Written by
Edgar Bowers |
Every month or so, Sundays, we walked the line,
The limit and the boundary. Past the sweet gum
Superb above the cabin, along the wall—
Stones gathered from the level field nearby
When first we cleared it. (Angry bumblebees
Stung the two mules. They kicked. Thirteen, I ran.)
And then the field: thread-leaf maple, deciduous
Magnolia, hybrid broom, and, further down,
In light shade, one Franklinia Alatamaha
In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother
Later would make preserves of, to give to friends
Or sell, in autumn, with the foxgrape, quince,
Elderberry, and muscadine. Around
The granite overhang, moist den of foxes;
Gradually up a long hill, high in pine,
Park-like, years of dry needles on the ground,
And dogwood, slopes the settlers terraced; pine
We cut at Christmas, berries, hollies, anise,
And cones for sale in Mister Haymore’s yard
In town, below the Courthouse Square. James Haymore,
One of the two good teachers at Boys’ High,
Ironic and demanding, chemistry;
Mary Lou Culver taught us English: essays,
Plot summaries, outlines, meters, kinds of clauses
(Noun, adjective, and adverb, five at a time),
Written each day and then revised, and she
Up half the night to read them once again
Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers
Set a house, unpainted, the porch fallen in,
The road a red clay strip without a bridge,
A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon
Out of the gluey mire, earth’s rust. Then, here
And there, back from the road, the specimen
Shrubs and small trees my father planted, some
Taller than we were, some in bloom, some berried,
And some we still brought water to. We always
Paused at the weed-filled hole beside the beech
That, one year, brought forth beech nuts by the thousands,
A hole still reminiscent of the man
Chewing tobacco in among his whiskers
My father happened on, who, discovered, told
Of dreaming he should dig there for the gold
And promised to give half of what he found.
During the wars with Germany and Japan,
Descendents of the settlers, of Oliver Brand
And of that man built Flying Fortresses
For Lockheed, in Atlanta; now they build
Brick mansions in the woods they left, with lawns
To paved and lighted streets, azaleas, camellias
Blooming among the pines and tulip trees—
Mercedes Benz and Cadillac Republicans.
There was another stream further along
Divided through a marsh, lined by the fence
We stretched to posts with Mister Garner’s help
The time he needed cash for his son’s bail
And offered all his place. A noble spring
Under the oak root cooled his milk and butter.
He called me “honey,” working with us there
(My father bought three acres as a gift),
His wife pale, hair a country orange, voice
Uncanny, like a ghost’s, through the open door
Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid
Sliver and grey, red comb and long sharp spurs,
Once chased Aunt Jennie as far as the daphne bed
The two big king snakes were familiars of.
My father’s dog would challenge him sometimes
To laughter and applause. Once, in Stone Mountain,
Travelers, stopped for gas, drove off with Smokey;
Angrily, grievingly, leaving his work, my father
Traced the car and found them way far south,
Had them arrested and, bringing Smokey home,
Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy,
Grey Junior, down to meet us. The rose trees,
Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog,
Camellias cracked and blackened by the freeze,
Bay tree, mimosa, mountain laurel, apple,
Monkey pine twenty feet high, banana shrub,
The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block,
Smooth concrete floor, roof pale aluminum
Half-covered by a clematis, the pump
Thirty feet down the mountain’s granite foot.
Mort was the hired man sent to us by Fortune,
Childlike enough to lead us. He brought home,
Although he could not even drive a tractor,
Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages,
Frank Guess, the judge, Grandmother’s longtime neighbor,
Whose children my mother taught in Cradle Roll,
Heard Mort’s examination, he broke in
As if in disbelief on the bank’s attorneys:
“Gentlemen, must we continue this charade?”
Finally, past the compost heap, the garden,
Tomatoes and sweet corn for succotash,
Okra for frying, Kentucky Wonders, limas,
Cucumbers, squashes, leeks heaped round with soil,
Lavender, dill, parsley, and rosemary,
Tithonia and zinnias between the rows;
The greenhouse by the rock wall, used for cuttings
In late spring, frames to grow them strong for planting
Through winter into summer. Early one morning
Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia
We planted as a stem divides the path
The others lie, too young, at Silver Hill,
Except my mother. Ninety-five, she lives
Three thousand miles away, beside the bare
Pacific, in rooms that overlook the Mission,
The Riviera, and the silver range
La Cumbre east. Magnolia grandiflora
And one druidic live oak guard the view.
Proudly around the walls, she shows her paintings
Of twenty years ago: the great oak’s arm
Extended, Zeuslike, straight and strong, wisteria
Tangled among the branches, amaryllis
Around the base; her cat, UC, at ease
In marigolds; the weeping cherry, pink
And white arms like a blessing to the blue
Bird feeder Mort made; cabin, scarlet sweet gum
Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind,
Active, ready for laughter, open to fear,
Pity, and wonder that such things may be,
Some Sundays, I think, she must walk the line,
Aunt Jennie, too, if she were still alive,
And Eleanor, whose story is untold,
Their presences like muses, prompting me
In my small study, all listening to the sea,
All of one mind, the true posterity.
|
Written by
Andrew Barton Paterson |
We have all of us read how the Israelites fled
From Egypt with Pharaoh in eager pursuit of 'em,
And Pharaoh's fierce troop were all put "in the soup"
When the waters rolled softly o'er every galoot of 'em.
