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Best Famous Romans Poems

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Written by Richard Aldington | Create an image from this poem

Childhood

 I 

The bitterness.
the misery, the wretchedness of childhood Put me out of love with God.
I can't believe in God's goodness; I can believe In many avenging gods.
Most of all I believe In gods of bitter dullness, Cruel local gods Who scared my childhood.
II I've seen people put A chrysalis in a match-box, "To see," they told me, "what sort of moth would come.
" But when it broke its shell It slipped and stumbled and fell about its prison And tried to climb to the light For space to dry its wings.
That's how I was.
Somebody found my chrysalis And shut it in a match-box.
My shrivelled wings were beaten, Shed their colours in dusty scales Before the box was opened For the moth to fly.
III I hate that town; I hate the town I lived in when I was little; I hate to think of it.
There wre always clouds, smoke, rain In that dingly little valley.
It rained; it always rained.
I think I never saw the sun until I was nine -- And then it was too late; Everything's too late after the first seven years.
The long street we lived in Was duller than a drain And nearly as dingy.
There were the big College And the pseudo-Gothic town-hall.
There were the sordid provincial shops -- The grocer's, and the shops for women, The shop where I bought transfers, And the piano and gramaphone shop Where I used to stand Staring at the huge shiny pianos and at the pictures Of a white dog looking into a gramaphone.
How dull and greasy and grey and sordid it was! On wet days -- it was always wet -- I used to kneel on a chair And look at it from the window.
The dirty yellow trams Dragged noisily along With a clatter of wheels and bells And a humming of wires overhead.
They threw up the filthy rain-water from the hollow lines And then the water ran back Full of brownish foam bubbles.
There was nothing else to see -- It was all so dull -- Except a few grey legs under shiny black umbrellas Running along the grey shiny pavements; Sometimes there was a waggon Whose horses made a strange loud hollow sound With their hoofs Through the silent rain.
And there was a grey museum Full of dead birds and dead insects and dead animals And a few relics of the Romans -- dead also.
There was a sea-front, A long asphalt walk with a bleak road beside it, Three piers, a row of houses, And a salt dirty smell from the little harbour.
I was like a moth -- Like one of those grey Emperor moths Which flutter through the vines at Capri.
And that damned little town was my match-box, Against whose sides I beat and beat Until my wings were torn and faded, and dingy As that damned little town.
IV At school it was just as dull as that dull High Street.
The front was dull; The High Street and the other street were dull -- And there was a public park, I remember, And that was damned dull, too, With its beds of geraniums no one was allowed to pick, And its clipped lawns you weren't allowed to walk on, And the gold-fish pond you mustn't paddle in, And the gate made out of a whale's jaw-bones, And the swings, which were for "Board-School children," And its gravel paths.
And on Sundays they rang the bells, From Baptist and Evangelical and Catholic churches.
They had a Salvation Army.
I was taken to a High Church; The parson's name was Mowbray, "Which is a good name but he thinks too much of it --" That's what I heard people say.
I took a little black book To that cold, grey, damp, smelling church, And I had to sit on a hard bench, Wriggle off it to kneel down when they sang psalms And wriggle off it to kneel down when they prayed, And then there was nothing to do Except to play trains with the hymn-books.
There was nothing to see, Nothing to do, Nothing to play with, Except that in an empty room upstairs There was a large tin box Containing reproductions of the Magna Charta, Of the Declaration of Independence And of a letter from Raleigh after the Armada.
There were also several packets of stamps, Yellow and blue Guatemala parrots, Blue stags and red baboons and birds from Sarawak, Indians and Men-of-war From the United States, And the green and red portraits Of King Francobello Of Italy.
V I don't believe in God.
I do believe in avenging gods Who plague us for sins we never sinned But who avenge us.
That's why I'll never have a child, Never shut up a chrysalis in a match-box For the moth to spoil and crush its brght colours, Beating its wings against the dingy prison-wall.


