Written by
Pablo Neruda |
My dog has died.
I buried him in the garden
next to a rusted old machine.
Some day I'll join him right there,
but now he's gone with his shaggy coat,
his bad manners and his cold nose,
and I, the materialist, who never believed
in any promised heaven in the sky
for any human being,
I believe in a heaven I'll never enter.
Yes, I believe in a heaven for all dogdom
where my dog waits for my arrival
waving his fan-like tail in friendship.
Ai, I'll not speak of sadness here on earth,
of having lost a companion
who was never servile.
His friendship for me, like that of a porcupine
withholding its authority,
was the friendship of a star, aloof,
with no more intimacy than was called for,
with no exaggerations:
he never climbed all over my clothes
filling me full of his hair or his mange,
he never rubbed up against my knee
like other dogs obsessed with sex.
No, my dog used to gaze at me,
paying me the attention I need,
the attention required
to make a vain person like me understand
that, being a dog, he was wasting time,
but, with those eyes so much purer than mine,
he'd keep on gazing at me
with a look that reserved for me alone
all his sweet and shaggy life,
always near me, never troubling me,
and asking nothing.
Ai, how many times have I envied his tail
as we walked together on the shores of the sea
in the lonely winter of Isla Negra
where the wintering birds filled the sky
and my hairy dog was jumping about
full of the voltage of the sea's movement:
my wandering dog, sniffing away
with his golden tail held high,
face to face with the ocean's spray.
Joyful, joyful, joyful,
as only dogs know how to be happy
with only the autonomy
of their shameless spirit.
There are no good-byes for my dog who has died,
and we don't now and never did lie to each other.
So now he's gone and I buried him,
and that's all there is to it.
|
Written by
Russell Edson |
A man had a son who was an anvil.
And then sometimes
he was an automobile tire.
I do wish you would sit still, said the father.
Sometimes his son was a rock.
I realize that you have quite lost boundary, where no
excess seems excessive, nor to where poverty roots hunger to
need.
But should you allow time to embrace you to its bosom
of dust, that velvet sleep, then were you served even beyond
your need; and desire in sate was properly spilling from its
borders, said the father.
Then his son became the corner of a room.
Don't don't, cried the father.
And then his son became a floorboard.
Don't don't, the moon falls there and curdles your wits into
the grain of the wood, cried the father.
What shall I do? screamed his son.
Sit until time embraces you into the bosom of its velvet
quiet, cried the father.
Like this? Cried his son as his son became dust.
Ah, that is more pleasant, and speaks well of him, who
having required much in his neglect of proper choice, turns
now, on good advice, to a more advantageous social stance,
said the father.
But then his son became his father.
Behold, the son is become as one of us, said the father.
His son said, behold, the son is become as one of us.
Will you stop repeating me, screamed the father.
Will you stop repeating me, screamed his son.
Oh well, I suppose imitation is the sincerest form of
flattery, sighed the father.
Oh well, I suppose imitation is the sincerest form of
flattery, sighed his son.
|
Written by
Eugene Field |
I'd not complain of Sister Jane, for she was good and kind,
Combining with rare comeliness distinctive gifts of mind;
Nay, I'll admit it were most fit that, worn by social cares,
She'd crave a change from parlor life to that below the stairs,
And that, eschewing needlework and music, she should take
Herself to the substantial art of manufacturing cake.
At breakfast, then, it would befall that Sister Jane would say:
"Mother, if you have got the things, I'll make some cake to-day!"
Poor mother'd cast a timid glance at father, like as not--
For father hinted sister's cooking cost a frightful lot--
But neither she nor he presumed to signify dissent,
Accepting it for gospel truth that what she wanted went!
No matter what the rest of 'em might chance to have in hand,
The whole machinery of the house came to a sudden stand;
The pots were hustled off the stove, the fire built up anew,
With every damper set just so to heat the oven through;
The kitchen-table was relieved of everything, to make
That ample space which Jane required when she compounded cake.