The Jews were so glad when old Pharaoh was "had"
That they sounded their timbrels and capered like mad.
You see he was hated from Jordan to Cairo --
Whence comes the expression "to buck against faro".
For forty long years, 'midst perils and fears
In deserts with never a famine to follow by,
The Israelite horde went roaming abroad
Like so many sundowners "out on the wallaby".
When Moses, who led 'em, and taught 'em, and fed 'em,
Was dying, he murmured, "A rorty old hoss you are:
I give you command of the whole of the band" --
And handed the Government over to Joshua.
But Moses told 'em before he died,
"Wherever you are, whatever betide,
Every year as the time draws near
By lot or by rote choose you a goat,
And let the high priest confess on the beast
The sins of the people the worst and the least,
Lay your sins on the goat! Sure the plan ought to suit yer.
Because all your sins are 'his troubles' in future.
Then lead him away to the wilderness black
To die with the weight of your sins on his back:
Of thirst let him perish alone and unshriven,
For thus shall your sins be absolved and forgiven!"
'Tis needless to say, though it reeked of barbarity
This scapegoat arrangement gained great popularity.
By this means a Jew, whate'er he might do,
Though he burgled, or murdered, or cheated at loo,
Or meat on Good Friday (a sin most terrific) ate,
Could get his discharge, like a bankrupt's certificate;
Just here let us note -- Did they choose their best goat?
It's food for conjecture, to judge from the picture
By Hunt in the Gallery close to our door, a
Man well might suppose that the scapegoat they chose
Was a long way from being their choicest Angora.
In fact I should think he was one of their weediest:
'Tis a rule that obtains, no matter who reigns,
When making a sacrifice, offer the seediest;
Which accounts for a theory known to my hearers
Who live in the wild by the wattle beguiled,
That a "stag" makes quite good enough mutton for shearers.
Be that as it may, as each year passed away,
a scapegoat was led to the desert and freighted
With sin (the poor brute must have been overweighted)
And left there -- to die as his fancy dictated.
The day it has come, with trumpet and drum.
With pomp and solemnity fit for the tomb
They lead the old billy-goat off to his doom:
On every hand a reverend band,
Prophets and preachers and elders stand
And the oldest rabbi, with a tear in his eye,
Delivers a sermon to all standing by.
(We haven't his name -- whether Cohen or Harris, he
No doubt was the "poisonest" kind of Pharisee.)
The sermon was marked by a deal of humility
And pointed the fact, with no end of ability.
That being a Gentile's no mark of gentility,
And, according to Samuel, would certainly d--n you well.
Then, shedding his coat, he approaches the goat
And, while a red fillet he carefully pins on him,
Confesses the whole of the Israelites' sins on him.
With this eloquent burst he exhorts the accurst --
"Go forth in the desert and perish in woe,
The sins of the people are whiter than snow!"
Then signs to his pal "for to let the brute go".
(That "pal" as I've heard, is an elegant word,
Derived from the Persian "Palaykhur" or "Pallaghur"),
As the scapegoat strains and tugs at the reins
The Rabbi yells rapidly, "Let her go, Gallagher!"
The animal, freed from all restraint
Lowered his head, made a kind of feint,
And charged straight at that elderly saint.
So fierce his attack and so very severe, it
Quite floored the Rabbi, who, ere he could fly,
Was rammed on the -- no, not the back -- but just near it.
The scapegoat he snorted, and wildly cavorted,
A light-hearted antelope "out on the ramp",
Then stopped, looked around, got the "lay of the ground",
And made a beeline back again to the camp.
The elderly priest, as he noticed the beast
So gallantly making his way to the east,
Says he, "From the tents may I never more roam again
If that there old billy-goat ain't going home again.
He's hurrying, too! This never will do.
Can't somebody stop him? I'm all of a stew.
After all our confessions, so openly granted,
He's taking our sins back to where they're not wanted.
We've come all this distance salvation to win agog,
If he takes home our sins, it'll burst up the Synagogue!"
He turned to an Acolyte who was making his bacca light,
A fleet-footed youth who could run like a crack o' light.
"Run, Abraham, run! Hunt him over the plain,
And drive back the brute to the desert again.
The Sphinx is a-watching, the Pyramids will frown on you,
From those granite tops forty cent'ries look down on you --
Run, Abraham, run! I'll bet half-a-crown on you."
So Abraham ran, like a man did he go for him,
But the goat made it clear each time he drew near
That he had what the racing men call "too much toe" for him.
The crowd with great eagerness studied the race --
"Great Scott! isn't Abraham forcing the pace --
And don't the goat spiel? It is hard to keep sight on him,
The sins of the Israelites ride mighty light on him.
The scapegoat is leading a furlong or more,
And Abraham's tiring -- I'll lay six to four!
He rolls in his stride; he's done, there's no question!"
But here the old Rabbi brought up a suggestion.