Written by Ogden Nash | Create an image from this poem

Very Like a Whale

 One thing that literature would be greatly the better for
Would be a more restricted employment by the authors of simile and
metaphor.
Authors of all races, be they Greeks, Romans, Teutons or Celts, Can't seem just to say that anything is the thing it is but have to go out of their way to say that it is like something else.
What does it mean when we are told That that Assyrian came down like a wolf on the fold? In the first place, George Gordon Byron had enough experience To know that it probably wasn't just one Assyrian, it was a lot of Assyrians.
However, as too many arguments are apt to induce apoplexy and thus hinder longevity.
We'll let it pass as one Assyrian for the sake of brevity.
Now then, this particular Assyrian, the one whose cohorts were gleaming in purple and gold, Just what does the poet mean when he says he came down like a wold on the fold? In heaven and earth more than is dreamed of in our philosophy there are great many things.
But I don't imagine that among them there is a wolf with purple and gold cohorts or purple and gold anythings.
No, no, Lord Byron, before I'll believe that this Assyrian was actually like a wolf I must have some kind of proof; Did he run on all fours and did he have a hairy tail and a big red mouth and big white teeth and did he say Woof Woof? Frankly I think it is very unlikely, and all you were entitled to say, at the very most, Was that the Assyrian cohorts came down like a lot of Assyrian cohorts about to destroy the Hebrew host.
But that wasn't fancy enough for Lord Byron, oh dear me no, he had to invent a lot of figures of speech and then interpolate them, With the result that whenever you mention Old Testament soldiers to people they say Oh yes, they're the ones that a lot of wolves dressed up in gold and purple ate them.
That's the kind of thing that's being done all the time by poets, from Homer to Tennyson; They're always comparing ladies to lilies and veal to venison, And they always say things like that the snow is a white blanket after a winter storm.
Oh it is, is it, all right then, you sleep under a six-inch blanket of snow and I'll sleep under a half-inch blanket of unpoetical blanket material and we'll see which one keeps warm, And after that maybe you'll begin to comprehend dimly What I mean by too much metaphor and simile.
Written by Robinson Jeffers | Create an image from this poem

The Broken Balance

 I.
Reference to a Passage in Plutarch's Life of Sulla The people buying and selling, consuming pleasures, talking in the archways, Were all suddenly struck quiet And ran from under stone to look up at the sky: so shrill and mournful, So fierce and final, a brazen Pealing of trumpets high up in the air, in the summer blue over Tuscany.
They marvelled; the soothsayers answered: "Although the Gods are little troubled toward men, at the end of each period A sign is declared in heaven Indicating new times, new customs, a changed people; the Romans Rule, and Etruria is finished; A wise mariner will trim the sails to the wind.
" I heard yesterday So shrill and mournful a trumpet-blast, It was hard to be wise.
.
.
.
You must eat change and endure; not be much troubled For the people; they will have their happiness.
When the republic grows too heavy to endure, then Caesar will carry It; When life grows hateful, there's power .
.
.
II.
To the Children Power's good; life is not always good but power's good.
So you must think when abundance Makes pawns of people and all the loaves are one dough.
The steep singleness of passion Dies; they will say, "What was that?" but the power triumphs.
Loveliness will live under glass And beauty will go savage in the secret mountains.
There is beauty in power also.
You children must widen your minds' eyes to take mountains Instead of faces, and millions Instead of persons; not to hate life; and massed power After the lone hawk's dead.
III That light blood-loving weasel, a tongue of yellow Fire licking the sides of the gray stones, Has a more passionate and more pure heart In the snake-slender flanks than man can imagine; But he is betrayed by his own courage, The man who kills him is like a cloud hiding a star.
Then praise the jewel-eyed hawk and the tall blue heron; The black cormorants that fatten their sea-rock With shining slime; even that ruiner of anthills The red-shafted woodpecker flying, A white star between blood-color wing-clouds, Across the glades of the wood and the green lakes of shade.
These live their felt natures; they know their norm And live it to the brim; they understand life.
While men moulding themselves to the anthill have choked Their natures until the souls the in them; They have sold themselves for toys and protection: No, but consider awhile: what else? Men sold for toys.
Uneasy and fractional people, having no center But in the eyes and mouths that surround them, Having no function but to serve and support Civilization, the enemy of man, No wonder they live insanely, and desire With their tongues, progress; with their eyes, pleasure; with their hearts, death.
Their ancestors were good hunters, good herdsmen and swordsman, But now the world is turned upside down; The good do evil, the hope's in criminals; in vice That dissolves the cities and war to destroy them.
Through wars and corruptions the house will fall.
Mourn whom it falls on.
Be glad: the house is mined, it will fall.
IV Rain, hail and brutal sun, the plow in the roots, The pitiless pruning-iron in the branches, Strengthen the vines, they are all feeding friends Or powerless foes until the grapes purple.
But when you have ripened your berries it is time to begin to perish.
The world sickens with change, rain becomes poison, The earth is a pit, it Is time to perish.
The vines are fey, the very kindness of nature Corrupts what her cruelty before strengthened.
When you stand on the peak of time it is time to begin to perish.
Reach down the long morbid roots that forget the plow, Discover the depths; let the long pale tendrils Spend all to discover the sky, now nothing is good But only the steel mirrors of discovery .
.
.
And the beautiful enormous dawns of time, after we perish.
V Mourning the broken balance, the hopeless prostration of the earth Under men's hands and their minds, The beautiful places killed like rabbits to make a city, The spreading fungus, the slime-threads And spores; my own coast's obscene future: I remember the farther Future, and the last man dying Without succession under the confident eyes of the stars.
It was only a moment's accident, The race that plagued us; the world resumes the old lonely immortal Splendor; from here I can even Perceive that that snuffed candle had something .
.
.
a fantastic virtue, A faint and unshapely pathos .
.
.
So death will flatter them at last: what, even the bald ape's by-shot Was moderately admirable? VI.
Palinode All summer neither rain nor wave washes the cormorants' Perch, and their droppings have painted it shining white.
If the excrement of fish-eaters makes the brown rock a snow-mountain At noon, a rose in the morning, a beacon at moonrise On the black water: it is barely possible that even men's present Lives are something; their arts and sciences (by moonlight) Not wholly ridiculous, nor their cities merely an offense.
VII Under my windows, between the road and the sea-cliff, bitter wild grass Stands narrowed between the people and the storm.
The ocean winter after winter gnaws at its earth, the wheels and the feet Summer after summer encroach and destroy.
Stubborn green life, for the cliff-eater I cannot comfort you, ignorant which color, Gray-blue or pale-green, will please the late stars; But laugh at the other, your seed shall enjoy wonderful vengeances and suck The arteries and walk in triumph on the faces.
Written by Jorge Luis Borges | Create an image from this poem

