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Best Famous Shove Poems

Here is a collection of the all-time best famous Shove poems. This is a select list of the best famous Shove poetry. Reading, writing, and enjoying famous Shove poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of shove poems.

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Written by Ralph Waldo Emerson | Create an image from this poem

Blight

Give me truths;
For I am weary of the surfaces,
And die of inanition.
If I knew Only the herbs and simples of the wood, Rue, cinquefoil, gill, vervain and agrimony, Blue-vetch and trillium, hawkweed, sassafras, Milkweeds and murky brakes, quaint pipes and sun-dew, And rare and virtuous roots, which in these woods Draw untold juices from the common earth, Untold, unknown, and I could surely spell Their fragrance, and their chemistry apply By sweet affinities to human flesh, Driving the foe and stablishing the friend,-- O, that were much, and I could be a part Of the round day, related to the sun And planted world, and full executor Of their imperfect functions.
But these young scholars, who invade our hills, Bold as the engineer who fells the wood, And traveling often in the cut he makes, Love not the flower they pluck, and know it not, And all their botany is Latin names.
The old men studied magic in the flowers, And human fortunes in astronomy, And an omnipotence in chemistry, Preferring things to names, for these were men, Were unitarians of the united world, And, wheresoever their clear eye-beams fell, They caught the footsteps of the SAME.
Our eyes And strangers to the mystic beast and bird, And strangers to the plant and to the mine.
The injured elements say, 'Not in us;' And haughtily return us stare for stare.
For we invade them impiously for gain; We devastate them unreligiously, And coldly ask their pottage, not their love.
Therefore they shove us from them, yield to us Only what to our griping toil is due; But the sweet affluence of love and song, The rich results of the divine consents Of man and earth, of world beloved and lover, The nectar and ambrosia, are withheld; And in the midst of spoils and slaves, we thieves And pirates of the universe, shut out Daily to a more thin and outward rind, Turn pale and starve.
Therefore, to our sick eyes, The stunted trees look sick, the summer short, Clouds shade the sun, which will not tan our hay, And nothing thrives to reach its natural term; And life, shorn of its venerable length, Even at its greatest space is a defeat, And dies in anger that it was a dupe; And, in its highest noon and wantonness, Is early frugal, like a beggar's child; Even in the hot pursuit of the best aims And prizes of ambition, checks its hand, Like Alpine cataracts frozen as they leaped, Chilled with a miserly comparison Of the toy's purchase with the length of life.


Written by Billy Collins | Create an image from this poem

Dharma

 The way the dog trots out the front door
every morning
without a hat or an umbrella,
without any money
or the keys to her doghouse
never fails to fill the saucer of my heart
with milky admiration.
Who provides a finer example of a life without encumbrance— Thoreau in his curtainless hut with a single plate, a single spoon? Gandhi with his staff and his holy diapers? Off she goes into the material world with nothing but her brown coat and her modest blue collar, following only her wet nose, the twin portals of her steady breathing, followed only by the plume of her tail.
If only she did not shove the cat aside every morning and eat all his food what a model of self-containment she would be, what a paragon of earthly detachment.
If only she were not so eager for a rub behind the ears, so acrobatic in her welcomes, if only I were not her god.
Written by Rg Gregory | Create an image from this poem

adventure

 just as the dusk comes hooting
down through the shivering black leaves
of the swinging trees we (the brave ones
swaggering like marshalls through a lynch-mob)
crash-bang our way to the door
of the so-called haunted house

knock knock - kick in a pane of glass
and the dusk hoots louder in our ears
and the swinging trees ride like a mob
with murder in mind - knock knock -
the heavy knocker on the solid door
shaking the house - knock knock
knock knock - louder shaking our brave
bodies the heavy knocker of our hearts