('Twas strange that in racing he showed so much cunning),
"It's a hard race," said he, "and I think it would be
A good thing for someone to take up the running."
As soon said as done, they started to run --
The priests and the deacons, strong runners and weak 'uns
All reckoned ere long to come up with the brute,
And so the whole boiling set off in pursuit.
And then it came out, as the rabble and rout
Streamed over the desert with many a shout --
The Rabbi so elderly, grave, and patrician,
Had been in his youth a bold metallician,
And offered, in gasps, as they merrily spieled,
"Any price Abraham! Evens the field!"
Alas! the whole clan, they raced and they ran,
And Abraham proved him an "even time" man,
But the goat -- now a speck they could scarce keep their eyes on --
Stretched out in his stride in a style most surprisin'
And vanished ere long o'er the distant horizon.
Away in the camp the bill-sticker's tramp
Is heard as he wanders with paste, brush, and notices,
And paling and wall he plasters them all,
"I wonder how's things gettin' on with the goat," he says,
The pulls out his bills, "Use Solomon's Pills"
"Great Stoning of Christians! To all devout Jews! you all
Must each bring a stone -- Great sport will be shown;
Enormous Attractions! And prices as usual!
Roll up to the Hall!! Wives, children and all,
For naught the most delicate feelings to hurt is meant!!"
Here his eyes opened wide, for close by his side
Was the scapegoat: And eating his latest advertisement!
One shriek from him burst -- "You creature accurst!"
And he ran from the spot like one fearing the worst.
His language was chaste, as he fled in his haste,
But the goat stayed behind him -- and "scoffed up" the paste.
With downcast head, and sorrowful tread,
The people came back from the desert in dread.
"The goat -- was he back there? Had anyone heard of him?"
In very short order they got plenty word of him.
In fact as they wandered by street, lane and hall,
"The trail of the serpent was over them all."
A poor little child knocked out stiff in the gutter
Proclaimed that the scapegoat was bred for a "butter".
The bill-sticker's pail told a sorrowful tale,
The scapegoat had licked it as dry as a nail;
He raced through their houses, and frightened their spouses,
But his latest achievement most anger arouses,
For while they were searching, and scratching their craniums,
One little Ben Ourbed, who looked in the flow'r-bed,
Discovered him eating the Rabbi's geraniums.
Moral
The moral is patent to all the beholders --
Don't shift your own sins on to other folks' shoulders;
Be kind to dumb creatures and never abuse them,
Nor curse them nor kick them, nor spitefully use them:
Take their lives if needs must -- when it comes to the worst,
But don't let them perish of hunger or thirst.
Remember, no matter how far you may roam
That dogs, goats, and chickens, it's simply the dickens,
Their talent stupendous for "getting back home".
Your sins, without doubt, will aye find you out,
And so will a scapegoat, he's bound to achieve it,
But, die in the wilderness! Don't you believe it!
|
Written by
Siegfried Sassoon |
I’ve never ceased to curse the day I signed
A seven years’ bargain for the Golden Fleece.
’Twas a bad deal all round; and dear enough
It cost me, what with my daft management,
And the mean folk as owed and never paid me,
And backing losers; and the local bucks
Egging me on with whiskys while I bragged
The man I was when huntsman to the Squire.
I’d have been prosperous if I’d took a farm
Of fifty acres, drove my gig and haggled
At Monday markets; now I’ve squandered all
My savings; nigh three hundred pound I got
As testimonial when I’d grown too stiff
And slow to press a beaten fox.
The Fleece!
’Twas the damned Fleece that wore my Emily out,
The wife of thirty years who served me well;
(Not like this beldam clattering in the kitchen,
That never trims a lamp nor sweeps the floor,
And brings me greasy soup in a foul crock.)
Blast the old harridan! What’s fetched her now,
Leaving me in the dark, and short of fire?
And where’s my pipe? ’Tis lucky I’ve a turn
For thinking, and remembering all that’s past.
And now’s my hour, before I hobble to bed,
To set the works a-wheezing, wind the clock
That keeps the time of life with feeble tick
Behind my bleared old face that stares and wonders.
. . . .
It’s ***** how, in the dark, comes back to mind
Some morning of September. We’ve been digging
In a steep sandy warren, riddled with holes,
And I’ve just pulled the terrier out and left
A sharp-nosed cub-face blinking there and snapping,
Then in a moment seen him mobbed and torn
To strips in the baying hurly of the pack.
I picture it so clear: the dusty sunshine
On bracken, and the men with spades, that wipe
Red faces: one tilts up a mug of ale.
And, having stopped to clean my gory hands,
I whistle the jostling beauties out of the wood.
I’m but a daft old fool! I often wish
The Squire were back again—ah! he was a man!
They don’t breed men like him these days; he’d come
For sure, and sit and talk and suck his briar
Till the old wife brings up a dish of tea.
Ay, those were days, when I was serving Squire!
I never knowed such sport as ’85,
The winter afore the one that snowed us silly.
. . . .
Once in a way the parson will drop in
And read a bit o’ the Bible, if I’m bad,
And pray the Lord to make my spirit whole
In faith: he leaves some ’baccy on the shelf,
And wonders I don’t keep a dog to cheer me
Because he knows I’m mortal fond of dogs!