Limits

 Of all the streets that blur in to the sunset,
There must be one (which, I am not sure)
That I by now have walked for the last time
Without guessing it, the pawn of that Someone

Who fixes in advance omnipotent laws,
Sets up a secret and unwavering scale
for all the shadows, dreams, and forms
Woven into the texture of this life.
If there is a limit to all things and a measure And a last time and nothing more and forgetfulness, Who will tell us to whom in this house We without knowing it have said farewell? Through the dawning window night withdraws And among the stacked books which throw Irregular shadows on the dim table, There must be one which I will never read.
There is in the South more than one worn gate, With its cement urns and planted cactus, Which is already forbidden to my entry, Inaccessible, as in a lithograph.
There is a door you have closed forever And some mirror is expecting you in vain; To you the crossroads seem wide open, Yet watching you, four-faced, is a Janus.
There is among all your memories one Which has now been lost beyond recall.
You will not be seen going down to that fountain Neither by white sun nor by yellow moon.
You will never recapture what the Persian Said in his language woven with birds and roses, When, in the sunset, before the light disperses, You wish to give words to unforgettable things.
And the steadily flowing Rhone and the lake, All that vast yesterday over which today I bend? They will be as lost as Carthage, Scourged by the Romans with fire and salt.
At dawn I seem to hear the turbulent Murmur of crowds milling and fading away; They are all I have been loved by, forgotten by; Space, time, and Borges now are leaving me.
Written by The Bible | Create an image from this poem

Romans 12:2

May you never be conformed
To the world and all its ways
To be fashioned by its customs
And to do what others say
May you be so transformed
By the renewing of your mind
As you meditate on God's word,
In His presence you will find
That you will be renewed
And changed so you may prove
What is the perfect will of God
And that which is good for you
For God so longs for us
To become as Jesus Christ
To always walk in conformity
To His purpose and will for our lives.

