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Written by Maya Angelou | Create an image from this poem

On the Pulse of Morning

(also referred to as The Rock Cries Out To Us Today)

A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning.



Written by Maya Angelou | Create an image from this poem

Inaugural Poem

A Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon.

The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their hastening doom
Is lost in the gloom of dust and ages.

But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.

I will give you no more hiding place down here.

You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.

Your mouths spilling words
Armed for slaughter.

The Rock cries out today, you may stand on me,
But do not hide your face.

Across the wall of the world,
A River sings a beautiful song,
Come rest here by my side.

Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.

Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.

Yet, today I call you to my riverside,
If you will study war no more. Come,

Clad in peace and I will sing the songs
The Creator gave to me when I and the
Tree and the stone were one.

Before cynicism was a bloody sear across your
Brow and when you yet knew you still
Knew nothing.

The River sings and sings on.

There is a true yearning to respond to
The singing River and the wise Rock.

So say the Asian, the Hispanic, the Jew
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the Teacher.
They hear. They all hear
The speaking of the Tree.

Today, the first and last of every Tree
Speaks to humankind. Come to me, here beside the River.

Plant yourself beside me, here beside the River.

Each of you, descendant of some passed
On traveller, has been paid for.

You, who gave me my first name, you
Pawnee, Apache and Seneca, you
Cherokee Nation, who rested with me, then
Forced on bloody feet, left me to the employment of
Other seekers--desperate for gain,
Starving for gold.

You, the Turk, the Swede, the German, the Scot ...
You the Ashanti, the Yoruba, the Kru, bought
Sold, stolen, arriving on a nightmare
Praying for a dream.

Here, root yourselves beside me.

I am the Tree planted by the River,
Which will not be moved.

I, the Rock, I the River, I the Tree
I am yours--your Passages have been paid.

Lift up your faces, you have a piercing need
For this bright morning dawning for you.

History, despite its wrenching pain,
Cannot be unlived, and if faced
With courage, need not be lived again.

Lift up your eyes upon
The day breaking for you.

Give birth again
To the dream.

Women, children, men,
Take it into the palms of your hands.

Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts
Each new hour holds new chances
For new beginnings.

Do not be wedded forever
To fear, yoked eternally
To brutishness.

The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me, the
Rock, the River, the Tree, your country.

No less to Midas than the mendicant.

No less to you now than the mastodon then.

Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes, into
Your brother's face, your country
And say simply
Very simply
With hope
Good morning.
Written by Robert William Service | Create an image from this poem

The Ghosts

 Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch. "Bah!" said Smith, "let my body lie
 stripped to the buff in swinish shame,
If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?"

Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by,
Each on the other would depend: then at the last Smith came to die.

There Brown sat in the sick man's room, still as a stone in his despair;
Smith bent on him his eyes of doom, shook back his lion mane of hair;
Said: "Is there one in my chosen line, writer of forthright tales my peer?
Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue;
Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame."

Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift;
This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair;
Never shall it see printed line: here, by the living God I swear."
Brown on a Bible laid his hand; Smith, great writer of stories, sighed:
"Comrade, I trust you, and understand. Keep my secret!" And so he died.

Smith was buried -- up soared his sales; lured you his books in every store;
Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript,
Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head. "The story is not for sale, " he said.

Jones went away, then others came. Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field;
Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew,
Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth
Garretless in the gloom and grime, singing his glad, mad songs of earth:
So at last with a faith divine, down and down to the Hunger-line.

There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones,
Who should chance to behold his plight, but the publisher, the plethoric Jones;
Peered at him for a little while, held out a bill: "NOW, will you sell?"
Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!"

Brown enrolled in the homeless host, sleeping anywhere, anywhen;
Suffered, strove, became a ghost, slave of the lamp for other men;
For What's-his-name and So-and-so in the abyss his soul he stripped,
Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair,
Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail:
"Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name;
You have a manuscript, they say, worth a thousand -- think, man! the shame. . . ."
Brown with his heart pain-pierced the while, with his stern, starved face,
 and his lips stone-pale,
Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol."

