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Best Famous Shoving Poems

Here is a collection of the all-time best famous Shoving poems. This is a select list of the best famous Shoving poetry. Reading, writing, and enjoying famous Shoving poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of shoving poems.

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Written by Sharon Olds | Create an image from this poem

The Clasp

 She was four, he was one, it was raining, we had colds,
we had been in the apartment two weeks straight,
I grabbed her to keep her from shoving him over on his
face, again, and when I had her wrist
in my grasp I compressed it, fiercely, for a couple
of seconds, to make an impression on her,
to hurt her, our beloved firstborn, I even almost
savored the stinging sensation of the squeezing,
the expression, into her, of my anger,
"Never, never, again," the righteous
chant accompanying the clasp. It happened very
fast-grab, crush, crush,
crush, release-and at the first extra
force, she swung her head, as if checking
who this was, and looked at me,
and saw me-yes, this was her mom,
her mom was doing this. Her dark,
deeply open eyes took me
in, she knew me, in the shock of the moment
she learned me. This was her mother, one of the
two whom she most loved, the two
who loved her most, near the source of love 
was this.


Written by G K Chesterton | Create an image from this poem

The Logical Vegetarian

 "Why shouldn't I have a purely vegetarian drink? Why shouldn't I take vegetables in their highest form, so to speak? The modest vegetarians ought to stick to wine or beer, plain vegetable drinks, instead of filling their goblets with the blood of bulls and elephants, as all conventional meat-eaters do, I suppose"--Dalroy.

You will find me drinking rum,
Like a sailor in a slum,
You will find me drinking beer like a Bavarian
You will find me drinking gin 
In the lowest kind of inn
Because I am a rigid Vegetarian.

So I cleared the inn of wine,
And I tried to climb the sign,
And I tried to hail the constable as "Marion."
But he said I couldn't speak,
And he bowled me to the Beak
Because I was a Happy Vegetarian.

Oh, I know a Doctor Gluck,
And his nose it had a hook,
And his attitudes were anything but Aryan;
So I gave him all the pork
That I had, upon a fork
Because I am myself a Vegetarian.

I am silent in the Club,
I am silent in the pub.,
I am silent on a bally peak in Darien;
For I stuff away for life
Shoving peas in with a knife,
Because I am a rigid Vegetarian.

No more the milk of cows
Shall pollute my private house
Than the milk of the wild mares of the Barbarian
I will stick to port and sherry,
For they are so very, very,
So very, very, very, Vegetarian.
Written by Amy Lowell | Create an image from this poem

