Written by
Matthew Arnold |
The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanch'd land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago
Heard it on the {AE}gean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furl'd.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
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Written by
Joyce Kilmer |
Whenever I walk to Suffern along the Erie track
I go by a poor old farmhouse with its shingles broken and black.
I suppose I've passed it a hundred times, but I always stop for
a minute
And look at the house, the tragic house, the house with nobody in
it.
I never have seen a haunted house, but I hear there
are such things;
That they hold the talk of spirits, their mirth and sorrowings.
I know this house isn't haunted, and I wish it were, I do;
For it wouldn't be so lonely if it had a ghost or two.
This house on the road to Suffern needs a dozen
panes of glass,
And somebody ought to weed the walk and take a scythe to the grass.
It needs new paint and shingles, and the vines should be trimmed
and tied;
But what it needs the most of all is some people living inside.
If I had a lot of money and all my debts were paid
I'd put a gang of men to work with brush and saw and spade.
I'd buy that place and fix it up the way it used to be
And I'd find some people who wanted a home and give it to them free.
Now, a new house standing empty, with staring window
and door,
Looks idle, perhaps, and foolish, like a hat on its block in the
store.
But there's nothing mournful about it; it cannot be sad and lone
For the lack of something within it that it has never known.
But a house that has done what a house should do,
a house that has sheltered life,
That has put its loving wooden arms around a man and his wife,
A house that has echoed a baby's laugh and held up his stumbling
feet,
Is the saddest sight, when it's left alone, that ever your eyes
could meet.
So whenever I go to Suffern along the Erie track
I never go by the empty house without stopping and looking back,
Yet it hurts me to look at the crumbling roof and the shutters fallen
apart,
For I can't help thinking the poor old house is a house with a broken
heart.
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Written by
Ogden Nash |
Some people, and it doesn't matter whether they are paupers or millionaires, Think that anything they have is the best in the world just because it is theirs. If they happen to own a 1921 jalopy, They look at their neighbor's new de luxe convertible like the wearer of a 57th Street gown at a 14th Street copy. If their seventeen-year-old child is still in the third grade they sneer at the graduation of the seventeen-year-old children of their friends, Claiming that prodigies always come to bad ends, And if their roof leaks, It's because the shingles are antiques. Other people, and if doesn't matter if they are Scandinavians or Celts, Think that anything is better than theirs just because it belongs to somebody else. If you congratulate them when their blue-blooded Doberman pinscher wins the obedience championship, they look at you like a martyr, And say that the garbage man's little Rover is really infinitely smarter; And if they smoke fifteen-cent cigars they are sure somebody else gets better cigars for a dime. And if they take a trip to Paris they are sure their friends who went to Old Orchard had a better time. Yes, they look on their neighbor's ox and ass with covetousness and their own ox and ass with abhorrence, And if they are wives they want their husband to be like Florence's Freddie, and if they are husbands they want their wives to be like Freddie's Florence. I think that comparisons are truly odious, I do not approve of this constant proud or envious to-do; And furthermore, dear friends, I think that you and yours are delightful and I also think that me and mine are delightful too.
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Written by
C K Williams |
The first morning of Three Mile Island: those first disquieting, uncertain,
mystifying hours.
All morning a crew of workmen have been tearing the old decrepit roof
off our building,
and all morning, trying to distract myself, I've been wandering out to
watch them
as they hack away the leaden layers of asbestos paper and disassemble
the disintegrating drains.
After half a night of listening to the news, wondering how to know a
hundred miles downwind
if and when to make a run for it and where, then a coming bolt awake
at seven
when the roofers we've been waiting for since winter sent their ladders
shrieking up our wall,
we still know less than nothing: the utility company continues making
little of the accident,
the slick federal spokesmen still have their evasions in some semblance
of order.
Surely we suspect now we're being lied to, but in the meantime, there
are the roofers,
setting winch-frames, sledging rounds of tar apart, and there I am, on
the curb across, gawking.
I never realized what brutal work it is, how matter-of-factly and harrow-
ingly dangerous.
The ladders flex and quiver, things skid from the edge, the materials are
bulky and recalcitrant.
When the rusty, antique nails are levered out, their heads pull off; the
underroofing crumbles.