While poor Brown in the leer of dawn wrestled with God for the sacred fire,
Came there a woman weak and wan, out of the mob, the murk, the mire;
Frail as a reed, a fellow ghost, weary with woe, with sorrowing;
Two pale souls in the legion lost; lo! Love bent with a tender wing,
Taught them a joy so deep, so true, it seemed that the whole-world fabric shook,
Thrilled and dissolved in radiant dew; then Brown made him a golden book,
Full of the faith that Life is good, that the earth is a dream divinely fair,
Lauding his gem of womanhood in many a lyric rich and rare;
Took it to Jones, who shook his head: "I will consider it," he said.

While he considered, Brown's wife lay clutched in the tentacles of pain;
Then came the doctor, grave and grey; spoke of decline, of nervous strain;
Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! . . . the manuscript!
A thousand dollars! his only hope! he gazed and gazed at the garret wall. . . .
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break:
"Oh, my dearest! what shall I do? shall I not sell it for your sake?"
Ghostlike she lay, as still as doom; turned to the wall her weary head;
Icy-cold in the pallid gloom, silent as death . . . at last she said:
"Do! my husband? Keep your vow! Guard his secret and let me die. . . .
Oh, my dear, I must tell you now -- the women he loved and wronged was I;
Darling! I haven't long to live: I never told you -- forgive, forgive!"

For a long, long time Brown did not speak; sat bleak-browed in the wretched room;
Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife;
To keep his vow, to save her name, yet at the cost of what? Her life!
A moment's space did he hesitate, a moment of pain and dread and doubt,
Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out. . . .
On his knees by her side he limply sank, peering amazed -- each page was blank.

(For oh, the supremest of our art are the stories we do not dare to tell,
Locked in the silence of the heart, for the awful records of Heav'n and Hell.)
Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above:
"Glorious tidings! Egypt, dear! The book is accepted -- life and love."
Written by Maya Angelou | Create an image from this poem

The Rock Cries Out to Us Today

 A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a bloody sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on bloody feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning.
Written by Kahlil Gibran | Create an image from this poem

A Poets Voice XV

 Part One


The power of charity sows deep in my heart, and I reap and gather the wheat in bundles and give them to the hungry. 

My soul gives life to the grapevine and I press its bunches and give the juice to the thirsty. 

Heaven fills my lamp with oil and I place it at my window to direct the stranger through the dark. 

I do all these things because I live in them; and if destiny should tie my hands and prevent me from so doing, then death would be my only desire. For I am a poet, and if I cannot give, I shall refuse to receive. 

Humanity rages like a tempest, but I sigh in silence for I know the storm must pass away while a sigh goes to God. 

Human kinds cling to earthly things, but I seek ever to embrace the torch of love so it will purify me by its fire and sear inhumanity from my heart. 

Substantial things deaden a man without suffering; love awakens him with enlivening pains. 

Humans are divided into different clans and tribes, and belong to countries and towns. But I find myself a stranger to all communities and belong to no settlement. The universe is my country and the human family is my tribe. 

Men are weak, and it is sad that they divide amongst themselves. The world is narrow and it is unwise to cleave it into kingdoms, empires, and provinces. 

Human kinds unite themselves one to destroy the temples of the soul, and they join hands to build edifices for earthly bodies. I stand alone listening to the voice of hope in my deep self saying, "As love enlivens a man's heart with pain, so ignorance teaches him the way of knowledge." Pain and ignorance lead to great joy and knowledge because the Supreme Being has created nothing vain under the sun. 



Part Two


I have a yearning for my beautiful country, and I love its people because of their misery. But if my people rose, stimulated by plunder and motivated by what they call "patriotic spirit" to murder, and invaded my neighbor's country, then upon the committing of any human atrocity I would hate my people and my country. 

