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Best Famous Sapphire Poems

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Written by Robert Browning | Create an image from this poem

The Glove

 (PETER RONSARD _loquitur_.
) ``Heigho!'' yawned one day King Francis, ``Distance all value enhances! ``When a man's busy, why, leisure ``Strikes him as wonderful pleasure: `` 'Faith, and at leisure once is he? ``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm ``Caught thinking war the true pastime.
``Is there a reason in metre? ``Give us your speech, master Peter!'' I who, if mortal dare say so, Ne'er am at loss with my Naso, ``Sire,'' I replied, ``joys prove cloudlets: ``Men are the merest Ixions''--- Here the King whistled aloud, ``Let's ``---Heigho---go look at our lions!'' Such are the sorrowful chances If you talk fine to King Francis.
And so, to the courtyard proceeding, Our company, Francis was leading, Increased by new followers tenfold Before be arrived at the penfold; Lords, ladies, like clouds which bedizen At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost With the dame he professed to adore most.
Oh, what a face! One by fits eyed Her, and the horrible pitside; For the penfold surrounded a hollow Which led where the eye scarce dared follow, And shelved to the chamber secluded Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab As glossy and black as a scarab,*1 And bade him make sport and at once stir Up and out of his den the old monster.
They opened a hole in the wire-work Across it, and dropped there a firework, And fled: one's heart's beating redoubled; A pause, while the pit's mouth was troubled, The blackness and silence so utter, By the firework's slow sparkling and sputter; Then earth in a sudden contortion Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot (Whose experience of nature's but narrow, And whose faculties move in no small mist When he versifies David the Psalmist) I should study that brute to describe you _Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy To see the black mane, vast and heapy, The tail in the air stiff and straining, The wide eyes, nor waxing nor waning, As over the barrier which bounded His platform, and us who surrounded The barrier, they reached and they rested On space that might stand him in best stead: For who knew, he thought, what the amazement, The eruption of clatter and blaze meant, And if, in this minute of wonder, No outlet, 'mid lightning and thunder, Lay broad, and, his shackles all shivered, The lion at last was delivered? Ay, that was the open sky o'erhead! And you saw by the flash on his forehead, By the hope in those eyes wide and steady, He was leagues in the desert already, Driving the flocks up the mountain, Or catlike couched hard by the fountain To waylay the date-gathering negress: So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear, (``No novice, we've won our spurs elsewhere ``And so can afford the confession,) ``We exercise wholesome discretion ``In keeping aloof from his threshold; ``Once hold you, those jaws want no fresh hold, ``Their first would too pleasantly purloin ``The visitor's brisket or surloin: ``But who's he would prove so fool-hardy? ``Not the best man of Marignan, pardie!'' The sentence no sooner was uttered, Than over the rails a glove flattered, Fell close to the lion, and rested: The dame 'twas, who flung it and jested With life so, De Lorge had been wooing For months past; he sat there pursuing His suit, weighing out with nonchalance Fine speeches like gold from a balance.
Sound the trumpet, no true knight's a tarrier! De Lorge made one leap at the barrier, Walked straight to the glove,---while the lion Neer moved, kept his far-reaching eye on The palm-tree-edged desert-spring's sapphire, And the musky oiled skin of the Kaffir,--- Picked it up, and as calmly retreated, Leaped back where the lady was seated, And full in the face of its owner Flung the glove.
``Your heart's queen, you dethrone her? ``So should I!''---cried the King---``'twas mere vanity, ``Not love, set that task to humanity!'' Lords and ladies alike turned with loathing From such a proved wolf in sheep's clothing.
Not so, I; for I caught an expression In her brow's undisturbed self-possession Amid the Court's scoffing and merriment,--- As if from no pleasing experiment She rose, yet of pain not much heedful So long as the process was needful,--- As if she had tried in a crucible, To what ``speeches like gold'' were reducible, And, finding the finest prove copper, Felt the smoke in her face was but proper; To know what she had _not_ to trust to, Was worth all the ashes and dust too.
She went out 'mid hooting and laughter; Clement Marot stayed; I followed after, And asked, as a grace, what it all meant? If she wished not the rash deed's recalment? ``For I''---so I spoke---``am a poet: ``Human nature,---behoves that I know it!'' She told me, ``Too long had I heard ``Of the deed proved alone by the word: ``For my love---what De Lorge would not dare! ``With my scorn---what De Lorge could compare! ``And the endless descriptions of death ``He would brave when my lip formed a breath, ``I must reckon as braved, or, of course, ``Doubt his word---and moreover, perforce, ``For such gifts as no lady could spurn, ``Must offer my love in return.
``When I looked on your lion, it brought ``All the dangers at once to my thought, ``Encountered by all sorts of men, ``Before he was lodged in his den,--- ``From the poor slave whose club or bare hands ``Dug the trap, set the snare on the sands, ``With no King and no Court to applaud, ``By no shame, should he shrink, overawed, ``Yet to capture the creature made shift, ``That his rude boys might laugh at the gift, ``---To the page who last leaped o'er the fence ``Of the pit, on no greater pretence ``Than to get back the bonnet he dropped, ``Lest his pay for a week should be stopped.
``So, wiser I judged it to make ``One trial what `death for my sake' ``Really meant, while the power was yet mine, ``Than to wait until time should define ``Such a phrase not so simply as I, ``Who took it to mean just `to die.
' ``The blow a glove gives is but weak: ``Does the mark yet discolour my cheek? ``But when the heart suffers a blow, ``Will the pain pass so soon, do you know?'' I looked, as away she was sweeping, And saw a youth eagerly keeping As close as he dared to the doorway.
No doubt that a noble should more weigh His life than befits a plebeian; And yet, had our brute been Nemean--- (I judge by a certain calm fervour The youth stepped with, forward to serve her) ---He'd have scarce thought you did him the worst turn If you whispered ``Friend, what you'd get, first earn!'' And when, shortly after, she carried Her shame from the Court, and they married, To that marriage some happiness, maugre The voice of the Court, I dared augur.
For De Lorge, he made women with men vie, Those in wonder and praise, these in envy; And in short stood so plain a head taller That he wooed and won .
.
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how do you call her? The beauty, that rose in the sequel To the King's love, who loved her a week well.
And 'twas noticed he never would honour De Lorge (who looked daggers upon her) With the easy commission of stretching His legs in the service, and fetching His wife, from her chamber, those straying Sad gloves she was always mislaying, While the King took the closet to chat in,--- But of course this adventure came pat in.
And never the King told the story, How bringing a glove brought such glory, But the wife smiled---``His nerves are grown firmer: ``Mine he brings now and utters no murmur.
'' _Venienti occurrite morbo!_ With which moral I drop my theorbo.
*1 A beetle.


