Get Your Premium Membership

Best Famous Rotating Poems

Here is a collection of the all-time best famous Rotating poems. This is a select list of the best famous Rotating poetry. Reading, writing, and enjoying famous Rotating poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of rotating poems.

Search and read the best famous Rotating poems, articles about Rotating poems, poetry blogs, or anything else Rotating poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Dylan Thomas | Create an image from this poem

I In My Intricate Image

 I

I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels, Bright as her spinning-wheels, the colic season Worked on a world of petals; She threads off the sap and needles, blood and bubble Casts to the pine roots, raising man like a mountain Out of the naked entrail.
Beginning with doom in the ghost, and the springing marvels, Image of images, my metal phantom Forcing forth through the harebell, My man of leaves and the bronze root, mortal, unmortal, I, in my fusion of rose and male motion, Create this twin miracle.
This is the fortune of manhood: the natural peril, A steeplejack tower, bonerailed and masterless, No death more natural; Thus the shadowless man or ox, and the pictured devil, In seizure of silence commit the dead nuisance.
The natural parallel.
My images stalk the trees and the slant sap's tunnel, No tread more perilous, the green steps and spire Mount on man's footfall, I with the wooden insect in the tree of nettles, In the glass bed of grapes with snail and flower, Hearing the weather fall.
Intricate manhood of ending, the invalid rivals, Voyaging clockwise off the symboled harbour, Finding the water final, On the consumptives' terrace taking their two farewells, Sail on the level, the departing adventure, To the sea-blown arrival.
II They climb the country pinnacle, Twelve winds encounter by the white host at pasture, Corner the mounted meadows in the hill corral; They see the squirrel stumble, The haring snail go giddily round the flower, A quarrel of weathers and trees in the windy spiral.
As they dive, the dust settles, The cadaverous gravels, falls thick and steadily, The highroad of water where the seabear and mackerel Turn the long sea arterial Turning a petrol face blind to the enemy Turning the riderless dead by the channel wall.
(Death instrumental, Splitting the long eye open, and the spiral turnkey, Your corkscrew grave centred in navel and nipple, The neck of the nostril, Under the mask and the ether, they making bloody The tray of knives, the antiseptic funeral; Bring out the black patrol, Your monstrous officers and the decaying army, The sexton sentinel, garrisoned under thistles, A cock-on-a-dunghill Crowing to Lazarus the morning is vanity, Dust be your saviour under the conjured soil.
) As they drown, the chime travels, Sweetly the diver's bell in the steeple of spindrift Rings out the Dead Sea scale; And, clapped in water till the triton dangles, Strung by the flaxen whale-weed, from the hangman's raft, Hear they the salt glass breakers and the tongues of burial.
(Turn the sea-spindle lateral, The grooved land rotating, that the stylus of lightning Dazzle this face of voices on the moon-turned table, Let the wax disk babble Shames and the damp dishonours, the relic scraping.
These are your years' recorders.
The circular world stands still.
) III They suffer the undead water where the turtle nibbles, Come unto sea-stuck towers, at the fibre scaling, The flight of the carnal skull And the cell-stepped thimble; Suffer, my topsy-turvies, that a double angel Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule, Brass and the bodiless image, on a stick of folly Star-set at Jacob's angle, Smoke hill and hophead's valley, And the five-fathomed Hamlet on his father's coral Thrusting the tom-thumb vision up the iron mile.
Suffer the slash of vision by the fin-green stubble, Be by the ships' sea broken at the manstring anchored The stoved bones' voyage downward In the shipwreck of muscle; Give over, lovers, locking, and the seawax struggle, Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle, The sea and instrument, nicked in the locks of time, My great blood's iron single In the pouring town, I, in a wind on fire, from green Adam's cradle, No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel, Tail, Nile, and snout, a saddler of the rushes, Time in the hourless houses Shaking the sea-hatched skull, And, as for oils and ointments on the flying grail, All-hollowed man wept for his white apparel.
Man was Cadaver's masker, the harnessing mantle, Windily master of man was the rotten fathom, My ghost in his metal neptune Forged in man's mineral.
This was the god of beginning in the intricate seawhirl, And my images roared and rose on heaven's hill.


