Written by
William Wordsworth |
Five years have passed; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.
Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses.
Once again I see
These hedgerows, hardly hedgerows, little lines
Of sportive wood run wild; these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone.
These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye;
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration—feelings too
Of unremembered pleasure; such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love.
Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened—that serene and blessed mood,
In which the affections gently lead us on—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.
If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer through the woods,
How often has my spirit turned to thee!
And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again;
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years.
And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led—more like a man
Flying from something that he dreads than one
Who sought the thing he loved.
For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.
—I cannot paint
What then I was.
The sounding cataract
Haunted me like a passion; the tall rock,
The mountain, and the deep and gloomy wood,
Their colors and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.
—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures.
Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense.
For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue.
And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man:
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things.
Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear—both what they half create,
And what perceive; well pleased to recognize
In nature and the language of the sense
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.
Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes.
Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings.
Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service; rather say
With warmer love—oh! with far deeper zeal
Of holier love.
Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!
|
Written by
Victor Hugo |
("Enfants! Oh! revenez!")
{XXII, April, 1837}
Children, come back—come back, I say—
You whom my folly chased away
A moment since, from this my room,
With bristling wrath and words of doom!
What had you done, you bandits small,
With lips as red as roses all?
What crime?—what wild and hapless deed?
What porcelain vase by you was split
To thousand pieces? Did you need
For pastime, as you handled it,
Some Gothic missal to enrich
With your designs fantastical?
Or did your tearing fingers fall
On some old picture? Which, oh, which
Your dreadful fault? Not one of these;
Only when left yourselves to please
This morning but a moment here
'Mid papers tinted by my mind
You took some embryo verses near—
Half formed, but fully well designed
To open out. Your hearts desire
Was but to throw them on the fire,
Then watch the tinder, for the sight
Of shining sparks that twinkle bright
As little boats that sail at night,
Or like the window lights that spring
From out the dark at evening.
'Twas all, and you were well content.
Fine loss was this for anger's vent—
A strophe ill made midst your play,
Sweet sound that chased the words away
In stormy flight. An ode quite new,
With rhymes inflated—stanzas, too,
That panted, moving lazily,
And heavy Alexandrine lines
That seemed to jostle bodily,
Like children full of play designs
That spring at once from schoolroom's form.
Instead of all this angry storm,
Another might have thanked you well
For saving prey from that grim cell,
That hollowed den 'neath journals great,
Where editors who poets flout
With their demoniac laughter shout.
And I have scolded you! What fate
For charming dwarfs who never meant
To anger Hercules! And I
Have frightened you!—My chair I sent
Back to the wall, and then let fly
A shower of words the envious use—
"Get out," I said, with hard abuse,
"Leave me alone—alone I say."
Poor man alone! Ah, well-a-day,
What fine result—what triumph rare!
As one turns from the coffin'd dead
So left you me:—I could but stare
Upon the door through which you fled—
I proud and grave—but punished quite.
And what care you for this my plight!—
You have recovered liberty,
Fresh air and lovely scenery,
The spacious park and wished-for grass;
lights
And gratefully to sing.
E'e
A blade to watch what comes to pass;
Blue sky, and all the spring can show;
Nature, serenely fair to see;
The book of birds and spirits free,
God's poem, worth much more than mine,
Where flowers for perfect stanzas shine—
Flowers that a child may pluck in play,
No harsh voice frightening it away.
And I'm alone—all pleasure o'er—
Alone with pedant called "Ennui,"
For since the morning at my door
Ennui has waited patiently.
That docto-r-London born, you mark,
One Sunday in December dark,
Poor little ones—he loved you not,
And waited till the chance he got
To enter as you passed away,
And in the very corner where
You played with frolic laughter gay,
He sighs and yawns with weary air.
What can I do? Shall I read books,
Or write more verse—or turn fond looks
Upon enamels blue, sea-green,
And white—on insects rare as seen
Upon my Dresden china ware?