And, oh! the bustling here and there, the flying to and fro;
The click of forks that whipped the eggs to lather white as snow--
And what a wealth of sugar melted swiftly out of sight--
And butter? Mother said such waste would ruin father, quite!
But Sister Jane preserved a mien no pleading could confound
As she utilized the raisins and the citron by the pound.
Oh, hours of chaos, tumult, heat, vexatious din, and whirl!
Of deep humiliation for the sullen hired-girl;
Of grief for mother, hating to see things wasted so,
And of fortune for that little boy who pined to taste that dough!
It looked so sweet and yellow--sure, to taste it were no sin--
But, oh! how sister scolded if he stuck his finger in!
The chances were as ten to one, before the job was through,
That sister'd think of something else she'd great deal rather do!
So, then, she'd softly steal away, as Arabs in the night,
Leaving the girl and ma to finish up as best they might;
These tactics (artful Sister Jane) enabled her to take
Or shift the credit or the blame of that too-treacherous cake!
And yet, unhappy is the man who has no Sister Jane--
For he who has no sister seems to me to live in vain.
I never had a sister--may be that is why today
I'm wizened and dyspeptic, instead of blithe and gay;
A boy who's only forty should be full of romp and mirth,
But I (because I'm sisterless) am the oldest man on earth!
Had I a little sister--oh, how happy I should be!
I'd never let her cast her eyes on any chap but me;
I'd love her and I'd cherish her for better and for worse--
I'd buy her gowns and bonnets, and sing her praise in verse;
And--yes, what's more and vastly more--I tell you what I'd do:
I'd let her make her wondrous cake, and I would eat it, too!
I have a high opinion of the sisters, as you see--
Another fellow's sister is so very dear to me!
I love to work anear her when she's making over frocks,
When she patches little trousers or darns prosaic socks;
But I draw the line at one thing--yes, I don my hat and take
A three hours' walk when she is moved to try her hand at cake!
|
Written by
Alfred Lord Tennyson |
So closed our tale, of which I give you all
The random scheme as wildly as it rose:
The words are mostly mine; for when we ceased
There came a minute's pause, and Walter said,
'I wish she had not yielded!' then to me,
'What, if you drest it up poetically?'
So prayed the men, the women: I gave assent:
Yet how to bind the scattered scheme of seven
Together in one sheaf? What style could suit?
The men required that I should give throughout
The sort of mock-heroic gigantesque,
With which we bantered little Lilia first:
The women--and perhaps they felt their power,
For something in the ballads which they sang,
Or in their silent influence as they sat,
Had ever seemed to wrestle with burlesque,
And drove us, last, to quite a solemn close--
They hated banter, wished for something real,
A gallant fight, a noble princess--why
Not make her true-heroic--true-sublime?
Or all, they said, as earnest as the close?
Which yet with such a framework scarce could be.
Then rose a little feud betwixt the two,
Betwixt the mockers and the realists:
And I, betwixt them both, to please them both,
And yet to give the story as it rose,
I moved as in a strange diagonal,
And maybe neither pleased myself nor them.
But Lilia pleased me, for she took no part
In our dispute: the sequel of the tale
Had touched her; and she sat, she plucked the grass,
She flung it from her, thinking: last, she fixt
A showery glance upon her aunt, and said,
'You--tell us what we are' who might have told,
For she was crammed with theories out of books,
But that there rose a shout: the gates were closed
At sunset, and the crowd were swarming now,
To take their leave, about the garden rails.
So I and some went out to these: we climbed
The slope to Vivian-place, and turning saw
The happy valleys, half in light, and half
Far-shadowing from the west, a land of peace;
Gray halls alone among their massive groves;
Trim hamlets; here and there a rustic tower
Half-lost in belts of hop and breadths of wheat;
The shimmering glimpses of a stream; the seas;
A red sail, or a white; and far beyond,
Imagined more than seen, the skirts of France.
