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Best Famous Recoiled Poems

Here is a collection of the all-time best famous Recoiled poems. This is a select list of the best famous Recoiled poetry. Reading, writing, and enjoying famous Recoiled poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of recoiled poems.

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Written by Ernest Lawrence Thayer | Create an image from this poem

Casey At The Bat

The outlook wasn't brilliant for the Mudville nine that day, 
The score stood four to two, with but one inning more to play. 

And then when Cooney died at first, and Barrows did the same, 
A pall-like silence fell upon the patrons of the game. 

A straggling few got up to go in deep despair. 
The rest clung to that hope which springs eternal in the human breast. 
They thought, "if only Casey could but get a whack at that. 
We'd put up even money now, with Casey at the bat." 

But Flynn preceded Casey, as did also Jimmy Blake; 
and the former was a hoodoo, while the latter was a cake. 

So upon that stricken multitude, grim melancholy sat; 
for there seemed but little chance of Casey getting to the bat. 

But Flynn let drive a single, to the wonderment of all. 
And Blake, the much despised, tore the cover off the ball. 

And when the dust had lifted, 
and men saw what had occurred, 
there was Jimmy safe at second and Flynn a-hugging third. 

Then from five thousand throats and more there rose a lusty yell; 
it rumbled through the valley, it rattled in the dell; 

it pounded through on the mountain and recoiled upon the flat; 
for Casey, mighty Casey, was advancing to the bat. 

There was ease in Casey's manner as he stepped into his place, 
there was pride in Casey's bearing and a smile lit Casey's face. 

And when, responding to the cheers, he lightly doffed his hat, 
no stranger in the crowd could doubt t'was Casey at the bat. 

Ten thousand eyes were on him as he rubbed his hands with dirt. 
Five thousand tongues applauded when he wiped them on his shirt. 

Then, while the writhing pitcher ground the ball into his hip, 
defiance flashed in Casey's eye, a sneer curled Casey's lip. 

And now the leather-covered sphere came hurtling through the air, 
and Casey stood a-watching it in haughty grandeur there. 

Close by the sturdy batsman the ball unheeded sped -- 
"That ain't my style," said Casey. 

"Strike one!" the umpire said. 
From the benches, black with people, there went up a muffled roar, 
like the beating of the storm waves on a stern and distant shore. 

"Kill him! Kill the umpire!" shouted someone on the stand, 
and it's likely they'd have killed him had not Casey raised his hand. 

With a smile of Christian charity, great Casey's visage shone, 
he stilled the rising tumult, he bade the game go on. 

He signaled to the pitcher, and once more the dun sphere flew, 
but Casey still ignored it, and the umpire said, "Strike two!" 

"Fraud!" cried the maddened thousands, and echo answered "Fraud!" 
But one scornful look from Casey and the audience was awed. 

They saw his face grow stern and cold, they saw his muscles strain, 
and they knew that Casey wouldn't let that ball go by again. 

The sneer has fled from Casey's lip, the teeth are clenched in hate. 
He pounds, with cruel violence, his bat upon the plate. 

And now the pitcher holds the ball, and now he lets it go, 
and now the air is shattered by the force of Casey's blow. 

Oh, somewhere in this favored land the sun is shining bright. 
The band is playing somewhere, and somewhere hearts are light. 
And, somewhere men are laughing, and little children shout, 

but there is no joy in Mudville 
mighty Casey has struck out. 


Written by Carolyn Kizer | Create an image from this poem

The Intruder

 My mother-- preferring the strange to the tame:
Dove-note, bone marrow, deer dung,
Frog's belly distended with finny young,
Leaf-mould wilderness, hare-bell, toadstool,
Odd, small snakes loving through the leaves,
Metallic beetles rambling over stones: all
Wild and natural -flashed out her instinctive love,
and quick, she
Picked up the fluttering. bleeding bat the cat laid at her feet,
And held the little horror to the mirror, where
He gazed on himself and shrieked like an old screen door
far off.

Depended from her pinched thumb, each wing
Came clattering down like a small black shutter.
Still tranquil, she began, "It's rather sweet..."
The soft mouse body, the hard feral glint
In the caught eyes. Then we saw
And recoiled: lice, pallid, yellow,
Nested within the wing-pits, cozily sucked and snoozed,
The thing dropped from her hands, and with its thud,
Swiftly, the cat with a clean careful mouth
Closed on the soiled webs, growling, took them out to the back stoop.

But still, dark blood, a sticky puddle on the floor
Remained, of all my my mother's tender, wounding passion
For a whole wild, lost, betrayed and secret life
Among its dens and burrows, its clean stones,
Whose denizens can turn upon the world
With spitting tongue, an odor, talon, claw
To sting or soil benevolence, alien
As our clumsy traps, our random scatter of shot,
She swept to the kitchen. Turning on the tap,
She washed and washed the pity from her hands.
Written by Robert Browning | Create an image from this poem

Pan and Luna

 Si credere dignum est.--Virgil, Georgics, III, 390


Oh, worthy of belief I hold it was, 
Virgil, your legend in those strange three lines! 
No question, that adventure came to pass 
One black night in Arcadia: yes, the pines, 
Mountains and valleys mingling made one mass 
Of black with void black heaven: the earth's confines, 
The sky's embrace,--below, above, around, 
All hardened into black without a bound. 