knock knock - knock knock knock

we laugh with a harsh laughter we
have never heard before push and shove
each other in a boisterous fear
lean on heave crash open the door
fall in a heap inside - pick ourselves up
courageous still giggling and bruised.
.
.
.
.
shush find words bounce our voices off the walls.
.
.
.
shush shush yell catcalls scream shriek roar batter and shatter.
.
.
.
.
shush shush shush oh shush yourselves no really - shush in the air under the stair what can we hear shush are you getting scared we knew it we knew that if we dared.
.
.
.
we can hear noises noises noises in an empty house the sound of our voices echoes in crevices rattles in doorways booms in the hollowness of empty rooms no that isn't all that doesn't explain the tall hooded silence standing in the hall or the whispering smell of dust bristling the floor scurrying like the dried-up bones of mice to the hole in the crumbling wall something snatches our voices away from us too quickly for our voices to be all nonsense the house is dead it can't harm us old bricks and wood you're letting the darkness go to your head shout if you don't believe us shout if anybody's there if anybody's there you won't get us afraid of you whoever you are whoever you are this is what we think of you boo boo boo what's wrong what's wrong tell us what's wrong listen nothing no nothing at all your voices went but they didn't return you called but nothing came back at all there's something there swallowing up words absorbing them into air heavy waiting alert (daddy-longlegs pitch on skin sinister fingers whisper through the roots of our hair.
.
.
.
) .
.
.
.
we're not afraid of you nothing nobody we know you're there what is it at the end of the passage in the gloom by the still door eyeing without eyes everything we do sucking us in with its black stare you think it's funny don't you trying to frighten us keeping out of sight come out here if you're anything - we'll show you arms move suddenly along the wall the moon riding hard on foaming clouds stands solid in the door and it's not a good moon at all why did we come we should have stayed home but here we are in an evil room trapped between the witchcraft of an empty house and the cold hard grin of the moon i'm going in you can't i must you'll become air a heavy silence a dance of dust there's nothing there nothing nothing there he gives a brave laugh but a laugh drained of blood and moves down the passage to the masked door hesitates and turns wanting our support frightened to his heart's core steps no - is drawn - backwards into a black space rapidly dissolving in our misted eyes we half-hear a short gasp - no more the moon's grin is louder as (on his restless clouds) he bucks about the sky no one returns to us and in the morning (rooted in fear we could not leave the place but spent the night huddled in one big stack in the frozen hall) and in the morning we find not a single trace of the friend who went as simply as any word into thin air
Written by Allen Ginsberg | Create an image from this poem

Please Master

 Please master can I touch your cheeck
please master can I kneel at your feet
please master can I loosen your blue pants
please master can I gaze at your golden haired belly
please master can I have your thighs bare to my eyes
please master can I take off my clothes below your chair
please master can I can I kiss your ankles and soul
please master can I touch lips to your hard muscle hairless thigh
please master can I lay my ear pressed to your stomach
please master can I wrap my arms around your white ass
please master can I lick your groin gurled with blond soft fur
please master can I touch my tongue to your rosy *******
please master may I pass my face to your balls,
please master order me down on the floor,
please master tell me to lick your thick shaft
please master put your rough hands on my bald hairy skull
please master press my mouth to your prick-heart
please master press my face into your belly, pull me slowly strong thumbed
till your dumb hardness fills my throat to the base
till I swallow and taste your delicate flesh-hot prick barrel veined Please
Mater push my shoulders away and stare in my eyes, & make me bend over 
 the table
please master grab my thighs and lift my ass to your waist
please master your hand's rough stroke on my neck your palm down to my
 backside
please master push me, my feet on chairs, till my hole feels the breath of 
 your spit and your thumb stroke
please master make my say Please Master **** me now Please
Master grease my balls and hairmouth with sweet vaselines
please master stroke your shaft with white creams
please master touch your cock head to my wrinkled self-hole
please master push it in gently, your elbows enwrapped round my breast
your arms passing down to my belly, my ***** you touch w/ your fingers
please master shove it in me a little, a little, a little,
please master sink your droor thing down my behind
& please master make me wiggle my rear to eat up the prick trunk
till my asshalfs cuddle your thighs, my back bent over,
till I'm alone sticking out, your sword stuck throbbing in me
please master pull out and slowly roll onto the bottom
please master lunge it again, and withdraw the tip
please please master **** me again with your self, please **** me Please
Master drive down till it hurts me the softness the
Softness please master make love to my ass, give body to center, & **** me
 for good like a girl,
tenderly clasp me please master I take me to thee,
& drive in my belly your selfsame sweet heat-rood
you fingered in solitude Denver or Brooklyn or fucked in a maiden in Paris
 carlots
please master drive me thy vehicle, body of love drops, sweat ****
body of tenderness, Give me your dogh **** faster
please master make me go moan on the table
Go moan O please master do **** me like that
in your rhythm thrill-plunge & pull-back-bounce & push down
till I loosen my ******* a dog on the table yelping with terror delight to be
 loved
Please master call me a dog, an ass beast, a wet *******, 
& **** me more violent, my eyes hid with your palms round my skull
& plunge down in a brutal hard lash thru soft drip-fish
& throb thru five seconds to spurt out your semen heat
over & over, bamming it in while I cry out your name I do love you
please Master.
May 1968
Written by James Joyce | Create an image from this poem

The Ballad of Persse OReilly

 Have you heard of one Humpty Dumpty
How he fell with a roll and a rumble
And curled up like Lord Olofa Crumple
By the butt of the Magazine Wall,
 (Chorus) Of the Magazine Wall,
 Hump, helmet and all?