Written by Mary Darby Robinson | Create an image from this poem

Ode to the Moon

 PALE GODDESS of the witching hour;
Blest Contemplation's placid friend; 
Oft in my solitary bow'r,
I mark thy lucid beam
From thy crystal car descend,
Whitening the spangled heath, and limpid sapphire stream.
And oft, amidst the shades of night I court thy undulating light; When Fairies dance around the verdant ring, Or frisk beside the bubbling spring, When the thoughtless SHEPHERD'S song Echoes thro' the silent air, As he pens his fleecy care, Or plods with saunt'ring gait, the dewy meads along.
CHASTE ORB! as thro' the vaulted sky Feath'ry clouds transparent sail; When thy languid, weeping eye, Sheds its soft tears upon the painted vale; As I ponder o'er the floods, Or tread with listless step, th'embow'ring woods, O, let thy transitory beam, Soothe my sad mind, with FANCY'S aëry dream.
Wrapt in REFLECTION, let me trace O'er the vast ethereal space, Stars, whose twinkling fires illume Dark-brow'd NIGHT'S obtrusive gloom; Where across the concave wide; Flaming METEORS swiftly glide; Or along the milky way, Vapours shoot a silvery ray; And as I mark, thy faint reclining head, Sinking on Ocean's pearly bed; Let REASON tell my soul, thus all things fade.
The Seasons change, the "garish SUN" When Day's burning car hath run Its fiery course, no more we view, While o'er the mountain's golden head, Streak'd with tints of crimson hue, Twilight's filmy curtains spread, Stealing o'er Nature's face, a desolating shade.
Yon musky FLOW'R, that scents the earth; The SOD, that gave its odours birth; The ROCK, that breaks the torrent's force; The VALE, that owns its wand'ring course; The woodlands where the vocal throng Trill the wild melodious song; Thirsty desarts, sands that glow, Mountains, cap'd with flaky snow; Luxuriant groves, enamell'd fields, All, all, prolific Nature yields, Alike shall end; the sensate HEART, With all its passions, all its fire, Touch'd by FATE'S unerring dart, Shall feel its vital strength expire; Those eyes, that beam with FRIENDSHIP'S ray, And glance ineffable delight, Shall shrink from LIFE'S translucid day, And close their fainting orbs, in DEATH'S impervious night.
Then what remains for mortal pow'r; But TIME'S dull journey to beguile; To deck with joy, the winged hour, To meet its sorrows with a patient smile; And when the toilsome pilgrimage shall end, To greet the tyrant, as a welcome friend.
Written by John Keats | Create an image from this poem