Scripture Poem © Copyright Of M.
S.
Lowndes


Written by Charlotte Bronte | Create an image from this poem

Pilates Wifes Dream

 I've quenched my lamp, I struck it in that start
Which every limb convulsed, I heard it fall­
The crash blent with my sleep, I saw depart
Its light, even as I woke, on yonder wall;
Over against my bed, there shone a gleam
Strange, faint, and mingling also with my dream.
It sunk, and I am wrapt in utter gloom; How far is night advanced, and when will day Retinge the dusk and livid air with bloom, And fill this void with warm, creative ray ? Would I could sleep again till, clear and red, Morning shall on the mountain-tops be spread! I'd call my women, but to break their sleep, Because my own is broken, were unjust; They've wrought all day, and well-earned slumbers steep Their labours in forgetfulness, I trust; Let me my feverish watch with patience bear, Thankful that none with me its sufferings share.
Yet, Oh, for light ! one ray would tranquilise My nerves, my pulses, more than effort can; I'll draw my curtain and consult the skies: These trembling stars at dead of night look wan, Wild, restless, strange, yet cannot be more drear Than this my couch, shared by a nameless fear.
All black­one great cloud, drawn from east to west, Conceals the heavens, but there are lights below; Torches burn in Jerusalem, and cast On yonder stony mount a lurid glow.
I see men stationed there, and gleaming spears; A sound, too, from afar, invades my ears.
Dull, measured, strokes of axe and hammer ring From street to street, not loud, but through the night Distinctly heard­and some strange spectral thing Is now upreared­and, fixed against the light Of the pale lamps; defined upon that sky, It stands up like a column, straight and high.
I see it all­I know the dusky sign­ A cross on Calvary, which Jews uprear While Romans watch; and when the dawn shall shine Pilate, to judge the victim will appear, Pass sentence­yield him up to crucify; And on that cross the spotless Christ must die.
Dreams, then, are true­for thus my vision ran; Surely some oracle has been with me, The gods have chosen me to reveal their plan, To warn an unjust judge of destiny: I, slumbering, heard and saw; awake I know, Christ's coming death, and Pilate's life of woe.
I do not weep for Pilate­who could prove Regret for him whose cold and crushing sway No prayer can soften, no appeal can move; Who tramples hearts as others trample clay, Yet with a faltering, an uncertain tread, That might stir up reprisal in the dead.
Forced to sit by his side and see his deeds; Forced to behold that visage, hour by hour, In whose gaunt lines, the abhorrent gazer reads A triple lust of gold, and blood, and power; A soul whom motives, fierce, yet abject, urge Rome's servile slave, and Judah's tyrant scourge.
How can I love, or mourn, or pity him ? I, who so long my fettered hands have wrung; I, who for grief have wept my eye-sight dim; Because, while life for me was bright and young, He robbed my youth­he quenched my life's fair ray­ He crushed my mind, and did my freedom slay.
And at this hour­although I be his wife­ He has no more of tenderness from me Than any other wretch of guilty life; Less, for I know his household privacy­ I see him as he is­without a screen; And, by the gods, my soul abhors his mien ! Has he not sought my presence, dyed in blood­ Innocent, righteous blood, shed shamelessly ? And have I not his red salute withstood ? Aye,­when, as erst, he plunged all Galilee In dark bereavement­in affliction sore, Mingling their very offerings with their gore.
Then came he­in his eyes a serpent-smile, Upon his lips some false, endearing word, And, through the streets of Salem, clanged the while, His slaughtering, hacking, sacrilegious sword­ And I, to see a man cause men such woe, Trembled with ire­I did not fear to show.
And now, the envious Jewish priests have brought Jesus­whom they in mockery call their king­ To have, by this grim power, their vengeance wrought; By this mean reptile, innocence to sting.
Oh ! could I but the purposed doom avert, And shield the blameless head from cruel hurt! Accessible is Pilate's heart to fear, Omens will shake his soul, like autumn leaf; Could he this night's appalling vision hear, This just man's bonds were loosed, his life were safe, Unless that bitter priesthood should prevail, And make even terror to their malice quail.
Yet if I tell the dream­but let me pause.
What dream ? Erewhile the characters were clear, Graved on my brain­at once some unknown cause Has dimmed and rased the thoughts, which now appear, Like a vague remnant of some by-past scene;­ Not what will be, but what, long since, has been.
I suffered many things, I heard foretold A dreadful doom for Pilate,­lingering woes, In far, barbarian climes, where mountains cold Built up a solitude of trackless snows, There, he and grisly wolves prowled side by side, There he lived famished­there methought he died; But not of hunger, nor by malady; I saw the snow around him, stained with gore; I said I had no tears for such as he, And, lo ! my cheek is wet­mine eyes run o'er; I weep for mortal suffering, mortal guilt, I weep the impious deed­the blood self-spilt.
More I recall not, yet the vision spread Into a world remote, an age to come­ And still the illumined name of Jesus shed A light, a clearness, through the enfolding gloom­ And still I saw that sign, which now I see, That cross on yonder brow of Calvary.
What is this Hebrew Christ ? To me unknown, His lineage­doctrine­mission­yet how clear, Is God-like goodness, in his actions shewn ! How straight and stainless is his life's career ! The ray of Deity that rests on him, In my eyes makes Olympian glory dim.
The world advances, Greek, or Roman rite Suffices not the inquiring mind to stay; The searching soul demands a purer light To guide it on its upward, onward way; Ashamed of sculptured gods­Religion turns To where the unseen Jehovah's altar burns.
Our faith is rotten­all our rites defiled, Our temples sullied, and methinks, this man, With his new ordinance, so wise and mild, Is come, even as he says, the chaff to fan And sever from the wheat; but will his faith Survive the terrors of to-morrow's death ? * * * * * I feel a firmer trust­a higher hope Rise in my soul­it dawns with dawning day; Lo ! on the Temple's roof­on Moriah's slope Appears at length that clear, and crimson ray, Which I so wished for when shut in by night; Oh, opening skies, I hail, I bless your light ! Part, clouds and shadows ! glorious Sun appear ! Part, mental gloom ! Come insight from on high ! Dusk dawn in heaven still strives with daylight clear, The longing soul, doth still uncertain sigh.
Oh ! to behold the truth­that sun divine, How doth my bosom pant, my spirit pine ! This day, time travails with a mighty birth, This day, Truth stoops from heaven and visits earth, Ere night descends, I shall more surely know What guide to follow, in what path to go; I wait in hope­I wait in solemn fear, The oracle of God­the sole­true God­to hear.
Written by Lucy Maud Montgomery | Create an image from this poem