He was one time our King of the Castle
Now he's kicked about like a rotten old parsnip.
And from Green street he'll be sent by order of His Worship To the penal jail of Mountjoy (Chorus) To the jail of Mountjoy! Jail him and joy.
He was fafafather of all schemes for to bother us Slow coaches and immaculate contraceptives for the populace, Mare's milk for the sick, seven dry Sundays a week, Openair love and religion's reform, (Chorus) And religious reform, Hideous in form.
Arrah, why, says you, couldn't he manage it? I'll go bail, my fine dairyman darling, Like the bumping bull of the Cassidys All your butter is in your horns.
(Chorus) His butter is in his horns.
Butter his horns! (Repeat) Hurrah there, Hosty, frosty Hosty, change that shirt on ye, Rhyme the rann, the king of all ranns! Balbaccio, balbuccio! We had chaw chaw chops, chairs, chewing gum, the chicken-pox and china chambers Universally provided by this soffsoaping salesman.
Small wonder He'll Cheat E'erawan our local lads nicknamed him.
When Chimpden first took the floor (Chorus) With his bucketshop store Down Bargainweg, Lower.
So snug he was in his hotel premises sumptuous But soon we'll bonfire all his trash, tricks and trumpery And 'tis short till sheriff Clancy'll be winding up his unlimited company With the bailiff's bom at the door, (Chorus) Bimbam at the door.
Then he'll bum no more.
Sweet bad luck on the waves washed to our island The hooker of that hammerfast viking And Gall's curse on the day when Eblana bay Saw his black and tan man-o'-war.
(Chorus) Saw his man-o'-war On the harbour bar.
Where from? roars Poolbeg.
Cookingha'pence, he bawls Donnez-moi scampitle, wick an wipin'fampiny Fingal Mac Oscar Onesine Bargearse Boniface Thok's min gammelhole Norveegickers moniker Og as ay are at gammelhore Norveegickers cod.
(Chorus) A Norwegian camel old cod.
He is, begod.
Lift it, Hosty, lift it, ye devil, ye! up with the rann, the rhyming rann! It was during some fresh water garden pumping Or, according to the Nursing Mirror, while admiring the monkeys That our heavyweight heathen Humpharey Made bold a maid to woo (Chorus) Woohoo, what'll she doo! The general lost her maidenloo! He ought to blush for himself, the old hayheaded philosopher, For to go and shove himself that way on top of her.
Begob, he's the crux of the catalogue Of our antediluvial zoo, (Chorus) Messrs Billing and Coo.
Noah's larks, good as noo.
He was joulting by Wellinton's monument Our rotorious hippopopotamuns When some bugger let down the backtrap of the omnibus And he caught his death of fusiliers, (Chorus) With his rent in his rears.
Give him six years.
'Tis sore pity for his innocent poor children But look out for his missus legitimate! When that frew gets a grip of old Earwicker Won't there be earwigs on the green? (Chorus) Big earwigs on the green, The largest ever you seen.
Suffoclose! Shikespower! Seudodanto! Anonymoses! Then we'll have a free trade Gael's band and mass meeting For to sod him the brave son of Scandiknavery.
And we'll bury him down in Oxmanstown Along with the devil and the Danes, (Chorus) With the deaf and dumb Danes, And all their remains.
And not all the king's men nor his horses Will resurrect his corpus For there's no true spell in Connacht or hell (bis) That's able to raise a Cain.


Written by Rg Gregory | Create an image from this poem

from Proverbs of Hell

 (a) radical

ban all fires
and places where people congregate
to create comfort
put an end to sleep
good cooking
and the delectation of wine
tear lovers apart
piss on the sun and moon
degut all heavenly harmony
strike out across the bitter ice
and the poisonous marshes

make (if you dare) a better world

(b) expect poison from standing water
  (iii)
lake erie
why not as a joke one night
pick up your bed and walk
to washington – sleep
your damned sleep in its streets
so that one bright metallic morning
it can wake up to the stench
and fermentation of flesh
the gutrot of nerves – the blood’s
green effervescence so active
your skin has a job to keep it all in