Fancy

EVER let the Fancy roam, 
Pleasure never is at home: 
At a touch sweet Pleasure melteth, 
Like to bubbles when rain pelteth; 
Then let wing¨¨d Fancy wander 5 
Through the thought still spread beyond her: 
Open wide the mind's cage-door, 
She'll dart forth, and cloudward soar.
O sweet Fancy! let her loose; Summer's joys are spoilt by use, 10 And the enjoying of the Spring Fades as does its blossoming; Autumn's red-lipp'd fruitage too, Blushing through the mist and dew, Cloys with tasting: What do then? 15 Sit thee by the ingle, when The sear ****** blazes bright, Spirit of a winter's night; When the soundless earth is muffled, And the cak¨¨d snow is shuffled 20 From the ploughboy's heavy shoon; When the Night doth meet the Noon In a dark conspiracy To banish Even from her sky.
Sit thee there, and send abroad, 25 With a mind self-overawed, Fancy, high-commission'd:¡ªsend her! She has vassals to attend her: She will bring, in spite of frost, Beauties that the earth hath lost; 30 She will bring thee, all together, All delights of summer weather; All the buds and bells of May, From dewy sward or thorny spray; All the heap¨¨d Autumn's wealth, 35 With a still, mysterious stealth: She will mix these pleasures up Like three fit wines in a cup, And thou shalt quaff it:¡ªthou shalt hear Distant harvest-carols clear; 40 Rustle of the reap¨¨d corn; Sweet birds antheming the morn: And, in the same moment¡ªhark! 'Tis the early April lark, Or the rooks, with busy caw, 45 Foraging for sticks and straw.
Thou shalt, at one glance, behold The daisy and the marigold; White-plumed lilies, and the first Hedge-grown primrose that hath burst; 50 Shaded hyacinth, alway Sapphire queen of the mid-May; And every leaf, and every flower Pearl¨¨d with the self-same shower.
Thou shalt see the fieldmouse peep 55 Meagre from its cell¨¨d sleep; And the snake all winter-thin Cast on sunny bank its skin; Freckled nest-eggs thou shalt see Hatching in the hawthorn-tree, 60 When the hen-bird's wing doth rest Quiet on her mossy nest; Then the hurry and alarm When the beehive casts its swarm; Acorns ripe down-pattering 65 While the autumn breezes sing.
O sweet Fancy! let her loose; Every thing is spoilt by use: Where 's the cheek that doth not fade, Too much gazed at? Where 's the maid 70 Whose lip mature is ever new? Where 's the eye, however blue, Doth not weary? Where 's the face One would meet in every place? Where 's the voice, however soft, 75 One would hear so very oft? At a touch sweet Pleasure melteth Like to bubbles when rain pelteth.
Let, then, wing¨¨d Fancy find Thee a mistress to thy mind: 80 Dulcet-eyed as Ceres' daughter, Ere the God of Torment taught her How to frown and how to chide; With a waist and with a side White as Hebe's, when her zone 85 Slipt its golden clasp, and down Fell her kirtle to her feet, While she held the goblet sweet, And Jove grew languid.
¡ªBreak the mesh Of the Fancy's silken leash; 90 Quickly break her prison-string, And such joys as these she'll bring.
¡ª Let the wing¨¨d Fancy roam, Pleasure never is at home.
Written by Henry Van Dyke | Create an image from this poem