Fill up a swart stone chalice to the brim 
With fresh-squeezed yet fast-thickening poppy-juice: 
See how the sluggish jelly, late a-swim, 
Turns marble to the touch of who would loose 
The solid smooth, grown jet from rim to rim, 
By turning round the bowl! So night can fuse 
Earth with her all-comprising sky. No less, 
Light, the least spark, shows air and emptiness. 

And thus it proved when--diving into space, 
Stript of all vapor, from each web of mist, 
Utterly film-free--entered on her race 
The naked Moon, full-orbed antagonist 
Of night and dark, night's dowry: peak to base, 
Upstarted mountains, and each valley, kissed 
To sudden life, lay silver-bright: in air 
Flew she revealed, Maid-Moon with limbs all bare. 

Still as she fled, each depth,--where refuge seemed-- 
Opening a lone pale chamber, left distinct 
Those limbs: mid still-retreating blue, she teemed 
Herself with whiteness,--virginal, uncinct 
By any halo save what finely gleamed 
To outline not disguise her: heavenwas linked 
In one accord with earth to quaff the joy, 
Drain beauty to the dregs without alloy. 

Whereof she grew aware. What help? When, lo, 
A succorable cloud with sleep lay dense: 
Some pinetree-top had caught it sailing slow, 
And tethered for a prize: in evidence 
Captive lay fleece on fleece of piled-up snow 
Drowsily patient: flake-heaped how or whence, 
The structure of that succorable cloud, 
What matter? Shamed she plunged into its shroud. 

Orbed--so the woman-figure poets call 
Because of rounds on rounds--that apple-shaped 
Head which its hair binds close into a ball 
Each side the curving ears--that pure undraped 
Pout of the sister paps--that . . . once for all, 
Say--her consummate circle thus escaped 
With its innumerous circlets, sank absorbed, 
Safe in the cloud--O naked Moon full-orbed! 

But what means this? The downy swathes combine, 
Conglobe, the smothery coy-caressing stuff 
Curdles about her! Vain each twist and twine 
Those lithe limbs try, encroached on by a fluff 
Fitting as close as fits the dented spine 
Its flexible ivory outside-flesh: enough! 
The plumy drifts contract, condense, constringe, 
Till she is swallowed by the feathery springe. 

As when a pearl slips lost in the thin foam 
Churned on a sea-shore, and, o'er-frothed, conceits 
Herself safe-housed in Amphitrite's dome,-- 
If, through the bladdery wave-worked yeast, she meets 
What most she loathes and leaps from,--elf from gnome 
No gladlier,--finds that safest of retreats 
Bubble about a treacherous hand wide ope 
To grasp her--(divers who pick pearls so grope)-- 

So lay this Maid-Moon clasped around and caught 
By rough red Pan, the god of all that tract: 
He it was schemed the snare thus subtly wrought 
With simulated earth-breath,--wool-tufts packed 
Into a billowy wrappage. Sheep far-sought 
For spotless shearings yield such: take the fact 
As learned Virgil gives it,--how the breed 
Whitens itself forever: yes, indeed! 

If one forefather ram, though pure as chalk 
From tinge on fleece, should still display a tongue 
Black 'neath the beast's moist palate, prompt men balk 
The propagating plague: he gets no young: 
They rather slay him,--sell his hide to calk 
Ships with, first steeped with pitch,--nor hands are wrung 
In sorrow for his fate: protected thus, 
The purity we loved is gained for us. So did girl-Moon, by just her attribute 
Of unmatched modesty betrayed, lie trapped, 
Bruised to the breast of Pan, half god half brute, 
Raked by his bristly boar-sward while he lapped 
--Never say, kissed her! that were to pollute 
Love's language--which moreover proves unapt 
To tell how she recoiled--as who finds thorns 
Where she sought flowers--when, feeling, she touched--horns! 

Then--does the legend say?--first moon-eclipse 
Happened, first swooning-fit which puzzled sore 
The early sages? Is that why she dips 
Into the dark, a minute and no more, 
Only so long as serves her while she rips 
The cloud's womb through and, faultless as before, 
Pursues her way? No lesson for a maid 
Left she, a maid herself thus trapped, betrayed? 

Ha, Virgil? Tell the rest, you! "To the deep 
Of his domain the wildwood, Pan forthwith 
Called her, and so she followed"--in her sleep, 
Surely?--"by no means spurning him." The myth 
Explain who may! Let all else go, I keep 
--As of a ruin just a monolith-- 
Thus much, one verse of five words, each a boon: 
Arcadia, night, a cloud, Pan, and the moon.
Written by Amy Lowell | Create an image from this poem

The Dinner-Party

 Fish
"So . . ." they said,
With their wine-glasses delicately poised,
Mocking at the thing they cannot understand.
"So . . ." they said again,
Amused and insolent.
The silver on the table glittered,
And the red wine in the glasses
Seemed the blood I had wasted
In a foolish cause.