I ask you, what’s a gent like that to me
As wouldn’t know Elijah if I saw him,
Nor have the wit to keep him on the talk?
’Tis kind of parson to be troubling still
With such as me; but he’s a town-bred chap,
Full of his college notions and Christmas hymns.
Religion beats me. I’m amazed at folk
Drinking the gospels in and never scratching
Their heads for questions. When I was a lad
I learned a bit from mother, and never thought
To educate myself for prayers and psalms.
But now I’m old and bald and serious-minded,
With days to sit and ponder. I’d no chance
When young and gay to get the hang of all
This Hell and Heaven: and when the clergy hoick
And holloa from their pulpits, I’m asleep,
However hard I listen; and when they pray
It seems we’re all like children sucking sweets
In school, and wondering whether master sees.
I used to dream of Hell when I was first
Promoted to a huntsman’s job, and scent
Was rotten, and all the foxes disappeared,
And hounds were short of blood; and officers
From barracks over-rode ’em all day long
On weedy, whistling nags that knocked a hole
In every fence; good sportsmen to a man
And brigadiers by now, but dreadful hard
On a young huntsman keen to show some sport.
Ay, Hell was thick with captains, and I rode
The lumbering brute that’s beat in half a mile,
And blunders into every blind old ditch.
Hell was the coldest scenting land I’ve known,
And both my whips were always lost, and hounds
Would never get their heads down; and a man
On a great yawing chestnut trying to cast ’em
While I was in a corner pounded by
The ugliest hog-backed stile you’ve clapped your eyes on.
There was an iron-spiked fence round all the coverts,
And civil-spoken keepers I couldn’t trust,
And the main earth unstopp’d. The fox I found
Was always a three-legged ’un from a bag,
Who reeked of aniseed and wouldn’t run.
The farmers were all ploughing their old pasture
And bellowing at me when I rode their beans
To cast for beaten fox, or galloped on
With hounds to a lucky view. I’d lost my voice
Although I shouted fit to burst my guts,
And couldn’t blow my horn.
And when I woke,
Emily snored, and barn-cocks started crowing,
And morn was at the window; and I was glad
To be alive because I heard the cry
Of hounds like church-bells chiming on a Sunday.
Ay, that’s the song I’d wish to hear in Heaven!
The cry of hounds was Heaven for me: I know
Parson would call me crazed and wrong to say it,
But where’s the use of life and being glad
If God’s not in your gladness?
I’ve no brains
For book-learned studies; but I’ve heard men say
There’s much in print that clergy have to wink at:
Though many I’ve met were jolly chaps, and rode
To hounds, and walked me puppies; and could pick
Good legs and loins and necks and shoulders, ay,
And feet—’twas necks and feet I looked at first.
Some hounds I’ve known were wise as half your saints,
And better hunters. That old dog of the Duke’s,
Harlequin; what a dog he was to draw!
And what a note he had, and what a nose
When foxes ran down wind and scent was catchy!
And that light lemon ***** of the Squire’s, old Dorcas—
She were a marvellous hunter, were old Dorcas!
Ay, oft I’ve thought, ‘If there were hounds in Heaven,
With God as master, taking no subscription;
And all His bless?d country farmed by tenants,
And a straight-necked old fox in every gorse!’
But when I came to work it out, I found
There’d be too many huntsmen wanting places,
Though some I’ve known might get a job with Nick!
. . . .
I’ve come to think of God as something like
The figure of a man the old Duke was
When I was turning hounds to Nimrod King,
Before his Grace was took so bad with gout
And had to quit the saddle. Tall and spare,
Clean-shaved and grey, with shrewd, kind eyes, that twinkled,
And easy walk; who, when he gave good words,
Gave them whole-hearted; and would never blame
Without just cause. Lord God might be like that,
Sitting alone in a great room of books
Some evening after hunting.
Now I’m tired
With hearkening to the tick-tack on the shelf;
And pondering makes me doubtful.
Riding home
On a moonless night of cloud that feels like frost
Though stars are hidden (hold your feet up, horse!)
And thinking what a task I had to draw
A pack with all those lame ’uns, and the lot
Wanting a rest from all this open weather;
That’s what I’m doing now.
And likely, too,
The frost’ll be a long ’un, and the night
One sleep. The parsons say we’ll wake to find
A country blinding-white with dazzle of snow.
The naked stars make men feel lonely, wheeling
And glinting on the puddles in the road.
And then you listen to the wind, and wonder
If folk are quite such bucks as they appear
When dressed by London tailors, looking down
Their boots at covert side, and thinking big.
. . . .
This world’s a funny place to live in. Soon
I’ll need to change my country; but I know
’Tis little enough I’ve understood my life,
And a power of sights I’ve missed, and foreign marvels.
I used to feel it, riding on spring days
In meadows pied with sun and chasing clouds,
And half forget how I was there to catch
The foxes; lose the angry, eager feeling
A huntsman ought to have, that’s out for blood,
And means his hounds to get it!