God of the Open Air

 I

Thou who hast made thy dwelling fair
With flowers beneath, above with starry lights,
And set thine altars everywhere,--
On mountain heights,
In woodlands dim with many a dream,
In valleys bright with springs,
And on the curving capes of every stream:
Thou who hast taken to thyself the wings
Of morning, to abide
Upon the secret places of the sea,
And on far islands, where the tide
Visits the beauty of untrodden shores,
Waiting for worshippers to come to thee
In thy great out-of-doors!
To thee I turn, to thee I make my prayer,
God of the open air.
II Seeking for thee, the heart of man Lonely and longing ran, In that first, solitary hour, When the mysterious power To know and love the wonder of the morn Was breathed within him, and his soul was born; And thou didst meet thy child, Not in some hidden shrine, But in the freedom of the garden wild, And take his hand in thine,-- There all day long in Paradise he walked, And in the cool of evening with thee talked.
III Lost, long ago, that garden bright and pure, Lost, that calm day too perfect to endure, And lost the childlike love that worshipped and was sure! For men have dulled their eyes with sin, And dimmed the light of heaven with doubt, And built their temple walls to shut thee in, And framed their iron creeds to shut thee out.
But not for thee the closing of the door, O Spirit unconfined! Thy ways are free As is the wandering wind, And thou hast wooed thy children, to restore Their fellowship with thee, In peace of soul and simpleness of mind.
IV Joyful the heart that, when the flood rolled by, Leaped up to see the rainbow in the sky; And glad the pilgrim, in the lonely night, For whom the hills of Haran, tier on tier, Built up a secret stairway to the height Where stars like angel eyes were shining clear.
From mountain-peaks, in many a land and age, Disciples of the Persian seer Have hailed the rising sun and worshipped thee; And wayworn followers of the Indian sage Have found the peace of God beneath a spreading tree.
But One, but One,--ah, child most dear, And perfect image of the Love Unseen,-- Walked every day in pastures green, And all his life the quiet waters by, Reading their beauty with a tranquil eye.
To him the desert was a place prepared For weary hearts to rest; The hillside was a temple blest; The grassy vale a banquet-room Where he could feed and comfort many a guest.
With him the lily shared The vital joy that breathes itself in bloom; And every bird that sang beside the nest Told of the love that broods o'er every living thing.
He watched the shepherd bring His flock at sundown to the welcome fold, The fisherman at daybreak fling His net across the waters gray and cold, And all day long the patient reaper swing His curving sickle through the harvest-gold.
So through the world the foot-path way he trod, Drawing the air of heaven in every breath; And in the evening sacrifice of death Beneath the open sky he gave his soul to God.
Him will I trust, and for my Master take; Him will I follow; and for his dear sake, God of the open air, To thee I make my prayer.
V >From the prison of anxious thought that greed has builded, >From the fetters that envy has wrought and pride has gilded, >From the noise of the crowded ways and the fierce confusion, >From the folly that wastes its days in a world of illusion, (Ah, but the life is lost that frets and languishes there!) I would escape and be free in the joy of the open air.
By the breadth of the blue that shines in silence o'er me, By the length of the mountain-lines that stretch before me, By the height of the cloud that sails, with rest in motion, Over the plains and the vales to the measureless ocean, (Oh, how the sight of the things that are great enlarges the eyes!) Lead me out of the narrow life, to the peace of the hills and the skies.
While the tremulous leafy haze on the woodland is spreading, And the bloom on the meadow betrays where May has been treading; While the birds on the branches above, and the brooks flowing under, Are singing together of love in a world full of wonder, (Lo, in the marvel of Springtime, dreams are changed into truth!) Quicken my heart, and restore the beautiful hopes of youth.
By the faith that the flowers show when they bloom unbidden, By the calm of the river's flow to a goal that is hidden, By the trust of the tree that clings to its deep foundation, By the courage of wild birds' wings on the long migration, (Wonderful secret of peace that abides in Nature's breast!) Teach me how to confide, and live my life, and rest.
For the comforting warmth of the sun that my body embraces, For the cool of the waters that run through the shadowy places, For the balm of the breezes that brush my face with their fingers, For the vesper-hymn of the thrush when the twilight lingers, For the long breath, the deep breath, the breath of a heart without care,-- I will give thanks and adore thee, God of the open air! VI These are the gifts I ask Of thee, Spirit serene: Strength for the daily task, Courage to face the road, Good cheer to help me bear the traveller's load, And, for the hours of rest that come between, An inward joy in all things heard and seen.
These are the sins I fain Would have thee take away: Malice, and cold disdain, Hot anger, sullen hate, Scorn of the lowly, envy of the great, And discontent that casts a shadow gray On all the brightness of the common day.
These are the things I prize And hold of dearest worth: Light of the sapphire skies, Peace of the silent hills, Shelter of forests, comfort of the grass, Music of birds, murmur of little rills, Shadow of clouds that swiftly pass, And, after showers, The smell of flowers And of the good brown earth,-- And best of all, along the way, friendship and mirth.
So let me keep These treasures of the humble heart In true possession, owning them by love; And when at last I can no longer move Among them freely, but must part From the green fields and from the waters clear, Let me not creep Into some darkened room and hide From all that makes the world so bright and dear; But throw the windows wide To welcome in the light; And while I clasp a well-beloved hand, Let me once more have sight Of the deep sky and the far-smiling land,-- Then gently fall on sleep, And breathe my body back to Nature's care, My spirit out to thee, God of the open air.
Written by Sylvia Plath | Create an image from this poem