The Watchman

 My Claudia, it is long since we have met, 
So kissed, so held each other heart to heart! 
I thought to greet thee as a conqueror comes, 
Bearing the trophies of his prowess home, 
But Jove hath willed it should be otherwise­
Jove, say I? Nay, some mightier stranger-god 
Who thus hath laid his heavy hand on me, 
No victor, Claudia, but a broken man 
Who seeks to hide his weakness in thy love.
How beautiful thou art! The years have brought An added splendor to thy loveliness, With passion of dark eye and lip rose-red Struggling between its dimple and its pride.
And yet there is somewhat that glooms between Thy love and mine; come, girdle me about With thy true arms, and pillow on thy breast This aching and bewildered head of mine; Here, where the fountain glitters in the sun Among the saffron lilies, I will tell­ If so that words will answer my desire­ The shameful fate that hath befallen me.
Down in Jerusalem they slew a man, Or god­it may be that he was a god­ Those mad, wild Jews whom Pontius Pilate rules.
Thou knowest Pilate, Claudia­ -- a vain man, Too weak to govern such a howling horde As those same Jews.
This man they crucified.
I knew nought of him­had not heard his name Until the day they dragged him to his death; Then all tongues wagged about him and his deeds; Some said that he had claimed to be their King, Some that he had blasphemed their deity 'Twas certain he was poor and meanly born, No warrior he, nor hero; and he taught Doctrines that surely would upset the world; And so they killed him to be rid of him­ Wise, very wise, if he were only man, Not quite so wise if he were half a god! I know that strange things happened when he died­ There was a darkness and an agony, And some were vastly frightened­not so I! What cared I if that mob of reeking Jews Had brought a nameless curse upon their heads ? I had no part in that blood-guiltiness.
At least he died; and some few friends of his­ I think he had not very many friends­ Took him and laid him in a garden tomb.
A watch was set about the sepulchre, Lest these, his friends, should hide him and proclaim That he had risen as he had fore-told.
Laugh not, my Claudia.
I laughed when I heard The prophecy.
I would I had not laughed! I, Maximus, was chosen for the guard With all my trusty fellows.
Pilate knew I was a man who had no foolish heart Of softness all unworthy of a man! My eyes had looked upon a tortured slave As on a beetle crushed beneath my tread; I gloried in the splendid strife of war, Lusting for conquest; I had won the praise Of our stern general on a scarlet field; Red in my veins the warrior passion ran, For I had sprung from heroes, Roman born! That second night we watched before the tomb; My men were merry; on the velvet turf, Bestarred with early blossoms of the Spring, They diced with jest and laughter; all around The moonlight washed us like a silver lake, Save where that silent, sealéd sepulchre Was hung with shadow as a purple pall.
A faint wind stirred among the olive boughs­ Methinks I hear the sighing of that wind In all sounds since, it was so dumbly sad; But as the night wore on it died away And all was deadly stillness; Claudia, That stillness was most awful, as if some Great heart had broken and so ceased to beat! I thought of many things, but found no joy In any thought, even the thought of thee; The moon waned in the west and sickly grew Her light sucked from her in the breaking dawn­ Never was dawn so welcome as that pale, Faint glimmer in the cloudless, brooding sky! Claudia, how may I tell what came to pass? I have been mocked at when I told the tale For a crazed dreamer punished by the gods Because he slept on guard; but mock not thou! I could not bear it if thy lips should mock The vision dread of that Judean morn.
Sudden the pallid east was all aflame With radiance that beat upon our eyes As from noonday sun; and then we saw Two shapes that were as the immortal gods Standing before the tomb; around me fell My men as dead; but I, though through my veins Ran a cold tremor never known before, Withstood the shock and saw one shining shape Roll back the stone; the whole world seemed ablaze, And through the garden came a rushing wind Thundering a paeon as of victory.
Then that dead man came forth! Oh, Claudia, If thou coulds't but have seen the face of him! Never was such a conqueror! Yet no pride Was in it­nought but love and tenderness, Such as we Romans scoff at; and his eyes Bespake him royal.
Oh, my Claudia, Surely he was no Jew but very god! Then he looked full upon me.
I had borne Much staunchly, but that look I could not bear! What man may front a god and live? I fell Prone, as if stricken by a thunderbolt; And, though I died not, somewhat of me died That made me man.
When my long stupor passed I was no longer Maximus­I was A weakling with a piteous woman-soul, All strength and pride, joy and ambition gone­ My Claudia, dare I tell thee what foul curse Is mine because I looked upon a god? I care no more for glory; all desire For conquest and for strife is gone from me, All eagerness for war; I only care To help and heal bruised beings, and to give Some comfort to the weak and suffering.
I cannot even hate those Jews; my lips Speak harshly of them, but within my heart I feel a strange compassion; and I love All creatures, to the vilest of the slaves Who seem to me as brothers! Claudia, Scorn me not for this weakness; it will pass­ Surely 'twill pass in time and I shall be Maximus strong and valiant once again, Forgetting that slain god! and yet­and yet­ He looked as one who could not be forgot!
Written by G K Chesterton | Create an image from this poem