'Look there, a garden!' said my college friend,
The Tory member's elder son, 'and there!
God bless the narrow sea which keeps her off,
And keeps our Britain, whole within herself,
A nation yet, the rulers and the ruled--
Some sense of duty, something of a faith,
Some reverence for the laws ourselves have made,
Some patient force to change them when we will,
Some civic manhood firm against the crowd--
But yonder, whiff! there comes a sudden heat,
The gravest citizen seems to lose his head,
The king is scared, the soldier will not fight,
The little boys begin to shoot and stab,
A kingdom topples over with a shriek
Like an old woman, and down rolls the world
In mock heroics stranger than our own;
Revolts, republics, revolutions, most
No graver than a schoolboys' barring out;
Too comic for the serious things they are,
Too solemn for the comic touches in them,
Like our wild Princess with as wise a dream
As some of theirs--God bless the narrow seas!
I wish they were a whole Atlantic broad.
'
'Have patience,' I replied, 'ourselves are full
Of social wrong; and maybe wildest dreams
Are but the needful preludes of the truth:
For me, the genial day, the happy crowd,
The sport half-science, fill me with a faith.
This fine old world of ours is but a child
Yet in the go-cart.
Patience! Give it time
To learn its limbs: there is a hand that guides.
'
In such discourse we gained the garden rails,
And there we saw Sir Walter where he stood,
Before a tower of crimson holly-hoaks,
Among six boys, head under head, and looked
No little lily-handed Baronet he,
A great broad-shouldered genial Englishman,
A lord of fat prize-oxen and of sheep,
A raiser of huge melons and of pine,
A patron of some thirty charities,
A pamphleteer on guano and on grain,
A quarter-sessions chairman, abler none;
Fair-haired and redder than a windy morn;
Now shaking hands with him, now him, of those
That stood the nearest--now addressed to speech--
Who spoke few words and pithy, such as closed
Welcome, farewell, and welcome for the year
To follow: a shout rose again, and made
The long line of the approaching rookery swerve
From the elms, and shook the branches of the deer
From slope to slope through distant ferns, and rang
Beyond the bourn of sunset; O, a shout
More joyful than the city-roar that hails
Premier or king! Why should not these great Sirs
Give up their parks some dozen times a year
To let the people breathe? So thrice they cried,
I likewise, and in groups they streamed away.
But we went back to the Abbey, and sat on,
So much the gathering darkness charmed: we sat
But spoke not, rapt in nameless reverie,
Perchance upon the future man: the walls
Blackened about us, bats wheeled, and owls whooped,
And gradually the powers of the night,
That range above the region of the wind,
Deepening the courts of twilight broke them up
Through all the silent spaces of the worlds,
Beyond all thought into the Heaven of Heavens.
Last little Lilia, rising quietly,
Disrobed the glimmering statue of Sir Ralph
From those rich silks, and home well-pleased we went.
|
Written by
Marge Piercy |
A heap of wheat, says the Song of Songs
but I've never seen wheat in a pile.
Apples, potatoes, cabbages, carrots
make lumpy stacks, but you are sleek
as a seal hauled out in the winter sun.
I can see you as a great goose egg
or a single juicy and fully ripe peach.
You swell like a natural grassy hill.
You are symmetrical as a Hopewell mound,
with the eye of the navel wide open,
the eye of my apple, the pear's port
window.
You're not supposed to exist
at all this decade.
You're to be flat
as a kitchen table, so children with
roller skates can speed over you
like those sidewalks of my childhood
that each gave a different roar under
my wheels.
You're required to show
muscle striations like the ocean
sand at ebb tide, but brick hard.
Clothing is not designed for women
of whose warm and flagrant bodies
you are a swelling part.
Yet I confess
I meditate with my hands folded on you,
a maternal cushion radiating comfort.
Even when I have been at my thinnest,
you have never abandoned me but curled
round as a sleeping cat under my skirt.