Sancta Maria Succurre Miseris

 Dear Virgin Mary, far away,
Look down from Heaven while I pray.
Open your golden casement high,
And lean way out beyond the sky.
I am so little, it may be
A task for you to harken me.
O Lady Mary, I have bought
A candle, as the good priest taught.
I only had one penny, so
Old Goody Jenkins let it go.
It is a little bent, you see.
But Oh, be merciful to me!
I have not anything to give,
Yet I so long for him to live.
A year ago he sailed away
And not a word unto today.
I've strained my eyes from the sea-wall
But never does he come at all.
Other ships have entered port
Their voyages finished, long or short,
And other sailors have received
Their welcomes, while I sat and grieved.
My heart is bursting for his hail,
O Virgin, let me spy his sail.
~Hull down on the edge of a sun-soaked sea
Sparkle the bellying sails for me.
Taut to the push of a rousing wind
Shaking the sea till it foams behind,
The tightened rigging is shrill with the song:
"We are back again who were gone so long."~
One afternoon I bumped my head.
I sat on a post and wished I were dead
Like father and mother, for no one cared
Whither I went or how I fared.
A man's voice said, "My little lad,
Here's a bit of a toy to make you glad."
Then I opened my eyes and saw him plain,
With his sleeves rolled up, and the dark blue stain
Of tattooed skin, where a flock of quail
Flew up to his shoulder and met the tail
Of a dragon curled, all pink and green,
Which sprawled on his back, when it was seen.
He held out his hand and gave to me
The most marvellous top which could ever be.
It had ivory eyes, and jet-black rings,
And a red stone carved into little wings,
All joined by a twisted golden line,
And set in the brown wood, even and fine.
Forgive me, Lady, I have not brought
My treasure to you as I ought,
But he said to keep it for his sake
And comfort myself with it, and take
Joy in its spinning, and so I do.
It couldn't mean quite the same to you.
Every day I met him there,
Where the fisher-nets dry in the sunny air.
He told me stories of courts and kings,
Of storms at sea, of lots of things.
The top he said was a sort of sign
That something in the big world was mine.
~Blue and white on a sun-shot ocean.
Against the horizon a glint in motion.
Full in the grasp of a shoving wind,
Trailing her bubbles of foam behind,
Singing and shouting to port she races,
A flying harp, with her sheets and braces.~
O Queen of Heaven, give me heed,
I am in very utmost need.
He loved me, he was all I had,
And when he came it made the sad
Thoughts disappear. This very day
Send his ship home to me I pray.
I'll be a priest, if you want it so,
I'll work till I have enough to go
And study Latin to say the prayers
On the rosary our old priest wears.
I wished to be a sailor too,
But I will give myself to you.
I'll never even spin my top,
But put it away in a box. I'll stop
Whistling the sailor-songs he taught.
I'll save my pennies till I have bought
A silver heart in the market square,
I've seen some beautiful, white ones there.
I'll give up all I want to do
And do whatever you tell me to.
Heavenly Lady, take away
All the games I like to play,
Take my life to fill the score,
Only bring him back once more!
~The poplars shiver and turn their leaves,
And the wind through the belfry moans and grieves.
The gray dust whirls in the market square,
And the silver hearts are covered with care
By thick tarpaulins. Once again
The bay is black under heavy rain.~
The Queen of Heaven has shut her door.
A little boy weeps and prays no more.
Written by Carl Sandburg | Create an image from this poem

To a Contemporary Bunkshooter

 YOU come along. . . tearing your shirt. . . yelling about
Jesus.
Where do you get that stuff?
What do you know about Jesus?
Jesus had a way of talking soft and outside of a few
bankers and higher-ups among the con men of Jerusalem
everybody liked to have this Jesus around because
he never made any fake passes and everything
he said went and he helped the sick and gave the
people hope.


You come along squirting words at us, shaking your fist
and calling us all damn fools so fierce the froth slobbers
over your lips. . . always blabbing we're all
going to hell straight off and you know all about it.


I've read Jesus' words. I know what he said. You don't
throw any scare into me. I've got your number. I
know how much you know about Jesus.
He never came near clean people or dirty people but
they felt cleaner because he came along. It was your
crowd of bankers and business men and lawyers
hired the sluggers and murderers who put Jesus out
of the running.


I say the same bunch backing you nailed the nails into
the hands of this Jesus of Nazareth. He had lined
up against him the same crooks and strong-arm men
now lined up with you paying your way.

This Jesus was good to look at, smelled good, listened
good. He threw out something fresh and beautiful
from the skin of his body and the touch of his hands
wherever he passed along.
You slimy bunkshooter, you put a smut on every human
blossom in reach of your rotten breath belching
about hell-fire and hiccupping about this Man who
lived a clean life in Galilee.

When are you going to quit making the carpenters build
emergency hospitals for women and girls driven
crazy with wrecked nerves from your gibberish about
Jesus--I put it to you again: Where do you get that
stuff; what do you know about Jesus?


Go ahead and bust all the chairs you want to. Smash
a whole wagon load of furniture at every performance.
Turn sixty somersaults and stand on your
nutty head. If it wasn't for the way you scare the
women and kids I'd feel sorry for you and pass the hat.
I like to watch a good four-flusher work, but not when
he starts people puking and calling for the doctors.
I like a man that's got nerve and can pull off a great
original performance, but you--you're only a bug-
house peddler of second-hand gospel--you're only
shoving out a phoney imitation of the goods this
Jesus wanted free as air and sunlight.