Or shall I touch the globe, and care
To make the heavens turn upon
Its axis? No, not one—not one
Of all these things care I to do;
All wearies me—I think of you.
In truth with you my sunshine fled,
And gayety with your light tread—
Glad noise that set me dreaming still.
'Twas my delight to watch your will,
And mark you point with finger-tips
To help your spelling out a word;
To see the pearls between your lips
When I your joyous laughter heard;
Your honest brows that looked so true,
And said "Oh, yes!" to each intent;
Your great bright eyes, that loved to view
With admiration innocent
My fine old Sèvres; the eager thought
That every kind of knowledge sought;
The elbow push with "Come and see!"
Oh, certes! spirits, sylphs, there be,
And fays the wind blows often here;
The gnomes that squat the ceiling near,
In corners made by old books dim;
The long-backed dwarfs, those goblins grim
That seem at home 'mong vases rare,
And chat to them with friendly air—
Oh, how the joyous demon throng
Must all have laughed with laughter long
To see you on my rough drafts fall,
My bald hexameters, and all
The mournful, miserable band,
And drag them with relentless hand
From out their box, with true delight
To set them each and all a-light,
And then with clapping hands to lean
Above the stove and watch the scene,
How to the mass deformed there came
A soul that showed itself in flame!
Bright tricksy children—oh, I pray
Come back and sing and dance away,
And chatter too—sometimes you may,
A giddy group, a big book seize—
Or sometimes, if it so you please,
With nimble step you'll run to me
And push the arm that holds the pen,
Till on my finished verse will be
A stroke that's like a steeple when
Seen suddenly upon a plain.
My soul longs for your breath again
To warm it. Oh, return—come here
With laugh and babble—and no fear
When with your shadow you obscure
The book I read, for I am sure,
Oh, madcaps terrible and dear,
That you were right and I was wrong.
But who has ne'er with scolding tongue
Blamed out of season. Pardon me!
You must forgive—for sad are we.
The young should not be hard and cold
And unforgiving to the old.
Children each morn your souls ope out
Like windows to the shining day,
Oh, miracle that comes about,
The miracle that children gay
Have happiness and goodness too,
Caressed by destiny are you,
Charming you are, if you but play.
But we with living overwrought,
And full of grave and sombre thought,
Are snappish oft: dear little men,
We have ill-tempered days, and then,
Are quite unjust and full of care;
It rained this morning and the air
Was chill; but clouds that dimm'd the sky
Have passed. Things spited me, and why?
But now my heart repents. Behold
What 'twas that made me cross, and scold!
All by-and-by you'll understand,
When brows are mark'd by Time's stern hand;
Then you will comprehend, be sure,
When older—that's to say, less pure.
The fault I freely own was mine.
But oh, for pardon now I pine!
Enough my punishment to meet,
You must forgive, I do entreat
With clasped hands praying—oh, come back,
Make peace, and you shall nothing lack.
See now my pencils—paper—here,
And pointless compasses, and dear
Old lacquer-work; and stoneware clear
Through glass protecting; all man's toys
So coveted by girls and boys.
Great China monsters—bodies much
Like cucumbers—you all shall touch.
I yield up all! my picture rare
Found beneath antique rubbish heap,
My great and tapestried oak chair
I will from you no longer keep.
You shall about my table climb,
And dance, or drag, without a cry
From me as if it were a crime.
Even I'll look on patiently
If you your jagged toys all throw
Upon my carved bench, till it show
The wood is torn; and freely too,
I'll leave in your own hands to view,
My pictured Bible—oft desired—
But which to touch your fear inspired—
With God in emperor's robes attired.
Then if to see my verses burn,
Should seem to you a pleasant turn,
Take them to freely tear away
Or burn. But, oh! not so I'd say,
If this were Méry's room to-day.
That noble poet! Happy town,
Marseilles the Greek, that him doth own!
Daughter of Homer, fair to see,
Of Virgil's son the mother she.