Even the battered little furnace, roaring along as patient as a donkey,
chokes and clogs,
a dense, malignant smoke shoots up, and someone has to fiddle with a
cock, then hammer it,
before the gush and stench will deintensify, the dark, Dantean broth
wearily subside.
In its crucible, the stuff looks bland, like licorice, spill it, though, on
your boots or coveralls,
it sears, and everything is permeated with it, the furnace gunked with
burst and half-burst bubbles,
the men themselves so completely slashed and mucked they seem almost
from another realm, like trolls.
When they take their break, they leave their brooms standing at attention
in the asphalt pails,
work gloves clinging like Br'er Rabbit to the bitten shafts, and they slouch
along the precipitous lip,
the enormous sky behind them, the heavy noontime air alive with shim-
mers and mirages.
Sometime in the afternoon I had to go inside: the advent of our vigil was
upon us.
However much we didn't want to, however little we would do about it,
we'd understood:
we were going to perish of all this, if not now, then soon, if not soon,
then someday.
Someday, some final generation, hysterically aswarm beneath an at-
mosphere as unrelenting as rock,
would rue us all, anathematize our earthly comforts, curse our surfeits
and submissions.
I think I know, though I might rather not, why my roofers stay so clear
to me and why the rest,
the terror of that time, the reflexive disbelief and distancing, all we should
hold on to, dims so.
I remember the president in his absurd protective booties, looking
absolutely unafraid, the fool.
I remember a woman on the front page glaring across the misty Sus-
quehanna at those looming stacks.
But, more vividly, the men, silvered with glitter from the shingles, cling-
ing like starlings beneath the eaves.
Even the leftover carats of tar in the gutter, so black they seemed to suck
the light out of the air.
By nightfall kids had come across them: every sidewalk on the block was
scribbled with obscenities and hearts.
|
Written by
Galway Kinnell |
He climbed to the top
of one of those million white pines
set out across the emptying pastures
of the fifties - some program to enrich the rich
and rebuke the forefathers
who cleared it all at once with ox and axe -
climbed to the top, probably to get out
of the shadow
not of those forefathers but of this father
and saw for the first time
down in its valley, Bruce Pond, giving off
its little steam in the afternoon,
pond where Clarence Akley came on Sunday mornings to cut
down
the cedars around the shore, I'd sometimes hear the slow
spondees
of his work, he's gone,
where Milton Norway came up behind me while I was
fishing and
stood awhile before I knew he was there, he's the one who
put the
cedar shingles on the house, some have curled or split, a
few have
blown off, he's gone,
where Gus Newland logged in the cold snap of '58, the only
man will-
ing to go into those woods that never got warmer than ten
below,
he's gone,
pond where two wards of the state wandered on Halloween,
the Na-
tional Guard searched for them in November, in vain, the
next fall a
hunter found their skeletons huddled together, in vain,
they're
gone,
pond where an old fisherman in a rowboat sits, drowning
hooked
worms, when he goes he's replaced and is never gone,
and when Fergus
saw the pond for the first time
in the clear evening, saw its oldness down there
in its old place in the valley, he became heavier suddenly
in his bones
the way fledglings do just before they fly,
and the soft pine cracked . . .
I would not have heard his cry
if my electric saw had been working,
its carbide teeth speeding through the bland spruce of our
time, or
burning
black arcs into some scavenged hemlock plank,
like dark circles under eyes
when the brain thinks too close to the skin,
but I was sawing by hand and I heard that cry
as though he were attacked; we ran out,
when we bent over him he said, "Galway, In¨¦s, I saw a
pond!"
His face went gray, his eyes fluttered close a frightening
moment . . .
Yes - a pond
that lets off its mist
on clear afternoons of August, in that valley
to which many have come, for their reasons,
from which many have gone, a few for their reasons, most
not,
where even now and old fisherman only the pinetops can see
sits in the dry gray wood of his rowboat, waiting for pickerel.
|
Written by
Carl Sandburg |
LAST night a January wind was ripping at the shingles over our house and whistling a wolf
song under the eaves.
I sat in a leather rocker and read to a six-year-old girl the Browning poem, Childe
Roland to the Dark Tower Came.
And her eyes had the haze of autumn hills and it was beautiful to her and she could not
understand.
A man is crossing a big prairie, says the poem, and nothing happens—and he goes on and
on—and it’s all lonesome and empty and nobody home.