The Black Virgin

 One in thy thousand statues we salute thee 
On all thy thousand thrones acclaim and claim 
Who walk in forest of thy forms and faces 
Walk in a forest calling on one name 
And, most of all, how this thing may be so 
Who know thee not are mystified to know
That one cries "Here she stands" and one cries "Yonder" 
And thou wert home in heaven long ago.
Burn deep in Bethlehem in the golden shadows, Ride above Rome upon the horns of stone, From low Lancastrian or South Saxon shelters Watch through dark years the dower that was shine own: Ghost of our land, White Lady of Walsinghame, Shall they not live that call upon thy name If an old song on a wild wind be blowing Crying of the holy country whence they came? Root deep in Chartres the roses blown of glass Burning above thee in the high vitrailles, On Cornish crags take for salute of swords O'er peacock seas the far salute of sails, Glooming in bronze or gay in painted wood, A great doll given when the child is good, Save that She gave the Child who gave the doll, In whom all dolls are dreams of motherhood.
I have found thee like a little shepherdess Gay with green ribbons; and passed on to find Michael called Angel hew the Mother of God Like one who fills a mountain with a mind: Molten in silver or gold or garbed in blue, Or garbed in red where the inner robe burns through, Of the King's daughter glorious within: Change shine unchanging light with every hue.
Clothed with the sun or standing on the moon Crowned with the stars or single, a morning star, Sunlight and moonlight are thy luminous shadows, Starlight and twilight thy refractions are, Lights and half-lights and all lights turn about thee, But though we dazed can neither see nor doubt thee, Something remains.
Nor can man live without it Nor can man find it bearable without thee.
There runs a dark thread through the tapestries That time has woven with all the tints of time Something not evil but grotesque and groping, Something not clear; not final; not sublime; Quaint as dim pattern of primal plant or tree Or fish, the legless elfins of the sea, Yet rare as this shine image in ebony Being most strange in its simplicity.
Rare as the rushing of the wild black swans The Romans saw; or rocks remote and grim Where through black clouds the black sheep runs accursed And through black clouds the Shepherd follows him.
By the black oak of the aeon-buried grove By the black gems of the miner's treasure-trove Monsters and freaks and fallen stars and sunken- Most holy dark, cover our uncouth love.
From shine high rock look down on Africa The living darkness of devouring green The loathsome smell of life unquenchable, Look on low brows and blinking eyes between, On the dark heart where white folk find no place, On the dark bodies of an antic race, On all that fear thy light and love thy shadow, Turn thou the mercy of thy midnight face.
This also is in thy spectrum; this dark ray; Beyond the deepening purples of thy Lent Darker than violet vestment; dark and secret Clot of old night yet cloud of heaven sent: As the black moon of some divine eclipse, As the black sun of the Apocalypse, As the black flower that blessed Odysseus back From witchcraft; and he saw again the ships.
In all thy thousand images we salute thee, Claim and acclaim on all thy thousand thrones Hewn out of multi-colored rocks and risen Stained with the stored-up sunsets in all tones- If in all tones and shades this shade I feel, Come from the black cathedrals of Castille Climbing these flat black stones of Catalonia, To thy most merciful face of night I kneel.
Written by John Dryden | Create an image from this poem