Game
The gentleman with the grey-and-black whiskers
Sneered languidly over his quail.
Then my heart flew up and laboured,
And I burst from my own holding
And hurled myself forward.
With straight blows I beat upon him,
Furiously, with red-hot anger, I thrust against him.
But my weapon slithered over his polished surface,
And I recoiled upon myself,
Panting.

Drawing-Room
In a dress all softness and half-tones,
Indolent and half-reclined,
She lay upon a couch,
With the firelight reflected in her jewels.
But her eyes had no reflection,
They swam in a grey smoke,
The smoke of smouldering ashes,
The smoke of her cindered heart.

Coffee
They sat in a circle with their coffee-cups.
One dropped in a lump of sugar,
One stirred with a spoon.
I saw them as a circle of ghosts
Sipping blackness out of beautiful china,
And mildly protesting against my coarseness
In being alive.

Talk
They took dead men's souls
And pinned them on their breasts for ornament;
Their cuff-links and tiaras
Were gems dug from a grave;
They were ghouls battening on exhumed thoughts;
And I took a green liqueur from a servant
So that he might come near me
And give me the comfort of a living thing.

Eleven O'Clock
The front door was hard and heavy,
It shut behind me on the house of ghosts.
I flattened my feet on the pavement
To feel it solid under me;
I ran my hand along the railings
And shook them,
And pressed their pointed bars
Into my palms.
The hurt of it reassured me,
And I did it again and again
Until they were bruised.
When I woke in the night
I laughed to find them aching,
For only living flesh can suffer.
Written by Andrew Barton Paterson | Create an image from this poem

The Ghost of the Murderers Hut

 My horse had been lamed in the foot 
In the rocks at the back of the run, 
So I camped at the Murderer's Hut, 
At the place where the murder was done. 

The walls were all spattered with gore, 
A terrible symbol of guilt; 
And the bloodstains were fresh on the floor 
Where the blood of the victim was spilt. 

The wind hurried past with a shout, 
The thunderstorm doubled its din 
As I shrank from the danger without, 
And recoiled from the horror within. 

When lo! at the window a shape, 
A creature of infinite dread; 
A thing with the face of an ape, 
And with eyes like the eyes of the dead. 

With the horns of a fiend, and a skin 
That was hairy as satyr or elf, 
And a long, pointed beard on its chin -- 
My God! 'twas the Devil himself. 

In anguish I sank on the floor, 
With terror my features were stiff, 
Till the thing gave a kind of a roar, 
Ending up with a resonant "Biff!" 

Then a cheer burst aloud from my throat, 
For the thing that my spirit did vex 
Was naught but an elderly goat -- 
Just a goat of the masculine sex. 

When his master was killed he had fled, 
And now, by the dingoes bereft, 
The nannies were all of them dead, 
And only the billy was left. 

So we had him brought in on a stage 
To the house where, in style, he can strut, 
And he lives to a fragrant old age 
As the Ghost of the Murderer's Hut.


Written by D. H. Lawrence | Create an image from this poem

Coldness in Love

And you remember, in the afternoon
The sea and the sky went grey, as if there had sunk
A flocculent dust on the floor of the world: the festoon
Of the sky sagged dusty as spider cloth,
And coldness clogged the sea, till it ceased to croon.

A dank, sickening scent came up from the grime
Of weed that blackened the shore, so that I recoiled
Feeling the raw cold dun me: and all the time
You leapt about on the slippery rocks, and threw
The words that rang with a brassy, shallow chime.

And all day long that raw and ancient cold
Deadened me through, till the grey downs darkened to sleep.
Then I longed for you with your mantle of love to fold
Me over, and drive from out of my body the deep
Cold that had sunk to my soul, and there kept hold.

But still to me all evening long you were cold,
And I was numb with a bitter, deathly ache;
Till old days drew me back into their fold,
And dim sheep crowded me warm with companionship,
And old ghosts clustered me close, and sleep was cajoled.

I slept till dawn at the window blew in like dust,
Like the linty, raw-cold dust disturbed from the floor
Of a disused room: a grey pale light like must
That settled upon my face and hands till it seemed
To flourish there, as pale mould blooms on a crust.

Then I rose in fear, needing you fearfully,
For I thought you were warm as a sudden jet of blood.
I thought I could plunge in your spurting hotness, and be
Clean of the cold and the must.--With my hand on the latch
I heard you in your sleep speak strangely to me.

And I dared not enter, feeling suddenly dismayed.
So I went and washed my deadened flesh in the sea
And came back tingling clean, but worn and frayed
With cold, like the shell of the moon: and strange it seems
That my love has dawned in rose again, like the love of a maid.

Book: Radiant Verses: A Journey Through Inspiring Poetry