I sing the praise of my birthplace and long to see the home of my children; but if the people in that home refused to shelter and feed the needy wayfarer, I would convert my praise into anger and my longing to forgetfulness. My inner voice would say, "The house that does not comfort the need is worthy of naught by destruction." 

I love my native village with some of my love for my country; and I love my country with part of my love for the earth, all of which is my country; and I love the earth will all of myself because it is the haven of humanity, the manifest spirit of God. 

Humanity is the spirit of the Supreme Being on earth, and that humanity is standing amidst ruins, hiding its nakedness behind tattered rags, shedding tears upon hollow cheeks, and calling for its children with pitiful voice. But the children are busy singing their clan's anthem; they are busy sharpening the swords and cannot hear the cry of their mothers. 

Humanity appeals to its people but they listen not. Were one to listen, and console a mother by wiping her tears, other would say, "He is weak, affected by sentiment." 

Humanity is the spirit of the Supreme Being on earth, and that Supreme Being preaches love and good-will. But the people ridicule such teachings. The Nazarene Jesus listened, and crucifixion was his lot; Socrates heard the voice and followed it, and he too fell victim in body. The followers of The Nazarene and Socrates are the followers of Deity, and since people will not kill them, they deride them, saying, "Ridicule is more bitter than killing." 

Jerusalem could not kill The Nazarene, nor Athens Socrates; they are living yet and shall live eternally. Ridicule cannot triumph over the followers of Deity. They live and grow forever. 



Part Three


Thou art my brother because you are a human, and we both are sons of one Holy Spirit; we are equal and made of the same earth. 

You are here as my companion along the path of life, and my aid in understanding the meaning of hidden Truth. You are a human, and, that fact sufficing, I love you as a brother. You may speak of me as you choose, for Tomorrow shall take you away and will use your talk as evidence for his judgment, and you shall receive justice. 

You may deprive me of whatever I possess, for my greed instigated the amassing of wealth and you are entitled to my lot if it will satisfy you. 

You may do unto me whatever you wish, but you shall not be able to touch my Truth. 

You may shed my blood and burn my body, but you cannot kill or hurt my spirit. 

You may tie my hands with chains and my feet with shackles, and put me in the dark prison, but who shall not enslave my thinking, for it is free, like the breeze in the spacious sky. 

You are my brother and I love you. I love you worshipping in your church, kneeling in your temple, and praying in your mosque. You and I and all are children of one religion, for the varied paths of religion are but the fingers of the loving hand of the Supreme Being, extended to all, offering completeness of spirit to all, anxious to receive all. 

I love you for your Truth, derived from your knowledge; that Truth which I cannot see because of my ignorance. But I respect it as a divine thing, for it is the deed of the spirit. Your Truth shall meet my Truth in the coming world and blend together like the fragrance of flowers and becoming one whole and eternal Truth, perpetuating and living in the eternity of Love and Beauty. 

I love you because you are weak before the strong oppressor, and poor before the greedy rich. For these reasons I shed tears and comfort you; and from behind my tears I see you embraced in the arms of Justice, smiling and forgiving your persecutors. You are my brother and I love you. 



Part Four


You are my brother, but why are you quarreling with me? Why do you invade my country and try to subjugate me for the sake of pleasing those who are seeking glory and authority? 

Why do you leave your wife and children and follow Death to the distant land for the sake of those who buy glory with your blood, and high honor with your mother's tears? 

Is it an honor for a man to kill his brother man? If you deem it an honor, let it be an act of worship, and erect a temple to Cain who slew his brother Abel. 

Is self-preservation the first law of Nature? Why, then, does Greed urge you to self-sacrifice in order only to achieve his aim in hurting your brothers? Beware, my brother, of the leader who says, "Love of existence obliges us to deprive the people of their rights!" I say unto you but this: protecting others' rights is the noblest and most beautiful human act; if my existence requires that I kill others, then death is more honorable to me, and if I cannot find someone to kill me for the protection of my honor, I will not hesitate to take my life by my own hands for the sake of Eternity before Eternity comes. 