Now I know
It’s God that speaks to us when we’re bewitched,
Smelling the hay in June and smiling quiet;
Or when there’s been a spell of summer drought,
Lying awake and listening to the rain.
. . . .
I’d like to be the simpleton I was
In the old days when I was whipping-in
To a little harrier-pack in Worcestershire,
And loved a dairymaid, but never knew it
Until she’d wed another. So I’ve loved
My life; and when the good years are gone down,
Discover what I’ve lost.
I never broke
Out of my blundering self into the world,
But let it all go past me, like a man
Half asleep in a land that’s full of wars.
What a grand thing ’twould be if I could go
Back to the kennels now and take my hounds
For summer exercise; be riding out
With forty couple when the quiet skies
Are streaked with sunrise, and the silly birds
Grown hoarse with singing; cobwebs on the furze
Up on the hill, and all the country strange,
With no one stirring; and the horses fresh,
Sniffing the air I’ll never breathe again.
. . . .
You’ve brought the lamp, then, Martha? I’ve no mind
For newspaper to-night, nor bread and cheese.
Give me the candle, and I’ll get to bed.
|
Written by
William Cowper |
A poet's cat, sedate and grave
As poet well could wish to have,
Was much addicted to inquire
For nooks to which she might retire,
And where, secure as mouse in chink,
She might repose, or sit and think.
I know not where she caught the trick--
Nature perhaps herself had cast her
In such a mould [lang f]philosophique[lang e],
Or else she learn'd it of her master.
Sometimes ascending, debonair,
An apple-tree or lofty pear,
Lodg'd with convenience in the fork,
She watch'd the gardener at his work;
Sometimes her ease and solace sought
In an old empty wat'ring-pot;
There, wanting nothing save a fan
To seem some nymph in her sedan,
Apparell'd in exactest sort,
And ready to be borne to court.
But love of change, it seems, has place
Not only in our wiser race;
Cats also feel, as well as we,
That passion's force, and so did she.
Her climbing, she began to find,
Expos'd her too much to the wind,
And the old utensil of tin
Was cold and comfortless within:
She therefore wish'd instead of those
Some place of more serene repose,
Where neither cold might come, nor air
Too rudely wanton with her hair,
And sought it in the likeliest mode
Within her master's snug abode.
A drawer, it chanc'd, at bottom lin'd
With linen of the softest kind,
With such as merchants introduce
From India, for the ladies' use--
A drawer impending o'er the rest,
Half-open in the topmost chest,
Of depth enough, and none to spare,
Invited her to slumber there;
Puss with delight beyond expression
Survey'd the scene, and took possession.
Recumbent at her ease ere long,
And lull'd by her own humdrum song,
She left the cares of life behind,
And slept as she would sleep her last,
When in came, housewifely inclin'd
The chambermaid, and shut it fast;
By no malignity impell'd,
But all unconscious whom it held.
Awaken'd by the shock, cried Puss,
"Was ever cat attended thus!
The open drawer was left, I see,
Merely to prove a nest for me.
For soon as I was well compos'd,
Then came the maid, and it was clos'd.
How smooth these kerchiefs, and how sweet!
Oh, what a delicate retreat!
I will resign myself to rest
Till Sol, declining in the west,
Shall call to supper, when, no doubt,
Susan will come and let me out."
The evening came, the sun descended,
And puss remain'd still unattended.
The night roll'd tardily away
(With her indeed 'twas never day),
The sprightly morn her course renew'd,
The evening gray again ensued,
And puss came into mind no more
Than if entomb'd the day before.
With hunger pinch'd, and pinch'd for room,
She now presag'd approaching doom,
Nor slept a single wink, or purr'd,
Conscious of jeopardy incurr'd.
That night, by chance, the poet watching
Heard an inexplicable scratching;
His noble heart went pit-a-pat
And to himself he said, "What's that?"
He drew the curtain at his side,
And forth he peep'd, but nothing spied;
Yet, by his ear directed, guess'd
Something imprison'd in the chest,
And, doubtful what, with prudent care
Resolv'd it should continue there.
At length a voice which well he knew,
A long and melancholy mew,
Saluting his poetic ears,
Consol'd him, and dispell'd his fears:
He left his bed, he trod the floor,
He 'gan in haste the drawers explore,
The lowest first, and without stop
The rest in order to the top;
For 'tis a truth well known to most,
That whatsoever thing is lost,
We seek it, ere it come to light,
In ev'ry cranny but the right.
Forth skipp'd the cat, not now replete
As erst with airy self-conceit,
Nor in her own fond apprehension
A theme for all the world's attention,
But modest, sober, cured of all
Her notions hyperbolical,
And wishing for a place of rest
Anything rather than a chest.
Then stepp'd the poet into bed,
With this reflection in his head:MORAL
Beware of too sublime a sense
Of your own worth and consequence.
The man who dreams himself so great,
And his importance of such weight,
That all around in all that's done
Must move and act for him alone,
Will learn in school of tribulation
The folly of his expectation.
|
Written by
Audre Lorde |
I.
My face resembles your face
less and less each day. When I was young
no one mistook whose child I was.
Features build coloring
alone among my creamy fine-boned sisters
marked me Byron's daughter.