Written by Amy Lowell | Create an image from this poem

The Captured Goddess

 Over the housetops,
Above the rotating chimney-pots,
I have seen a shiver of amethyst,
And blue and cinnamon have flickered
A moment,
At the far end of a dusty street.
Through sheeted rain Has come a lustre of crimson, And I have watched moonbeams Hushed by a film of palest green.
It was her wings, Goddess! Who stepped over the clouds, And laid her rainbow feathers Aslant on the currents of the air.
I followed her for long, With gazing eyes and stumbling feet.
I cared not where she led me, My eyes were full of colours: Saffrons, rubies, the yellows of beryls, And the indigo-blue of quartz; Flights of rose, layers of chrysoprase, Points of orange, spirals of vermilion, The spotted gold of tiger-lily petals, The loud pink of bursting hydrangeas.
I followed, And watched for the flashing of her wings.
In the city I found her, The narrow-streeted city.
In the market-place I came upon her, Bound and trembling.
Her fluted wings were fastened to her sides with cords, She was naked and cold, For that day the wind blew Without sunshine.
Men chaffered for her, They bargained in silver and gold, In copper, in wheat, And called their bids across the market-place.
The Goddess wept.
Hiding my face I fled, And the grey wind hissed behind me, Along the narrow streets.
Written by Dylan Thomas | Create an image from this poem

My World Is Pyramid

 I

Half of the fellow father as he doubles
His sea-sucked Adam in the hollow hulk,
Half of the fellow mother as she dabbles
To-morrow's diver in her horny milk,
Bisected shadows on the thunder's bone
Bolt for the salt unborn.
The fellow half was frozen as it bubbled Corrosive spring out of the iceberg's crop, The fellow seed and shadow as it babbled The swing of milk was tufted in the pap, For half of love was planted in the lost, And the unplanted ghost.
The broken halves are fellowed in a cripple, The crutch that marrow taps upon their sleep, Limp in the street of sea, among the rabble Of tide-tongued heads and bladders in the deep, And stake the sleepers in the savage grave That the vampire laugh.
The patchwork halves were cloven as they scudded The wild pigs' wood, and slime upon the trees, Sucking the dark, kissed on the cyanide, And loosed the braiding adders from their hairs, Rotating halves are horning as they drill The arterial angel.
What colour is glory? death's feather? tremble The halves that pierce the pin's point in the air, And prick the thumb-stained heaven through the thimble.
The ghost is dumb that stammered in the straw, The ghost that hatched his havoc as he flew Blinds their cloud-tracking eye.
II My world is pyramid.
The padded mummer Weeps on the desert ochre and the salt Incising summer.
My Egypt's armour buckling in its sheet, I scrape through resin to a starry bone And a blood parhelion.
My world is cypress, and an English valley.
I piece my flesh that rattled on the yards Red in an Austrian volley.
I hear, through dead men's drums, the riddled lads, Screwing their bowels from a hill of bones, Cry Eloi to the guns.
My grave is watered by the crossing Jordan.
The Arctic scut, and basin of the South, Drip on my dead house garden.
Who seek me landward, marking in my mouth The straws of Asia, lose me as I turn Through the Atlantic corn.
The fellow halves that, cloven as they swivel On casting tides, are tangled in the shells, Bearding the unborn devil, Bleed from my burning fork and smell my heels.
The tongue's of heaven gossip as I glide Binding my angel's hood.
Who blows death's feather? What glory is colour? I blow the stammel feather in the vein.
The loin is glory in a working pallor.
My clay unsuckled and my salt unborn, The secret child, I sift about the sea Dry in the half-tracked thigh.
Written by Dylan Thomas | Create an image from this poem

I Dreamed My Genesis

 I dreamed my genesis in sweat of sleep, breaking
Through the rotating shell, strong
As motor muscle on the drill, driving
Through vision and the girdered nerve.
From limbs that had the measure of the worm, shuffled Off from the creasing flesh, filed Through all the irons in the grass, metal Of suns in the man-melting night.
Heir to the scalding veins that hold love's drop, costly A creature in my bones I Rounded my globe of heritage, journey In bottom gear through night-geared man.
I dreamed my genesis and died again, shrapnel Rammed in the marching heart, hole In the stitched wound and clotted wind, muzzled Death on the mouth that ate the gas.
Sharp in my second death I marked the hills, harvest Of hemlock and the blades, rust My blood upon the tempered dead, forcing My second struggling from the grass.
And power was contagious in my birth, second Rise of the skeleton and Rerobing of the naked ghost.
Manhood Spat up from the resuffered pain.
I dreamed my genesis in sweat of death, fallen Twice in the feeding sea, grown Stale of Adam's brine until, vision Of new man strength, I seek the sun.
Written by Omer Tarin | Create an image from this poem

One to Four

I

One quarter of a century has elapsed
the diurnal movement of a life-cycle
rotating on its own axis
turned inwards and away from
hung by a nail upon the casement 

II

Two of the nine lives have drifted 
sinking somewhere near the embankment
while out prowling the empty streets at night
digging in this corner and that
poking here and there
in the trashcans lining the alley

III

Three horsemen have appeared
riding on fiery horses, spewing 
their sulphurous flame into the darkness
scorching one and all with their terrible message
blazed ominously across the bedstead

IV

Four has come arrayed
the number of an ephemeral end
a hermetic transmutation ordained
by the fluctuations of fatality, 
falling like some ill-omened comet
helter-skelter with the dice.
(from ''A Sad Piper'', 1994)



Book: Reflection on the Important Things