Selfishness, my brother, is the cause of blind superiority, and superiority creates clanship, and clanship creates authority which leads to discord and subjugation. 

The soul believes in the power of knowledge and justice over dark ignorance; it denies the authority that supplies the swords to defend and strengthen ignorance and oppression - that authority which destroyed Babylon and shook the foundation of Jerusalem and left Rome in ruins. It is that which made people call criminals great mean; made writers respect their names; made historians relate the stories of their inhumanity in manner of praise. 

The only authority I obey is the knowledge of guarding and acquiescing in the Natural Law of Justice. 

What justice does authority display when it kills the killer? When it imprisons the robber? When it descends on a neighborhood country and slays its people? What does justice think of the authority under which a killer punishes the one who kills, and a thief sentences the one who steals? 

You are my brother, and I love you; and Love is justice with its full intensity and dignity. If justice did not support my love for you, regardless of your tribe and community, I would be a deceiver concealing the ugliness of selfishness behind the outer garment of pure love. 



Conclusion


My soul is my friend who consoles me in misery and distress of life. He who does not befriend his soul is an enemy of humanity, and he who does not find human guidance within himself will perish desperately. Life emerges from within, and derives not from environs. 

I came to say a word and I shall say it now. But if death prevents its uttering, it will be said tomorrow, for tomorrow never leaves a secret in the book of eternity.

I came to live in the glory of love and the light of beauty, which are the reflections of God. I am here living, and the people are unable to exile me from the domain of life for they know I will live in death. If they pluck my eyes I will hearken to the murmers of love and the songs of beauty.

If they close my ears I will enjoy the touch of the breeze mixed with the incebse of love and the fragrance of beauty.

If they place me in a vacuum, I will live together with my soul, the child of love and beauty.

I came here to be for all and with all, and what I do today in my solitude will be echoed by tomorrow to the people.

What I say now with one heart will be said tomorrow by many hearts


Written by Charles Baudelaire | Create an image from this poem

The Ghost

 Down the street as I was drifting with the city's human tide, 
Came a ghost, and for a moment walked in silence by my side -- 
Now my heart was hard and bitter, and a bitter spirit he, 
So I felt no great aversion to his ghostly company. 
Said the Shade: `At finer feelings let your lip in scorn be curled, 
`Self and Pelf', my friend, has ever been the motto for the world.' 

And he said: `If you'd be happy, you must clip your fancy's wings, 
Stretch your conscience at the edges to the size of earthly things; 
Never fight another's battle, for a friend can never know 
When he'll gladly fly for succour to the bosom of the foe. 
At the power of truth and friendship let your lip in scorn be curled -- 
`Self and Pelf', my friend, remember, is the motto of the world. 

`Where Society is mighty, always truckle to her rule; 
Never send an `i' undotted to the teacher of a school; 
Only fight a wrong or falsehood when the crowd is at your back, 
And, till Charity repay you, shut the purse, and let her pack; 
At the fools who would do other let your lip in scorn be curled, 
`Self and Pelf', my friend, remember, that's the motto of the world. 

`Ne'er assail the shaky ladders Fame has from her niches hung, 
Lest unfriendly heels above you grind your fingers from the rung; 
Or the fools who idle under, envious of your fair renown, 
Heedless of the pain you suffer, do their worst to shake you down. 
At the praise of men, or censure, let your lip in scorn be curled, 
`Self and Pelf', my friend, remember, is the motto of the world. 

`Flowing founts of inspiration leave their sources parched and dry, 
Scalding tears of indignation sear the hearts that beat too high; 
Chilly waters thrown upon it drown the fire that's in the bard; 
And the banter of the critic hurts his heart till it grows hard. 
At the fame your muse may offer let your lip in scorn be curled, 
`Self and Pelf', my friend, remember, that's the motto of the world. 