isn’t that what things with the palsy
are supposed to do – lovely lake
give the world the miracle it waits for
what a laugh that would be

especially if washington lost its temper
and screamed christ lake erie
i don’t even know what to do
with my own garbage

pollution is just one of those things

go on lake erie
do it tonight

(c) drive your cart and your plow over the bones of the dead

(i)
isn't the next one
easter egg

  i don't want to live any more in an old way

yes it is

  to be a socialist wearing capitalism's cap
  a teacher in the shadow of a dead headmaster
  a tree using somebody else's old sap

  i want to build my future out of new emotions
  to seek more than my own in a spring surround
  to move amongst people keen to move outwards
  putting love and ideas into fresh ground

  who will come with me across this border
  not anywhere but in the bonds we make
  taking the old apart to find new order
  living ourselves boldly for each other's sake

then love is

  if you ask me today what love is
  i should have to name the people i love
  and perhaps because it's spring
  and i cannot control the knife that's in me
  their names would surprise me as much as you

  for years i have assumed that love is bloody
  a thing locked up in house and a family tree
  but suddenly its ache goes out beyond me
  and the first love is greater for the new

  this year more than any other
  the winter has savaged my deepest roots
  and the easter sun is banging hard against the window
  the arms of my loves are flowering widely
  and over the fields a new definition is running

  even though the streets we walk cannot be altered
  and faces there are that will not understand
  we have a sun born of our mutual longings
  whose shine is a hard fact - love is a new land

new spartans

  i haven't felt this young for twenty years
  yesterday i felt twenty years older
  then i had the curtains drawn over recluse fears
  today the sun comes in and instantly it's colder

  must shave and get dressed - i'm being nagged
  to shove my suspicions in a corner and get out
  what use the sun if being plagued with new life
  i can't throw off this centrally-heated doubt

  accept people with ice in their brows
  are the new spartans - they wait
      shall i go with them
  indoor delights that slowly breed into lies
  need to be dumped out of doors - and paralysis with them

no leave it
there's still one more
the need now

  the need now is to chronicle new times
  by their own statutes not as ***-ends of the old
  ideas stand out bravely against the surrounding grey
  seeking their own order in what themselves proclaim
  fortresses no longer belong by right to an older day

  i want to gather in my hands things i believe in
  not to be told that other rules prevail - there is
  a treading forward to be done of great excitement
  and people to be found who by the old laws
  should be little more than dead
      this enlightment

  is cutting like spring into a bitter winter
  and there is this smashing of many concrete shells
  a dream with the cheek to be aggressive has assumed
  its own flesh and bone and will not put up with sleep
  as its prime condition - life out of death is exhumed

it's the other side
is so disappointing
no thanks
leave it for now

(ii)

there follows a brief interlude in honour of mr vasko popa
(the yugoslav poet who in a short visit to this country
has stayed a long time)
and it will not now take place

  this game is called x
  no one else can play

  when the game is over
  we have all joined in

  those who have not been playing
  have to give in an ear

  if you don't have an ear
  use one of those lying about

  left over from the last time
  the game wasn't played

  this game is not to do with ears
  shooting must be done from the heart

  x sits in the middle of the ring - he
  has gone for a stroll up his left nostril

  how can he seize a left-over ear
  and drag it under the ground

  hands up if you have been shot from the heart
  x comes up in the middle of himself

  in this way the game is over before
  it began and everyone willy-nilly

  has had to go home
  before he could put a foot outside


(d) enough! – or too much

   reading popa
   i let fly
   too many words

   i bang away
   at the seed
   but can’t break it

   hurt i turn to
   constructing
   castles with cards

   if you can’t split
   the atom
   man stop writing
Written by John Milton | Create an image from this poem