Berck-Plage

(1)

This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.
Electrifyingly-colored sherbets, scooped from the freeze By pale girls, travel the air in scorched hands.
Why is it so quiet, what are they hiding? I have two legs, and I move smilingly.
.
A sandy damper kills the vibrations; It stretches for miles, the shrunk voices Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces, Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses? Is it any wonder he affects a black cassock? Here he comes now, among the mackerel gatherers Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.
The sea, that crystallized these, Creeps away, many-snaked, with a long hiss of distress.
(2) This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot, The high, dead, toeless foot of this priest Who plumbs the well of his book, The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes, Breasts and hips a confectioner's sugar Of little crystals, titillating the light, While a green pool opens its eye, Sick with what it has swallowed---- Limbs, images, shrieks.
Behind the concrete bunkers Two lovers unstick themselves.
O white sea-crockery, What cupped sighs, what salt in the throat.
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.
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And the onlooker, trembling, Drawn like a long material Through a still virulence, And a weed, hairy as privates.
(3) On the balconies of the hotel, things are glittering.
Things, things---- Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness.
Why should I walk Beyond the breakwater, spotty with barnacles? I am not a nurse, white and attendant, I am not a smile.
These children are after something, with hooks and cries, And my heart too small to bandage their terrible faults.
This is the side of a man: his red ribs, The nerves bursting like trees, and this is the surgeon: One mirrory eye---- A facet of knowledge.
On a striped mattress in one room An old man is vanishing.
There is no help in his weeping wife.
Where are the eye-stones, yellow and vvaluable, And the tongue, sapphire of ash.
(4) A wedding-cake face in a paper frill.
How superior he is now.
It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful; They are browning, like touched gardenias.
The bed is rolled from the wall.
This is what it is to be complete.
It is horrible.
Is he wearing pajamas or an evening suit Under the glued sheet from which his powdery beak Rises so whitely unbuffeted? They propped his jaw with a book until it stiffened And folded his hands, that were shaking: goodbye, goodbye.
Now the washed sheets fly in the sun, The pillow cases are sweetening.
It is a blessing, it is a blessing: The long coffin of soap-colored oak, The curious bearers and the raw date Engraving itself in silver with marvelous calm.
(5) The gray sky lowers, the hills like a green sea Run fold upon fold far off, concealing their hollows, The hollows in which rock the thoughts of the wife---- Blunt, practical boats Full of dresses and hats and china and married daughters.
In the parlor of the stone house One curtain is flickering from the open window, Flickering and pouring, a pitiful candle.
This is the tongue of the dead man: remember, remember.
How far he is now, his actions Around him like livingroom furniture, like a décor.
As the pallors gather---- The pallors of hands and neighborly faces, The elate pallors of flying iris.
They are flying off into nothing: remember us.
The empty benches of memory look over stones, Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here: it is a stopping place.
(6) The natural fatness of these lime leaves!---- Pollarded green balls, the trees march to church.
The voice of the priest, in thin air, Meets the corpse at the gate, Addressing it, while the hills roll the notes of the dead bell; A glittler of wheat and crude earth.
What is the name of that color?---- Old blood of caked walls the sun heals, Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters, Necessary among the flowers, Enfolds her lace like fine linen, Not to be spread again.
While a sky, wormy with put-by smiles, Passes cloud after cloud.
And the bride flowers expend a fershness, And the soul is a bride In a still place, and the groom is red and forgetful, he is featureless.
(7) Behind the glass of this car The world purrs, shut-off and gentle.
And I am dark-suited and stil, a member of the party, Gliding up in low gear behind the cart.
And the priest is a vessel, A tarred fabric,sorry and dull, Following the coffin on its flowery cart like a beautiful woman, A crest of breasts, eyelids and lips Storming the hilltop.
Then, from the barred yard, the children Smell the melt of shoe-blacking, Their faces turning, wordless and slow, Their eyes opening On a wonderful thing---- Six round black hats in the grass and a lozenge of wood, And a naked mouth, red and awkward.
For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.


