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Best Famous Restoration Poems

Here is a collection of the all-time best famous Restoration poems. This is a select list of the best famous Restoration poetry. Reading, writing, and enjoying famous Restoration poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of restoration poems.

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Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.
Once again Do I behold these steep and lofty cliffs, That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
The day is come when I again repose Here, under this dark sycamore, and view These plots of cottage-ground, these orchard-tufts, Which at this season, with their unripe fruits, Are clad in one green hue, and lose themselves 'Mid groves and copses.
Once again I see These hedgerows, hardly hedgerows, little lines Of sportive wood run wild; these pastoral farms, Green to the very door; and wreaths of smoke Sent up, in silence, from among the trees! With some uncertain notice, as might seem Of vagrant dwellers in the houseless woods, Or of some Hermit's cave, where by his fire The Hermit sits alone.
These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye; But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration—feelings too Of unremembered pleasure; such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love.
Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened—that serene and blessed mood, In which the affections gently lead us on— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul; While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things.
If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer through the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again; While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years.
And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led—more like a man Flying from something that he dreads than one Who sought the thing he loved.
For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.
—I cannot paint What then I was.
The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy wood, Their colors and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.
—That time is past, And all its aching joys are now no more, And all its dizzy raptures.
Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense.
For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue.
And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things.
Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear—both what they half create, And what perceive; well pleased to recognize In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.
Nor perchance, If I were not thus taught, should I the more Suffer my genial spirits to decay: For thou art with me here upon the banks Of this fair river; thou my dearest Friend, My dear, dear Friend; and in thy voice I catch The language of my former heart, and read My former pleasures in the shooting lights Of thy wild eyes.
Oh! yet a little while May I behold in thee what I was once, My dear, dear Sister! and this prayer I make, Knowing that Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith, that all which we behold Is full of blessings.
Therefore let the moon Shine on thee in thy solitary walk; And let the misty mountain winds be free To blow against thee: and, in after years, When these wild ecstasies shall be matured Into a sober pleasure; when thy mind Shall be a mansion for all lovely forms, Thy memory be as a dwelling place For all sweet sounds and harmonies; oh! then, If solitude, or fear, or pain, or grief, Should be thy portion, with what healing thoughts Of tender joy wilt thou remember me, And these my exhortations! Nor, perchance— If I should be where I no more can hear Thy voice, nor catch from thy wild eyes these gleams Of past existence—wilt thou then forget That on the banks of this delightful stream We stood together; and that I, so long A worshipper of Nature, hither came Unwearied in that service; rather say With warmer love—oh! with far deeper zeal Of holier love.
Nor wilt thou then forget, That after many wanderings, many years Of absence, these steep woods and lofty cliffs, And this green pastoral landscape, were to me More dear, both for themselves and for thy sake!


Written by Carl Sandburg | Create an image from this poem

Mohammed Bek Hadjetlache

 THIS Mohammedan colonel from the Caucasus yells with his voice and wigwags with his arms.
The interpreter translates, “I was a friend of Kornilov, he asks me what to do and I tell him.
” A stub of a man, this Mohammedan colonel … a projectile shape … a bald head hammered … “Does he fight or do they put him in a cannon and shoot him at the enemy?” This fly-by-night, this bull-roarer who knows everybody.
“I write forty books, history of Islam, history of Europe, true religion, scientific farming, I am the Roosevelt of the Caucasus, I go to America and ride horses in the moving pictures for $500,000, you get $50,000 …” “I have 30,000 acres in the Caucasus, I have a stove factory in Petrograd the bolsheviks take from me, I am an old friend of the Czar, I am an old family friend of Clemenceau …” These hands strangled three fellow workers for the czarist restoration, took their money, sent them in sacks to a river bottom … and scandalized Stockholm with his gang of strangler women.
Mid-sea strangler hands rise before me illustrating a wish, “I ride horses for the moving pictures in America, $500,000, and you get ten per cent …” This rider of fugitive dawns.
Written by William Topaz McGonagall | Create an image from this poem