You tell people living in shanties Jesus is going to fix it
up all right with them by giving them mansions in
the skies after they're dead and the worms have
eaten 'em.
You tell $6 a week department store girls all they need
is Jesus; you take a steel trust wop, dead without
having lived, gray and shrunken at forty years of
age, and you tell him to look at Jesus on the cross
and he'll be all right.
You tell poor people they don't need any more money
on pay day and even if it's fierce to be out of a job,
Jesus'll fix that up all right, all right--all they gotta
do is take Jesus the way you say.
I'm telling you Jesus wouldn't stand for the stuff you're
handing out. Jesus played it different. The bankers
and lawyers of Jerusalem got their sluggers and
murderers to go after Jesus just because Jesus
wouldn't play their game. He didn't sit in with
the big thieves.

I don't want a lot of gab from a bunkshooter in my religion.
I won't take my religion from any man who never works
except with his mouth and never cherishes any memory
except the face of the woman on the American
silver dollar.

I ask you to come through and show me where you're
pouring out the blood of your life.

I've been to this suburb of Jerusalem they call Golgotha,
where they nailed Him, and I know if the story is
straight it was real blood ran from His hands and
the nail-holes, and it was real blood spurted in red
drops where the spear of the Roman soldier rammed
in between the ribs of this Jesus of Nazareth.
Written by Marge Piercy | Create an image from this poem

Implications of One Plus One

 Sometimes we collide, tectonic plates merging, 
continents shoving, crumpling down into the molten 
veins of fire deep in the earth and raising 
tons of rock into jagged crests of Sierra. 

Sometimes your hands drift on me, milkweed's 
airy silk, wingtip's feathery caresses, 
our lips grazing, a drift of desires gathering 
like fog over warm water, thickening to rain. 

Sometimes we go to it heartily, digging, 
burrowing, grunting, tossing up covers 
like loose earth, nosing into the other's 
flesh with hot nozzles and wallowing there. 

Sometimes we are kids making out, silly 
in the quilt, tickling the xylophone spine, 
blowing wet jokes, loud as a whole 
slumber party bouncing till the bed breaks. 

I go round and round you sometimes, scouting, 
blundering, seeking a way in, the high boxwood 
maze I penetrate running lungs bursting 
toward the fountain of green fire at the heart. 

Sometimes you open wide as cathedral doors 
and yank me inside. Sometimes you slither 
into me like a snake into its burrow. 
Sometimes you march in with a brass band. 

Ten years of fitting our bodies together 
and still they sing wild songs in new keys. 
It is more and less than love: timing, 
chemistry, magic and will and luck. 

One plus one equal one, unknowable except 
in the moment, not convertible into words, 
not explicable or philosophically interesting. 
But it is. And it is. And it is. Amen.


Written by Carl Sandburg | Create an image from this poem

Two Items

 STRONG rocks hold up the riksdag bridge … always strong river waters shoving their shoulders against them …
In the riksdag to-night three hundred men are talking to each other about more potatoes and bread for the Swedish people to eat this winter.
In a boat among calm waters next to the running waters a fisherman sits in the dark and I, leaning at a parapet, see him lift a net and let it down … he waits … the waters run … the riksdag talks … he lifts the net and lets it down …
Stars lost in the sky ten days of drizzle spread over the sky saying yes-yes.

Every afternoon at four o’clock fifteen apple women who have sold their apples in Christiania meet at a coffee house and gab.
Every morning at nine o’clock a girl wipes the windows of a hotel across the street from the post-office in Stockholm.
I have pledged them when I go to California next summer and see the orange groves splattered with yellow balls
I shall remember other people half way round the world.
Written by Carl Sandburg | Create an image from this poem

The Right to Grief

 To Certain Poets About to Die

TAKE your fill of intimate remorse, perfumed sorrow,
Over the dead child of a millionaire,
And the pity of Death refusing any check on the bank
Which the millionaire might order his secretary to
scratch off
And get cashed.

Very well,
You for your grief and I for mine.
Let me have a sorrow my own if I want to.

I shall cry over the dead child of a stockyards hunky.
His job is sweeping blood off the floor.
He gets a dollar seventy cents a day when he works
And it's many tubs of blood he shoves out with a broom
day by day.