No sun set when you died, but a door
opened onto my mother. After you left
she grieved her crumpled world aloft
an iron fist sweated with business symbols
a printed blotter dwell in the house of Lord's
your hollow voice changing down a hospital corridor
yea, though I walk through the valley
of the shadow of death
I will fear no evil.
II.
I rummage through the deaths you lived
swaying on a bridge of question.
At seven in Barbados
dropped into your unknown father's life
your courage vault from his tailor's table
back to the sea.
Did the Grenada treeferns sing
your 15th summer as you jumped ship
to seek your mother
finding her too late
surrounded with new sons?
Who did you bury to become the enforcer of the law
the handsome legend
before whose raised arm even trees wept
a man of deep and wordless passion
who wanted sons and got five girls?
You left the first two scratching in a treefern's shade
the youngest is a renegade poet
searching for your answer in my blood.
My mother's Grenville tales
spin through early summer evenings.
But you refused to speak of home
of stepping proud Black and penniless
into this land where only white men
ruled by money. How you labored
in the docks of the Hotel Astor
your bright wife a chambermaid upstairs
welded love and survival to ambition
as the land of promise withered
crashed the hotel closed
and you peddle dawn-bought apples
from a push-cart on Broadway.
Does an image of return
wealthy and triumphant
warm your chilblained fingers
as you count coins in the Manhattan snow
or is it only Linda
who dreams of home?
When my mother's first-born cries for milk
in the brutal city winter
do the faces of your other daughters dim
like the image of the treeferned yard
where a dark girl first cooked for you
and her ash heap still smells of curry?
III.
Did the secret of my sisters steal your tongue
like I stole money from your midnight pockets
stubborn and quaking
as you threaten to shoot me if I am the one?
The naked lightbulbs in our kitchen ceiling
glint off your service revolver
as you load whispering.
Did two little dark girls in Grenada
dart like flying fish
between your averted eyes
and my pajamaless body
our last adolescent summer?
Eavesdropped orations
to your shaving mirror
our most intense conversations
were you practicing how to tell me
of my twin sisters abandoned
as you had been abandoned
by another Black woman seeking
her fortune Grenada Barbados
Panama Grenada.
New York City.
IV.
You bought old books at auctions
for my unlanguaged world
gave me your idols Marcus Garvey Citizen Kane
and morsels from your dinner plate
when I was seven.
I owe you my Dahomeyan jaw
the free high school for gifted girls
no one else thought I should attend
and the darkness that we share.
Our deepest bonds remain
the mirror and the gun.
V.
An elderly Black judge
known for his way with women
visits this island where I live
shakes my hand, smiling.
"I knew your father," he says
"quite a man!" Smiles again.
I flinch at his raised eyebrow.
A long-gone woman's voice
lashes out at me in parting
"You will never be satisfied
until you have the whole world
in your bed!"
Now I am older than you were when you died
overwork and silence exploding your brain.
You are gradually receding from my face.
Who were you outside the 23rd Psalm?
Knowing so little
how did I become so much
like you?
Your hunger for rectitude
blossoms into rage
the hot tears of mourning
never shed for you before
your twisted measurements
the agony of denial
the power of unshared secrets.
|
Written by
Lewis Carroll |
"MY First - but don't suppose," he said,
"I'm setting you a riddle -
Is - if your Victim be in bed,
Don't touch the curtains at his head,
But take them in the middle,
"And wave them slowly in and out,
While drawing them asunder;
And in a minute's time, no doubt,
He'll raise his head and look about
With eyes of wrath and wonder.
"And here you must on no pretence
Make the first observation.
Wait for the Victim to commence:
No Ghost of any common sense
Begins a conversation.
"If he should say 'HOW CAME YOU HERE?'
(The way that YOU began, Sir,)
In such a case your course is clear -
'ON THE BAT'S BACK, MY LITTLE DEAR!'
Is the appropriate answer.
"If after this he says no more,
You'd best perhaps curtail your
Exertions - go and shake the door,
And then, if he begins to snore,
You'll know the thing's a failure.
"By day, if he should be alone -
At home or on a walk -
You merely give a hollow groan,
To indicate the kind of tone
In which you mean to talk.
"But if you find him with his friends,
The thing is rather harder.
In such a case success depends
On picking up some candle-ends,
Or butter, in the larder.
"With this you make a kind of slide
(It answers best with suet),
On which you must contrive to glide,
And swing yourself from side to side -
One soon learns how to do it.
"The Second tells us what is right
In ceremonious calls:-
'FIRST BURN A BLUE OR CRIMSON LIGHT'
(A thing I quite forgot to-night),
'THEN SCRATCH THE DOOR OR WALLS.'"
I said "You'll visit HERE no more,
If you attempt the Guy.
I'll have no bonfires on MY floor -
And, as for scratching at the door,
I'd like to see you try!"
"The Third was written to protect
The interests of the Victim,
And tells us, as I recollect,
TO TREAT HIM WITH A GRAVE RESPECT,
AND NOT TO CONTRADICT HIM."
"That's plain," said I, "as Tare and Tret,
To any comprehension:
I only wish SOME Ghosts I've met
Would not so CONSTANTLY forget
The maxim that you mention!"