`Shun the fields of love, where lightly, to a low and mocking tune, 
Strong and useful lives are ruined, and the broken hearts are strewn. 
Not a farthing is the value of the honest love you hold; 
Call it lust, and make it serve you! Set your heart on nought but gold. 
At the bliss of purer passions let your lip in scorn be curled -- 
`Self and Pelf', my friend, shall ever be the motto of the world.' 

Then he ceased and looked intently in my face, and nearer drew; 
But a sudden deep repugnance to his presence thrilled me through; 
Then I saw his face was cruel, by the look that o'er it stole, 
Then I felt his breath was poison, by the shuddering of my soul, 
Then I guessed his purpose evil, by his lip in sneering curled, 
And I knew he slandered mankind, by my knowledge of the world. 

But he vanished as a purer brighter presence gained my side -- 
`Heed him not! there's truth and friendship 
in this wondrous world,' she cried, 
And of those who cleave to virtue in their climbing for renown, 
Only they who faint or falter from the height are shaken down. 
At a cynic's baneful teaching let your lip in scorn be curled! 
`Brotherhood and Love and Honour!' is the motto for the world.'
Written by John Keats | Create an image from this poem

Fancy

EVER let the Fancy roam, 
Pleasure never is at home: 
At a touch sweet Pleasure melteth, 
Like to bubbles when rain pelteth; 
Then let wing¨¨d Fancy wander 5 
Through the thought still spread beyond her: 
Open wide the mind's cage-door, 
She'll dart forth, and cloudward soar. 
O sweet Fancy! let her loose; 
Summer's joys are spoilt by use, 10 
And the enjoying of the Spring 
Fades as does its blossoming; 
Autumn's red-lipp'd fruitage too, 
Blushing through the mist and dew, 
Cloys with tasting: What do then? 15 
Sit thee by the ingle, when 
The sear ****** blazes bright, 
Spirit of a winter's night; 
When the soundless earth is muffled, 
And the cak¨¨d snow is shuffled 20 
From the ploughboy's heavy shoon; 
When the Night doth meet the Noon 
In a dark conspiracy 
To banish Even from her sky. 
Sit thee there, and send abroad, 25 
With a mind self-overawed, 
Fancy, high-commission'd:¡ªsend her! 
She has vassals to attend her: 
She will bring, in spite of frost, 
Beauties that the earth hath lost; 30 
She will bring thee, all together, 
All delights of summer weather; 
All the buds and bells of May, 
From dewy sward or thorny spray; 
All the heap¨¨d Autumn's wealth, 35 
With a still, mysterious stealth: 
She will mix these pleasures up 
Like three fit wines in a cup, 
And thou shalt quaff it:¡ªthou shalt hear 
Distant harvest-carols clear; 40 
Rustle of the reap¨¨d corn; 
Sweet birds antheming the morn: 
And, in the same moment¡ªhark! 
'Tis the early April lark, 
Or the rooks, with busy caw, 45 
Foraging for sticks and straw. 
Thou shalt, at one glance, behold 
The daisy and the marigold; 
White-plumed lilies, and the first 
Hedge-grown primrose that hath burst; 50 
Shaded hyacinth, alway 
Sapphire queen of the mid-May; 
And every leaf, and every flower 
Pearl¨¨d with the self-same shower. 
Thou shalt see the fieldmouse peep 55 
Meagre from its cell¨¨d sleep; 
And the snake all winter-thin 
Cast on sunny bank its skin; 
Freckled nest-eggs thou shalt see 
Hatching in the hawthorn-tree, 60 
When the hen-bird's wing doth rest 
Quiet on her mossy nest; 
Then the hurry and alarm 
When the beehive casts its swarm; 
Acorns ripe down-pattering 65 
While the autumn breezes sing. 