Annie Marshall the Foundling

 Annie Marshall was a foundling, and lived in Downderry,
And was trained up by a coast-guardsman, kind-hearted and merry
And he loved Annie Marshall as dear as his life,
And he resolved to make her his own loving wife.
The night was tempestuous, most terrific, and pitch dark, When Matthew Pengelly rescued Annie Marshall from an ill-fated barque, But her parents were engulfed in the briny deep, Which caused poor Annie at times to sigh and weep.
One day Matthew asked Annie if she would be his wife, And Annie replied, I never thought of it in all my life; Yes, my wife, Annie, replied Matthew, hold hard a bit, Remember, Annie, I've watched you grow up, and consider you most fit.
Poor Annie did not speak, she remained quite mute, And with agitation she trembled from head to foot, The poor girl was in a dilemma, she knew not what to say, And owing to Matthew training her, she couldn't say him nay.
Oh! Matthew, I'm afraid I would not make you a good wife, And in that respect there would be too much strife, And the thought thereof, believe me, makes me feel ill, Because I'm unfit to be thy wife, Matthew, faltered the poor girl.
Time will prove that, dear Annie, but why are you so calm? Then Annie put her hand shyly into Matthew's brown palm Just then the flashing lightning played upon Annie's face, And the loud thunder drowned Matthew's words as Annie left the place.
But Matthew looked after her as she went home straightway, And his old heart felt light and gay, As he looked forward for his coming marriage day, Because he knew that Annie Marshall couldn't say him nay.
Then the sky drew dark, and the sea lashed itself into foam, But he heeded it not as he sat there alone, Till the sound of a gun came booming o'er the sea, Then Matthew had to attend to his duty immediately.
A ship, he muttered, Lord, help them! and coming right in by the sound, And in a few minutes she will run aground.
And the vessel was dashed against the rocks with her helpless crew, Then in hot haste for assistance Matthew instantly flew.
Then Matthew returned with a few men all willing to lend their aid, But amongst them all Matthew seemed the least afraid; Then an old man cried, Save my boy, for his mother's sake, Oh! Matthew, try and save him, or my heart will break! I will, Heaven helping me, Matthew said solemnly, Come, bear a hand, mates, and lower me over the cliff quietly; Then Matthew was lowered with ropes into what seemed a watery grave, At the risk of his own life, old Jonathan Bately's son to save.
So Matthew Pengelly saved Jonathan Bately's son, And the old man thanked God and Matthew for what he had done, And the mother's heart was full of gratitude and joy, For the restoration of her darling boy.
So Matthew resolved to marry Annie Marshall, But first he'd go to sea whatever did befall, To earn a few pounds to make the marriage more grand, So he joined a whaling vessel and went to Greenland And while Matthew was away at Greenland, David Bately wanted to marry Annie Marshall right off hand, But Annie refused to marry David Bately, So in anger David Bately went another voyage to sea.
A few nights after David Bately had gone to sea, Annie's thoughts reverted to Matthew Pengelly, And as she sat in the Downderry station watching the boiling waves below, The wind blew a terrific gale, which filled her heart with woe.
And as she sat there the big waves did loudly roar, When a man cried, Help! help! there's a corpse washed ashore; Then Annie rushed madly to the little beach, And when she saw the corpse she gave a loud screech So there is but little more to tell of this sad history, Only that Annie Marshall mourned long for Matthew Pengelly, Who had floated home to be buried amongst his own kin, But, alas! the rest of the crew were buried in the sea, save him.
Written by Amy Lowell | Create an image from this poem

The Precinct. Rochester

 The tall yellow hollyhocks stand,
Still and straight,
With their round blossoms spread open,
In the quiet sunshine.
And still is the old Roman wall, Rough with jagged bits of flint, And jutting stones, Old and cragged, Quite still in its antiquity.
The pear-trees press their branches against it, And feeling it warm and kindly, The little pears ripen to yellow and red.
They hang heavy, bursting with juice, Against the wall.
So old, so still! The sky is still.
The clouds make no sound As they slide away Beyond the Cathedral Tower, To the river, And the sea.
It is very quiet, Very sunny.
The myrtle flowers stretch themselves in the sunshine, But make no sound.
The roses push their little tendrils up, And climb higher and higher.
In spots they have climbed over the wall.
But they are very still, They do not seem to move.
And the old wall carries them Without effort, and quietly Ripens and shields the vines and blossoms.
A bird in a plane-tree Sings a few notes, Cadenced and perfect They weave into the silence.
The Cathedral bell knocks, One, two, three, and again, And then again.
It is a quiet sound, Calling to prayer, Hardly scattering the stillness, Only making it close in more densely.
The gardener picks ripe gooseberries For the Dean's supper to-night.
It is very quiet, Very regulated and mellow.
But the wall is old, It has known many days.
It is a Roman wall, Left-over and forgotten.
Beyond the Cathedral Close Yelp and mutter the discontents of people not mellow, Not well-regulated.
People who care more for bread than for beauty, Who would break the tombs of saints, And give the painted windows of churches To their children for toys.
People who say: "They are dead, we live! The world is for the living.
" Fools! It is always the dead who breed.
Crush the ripe fruit, and cast it aside, Yet its seeds shall fructify, And trees rise where your huts were standing.
But the little people are ignorant, They chaffer, and swarm.
They gnaw like rats, And the foundations of the Cathedral are honeycombed.
The Dean is in the Chapter House; He is reading the architect's bill For the completed restoration of the Cathedral.
He will have ripe gooseberries for supper, And then he will walk up and down the path By the wall, And admire the snapdragons and dahlias, Thinking how quiet and peaceful The garden is.
The old wall will watch him, Very quietly and patiently it will watch.
For the wall is old, It is a Roman wall.
Written by Robert Burns | Create an image from this poem

259. A New Psalm for the Chapel of Kilmarnock

 O SING a new song to the Lord,
 Make, all and every one,
A joyful noise, even for the King
 His restoration.
The sons of Belial in the land Did set their heads together; Come, let us sweep them off, said they, Like an o’erflowing river.
They set their heads together, I say, They set their heads together; On right, on left, on every hand, We saw none to deliver.
Thou madest strong two chosen ones To quell the Wicked’s pride; That Young Man, great in Issachar, The burden-bearing tribe.
And him, among the Princes chief In our Jerusalem, The judge that’s mighty in thy law, The man that fears thy name.
Yet they, even they, with all their strength, Began to faint and fail: Even as two howling, ravenous wolves To dogs do turn their tail.
Th’ ungodly o’er the just prevail’d, For so thou hadst appointed; That thou might’st greater glory give Unto thine own anointed.
And now thou hast restored our State, Pity our Kirk also; For she by tribulations Is now brought very low.
Consume that high-place, Patronage, From off thy holy hill; And in thy fury burn the book— Even of that man M’Gill.
1 Now hear our prayer, accept our song, And fight thy chosen’s battle: We seek but little, Lord, from thee, Thou kens we get as little.
Note 1.
Dr.
William M’Gill of Ayr, whose “Practical Essay on the Death of Jesus Christ” led to a charge of heresy against him.
Burns took up his cause in “The Kirk of Scotland’s Alarm” (p.
351).
—Lang.
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