Heroic Stanzas

 Consecrated to the Glorious Memory of His 
Most Serene and Renowned Highness, Oliver,
Late Lord Protector of This Commonwealth, etc.
(Oliver Cromwell) Written After the Celebration of his Funeral 1 And now 'tis time; for their officious haste, Who would before have borne him to the sky, Like eager Romans ere all rites were past Did let too soon the sacred eagle fly.
2 Though our best notes are treason to his fame Join'd with the loud applause of public voice; Since Heav'n, what praise we offer to his name, Hath render'd too authentic by its choice; 3 Though in his praise no arts can liberal be, Since they whose Muses have the highest flown Add not to his immortal memory, But do an act of friendship to their own; 4 Yet 'tis our duty and our interest too Such monuments as we can build to raise, Lest all the world prevent what we should do And claim a title in him by their praise.
5 How shall I then begin, or where conclude To draw a fame so truly circular? For in a round what order can be shew'd, Where all the parts so equal perfect are? 6 His grandeur he deriv'd from Heav'n alone, For he was great ere fortune made him so, And wars like mists that rise against the sun Made him but greater seem, not greater grown.
7 No borrow'd bays his temples did adorn, But to our crown he did fresh jewels bring.
Nor was his virtue poison'd soon as born With the too early thoughts of being king.
8 Fortune (that easy mistress of the young But to her ancient servant coy and hard) Him at that age her favorites rank'd among When she her best-lov'd Pompey did discard.
9 He, private, mark'd the faults of others' sway, And set as sea-marks for himself to shun, Not like rash monarchs who their youth betray By acts their age too late would wish undone.
10 And yet dominion was not his design; We owe that blessing not to him but Heaven, Which to fair acts unsought rewards did join, Rewards that less to him than us were given.
11 Our former chiefs like sticklers of the war First sought t'inflame the parties, then to poise, The quarrel lov'd, but did the cause abhor, And did not strike to hurt but make a noise.
12 War, our consumption, was their gainfull trade; We inward bled whilst they prolong'd our pain; He fought to end our fighting and assay'd To stanch the blood by breathing of the vein.
13 Swift and resistless through the land he pass'd Like that bold Greek who did the east subdue, And made to battles such heroic haste As if on wings of victory he flew.
14 He fought secure of fortune as of fame, Till by new maps the island might be shown, Of conquests which he strew'd where'er he came Thick as a galaxy with stars is sown.
15 His palms, though under weights they did not stand, Still thriv'd; no winter could his laurels fade; Heav'n in his portrait shew'd a workman's hand And drew it perfect yet without a shade.
16 Peace was the prize of all his toils and care, Which war had banish'd and did now restore; Bologna's walls thus mounted in the air To seat themselves more surely than before.
17 Her safety rescu'd Ireland to him owes, And treacherous Scotland, to no int'rest true, Yet bless'd that fate which did his arms dispose Her land to civilize as to subdue.
18 Nor was he like those stars which only shine When to pale mariners they storms portend; He had his calmer influence, and his mien Did love and majesty together blend.
19 'Tis true, his count'nance did imprint an awe, And naturally all souls to his did bow, As wands of divination downward draw And points to beds where sov'reign gold doth grow.
20 When past all offerings to Feretrian Jove, He Mars depos'd and arms to gowns made yield; Successful councils did him soon approve As fit for close intrigues as open field.
21 To suppliant Holland he vouchsaf'd a peace, Our once bold rival in the British main, Now tamely glad her unjust claim to cease And buy our friendship with her idol, gain.
22 Fame of th' asserted sea through Europe blown Made France and Spain ambitious of his love; Each knew that side must conquer he would own, And for him fiercely as for empire strove.
23 No sooner was the Frenchman's cause embrac'd Than the light monsieur the grave don outweigh'd; His fortune turn'd the scale where it was cast, Though Indian mines were in the other laid.
24 When absent, yet we conquer'd in his right, For though some meaner artist's skill were shown In mingling colours, or in placing light, Yet still the fair designment was his own.
25 For from all tempers he could service draw; The worth of each with its alloy he knew, And as the confidant of Nature saw How she complexions did divide and brew.
26 Or he their single virtues did survey By intuition in his own large breast, Where all the rich ideas of them lay, That were the rule and measure to the rest.
27 When such heroic virtue Heav'n sets out, The stars like Commons sullenly obey, Because it drains them when it comes about, And therefore is a tax they seldom pay.
28 From this high spring our foreign conquests flow, Which yet more glorious triumphs do portend, Since their commencement to his arms they owe, If springs as high as fountains may ascend.
29 He made us freemen of the continent Whom Nature did like captives treat before, To nobler preys the English lion sent, And taught him first in Belgian walks to roar.
30 That old unquestion'd pirate of the land, Proud Rome, with dread the fate of Dunkirk heard, And trembling wish'd behind more Alps to stand, Although an Alexander were here guard.
31 By his command we boldly cross'd the line And bravely fought where southern stars arise, We trac'd the far-fetch'd gold unto the mine And that which brib'd our fathers made our prize.
32 Such was our prince; yet own'd a soul above The highest acts it could produce to show: Thus poor mechanic arts in public move Whilst the deep secrets beyond practice go.
33 Nor di'd he when his ebbing fame went less, But when fresh laurels courted him to live; He seem'd but to prevent some new success, As if above what triumphs earth could give.
34 His latest victories still thickest came, As near the center motion does increase, Till he, press'd down by his own weighty name, Did, like the vestal, under spoils decrease.
35 But first the ocean as a tribute sent That giant prince of all her watery herd, And th' isle when her protecting genius went Upon his obsequies loud sighs conferr'd.
36 No civil broils have since his death arose, But faction now by habit does obey, And wars have that respect for his repose, As winds for halycons when they breed at sea.
37 His ashes in a peaceful urn shall rest; His name a great example stands to show How strangely high endeavours may be blest, Where piety and valour jointly go.
Written by Lewis Carroll | Create an image from this poem