When I spread out, so do you.
You like
to eat, drink and bang on another belly.
In anxiety I clutch you with nervous fingers
as if you were a purse full of calm.
In my grandmother standing in the fierce sun
I see your cauldron that held eleven children
shaped under the tent of her summer dress.
I see you in my mother at thirty
in her flapper gear, skinny legs
and then you knocking on the tight dress.
We hand you down like a prize feather quilt.
You are our female shame and sunburst strength.
|
Written by
Friedrich von Schiller |
"Do I believe," sayest thou, "what the masters of wisdom would teach me,
And what their followers' band boldly and readily swear?
Cannot I ever attain to true peace, excepting through knowledge,
Or is the system upheld only by fortune and law?
Must I distrust the gently-warning impulse, the precept
That thou, Nature, thyself hast in my bosom impressed,
Till the schools have affixed to the writ eternal their signet,
Till a mere formula's chain binds down the fugitive soul?
Answer me, then! for thou hast down into these deeps e'en descended,--
Out of the mouldering grave thou didst uninjured return.
Is't to thee known what within the tomb of obscure works is hidden,
Whether, yon mummies amid, life's consolations can dwell?
Must I travel the darksome road? The thought makes me tremble;
Yet I will travel that road, if 'tis to truth and to right.
"
Friend, hast thou heard of the golden age? Full many a story
Poets have sung in its praise, simply and touchingly sung--
Of the time when the holy still wandered over life's pathways,--
When with a maidenly shame every sensation was veiled,--
When the mighty law that governs the sun in his orbit,
And that, concealed in the bud, teaches the point how to move,
When necessity's silent law, the steadfast, the changeless,
Stirred up billows more free, e'en in the bosom of man,--
When the sense, unerring, and true as the hand of the dial,
Pointed only to truth, only to what was eternal?
Then no profane one was seen, then no initiate was met with,
And what as living was felt was not then sought 'mongst the dead;
Equally clear to every breast was the precept eternal,
Equally hidden the source whence it to gladden us sprang;
But that happy period has vanished! And self-willed presumption
Nature's godlike repose now has forever destroyed.
Feelings polluted the voice of the deities echo no longer,
In the dishonored breast now is the oracle dumb.
Save in the silenter self, the listening soul cannot find it,
There does the mystical word watch o'er the meaning divine;
There does the searcher conjure it, descending with bosom unsullied;
There does the nature long-lost give him back wisdom again.
If thou, happy one, never hast lost the angel that guards thee,
Forfeited never the kind warnings that instinct holds forth;
If in thy modest eye the truth is still purely depicted;
If in thine innocent breast clearly still echoes its call;
If in thy tranquil mind the struggles of doubt still are silent,
If they will surely remain silent forever as now;
If by the conflict of feelings a judge will ne'er be required;
If in its malice thy heart dims not the reason so clear,
Oh, then, go thy way in all thy innocence precious!
Knowledge can teach thee in naught; thou canst instruct her in much!
Yonder law, that with brazen staff is directing the struggling,
Naught is to thee.
What thou dost, what thou mayest will is thy law,
And to every race a godlike authority issues.
What thou with holy hand formest, what thou with holy mouth speakest,
Will with omnipotent power impel the wondering senses;
Thou but observest not the god ruling within thine own breast,
Not the might of the signet that bows all spirits before thee;
Simple and silent thou goest through the wide world thou hast won.
|
Written by
Delmore Schwartz |
The riches of the poet are equal to his poetry
His power is his left hand
It is idle weak and precious
His poverty is his wealth, a wealth which may destroy him
like Midas Because it is that laziness which is a form of impatience
And this he may be destroyed by the gold of the light
which never was
On land or sea.
He may be drunken to death, draining the casks of excess
That extreme form of success.
He may suffer Narcissus' destiny
Unable to live except with the image which is infatuation
Love, blind, adoring, overflowing
Unable to respond to anything which does not bring love
quickly or immediately.