Now his three year old daughter
Is in a white coffin that cost him a week's wages.
Every Saturday night he will pay the undertaker fifty
cents till the debt is wiped out.

The hunky and his wife and the kids
Cry over the pinched face almost at peace in the white box.

They remember it was scrawny and ran up high doctor bills.
They are glad it is gone for the rest of the family now
will have more to eat and wear.

Yet before the majesty of Death they cry around the coffin
And wipe their eyes with red bandanas and sob when
the priest says, "God have mercy on us all."

I have a right to feel my throat choke about this.
You take your grief and I mine--see?
To-morrow there is no funeral and the hunky goes back
to his job sweeping blood off the floor at a dollar
seventy cents a day.
All he does all day long is keep on shoving hog blood
ahead of him with a broom.
Written by Delmore Schwartz | Create an image from this poem

News Of The Gold World Of May

 News of the Gold World of May in Holland Michigan:
"Wooden shoes will clatter again
 on freshly scrubbed streets--"

The tulip will arise and reign again from awnings and
 windows
 of all colors and forms
 its vine, verve and valentine curves

 upon the city streets, the public grounds 
 and private lawns
 (wherever it is conceivable
 that a bulb might take root
 and the two lips, softly curved, come up 
 possessed by the skilled love and will of a ballerina.)

The citizens will dance in folk dances.
 They will thump, they will pump, 
 thudding and shoving 
 elbow and thigh, 
 bumping and laughing, like barrels and bells.

Vast fields of tulips in full bloom,
 the reproduction of a miniature Dutch village, 
 part of a gigantic flower show.
Written by Carl Sandburg | Create an image from this poem

The Liars

 (March, 1919)A LIAR goes in fine clothes.
A liar goes in rags.
A liar is a liar, clothes or no clothes.
A liar is a liar and lives on the lies he tells and dies in a life of lies.
And the stonecutters earn a living—with lies—on the tombs of liars.

Aliar looks ’em in the eye
And lies to a woman,
Lies to a man, a pal, a child, a fool.
And he is an old liar; we know him many years back.

 A liar lies to nations.
 A liar lies to the people.
A liar takes the blood of the people
And drinks this blood with a laugh and a lie,
 A laugh in his neck,
 A lie in his mouth.
And this liar is an old one; we know him many years.
 He is straight as a dog’s hind leg.
 He is straight as a corkscrew.
He is white as a black cat’s foot at midnight.

The tongue of a man is tied on this,
On the liar who lies to nations,
The liar who lies to the people.
The tongue of a man is tied on this
And ends: To hell with ’em all.
 To hell with ’em all.

It’s a song hard as a riveter’s hammer,
 Hard as the sleep of a crummy hobo,
 Hard as the sleep of a lousy doughboy,
Twisted as a shell-shock idiot’s gibber.

The liars met where the doors were locked.
They said to each other: Now for war.
The liars fixed it and told ’em: Go.

Across their tables they fixed it up,
Behind their doors away from the mob.
And the guns did a job that nicked off millions.
The guns blew seven million off the map,
The guns sent seven million west.
Seven million shoving up the daisies.
Across their tables they fixed it up,
 The liars who lie to nations.

 And now
 Out of the butcher’s job
 And the boneyard junk the maggots have cleaned,
 Where the jaws of skulls tell the jokes of war ghosts,
Out of this they are calling now: Let’s go back where we were.
 Let us run the world again, us, us.

Where the doors are locked the liars say: Wait and we’ll cash in again.

So I hear The People talk.
I hear them tell each other:
 Let the strong men be ready.
 Let the strong men watch.
 Let your wrists be cool and your head clear.
 Let the liars get their finish,
 The liars and their waiting game, waiting a day again
 To open the doors and tell us: War! get out to your war again.

So I hear The People tell each other:
 Look at to-day and to-morrow.
 Fix this clock that nicks off millions
 When The Liars say it’s time.
 Take things in your own hands.
 To hell with ’em all,
 The liars who lie to nations,
 The liars who lie to The People.

Book: Radiant Verses: A Journey Through Inspiring Poetry