Written by G K Chesterton | Create an image from this poem

Lepanto

 White founts falling in the Courts of the sun, 
And the Soldan of Byzantium is smiling as they run; 
There is laughter like the fountains in that face of all men feared, 
It stirs the forest darkness, the darkness of his beard; 
It curls the blood-red crescent, the crescent of his lips; 
For the inmost sea of all the earth is shaken with his ships.
They have dared the white republics up the capes of Italy, They have dashed the Adriatic round the Lion of the Sea, And the Pope has cast his arms abroad for agony and loss, And called the kings of Christendom for swords about the Cross.
The cold queen of England is looking in the glass; The shadow of the Valois is yawning at the Mass; From evening isles fantastical rings faint the Spanish gun, And the Lord upon the Golden Horn is laughing in the sun.
Dim drums throbbing, in the hills half heard, Where only on a nameless throne a crownless prince has stirred, Where, risen from a doubtful seat and half attainted stall, The last knight of Europe takes weapons from the wall, The last and lingering troubadour to whom the bird has sung, That once went singing southward when all the world was young.
In that enormous silence, tiny and unafraid, Comes up along a winding road the noise of the Crusade.
Strong gongs groaning as the guns boom far, Don John of Austria is going to the war, Stiff flags straining in the night-blasts cold In the gloom black-purple, in the glint old-gold, Torchlight crimson on the copper kettle-drums, Then the tuckets, then the trumpets, then the cannon, and he comes.
Don John laughing in the brave beard curled, Spurning of his stirrups like the thrones of all the world, Holding his head up for a flag of all the free.
Love-light of Spain--hurrah! Death-light of Africa! Don John of Austria Is riding to the sea.
Mahound is in his paradise above the evening star, (Don John of Austria is going to the war.
) He moves a mighty turban on the timeless houri's knees, His turban that is woven of the sunsets and the seas.
He shakes the peacock gardens as he rises from his ease, And he strides among the tree-tops and is taller than the trees; And his voice through all the garden is a thunder sent to bring Black Azrael and Ariel and Ammon on the wing.
Giants and the Genii, Multiplex of wing and eye, Whose strong obedience broke the sky When Solomon was king.
They rush in red and purple from the red clouds of the morn, From the temples where the yellow gods shut up their eyes in scorn; They rise in green robes roaring from the green hells of the sea Where fallen skies and evil hues and eyeless creatures be, On them the sea-valves cluster and the grey sea-forests curl, Splashed with a splendid sickness, the sickness of the pearl; They swell in sapphire smoke out of the blue cracks of the ground,-- They gather and they wonder and give worship to Mahound.
And he saith, "Break up the mountains where the hermit-folk can hide, And sift the red and silver sands lest bone of saint abide, And chase the Giaours flying night and day, not giving rest, For that which was our trouble comes again out of the west.
We have set the seal of Solomon on all things under sun, Of knowledge and of sorrow and endurance of things done.
But a noise is in the mountains, in the mountains, and I know The voice that shook our palaces--four hundred years ago: It is he that saith not 'Kismet'; it is he that knows not Fate; It is Richard, it is Raymond, it is Godfrey at the gate! It is he whose loss is laughter when he counts the wager worth, Put down your feet upon him, that our peace be on the earth.
" For he heard drums groaning and he heard guns jar, (Don John of Austria is going to the war.
) Sudden and still--hurrah! Bolt from Iberia! Don John of Austria Is gone by Alcalar.
St.
Michaels on his Mountain in the sea-roads of the north (Don John of Austria is girt and going forth.
) Where the grey seas glitter and the sharp tides shift And the sea-folk labour and the red sails lift.
He shakes his lance of iron and he claps his wings of stone; The noise is gone through Normandy; the noise is gone alone; The North is full of tangled things and texts and aching eyes, And dead is all the innocence of anger and surprise, And Christian killeth Christian in a narrow dusty room, And Christian dreadeth Christ that hath a newer face of doom, And Christian hateth Mary that God kissed in Galilee,-- But Don John of Austria is riding to the sea.
Don John calling through the blast and the eclipse Crying with the trumpet, with the trumpet of his lips, Trumpet that sayeth ha! Domino gloria! Don John of Austria Is shouting to the ships.
King Philip's in his closet with the Fleece about his neck (Don John of Austria is armed upon the deck.
) The walls are hung with velvet that is black and soft as sin, And little dwarfs creep out of it and little dwarfs creep in.
He holds a crystal phial that has colours like the moon, He touches, and it tingles, and he trembles very soon, And his face is as a fungus of a leprous white and grey Like plants in the high houses that are shuttered from the day, And death is in the phial and the end of noble work, But Don John of Austria has fired upon the Turk.
Don John's hunting, and his hounds have bayed-- Booms away past Italy the rumour of his raid.
Gun upon gun, ha! ha! Gun upon gun, hurrah! Don John of Austria Has loosed the cannonade.
The Pope was in his chapel before day or battle broke, (Don John of Austria is hidden in the smoke.
) The hidden room in man's house where God sits all the year, The secret window whence the world looks small and very dear.
He sees as in a mirror on the monstrous twilight sea The crescent of his cruel ships whose name is mystery; They fling great shadows foe-wards, making Cross and Castle dark, They veil the plum?d lions on the galleys of St.
Mark; And above the ships are palaces of brown, black-bearded chiefs, And below the ships are prisons, where with multitudinous griefs, Christian captives sick and sunless, all a labouring race repines Like a race in sunken cities, like a nation in the mines.
They are lost like slaves that sweat, and in the skies of morning hung The stair-ways of the tallest gods when tyranny was young.
They are countless, voiceless, hopeless as those fallen or fleeing on Before the high Kings' horses in the granite of Babylon.
And many a one grows witless in his quiet room in hell Where a yellow face looks inward through the lattice of his cell, And he finds his God forgotten, and he seeks no more a sign-- (But Don John of Austria has burst the battle-line!) Don John pounding from the slaughter-painted poop, Purpling all the ocean like a bloody pirate's sloop, Scarlet running over on the silvers and the golds, Breaking of the hatches up and bursting of the holds, Thronging of the thousands up that labour under sea White for bliss and blind for sun and stunned for liberty.
Vivat Hispania! Domino Gloria! Don John of Austria Has set his people free! Cervantes on his galley sets the sword back in the sheath (Don John of Austria rides homeward with a wreath.
) And he sees across a weary land a straggling road in Spain, Up which a lean and foolish knight for ever rides in vain, And he smiles, but not as Sultans smile, and settles back the blade.
.
.
.
(But Don John of Austria rides home from the Crusade.
)
Written by Louise Gluck | Create an image from this poem