Lycidas

 In this Monody the author bewails a learned Friend, unfortunately
drowned in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy, 
then in their height.
YET once more, O ye laurels, and once more, Ye myrtles brown, with ivy never sere, I come to pluck your berries harsh and crude, And with forced fingers rude Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier Unwept, and welter to the parching wind, Without the meed of some melodious tear.
Begin, then, Sisters of the sacred well That from beneath the seat of Jove doth spring; Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse: So may some gentle Muse With lucky words favour my destined urn, And as he passes turn, And bid fair peace be to my sable shroud! For we were nursed upon the self-same hill, Fed the same flock, by fountain, shade, and rill; Together both, ere the high lawns appeared Under the opening eyelids of the Morn, We drove a-field, and both together heard What time the grey-fly winds her sultry horn, Battening our flocks with the fresh dews of night, Oft till the star that rose at evening bright Toward heaven's descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute; Tempered to the oaten flute, Rough Satyrs danced, and Fauns with cloven heel From the glad sound would not be absent long; And old Damoetas loved to hear our song.
But, oh! the heavy change, now thou art gone, Now thou art gone and never must return! Thee, Shepherd, thee the woods and desert caves, With wild thyme and the gadding vine o'ergrown, And all their echoes, mourn.
The willows, and the hazel copses green, Shall now no more be seen Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose, Or taint-worm to the weanling herds that graze, Or frost to flowers, that their gay wardrobe wear, When first the white-thorn blows; Such, Lycidas, thy loss to shepherd's ear.
Where were ye, Nymphs, when the remorseless deep Closed o'er the head of your loved Lycidas? For neither were ye playing on the steep Where your old bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream RHad ye been there,S .
.
.
for what could that have done? What could the Muse herself that Orpheus bore, The Muse herself, for her enchanting son, Whom universal nature did lament, When, by the rout that made the hideous roar, His gory visage down the stream was sent, Down the swift Hebrus to the Lesbian shore? Alas! what boots it with uncessant care To tend the homely, slighted, shepherd's trade, And strictly meditate the thankless Muse? Were it not better done, as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair? Fame is the spur that the clear spirit doth raise (That last infirmity of noble mind) To scorn delights and live laborious days; But, the fair guerdon when we hope to find, And think to burst out into sudden blaze, Comes the blind Fury with the abhorred shears, And slits the thin-spun life.
RBut not the praise," Phoebus replied, and touched my trembling ears: RFame is no plant that grows on mortal soil, Nor in the glistering foil Set off to the world, nor in broad rumour lies, But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove; As he pronounces lastly on each deed, Of so much fame in heaven expect thy meed.
" O fountain Arethuse, and thou honoured flood, Smooth-sliding Mincius, crowned with vocal reeds, That strain I heard was of a higher mood.
But now my oat proceeds, And listens to the Herald of the Sea, That came in Neptune's plea.
He asked the waves, and asked the felon winds, What hard mishap hath doomed this gentle swain? And questioned every gust of rugged wings That blows from off each beaked promontory.
They knew not of his story; And sage Hippotades their answer brings, That not a blast was from his dungeon strayed: The air was calm, and on the level brine Sleek Panope with all her sisters played.
It was that fatal and perfidious bark, Built in the eclipse, and rigged with curses dark, That sunk so low that sacred head of thine.
Next, Camus, reverend sire, went footing slow, His mantle hairy, and his bonnet sedge, Inwrought with figures dim, and on the edge Like to that sanguine flower inscribed with woe.
Ah! who hath reft," quoth he, Rmy dearest pledge?" Last came, and last did go, The Pilot of the Galilean Lake; Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:-- RHow well could I have spared for thee, young swain, Enow of such as, for their bellies' sake, Creep, and intrude, and climb into the fold! Of other care they little reckoning make Than how to scramble at the shearers' feast, And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold A sheep-hook, or have learnt aught else the least That to the faithful herdman's art belongs! What recks it them? What need they? They are sped: And, when they list, their lean and flashy songs Grate on their scrannel pipes of wretched straw; The hungry sheep look up, and are not fed, But, swoln with wind and the rank mist they draw, Rot inwardly, and foul contagion spread; Besides what the grim wolf with privy paw Daily devours apace, and nothing said.
But that two-handed engine at the door Stands ready to smite once, and smite no more.
" Return, Alpheus; the dread voice is past That shrunk thy streams; return Sicilian Muse, And call the vales, and bid them hither cast Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use Of shades, and wanton winds, and gushing brooks, On whose fresh lap the swart star sparely looks, Throw hither all your quaint enamelled eyes, That on the green turf suck the honeyed showers, And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies, The tufted crow-toe, and pale jessamine, The white pink, and the pansy freaked with jet, The glowing violet, The musk-rose, and the well-attired woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears; Bid amaranthus all his beauty shed, And daffadillies fill their cups with tears, To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease, Let our frail thoughts dally with false surmise, Ay me! whilst thee the shores and sounding seas Wash far away, where'er thy bones are hurled; Whether beyond the stormy Hebrides, Where thou perhaps under the whelming tide Visit'st the bottom of the monstrous world; Or whether thou, to our moist vows denied, Sleep'st by the fable of Bellerus old, Where the great Vision of the guarded mount Looks toward Namancos and Bayona's hold.
Look homeward, Angel, now, and melt with ruth: And, O ye dolphins, waft the hapless youth.
Weep no more, woeful shepherds, weep no more, For Lycidas, your sorrow, is not dead, Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed, And yet anon repairs his drooping head, And tricks his beams, and with new-spangled ore Flames in the forehead of the morning sky: So Lycidas sunk low, but mounted high, Through the dear might of Him that walked the waves, Where, other groves and other streams along, With nectar pure his oozy locks he laves, And hears the unexpressive nuptial song, In the blest kingdoms meek of joy and love.
There entertain him all the Saints above, In solemn troops, and sweet societies, That Sing, and singing in their glory move, And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more; Henceforth thou art the Genius of the shore, In thy large recompense, and shalt be good To all that wander in that perilous flood.
Thus sang the uncouth swain to the oaks and rills, While the still morn went out with sandals grey: He touched the tender stops of various quills, With eager thought warbling his Doric lay: And now the sun had stretched out all the hills, And now was dropt into the western bay.
At last he rose, and twitched his mantle blue: Tomorrow to fresh woods, and pastures new.
Written by Anne Sexton | Create an image from this poem