.
.
.
The poet must be innocent and ignorant
But he cannot be innocent since stupidity is not his strong
point
Therefore Cocteau said, "What would I not give
To have the poems of my youth withdrawn from
existence?
I would give to Satan my immortal soul.
"
This metaphor is wrong, for it is his immortal soul which
he wished to redeem,
Lifting it and sifting it, free and white, from the actuality of
youth's banality, vulgarity,
pomp and affectation of his early
works of poetry.
So too in the same way a Famous American Poet
When fame at last had come to him sought out the fifty copies
of his first book of poems which had been privately printed
by himself at his own expense.
He succeeded in securing 48 of the 50 copies, burned them
And learned then how the last copies were extant,
As the law of the land required, stashed away in the national capital,
at the Library of Congress.
Therefore he went to Washington, therefore he took out the last two
copies
Placed them in his pocket, planned to depart
Only to be halted and apprehended.
Since he was the author,
Since they were his books and his property he was reproached
But forgiven.
But the two copies were taken away from him
Thus setting a national precedent.
For neither amnesty nor forgiveness is bestowed upon poets, poetry and poems,
For William James, the lovable genius of Harvard
spoke the terrifying truth: "Your friends may forget, God
may forgive you, But the brain cells record
your acts for the rest of eternity.
"
What a terrifying thing to say!
This is the endless doom, without remedy, of poetry.
This is also the joy everlasting of poetry.
|
Written by
Louise Gluck |
How can you say
earth should give me joy? Each thing
born is my burden; I cannot succeed
with all of you.
And you would like to dictate to me,
you would like to tell me
who among you is most valuable,
who most resembles me.
And you hold up as an example
the pure life, the detachment
you struggle to acheive--
How can you understand me
when you cannot understand yourselves?
Your memory is not
powerful enough, it will not
reach back far enough--
Never forget you are my children.
You are not suffering because you touched each other
but because you were born,
because you required life
separate from me.
|
Written by
Elizabeth Bishop |
For a Child of 1918
My grandfather said to me
as we sat on the wagon seat,
"Be sure to remember to always
speak to everyone you meet.
"
We met a stranger on foot.
My grandfather's whip tapped his hat.
"Good day, sir.
Good day.
A fine day.
"
And I said it and bowed where I sat.
Then we overtook a boy we knew
with his big pet crow on his shoulder.
"Always offer everyone a ride;
don't forget that when you get older,"
my grandfather said.
So Willy
climbed up with us, but the crow
gave a "Caw!" and flew off.
I was worried.
How would he know where to go?
But he flew a little way at a time
from fence post to fence post, ahead;
and when Willy whistled he answered.
"A fine bird," my grandfather said,
"and he's well brought up.
See, he answers
nicely when he's spoken to.
Man or beast, that's good manners.
Be sure that you both always do.
"
When automobiles went by,
the dust hid the people's faces,
but we shouted "Good day! Good day!
Fine day!" at the top of our voices.
When we came to Hustler Hill,
he said that the mare was tired,
so we all got down and walked,
as our good manners required.
|
Written by
Rainer Maria Rilke |
We lack all knowledge of this parting.
Death
does not deal with us.
We have no reason
to show death admiration, love or hate;
his mask of feigned tragic lament gives us
a false impression.
The world's stage is still
filled with roles which we play.
While we worry
that our performances may not please,
death also performs, although to no applause.
But as you left us, there broke upon this stage
a glimpse of reality, shown through the slight
opening through which you dissapeared: green,
evergreen, bathed in sunlight, actual woods.
We keep on playiing, still anxious, our difficult roles
declaiming, accompanied by matching gestures
as required.
But your presence so suddenly
removed from our midst and from our play, at times
overcomes us like a sense of that other
reality: yours, that we are so overwhelmed
and play our actual lives instead of the performance,
forgetting altogehter the applause.
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