Midnight

 The stars are soft as flowers, and as near;
The hills are webs of shadow, slowly spun;
No separate leaf or single blade is here-
All blend to one.
No moonbeam cuts the air; a sapphire light Rolls lazily.
and slips again to rest.
There is no edged thing in all this night, Save in my breast.
Written by Oscar Wilde | Create an image from this poem

Athanasia

 To that gaunt House of Art which lacks for naught
Of all the great things men have saved from Time,
The withered body of a girl was brought
Dead ere the world's glad youth had touched its prime,
And seen by lonely Arabs lying hid
In the dim womb of some black pyramid.
But when they had unloosed the linen band Which swathed the Egyptian's body, - lo! was found Closed in the wasted hollow of her hand A little seed, which sown in English ground Did wondrous snow of starry blossoms bear And spread rich odours through our spring-tide air.
With such strange arts this flower did allure That all forgotten was the asphodel, And the brown bee, the lily's paramour, Forsook the cup where he was wont to dwell, For not a thing of earth it seemed to be, But stolen from some heavenly Arcady.
In vain the sad narcissus, wan and white At its own beauty, hung across the stream, The purple dragon-fly had no delight With its gold dust to make his wings a-gleam, Ah! no delight the jasmine-bloom to kiss, Or brush the rain-pearls from the eucharis.
For love of it the passionate nightingale Forgot the hills of Thrace, the cruel king, And the pale dove no longer cared to sail Through the wet woods at time of blossoming, But round this flower of Egypt sought to float, With silvered wing and amethystine throat.
While the hot sun blazed in his tower of blue A cooling wind crept from the land of snows, And the warm south with tender tears of dew Drenched its white leaves when Hesperos up-rose Amid those sea-green meadows of the sky On which the scarlet bars of sunset lie.
But when o'er wastes of lily-haunted field The tired birds had stayed their amorous tune, And broad and glittering like an argent shield High in the sapphire heavens hung the moon, Did no strange dream or evil memory make Each tremulous petal of its blossoms shake? Ah no! to this bright flower a thousand years Seemed but the lingering of a summer's day, It never knew the tide of cankering fears Which turn a boy's gold hair to withered grey, The dread desire of death it never knew, Or how all folk that they were born must rue.
For we to death with pipe and dancing go, Nor would we pass the ivory gate again, As some sad river wearied of its flow Through the dull plains, the haunts of common men, Leaps lover-like into the terrible sea! And counts it gain to die so gloriously.
We mar our lordly strength in barren strife With the world's legions led by clamorous care, It never feels decay but gathers life From the pure sunlight and the supreme air, We live beneath Time's wasting sovereignty, It is the child of all eternity.
Written by Ogden Nash | Create an image from this poem