The Fallen Angels

 They come on to my clean
sheet of paper and leave a Rorschach blot.
They do not do this to be mean, they do it to give me a sign they want me, as Aubrey Beardsley once said, to shove it around till something comes.
Clumsy as I am, I do it.
For I am like them - both saved and lost, tumbling downward like Humpty Dumpty off the alphabet.
Each morning I push them off my bed and when they get in the salad rolling in it like a dog, I pick each one out just the way my daughter picks out the anchoives.
In May they dance on the jonquils, wearing out their toes, laughing like fish.
In November, the dread month, they suck the childhood out of the berries and turn them sour and inedible.
Yet they keep me company.
They wiggle up life.
They pass out their magic like Assorted Lifesavers.
They go with me to the dentist and protect me form the drill.
At the same time, they go to class with me and lie to my students.
O fallen angel, the companion within me, whisper something holy before you pinch me into the grave.
Written by Rudyard Kipling | Create an image from this poem

Tommy

 I went into a public-'ouse to get a pint o' beer,
The publican 'e up an' sez, "We serve no red-coats here.
" The girls be'ind the bar they laughed an' giggled fit to die, I outs into the street again an' to myself sez I: O it's Tommy this, an' Tommy that, an' "Tommy, go away"; But it's "Thank you, Mister Atkins", when the band begins to play, The band begins to play, my boys, the band begins to play, O it's "Thank you, Mister Atkins", when the band begins to play.
I went into a theatre as sober as could be, They gave a drunk civilian room, but 'adn't none for me; They sent me to the gallery or round the music-'alls, But when it comes to fightin', Lord! they'll shove me in the stalls! For it's Tommy this, an' Tommy that, an' "Tommy, wait outside"; But it's "Special train for Atkins" when the trooper's on the tide, The troopship's on the tide, my boys, the troopship's on the tide, O it's "Special train for Atkins" when the trooper's on the tide.
Yes, makin' mock o' uniforms that guard you while you sleep Is cheaper than them uniforms, an' they're starvation cheap; An' hustlin' drunken soldiers when they're goin' large a bit Is five times better business than paradin' in full kit.
Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?" But it's "Thin red line of 'eroes" when the drums begin to roll, The drums begin to roll, my boys, the drums begin to roll, O it's "Thin red line of 'eroes" when the drums begin to roll.
We aren't no thin red 'eroes, nor we aren't no blackguards too, But single men in barricks, most remarkable like you; An' if sometimes our conduck isn't all your fancy paints, Why, single men in barricks don't grow into plaster saints; While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind", But it's "Please to walk in front, sir", when there's trouble in the wind, There's trouble in the wind, my boys, there's trouble in the wind, O it's "Please to walk in front, sir", when there's trouble in the wind.
You talk o' better food for us, an' schools, an' fires, an' all: We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face The Widow's Uniform is not the soldier-man's disgrace.
For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!" But it's "Saviour of 'is country" when the guns begin to shoot; An' it's Tommy this, an' Tommy that, an' anything you please; An' Tommy ain't a bloomin' fool -- you bet that Tommy sees!
Written by Ogden Nash | Create an image from this poem

The Dog

 The truth I do not stretch or shove
When I state that the dog is full of love.
I've also found, by actual test, A wet dog is the lovingest.

Book: Shattered Sighs