O sweet Fancy! let her loose; 
Every thing is spoilt by use: 
Where 's the cheek that doth not fade, 
Too much gazed at? Where 's the maid 70 
Whose lip mature is ever new? 
Where 's the eye, however blue, 
Doth not weary? Where 's the face 
One would meet in every place? 
Where 's the voice, however soft, 75 
One would hear so very oft? 
At a touch sweet Pleasure melteth 
Like to bubbles when rain pelteth. 
Let, then, wing¨¨d Fancy find 
Thee a mistress to thy mind: 80 
Dulcet-eyed as Ceres' daughter, 
Ere the God of Torment taught her 
How to frown and how to chide; 
With a waist and with a side 
White as Hebe's, when her zone 85 
Slipt its golden clasp, and down 
Fell her kirtle to her feet, 
While she held the goblet sweet, 
And Jove grew languid.¡ªBreak the mesh 
Of the Fancy's silken leash; 90 
Quickly break her prison-string, 
And such joys as these she'll bring.¡ª 
Let the wing¨¨d Fancy roam, 
Pleasure never is at home. 
Written by Alan Seeger | Create an image from this poem

Do You Remember Once . .

 Do you remember once, in Paris of glad faces, 
The night we wandered off under the third moon's rays 
And, leaving far behind bright streets and busy places, 
Stood where the Seine flowed down between its quiet quais? 


The city's voice was hushed; the placid, lustrous waters 
Mirrored the walls across where orange windows burned. 
Out of the starry south provoking rumors brought us 
Far promise of the spring already northward turned. 


And breast drew near to breast, and round its soft desire 
My arm uncertain stole and clung there unrepelled. 
I thought that nevermore my heart would hover nigher 
To the last flower of bliss that Nature's garden held. 


There, in your beauty's sweet abandonment to pleasure, 
The mute, half-open lips and tender, wondering eyes, 
I saw embodied first smile back on me the treasure 
Long sought across the seas and back of summer skies. 


Dear face, when courted Death shall claim my limbs and find them 
Laid in some desert place, alone or where the tides 
Of war's tumultuous waves on the wet sands behind them 
Leave rifts of gasping life when their red flood subsides, 


Out of the past's remote delirious abysses 
Shine forth once more as then you shone, -- beloved head, 
Laid back in ecstasy between our blinding kisses, 
Transfigured with the bliss of being so coveted. 


And my sick arms will part, and though hot fever sear it, 
My mouth will curve again with the old, tender flame. 
And darkness will come down, still finding in my spirit 
The dream of your brief love, and on my lips your name. 

II 


You loved me on that moonlit night long since. 
You were my queen and I the charming prince 
Elected from a world of mortal men. 
You loved me once. . . . What pity was it, then, 
You loved not Love. . . . Deep in the emerald west, 
Like a returning caravel caressed 
By breezes that load all the ambient airs 
With clinging fragrance of the bales it bears 
From harbors where the caravans come down, 
I see over the roof-tops of the town 
The new moon back again, but shall not see 
The joy that once it had in store for me, 
Nor know again the voice upon the stair, 
The little studio in the candle-glare, 
And all that makes in word and touch and glance 
The bliss of the first nights of a romance 
When will to love and be beloved casts out 
The want to question or the will to doubt. 
You loved me once. . . . Under the western seas 
The pale moon settles and the Pleiades. 
The firelight sinks; outside the night-winds moan -- 
The hour advances, and I sleep alone. 



III 


Farewell, dear heart, enough of vain despairing! 
If I have erred I plead but one excuse -- 
The jewel were a lesser joy in wearing 
That cost a lesser agony to lose. 


I had not bid for beautifuller hours 
Had I not found the door so near unsealed, 
Nor hoped, had you not filled my arms with flowers, 
For that one flower that bloomed too far afield. 


If I have wept, it was because, forsaken, 
I felt perhaps more poignantly than some 
The blank eternity from which we waken 
And all the blank eternity to come. 