"Perhaps," he said, "YOU first transgressed
The laws of hospitality:
All Ghosts instinctively detest
The Man that fails to treat his guest
With proper cordiality.
"If you address a Ghost as 'Thing!'
Or strike him with a hatchet,
He is permitted by the King
To drop all FORMAL parleying -
And then you're SURE to catch it!
"The Fourth prohibits trespassing
Where other Ghosts are quartered:
And those convicted of the thing
(Unless when pardoned by the King)
Must instantly be slaughtered.
"That simply means 'be cut up small':
Ghosts soon unite anew.
The process scarcely hurts at all -
Not more than when YOU're what you call
'Cut up' by a Review.
"The Fifth is one you may prefer
That I should quote entire:-
THE KING MUST BE ADDRESSED AS 'SIR.'
THIS, FROM A SIMPLE COURTIER,
IS ALL THE LAWS REQUIRE:
"BUT, SHOULD YOU WISH TO DO THE THING
WITH OUT-AND-OUT POLITENESS,
ACCOST HIM AS 'MY GOBLIN KING!
AND ALWAYS USE, IN ANSWERING,
THE PHRASE 'YOUR ROYAL WHITENESS!'
"I'm getting rather hoarse, I fear,
After so much reciting :
So, if you don't object, my dear,
We'll try a glass of bitter beer -
I think it looks inviting."
|
Written by
Amy Lowell |
A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players
Sitting to viols or standing up to sing, four layers
Of music to serve every instrument, are there,
And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights,
When the sun flares the old barn-chamber with its flights
And skips upon the crystal knobs of dim sideboards,
Legless and mouldy, and hops, glint to glint, on hoards
Of scythes, and spades, and dinner-horns, so the old tools
Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust
Covering its flames like smoke and thinning as a gust
Of brighter sunshine makes the colours leap and range,
The strange old music-stand seems to strike out and change;
To stroke and tear the darkness with sharp golden claws;
To dart a forked, vermilion tongue from open jaws;
To puff out bitter smoke which chokes the sun; and fade
Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy
Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red,
He sees it split and stream, and all about his head
Spikes and spears of gold are licking, pricking, flicking,
Scratching against the walls and furniture, and nicking
The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door
And the sun widens out all along the floor,
Filling the barn-chamber with white, straightforward light,
So not one blurred outline can tease the mind to fright.
"O All ye Works of the Lord, Bless
ye the Lord; Praise Him, and Magnify Him
for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him,
and Magnify Him
for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise
Him, and Magnify Him
for ever.
O All ye Green Things upon the Earth, Bless ye the Lord;
Praise Him,
and Magnify Him for ever."
The Boy will praise his God on an altar builded
fair,
Will heap it with the Works of the Lord. In the morning
air,
Spices shall burn on it, and by their pale smoke curled,
Like shoots of all the Green Things, the God of this bright World
Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze
An altar meet and worthy, but each table and chair
Has some defect, each piece is needing some repair
To perfect it; the chairs have broken legs and backs,
The tables are uneven, and every highboy lacks
A handle or a drawer, the desks are bruised and worn,
And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there
The lacquer music-stand is elegant and rare,
Clear and slim of line, with its four wings outspread,
The sound of old quartets, a tenuous, faint thread,
Hanging and floating over it, it stands supreme --
Black, and gold, and crimson, in one twisted scheme!
A candle on the bookcase feels a draught and wavers,
Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling,
And shadows, strangely altered, stain the walls, revealing
Eagles, and rabbits, and weird faces pulled awry,
And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun
Must touch it, stands the music-stand, and on each one
Of its broad platforms is a pyramid of stones,
And metals, and dried flowers, and pine and hemlock cones,
An oriole's nest with the four eggs neatly blown,
The rattle of a rattlesnake, and three large brown
Butternuts uncracked, six butterflies impaled
With a green luna moth, a snake-skin freshly scaled,
Some sunflower seeds, wampum, and a bloody-tooth shell,
A blue jay feather, all together piled pell-mell
The stand will hold no more. The Boy with humming head
Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind
Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy
It burns his soul to emptiness, and sets it free
For adoration only, for worship. Dedicate,
His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him
Whose splendour must be veiled by starry cherubim,
Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even,
Fronting the window-sill, and when the casement glows
Rose-red with the new-blown morning, then the fire which flows
From the sun will fall upon the altar and ignite
The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim,
`Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings
Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes
Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the
wall
When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame
The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass
Upon the mantelpiece till he could seek a plate
Worthy to hold them burning. Alas! He had
been late
In thinking of this need, and now he could not find
Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down
Into the barn-chamber, lest some door should be blown
And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear
Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared,
Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid
Them on the flat-topped pear, most carefully displayed
To light with ease, then stood a little to one side,
Focussed a burning-glass and painstakingly tried
To hold it angled so the bunched and prismed rays
Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame,
Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced,
Split to a multitude of pointed spears, and lanced,
A deeper, hotter flame, it took the incense pile
Which welcomed it and broke into a little smile
Of yellow flamelets, creeping, crackling, thrusting up,
A golden, red-slashed lily in a lacquer cup.
