the floor,
And all the words he uttered were: "Forgive me, I implore.
My sins are heavy on my head.
Profound remorse I feel.
My son, you simply cannot wed with Raymonde de la Veal.
"
Then Hongray spoke voice that broke, and corrugated brow:
"Inform me, Sir, why you demur.
What is the matter now?"
The Marquis wailed: "My wicked youth! Ah! how it gives me pain.
But let me tell the awful truth, my agony explain.
.
.
A cursed Casanova I; a finished flirt her mother;
And so alas! it came to pass we fell for one another:
Our lives were blent in bliss and joy, The sequel you may gather:
You cannot wed Raymonde, my boy, because I am.
.
.
her father.
"
Again sore-stricken Hongray fled, and sought his grief to smother,
And as he writhed upon his bed to him there came his Mother.
The Marquise de la Glaciere was snowy-haired and frigid.
Her wintry featured chiselled were, her manner stiff and rigid.
The pride of race was in her face, her bearing high and stately,
And sinking down by Hongray's side she spoke to him sedately:
"What ails you so, my precious child? What throngs of sorrow smite you?
Why are your eyes so wet and wild? Come tell me, I invite you.
"
"Ah! if I told you, Mother dear," said Hongray with a shiver,
"Another's honour would, I fear, be in the soup forever.
"
"Nay trust," she begged, "My only boy, the fond Mama who bore you.
Perhaps I may, your grief alloy.
Please tell me, I implore you.
"
And so his story Hngray told, in accents choked and muffled.
The Marquise listened calm and cold, her visage quite unruffled.
He told of Mirabelle du Veau, his agony revealing.
For Raymonde de la Veal his woe was quite beyond concealing.
And still she sat without a word, her look so high and haughty,
You'd ne'er have thought it was her lord who had behaved so naughty.
Then Hongray finished up: "For life my hopes are doomed to slaughter;
For if I choose another wife, she's sure to be his daughter.
"
The Marquise rose.
"Cheer up," said she, "the last word is not spoken.
A Mother cannot sit and see her boy's heart rudely broken.
So dry your tears and calm your fears; no longer need you tarry;
To-day your bride you may decide, to-morrow you may marry.
Yes, you may wed with Mirabelle, or Raymonde if you'd rather.
.
.
For I as well the truth may tell.
.
.
Papa is not your father.
"
|
Written by
John Lindley |
In Hayfield I imagine
not just the nuts and bolts of split cockpits
but a Spitfire’s sunk fuselage
has smoked out its entirety unseen
from one century to the next.
At Edale Cross, Birch Vale or Kinder,
in rock, field or peat bog
more than machinery beds down and is lost,
it’s true
but here in this field
with all of the exposed corn,
yellow as scattered light
bubble-packing the soil,
the vanishings are less numerous
but no less strange -
a child here, a dog there,
a stoat whose teeth weren’t defence enough
have become a cache of quiet forgettings,
plucked without fuss
and gone without trace
and a frayed crucifix -
tweed coat, stoved in chest
and stitched neck ruff -
has shrugged his coat hanger shoulders
and pogo’d west from the rising sun.
In the first tatters of light
blameless crows rattle in the wind.
John Lindley
|
Written by
Robert Browning |
I.
My heart sank with our Claret-flask,
Just now, beneath the heavy sedges
That serve this Pond's black face for mask
And still at yonder broken edges
O' the hole, where up the bubbles glisten,
After my heart I look and listen.
II.
Our laughing little flask, compelled
Thro' depth to depth more bleak and shady;
As when, both arms beside her held,
Feet straightened out, some gay French lady
Is caught up from life's light and motion,
And dropped into death's silent ocean!
---
Up jumped Tokay on our table,
Like a pygmy castle-warder,
Dwarfish to see, but stout and able,
Arms and accoutrements all in order;
And fierce he looked North, then, wheeling South,
Blew with his bugle a challenge to Drouth,
Cocked his flap-hat with the tosspot-feather,
Twisted his thumb in his red moustache,
Jingled his huge brass spurs together,
Tightened his waist with its Buda sash,
And then, with an impudence nought could abash,
Shrugged his hump-shoulder, to tell the beholder,
For twenty such knaves he should laugh but the bolder:
And so, with his sword-hilt gallantly jutting,
And dexter-hand on his haunch abutting,
Went the little man, Sir Ausbruch, strutting!
---
Here's to Nelson's memory!
'Tis the second time that I, at sea,
Right off Cape Trafalgar here,
Have drunk it deep in British Beer.
Nelson for ever---any time
Am I his to command in prose or rhyme!
Give me of Nelson only a touch,
And I save it, be it little or much:
Here's one our Captain gives, and so
Down at the word, by George, shall it go!
He says that at Greenwich they point the beholder
To Nelson's coat, ``still with tar on the shoulder:
``For he used to lean with one shoulder digging,
``Jigging, as it were, and zig-zag-zigging
``Up against the mizen-rigging!''
|
Written by
Dorothy Parker |
Love has had his way with me.
This my heart is torn and maimed
Since he took his play with me.
Cruel well the bow-boy aimed,
Shot, and saw the feathered shaft
Dripping bright and bitter red.
He that shrugged his wings and laughed-
Better had he left me dead.
Sweet, why do you plead me, then,
Who have bled so sore of that?
Could I bear it once again? .
.
.
Drop a hat, dear, drop a hat!
|
Written by
John Berryman |
Deprived of his enemy, shrugged to a standstill
horrible Henry, foaming.
Fan their way
toward him who will
in the high wood: the officers, their rest,
with p.
a.
echoing: his girl comes, say,
conned in to test
if he's still human, see,
therefore she get on the Sheriff's mike & howl
'Come down, come down'.
Therefore he un-budge, furious.
He'd flee
but only Heaven hangs over him foul.
At the crossways, downtown,
he dreams the folks are buying parsnips & suds
and paying rent to foes.
He slipt & fell.
It's golden here in the snow.
A mild crack: a far rifle.
Bogart's duds
truck back to Wardrobe.
Fancy the brain from hell
held out so long.
Let go.
|