Fit the Second ( Hunting of the Snark )

 The Bellman's Speech 

The Bellman himself they all praised to the skies--
Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
The moment one looked in his face! 
He had bought a large map representing the sea, 
Without the least vestige of land:
And the crew were much pleased when they found it to be
A map they could all understand.
"What's the good of Mercator's North Poles and Equators, Tropics, Zones, and Meridian Lines?" So the Bellman would cry: and the crew would reply "They are merely conventional signs! "Other maps are such shapes, with their islands and capes! But we've got our brave Captain to thank" (So the crew would protest) "that he's bought us the best-- A perfect and absolute blank!" This was charming, no doubt: but they shortly found out That the Captain they trusted so well Had only one notion for crossing the ocean And that was to tingle his bell.
He was thoughtful and grave--but the orders he gave Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!" What on earth was the helmsman to do? Then the bowsprit got mixed with the rudder sometimes: A thing, as the Bellman remarked, That frequently happens in tropical climes, When a vessel is, so to speak, "snarked".
But the principal failing occurred in the sailing, And the Bellman, perplexed and distressed, Said he had hoped, at least, when the wind blew due East, That the ship would not travel due West! But the danger was past--they had landed at last, With their boxes, portmanteaus, and bags: Yet at first sight the crew were not pleased with the view Which consisted of chasms and crags.
The Bellman perceived that their spirits were low, And repeated in musical tone Some jokes he had kept for a season of woe-- But the crew would do nothing but groan.
He served out some grog with a liberal hand, And bade them sit down on the beach: And they could not but own that their Captain looked grand, As he stood and delivered his speech.
"Friends, Romans, and countrymen, lend me your ears!" (They were all of them fond of quotations: So they drank to his health, and they gave him three cheers, While he served out additional rations).
"We have sailed many months, we have sailed many weeks, (Four weeks to the month you may mark), But never as yet ('tis your Captain who speaks) Have we caught the least glimpse of a Snark! "We have sailed many weeks, we have sailed many days, (Seven days to the week I allow), But a Snark, on the which we might lovingly gaze, We have never beheld till now! "Come, listen, my men, while I tell you again The five unmistakable marks By which you may know, wheresoever you go, The warranted genuine Snarks.
"Let us take them in order.
The first is the taste, Which is meagre and hollow, but crisp: Like a coat that is rather too tight in the waist, With a flavour of Will-o'-the-Wisp.
"Its habit of getting up late you'll agree That it carries too far, when I say That it frequently breakfasts at five-o'clock tea, And dines on the following day.
"The third is its slowness in taking a jest.
Should you happen to venture on one, It will sigh like a thing that is deeply distressed: And it always looks grave at a pun.
"The fourth is its fondness for bathing-machines, Which it constantly carries about, And believes that they add to the beauty of scenes-- A sentiment open to doubt.
"The fifth is ambition.
It next will be right To describe each particular batch: Distinguishing those that have feathers, and bite, From those that have whiskers, and scratch.
"For, although common Snarks do no manner of harm, Yet I feel it my duty to say Some are Boojums--" The Bellman broke off in alarm, For the Baker had fainted away.

Book: Shattered Sighs