To you I'd say, Hold, children all,
Let but your eyes on his work fall;
These papers are the sacred nest
In which his crooning fancies rest;
To-morrow winged to Heaven they'll soar,
For new-born verse imprisoned still
In manuscript may suffer sore
At your small hands and childish will,
Without a thought of bad intent,
Of cruelty quite innocent.
You wound their feet, and bruise their wings,
And make them suffer those ill things
That children's play to young birds brings.
But mine! no matter what you do,
My poetry is all in you;
You are my inspiration bright
That gives my verse its purest light.
Children whose life is made of hope,
Whose joy, within its mystic scope,
Owes all to ignorance of ill,
You have not suffered, and you still
Know not what gloomy thoughts weigh down
The poet-writer weary grown.
What warmth is shed by your sweet smile!
How much he needs to gaze awhile
Upon your shining placid brow,
When his own brow its ache doth know;
With what delight he loves to hear
Your frolic play 'neath tree that's near,
Your joyous voices mixing well
With his own song's all-mournful swell!
Come back then, children! come to me,
If you wish not that I should be
As lonely now that you're afar
As fisherman of Etrétat,
Who listless on his elbow leans
Through all the weary winter scenes,
As tired of thought—as on Time flies—
And watching only rainy skies!
MRS. NEWTON CROSLAND.
|
Written by
Christopher Marlowe |
COME live with me and be my Love,
And we will all the pleasures prove
That hills and valleys, dale and field,
And all the craggy mountains yield.
There will we sit upon the rocks
And see the shepherds feed their flocks,
By shallow rivers, to whose falls
Melodious birds sing madrigals.
There will I make thee beds of roses
And a thousand fragrant posies,
A cap of flowers, and a kirtle
Embroider'd all with leaves of myrtle.
A gown made of the finest wool
Which from our pretty lambs we pull,
Fair linèd slippers for the cold,
With buckles of the purest gold.
A belt of straw and ivy buds
With coral clasps and amber studs:
And if these pleasures may thee move,
Come live with me and be my Love.
Thy silver dishes for thy meat
As precious as the gods do eat,
Shall on an ivory table be
Prepared each day for thee and me.
The shepherd swains shall dance and sing
For thy delight each May-morning:
If these delights thy mind may move,
Then live with me and be my Love.
|
Written by
Aleister Crowley |
[Dedicated to General J.
C.
F.
Fuller]
Velvet soft the night-star glowed
Over the untrodden road,
Through the giant glades of yew
Where its ray fell light as dew
Lighting up the shimmering veil
Maiden pure and aery frail
That the spiders wove to hide
Blushes of the sylvan bride
Earth, that trembled with delight
At the male caress of Night.
Velvet soft the wizard trod
To the Sabbath of his God.
With his naked feet he made
Starry blossoms in the glade,
Softly, softly, as he went
To the sombre sacrament,
Stealthy stepping to the tryst
In his gown of amethyst.
Earlier yet his soul had come
To the Hill of Martyrdom,
Where the charred and crooked stake
Like a black envenomed snake
By the hangman's hands is thrust
Through the wet and writhing dust,
Never black and never dried
Heart's blood of a suicide.
He had plucked the hazel rod
From the rude and goatish god,
Even as the curved moon's waning ray
Stolen from the King of Day.
He had learnt the elvish sign;
Given the Token of the Nine:
Once to rave, and once to revel,
Once to bow before the devil,
Once to swing the thurible,
Once to kiss the goat of hell,
Once to dance the aspen spring,
Once to croak, and once to sing,
Once to oil the savoury thighs
Of the witch with sea-green eyes
With the unguents magical.
Oh the honey and the gall
Of that black enchanter's lips
As he croons to the eclipse
Mingling that most puissant spell
Of the giant gods of hell
With the four ingredients
Of the evil elements;
Ambergris from golden spar,
Musk of ox from Mongol jar,
Civet from a box of jade,
Mixed with fat of many a maid
Slain by the inchauntments cold
Of the witches wild and old.