And I betrayed how sweet a thing and tender 
(In the regret with which my lip was curled) 
Seemed in its tragic, momentary splendor 
My transit through the beauty of the world.
Written by Ben Jonson | Create an image from this poem

A Pindaric Ode

 THE TURN
Brave infant of Saguntum, clear
Thy coming forth in that great year,
When the prodigious Hannibal did crown
His rage with razing your immortal town.
Thou looking then about,
Ere thou wert half got out,
Wise child, didst hastily return,
And mad'st thy mother's womb thine urn.
How summ'd a circle didst thou leave mankind
Of deepest lore, could we the centre find!

THE COUNTER-TURN

Did wiser nature draw thee back,
From out the horror of that sack;
Where shame, faith, honour, and regard of right,
Lay trampled on? The deeds of death and night
Urg'd, hurried forth, and hurl'd
Upon th' affrighted world;
Sword, fire and famine with fell fury met,
And all on utmost ruin set:
As, could they but life's miseries foresee,
No doubt all infants would return like thee.

THE STAND

For what is life, if measur'd by the space,
Not by the act?
Or masked man, if valu'd by his face,
Above his fact?
Here's one outliv'd his peers
And told forth fourscore years:
He vexed time, and busied the whole state;
Troubled both foes and friends;
But ever to no ends:
What did this stirrer but die late?
How well at twenty had he fall'n or stood!
For three of his four score he did no good.

THE TURN

He enter'd well, by virtuous parts
Got up, and thriv'd with honest arts;
He purchas'd friends, and fame, and honours then,
And had his noble name advanc'd with men;
But weary of that flight,
He stoop'd in all men's sight
To sordid flatteries, acts of strife,
And sunk in that dead sea of life,
So deep, as he did then death's waters sup,
But that the cork of title buoy'd him up.

THE COUNTER-TURN

Alas, but Morison fell young!
He never fell,--thou fall'st, my tongue.
He stood, a soldier to the last right end,
A perfect patriot and a noble friend;
But most, a virtuous son.
All offices were done
By him, so ample, full, and round,
In weight, in measure, number, sound,
As, though his age imperfect might appear,
His life was of humanity the sphere.

THE STAND

Go now, and tell out days summ'd up with fears,
And make them years;
Produce thy mass of miseries on the stage,
To swell thine age;
Repeat of things a throng,
To show thou hast been long,
Not liv'd; for life doth her great actions spell,
By what was done and wrought
In season, and so brought
To light: her measures are, how well
Each syllabe answer'd, and was form'd, how fair;
These make the lines of life, and that's her air.

THE TURN

It is not growing like a tree
In bulk, doth make men better be;
Or standing long an oak, three hundred year,
To fall a log at last, dry, bald, and sear:
A lily of a day
Is fairer far, in May,
Although it fall and die that night,
It was the plant and flower of light.
In small proportions we just beauties see;
And in short measures life may perfect be.

THE COUNTER-TURN

Call, noble Lucius, then, for wine,
And let thy looks with gladness shine;
Accept this garland, plant it on thy head,
And think, nay know, thy Morison's not dead.
He leap'd the present age,
Possest with holy rage,
To see that bright eternal day;
Of which we priests and poets say
Such truths as we expect for happy men;
And there he lives with memory, and Ben

THE STAND

Jonson, who sung this of him, ere he went
Himself, to rest,
Or taste a part of that full joy he meant
To have exprest,
In this bright asterism,
Where it were friendship's schism,
Were not his Lucius long with us to tarry,
To separate these twi{-}
Lights, the Dioscuri,
And keep the one half from his Harry.
But fate doth so alternate the design,
Whilst that in heav'n, this light on earth must shine.

THE TURN

And shine as you exalted are;
Two names of friendship, but one star:
Of hearts the union, and those not by chance
Made, or indenture, or leas'd out t' advance
The profits for a time.
No pleasures vain did chime,
Of rhymes, or riots, at your feasts,
Orgies of drink, or feign'd protests;
But simple love of greatness and of good,
That knits brave minds and manners more than blood.