And he goes on and on—and nothing happens—and he comes on a horse’s skull, dry bones of a
dead horse—and you know more than ever it’s all lonesome and empty and nobody home.
And the man raises a horn to his lips and blows—he fixes a proud neck and forehead toward
the empty sky and the empty land—and blows one last wonder-cry.
And as the shuttling automatic memory of man clicks off its results willy-nilly and
inevitable as the snick of a mouse-trap or the trajectory of a 42-centimeter projectile,
I flash to the form of a man to his hips in snow drifts of Manitoba and Minnesota—in the
sled derby run from Winnipeg to Minneapolis.
He is beaten in the race the first day out of Winnipeg—the lead dog is eaten by four team
mates—and the man goes on and on—running while the other racers ride—running while the
other racers sleep—
Lost in a blizzard twenty-four hours, repeating a circle of travel hour after hour—fighting
the dogs who dig holes in the snow and whimper for sleep—pushing on—running and walking
five hundred miles to the end of the race—almost a winner—one toe frozen, feet blistered
and frost-bitten.
And I know why a thousand young men of the Northwest meet him in the finishing miles and
yell cheers—I know why judges of the race call him a winner and give him a special prize
even though he is a loser.
I know he kept under his shirt and around his thudding heart amid the blizzards of five
hundred miles that one last wonder-cry of Childe Roland—and I told the six-year-old girl
all about it.
And while the January wind was ripping at the shingles and whistling a wolf song under the
eaves, her eyes had the haze of autumn hills and it was beautiful to her and she could not
understand.
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Written by
Edna St. Vincent Millay |
April this year, not otherwise
Than April of a year ago,
Is full of whispers, full of sighs,
Of dazzling mud and dingy snow;
Hepaticas that pleased you so
Are here again, and butterflies.
There rings a hammering all day,
And shingles lie about the doors;
In orchards near and far away
The grey wood-pecker taps and bores;
The men are merry at their chores,
And children earnest at their play.
The larger streams run still and deep,
Noisy and swift the small brooks run
Among the mullein stalks the sheep
Go up the hillside in the sun,
Pensively,—only you are gone,
You that alone I cared to keep.
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Written by
Robert Lowell |
(Quevedo, Mire los muros de la partia mia and
Buscas en Roma a Roma, (!)O peregrino!)
I
I saw the musty shingles of my house,
raw wood and fixed once, now a wash of moss
eroded by the ruin of age
furning all fair and green things into waste.
I climbed the pasture. I saw the dim sun drink
the ice just thawing from the boldered fallow,
woods crowd the foothills, sieze last summer's field,
and higher up, the sickly cattle bellow.
I went into my house. I saw how dust
and ravel had devoured its furnishing;
even my cane was withered and more bent,
even my sword was coffined up in rust—
there was no hilt left for the hand to try.
Everything ached, and told me I must die.
II
You search in Rome for Rome? O Traveller!
in Rome itself, there is no room for Rome,
the Aventine is its own mound and tomb,
only a corpse recieves the worshipper.
And where the Capitol once crowned the forum,
are medals ruined by the hands of time;
they show how more was lost by chance and time
the Hannibal or Ceasar could consume.
The Tiber flows still, but its waste laments
a city that has fallen in its grave—
each wave's a woman beating at her breast.
O Rome! Form all you palms, dominion, bronze
and beauty, what was firm has fled. What once
was fugitive maintains its permenance.
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Written by
Paul Muldoon |
My father and mother, my brother and sister
and I, with uncle Pat, our dour best-loved uncle,
had set out that Sunday afternoon in July
in his broken-down Ford
not to visit some graveyard—one died of shingles,
one of fever, another's knees turned to jelly—
but the brand-new roundabout at Ballygawley,
the first in mid-Ulster.
Uncle Pat was telling us how the B-Specials
had stopped him one night somewhere near Ballygawley
and smashed his bicycle
and made him sing the Sash and curse the Pope of Rome.
They held a pistol so hard against his forehead
there was still the mark of an O when he got home.
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Written by
Johann Wolfgang von Goethe |
"THE mountain village was destroy'd;
But see how soon is fill'd the void!
Shingles and boards, as by magic arise,
The babe in his cradle and swaddling-clothes lies;
How blest to trust to God's protection!"
Behold a wooden new ********,
So that, if sparks and wind but choose,
God's self at such a game must lose!
1821.*
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