The Clean Plater

 Some singers sing of ladies' eyes,
And some of ladies lips,
Refined ones praise their ladylike ways,
And course ones hymn their hips.
The Oxford Book of English Verse Is lush with lyrics tender; A poet, I guess, is more or less Preoccupied with gender.
Yet I, though custom call me crude, Prefer to sing in praise of food.
Food, Yes, food, Just any old kind of food.
Pheasant is pleasant, of course, And terrapin, too, is tasty, Lobster I freely endorse, In pate or patty or pasty.
But there's nothing the matter with butter, And nothing the matter with jam, And the warmest greetings I utter To the ham and the yam and the clam.
For they're food, All food, And I think very fondly of food.
Through I'm broody at times When bothered by rhymes, I brood On food.
Some painters paint the sapphire sea, And some the gathering storm.
Others portray young lambs at play, But most, the female form.
“Twas trite in that primeval dawn When painting got its start, That a lady with her garments on Is Life, but is she Art? By undraped nymphs I am not wooed; I'd rather painters painted food.
Food, Just food, Just any old kind of food.
Go purloin a sirloin, my pet, If you'd win a devotion incredible; And asparagus tips vinaigrette, Or anything else that is edible.
Bring salad or sausage or scrapple, A berry or even a beet.
Bring an oyster, an egg, or an apple, As long as it's something to eat.
If it's food, It's food; Never mind what kind of food.
When I ponder my mind I consistently find It is glued On food.
Written by John Keats | Create an image from this poem

Ode to Psyche

O GODDESS! hear these tuneless numbers, wrung 
By sweet enforcement and remembrance dear, 
And pardon that thy secrets should be sung 
Even into thine own soft-conch¨¨d ear: 
Surely I dream'd to-day, or did I see 5 
The wing¨¨d Psyche with awaken'd eyes? 
I wander'd in a forest thoughtlessly, 
And, on the sudden, fainting with surprise, 
Saw two fair creatures, couch¨¨d side by side 
In deepest grass, beneath the whisp'ring roof 10 
Of leaves and trembled blossoms, where there ran 
A brooklet, scarce espied: 
'Mid hush'd, cool-rooted flowers, fragrant-eyed, 
Blue, silver-white, and budded Tyrian 
They lay calm-breathing on the bedded grass; 15 
Their arms embrac¨¨d, and their pinions too; 
Their lips touch'd not, but had not bade adieu, 
As if disjoin¨¨d by soft-handed slumber, 
And ready still past kisses to outnumber 
At tender eye-dawn of aurorean love: 20 
The wing¨¨d boy I knew; 
But who wast thou, O happy, happy dove? 
His Psyche true! 

O latest-born and loveliest vision far 
Of all Olympus' faded hierarchy! 25 
Fairer than Phoebe's sapphire-region'd star, 
Or Vesper, amorous glow-worm of the sky; 
Fairer than these, though temple thou hast none, 
Nor altar heap'd with flowers; 
Nor Virgin-choir to make delicious moan 30 
Upon the midnight hours; 
No voice, no lute, no pipe, no incense sweet 
From chain-swung censer teeming; 
No shrine, no grove, no oracle, no heat 
Of pale-mouth'd prophet dreaming.
35 O brightest! though too late for antique vows, Too, too late for the fond believing lyre, When holy were the haunted forest boughs, Holy the air, the water, and the fire; Yet even in these days so far retired 40 From happy pieties, thy lucent fans, Fluttering among the faint Olympians, I see, and sing, by my own eyes inspired.
So let me be thy choir, and make a moan Upon the midnight hours; 45 Thy voice, thy lute, thy pipe, thy incense sweet From swing¨¨d censer teeming: Thy shrine, thy grove, thy oracle, thy heat Of pale-mouth'd prophet dreaming.
Yes, I will be thy priest, and build a fane 50 In some untrodden region of my mind, Where branch¨¨d thoughts, new grown with pleasant pain, Instead of pines shall murmur in the wind: Far, far around shall those dark-cluster'd trees Fledge the wild-ridg¨¨d mountains steep by steep; 55 And there by zephyrs, streams, and birds, and bees, The moss-lain Dryads shall be lull'd to sleep; And in the midst of this wide quietness A rosy sanctuary will I dress With the wreath'd trellis of a working brain, 60 With buds, and bells, and stars without a name, With all the gardener Fancy e'er could feign, Who breeding flowers, will never breed the same; And there shall be for thee all soft delight That shadowy thought can win, 65 A bright torch, and a casement ope at night, To let the warm Love in!

Book: Shattered Sighs