THE COUNTER-TURN


This made you first to know the why
You lik'd, then after, to apply
That liking; and approach so one the t'other
Till either grew a portion of the other;
Each styled by his end,
The copy of his friend.
You liv'd to be the great surnames
And titles by which all made claims
Unto the virtue: nothing perfect done,
But as a Cary or a Morison.

THE STAND


And such a force the fair example had,
As they that saw
The good and durst not practise it, were glad
That such a law
Was left yet to mankind;
Where they might read and find
Friendship, indeed, was written not in words:
And with the heart, not pen,
Of two so early men,
Whose lines her rolls were, and records;
Who, ere the first down bloomed on the chin,
Had sow'd these fruits, and got the harvest in.
Written by Andrew Marvell | Create an image from this poem

Damon The Mower

 Heark how the Mower Damon Sung,
With love of Juliana stung!
While ev'ry thing did seem to paint
The Scene more fit for his complaint.
Like her fair Eyes the day was fair;
But scorching like his am'rous Care.
Sharp like his Sythe his Sorrow was,
And wither'd like his Hopes the Grass.

Oh what unusual Heats are here,
Which thus our Sun-burn'd Meadows sear!
The Grass-hopper its pipe gives ore;
And hamstring'd Frogs can dance no more.
But in the brook the green Frog wades;
And Grass-hoppers seek out the shades.
Only the Snake, that kept within,
Now glitters in its second skin.

This heat the Sun could never raise,
Nor Dog-star so inflame's the dayes.
It from an higher Beauty grow'th,
Which burns the Fields and Mower both:
Which made the Dog, and makes the Sun
Hotter then his own Phaeton.
Not July causeth these Extremes,
But Juliana's scorching beams.

Tell me where I may pass the Fires
Of the hot day, or hot desires.
To what cool Cave shall I descend,
Or to what gelid Fountain bend?
Alas! I look for Ease in vain,
When Remedies themselves complain.
No moisture but my Tears do rest,
Nor Cold but in her Icy Breast.

How long wilt Thou, fair Shepheardess,
Esteem me, and my Presents less?
To Thee the harmless Snake I bring,
Disarmed of its teeth and sting.
To Thee Chameleons changing-hue,
And Oak leaves tipt with hony due.
Yet Thou ungrateful hast not sought
Nor what they are, nor who them brought.

I am the Mower Damon, known
Through all the Meadows I have mown.
On me the Morn her dew distills
Before her darling Daffadils.
And, if at Noon my toil me heat,
The Sun himself licks off my Sweat.
While, going home, the Ev'ning sweet
In cowslip-water bathes my feet.

What, though the piping Shepherd stock
The plains with an unnum'red Flock,
This Sithe of mine discovers wide
More ground then all his Sheep do hide.
With this the golden fleece I shear
Of all these Closes ev'ry Year.
And though in Wooll more poor then they,
Yet am I richer far in Hay.

Nor am I so deform'd to sight,
If in my Sithe I looked right;
In which I see my Picture done,
As in a crescent Moon the Sun.
The deathless Fairyes take me oft
To lead them in their Danses soft:
And, when I tune my self to sing,
About me they contract their Ring.

How happy might I still have mow'd,
Had not Love here his Thistles sow'd!
But now I all the day complain,
Joyning my Labour to my Pain;
And with my Sythe cut down the Grass,
Yet still my Grief is where it was:
But, when the Iron blunter grows,
Sighing I whet my Sythe and Woes.

While thus he threw his Elbow round,
Depopulating all the Ground,
And, with his whistling Sythe, does cut
Each stroke between the Earth and Root,
The edged Stele by careless chance
Did into his own Ankle glance;
And there among the Grass fell down,
By his own Sythe, the Mower mown.

Alas! said He, these hurts are slight
To those that dye by Loves despight.
With Shepherds-purse, and Clowns-all-heal,
The Blood I stanch, and Wound I seal.
Only for him no Cure is found,
Whom Julianas Eyes do wound.
'Tis death alone that this must do:
For Death thou art a Mower too.

Book: Radiant Verses: A Journey Through Inspiring Poetry