"O ye Fire and Heat, Bless ye the Lord;
Praise Him, and Magnify Him
for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him,
and Magnify Him
for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him,
and Magnify Him
for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise
Him, and Magnify Him
for ever."
A moment so it hung, wide-curved, bright-petalled,
seeming
A chalice foamed with sunrise. The Boy woke from his
dreaming.
A spike of flame had caught the card of butterflies,
The oriole's nest took fire, soon all four galleries
Where he had spread his treasures were become one tongue
Of gleaming, brutal fire. The Boy instantly swung
His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown
Acute by fear, the Boy grabbed the quilt from his bed
And flung it over all, and then with aching head
He watched the early sunshine glint on the remains
Of his holy offering. The lacquer stand had stains
Ugly and charred all over, and where the golden pear
Had been, a deep, black hole gaped miserably. His dear
Treasures were puffs of ashes; only the stones were there,
Winking in the brightness.
The clock upon the stair
Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.
|
Written by
Amy Lowell |
Cross-hatchings of rain against grey walls,
Slant lines of black rain
In front of the up and down, wet stone sides of buildings.
Below,
Greasy, shiny, black, horizontal,
The street.
And over it, umbrellas,
Black polished dots
Struck to white
An instant,
Stream in two flat lines
Slipping past each other with the smoothness of oil.
Like a four-sided wedge
The Custom House Tower
Pokes at the low, flat sky,
Pushing it farther and farther up,
Lifting it away from the house-tops,
Lifting it in one piece as though it were a sheet of tin,
With the lever of its apex.
The cross-hatchings of rain cut the Tower obliquely,
Scratching lines of black wire across it,
Mutilating its perpendicular grey surface
With the sharp precision of tools.
The city is rigid with straight lines and angles,
A chequered table of blacks and greys.
Oblong blocks of flatness
Crawl by with low-geared engines,
And pass to short upright squares
Shrinking with distance.
A steamer in the basin blows its whistle,
And the sound shoots across the rain hatchings,
A narrow, level bar of steel.
Hard cubes of lemon
Superimpose themselves upon the fronts of buildings
As the windows light up.
But the lemon cubes are edged with angles
Upon which they cannot impinge.
Up, straight, down, straight -- square.
Crumpled grey-white papers
Blow along the side-walks,
Contorted, horrible,
Without curves.
A horse steps in a puddle,
And white, glaring water spurts up
In stiff, outflaring lines,
Like the rattling stems of reeds.
The city is heraldic with angles,
A sombre escutcheon of argent and sable
And countercoloured bends of rain
Hung over a four-square civilization.
When a street lamp comes out,
I gaze at it for fully thirty seconds
To rest my brain with the suffusing, round brilliance of its globe.
|
Written by
Theodore Roethke |
All profits disappear: the gain
Of ease, the hoarded, secret sum;
And now grim digits of old pain
Return to litter up our home.
We hunt the cause of ruin, add,
Subtract, and put ourselves in pawn;
For all our scratching on the pad,
We cannot trace the error down.
What we are seeking is a fare
One way, a chance to be secure:
The lack that keeps us what we are,
The penny that usurps the poor.
|
Written by
Rabindranath Tagore |
Mother, the light has grown grey in the sky; I do not know what
the time is.
There is no fun in my play, so I have come to you. It is
Saturday, our holiday.
Leave off your work, mother; sit here by the window and tell
me where the desert of Tepantar in the fairy tale is.
The shadow of the rains has covered the day from end to end.
The fierce lightning is scratching the sky with its nails.
When the clouds rumble and it thunders, I love to be afraid
in my heart and cling to you.
When the heavy rain patters for hours on the bamboo leaves,
and our windows shake and rattle at the gusts of wind, I like to
sit alone in the room, mother, with you, and hear you talk about
the desert of Tepantar in the fairy tale.
Where is it, mother, on the shore of what sea, at the foot of
what hills, in the kingdom of what king?
There are no hedges there to mark the fields, no footpath
across it by which the villagers reach their village in the
evening, or the woman who gathers dry sticks in the forest can
bring her load to the market. With patches of yellow grass in the
sand and only one tree where the pair of wise old birds have their
nest, lies the desert of Tepantar.
I can imagine how, on just such a cloudy day, the young son
of the king is riding alone on a grey horse through the desert, in
search of the princess who lies imprisoned in the giant's palace
across that unknown water.
When the haze of the rain comes down in the distant sky, and
lightning starts up like a sudden fit of pain, does he remember his
unhappy mother, abandoned by the king, sweeping the cow-stall and
wiping her eyes, while he rides through the desert of Tepantar in
the fairy tale?
See, mother, it is almost dark before the day is over, and
thee are no travellers yonder on the village road.
The shepherd boy has gone home early from the pasture, and men
have left their fields to sit on mats under the eaves of their
huts, watching the scowling clouds.
Mother, I have left all my books on the shelf-do not ask me
to do my lessons now.
When I grow up and am bid like my father, I shall learn all
that must be learnt.
But just for today, tell me, mother, where the desert of
Tepantar in the fairy tale is.
|