He had crucified a toad
In the basilisk abode,
Muttering the Runes averse
Mad with many a mocking curse.
He had traced the serpent sigil
In his ghastly virgin vigil.
Sursum cor! the elfin hill,
Where the wind blows deadly chill
From the world that wails beneath
Death's black throat and lipless teeth.
There he had stood - his bosom bare -
Tracing Life upon the Air
With the crook and with the flail
Lashing forward on the gale,
Till its blade that wavereth
Like the flickering of Death
Sank before his subtle fence
To the starless sea of sense.
Now at last the man is come
Haply to his halidom.
Surely as he waves his rod
In a circle on the sod
Springs the emerald chaste and clean
From the duller paler green.
Surely in the circle millions
Of immaculate pavilions
Flash upon the trembling turf
Like the sea-stars in the surf -
Millions of bejewelled tents
For the warrior sacraments.
Vaster, vaster, vaster, vaster,
Grows the stature of the master;
All the ringed encampment vies
With the infinite galaxies.
In the midst a cubic stone
With the Devil set thereon;
Hath a lamb's virginal throat;
Hath the body of a stoat;
Hath the buttocks of a goat;
Hath the sanguine face and rod
Of a goddess and a god!
Spell by spell and pace by pace!
Mystic flashes swing and trace
Velvet soft the sigils stepped
By the silver-starred adept.
Back and front, and to and fro,
Soul and body sway and flow
In vertiginous caresses
To imponderable recesses,
Till at last the spell is woven,
And the faery veil is cloven
That was Sequence, Space, and Stress
Of the soul-sick consciousness.
"Give thy body to the beasts!
Give thy spirit to the priests!
Break in twain the hazel rod
On the virgin lips of God!
Tear the Rosy Cross asunder!
Shatter the black bolt of thunder!
Suck the swart ensanguine kiss
Of the resolute abyss!"
Wonder-weft the wizard heard
This intolerable word.
Smote the blasting hazel rod
On the scarlet lips of God;
Trampled Cross and rosy core;
Brake the thunder-tool of Thor;
Meek and holy acolyte
Of the priestly hells of spite,
Sleek and shameless catamite
Of the beasts that prowl the night!
Like a star that streams from heaven
Through the virgin airs light-riven,
From the lift there shot and fell
An admirable miracle.
Carved minute and clean, a key
Of purest lapis-lazuli
More blue than the blind sky that aches
(Wreathed with the stars, her torturing snakes),
For the dead god's kiss that never wakes;
Shot with golden specks of fire
Like a virgin with desire.
Look, the levers! fern-frail fronds
Of fantastic diamonds,
Glimmering with ethereal azure
In each exquisite embrasure.
On the shaft the letters laced,
As if dryads lunar-chaste
With the satyrs were embraced,
Spelled the secret of the key:
Sic pervenias.
And he
Went his wizard way, inweaving
Dreams of things beyond believing.
When he will, the weary world
Of the senses closely curled
Like a serpent round his heart
Shakes herself and stands apart.
So the heart's blood flames, expanding,
Strenuous, urgent, and commanding;
And the key unlocks the door
Where his love lives evermore.
She is of the faery blood;
All smaragdine flows its flood.
Glowing in the amber sky
To ensorcelled porphyry
She hath eyes of glittering flake
Like a cold grey water-snake.
She hath naked breasts of amber
Jetting wine in her bed-chamber,
Whereof whoso stoops and drinks
Rees the riddle of the Sphinx.
She hath naked limbs of amber
Whereupon her children clamber.
She hath five navels rosy-red
From the five wounds of God that bled;
Each wound that mothered her still bleeding,
And on that blood her babes are feeding.
Oh! like a rose-winged pelican
She hath bred blessed babes to Pan!
Oh! like a lion-hued nightingale
She hath torn her breast on thorns to avail
The barren rose-tree to renew
Her life with that disastrous dew,
Building the rose o' the world alight
With music out of the pale moonlight!
O She is like the river of blood
That broke from the lips of the bastard god,
When he saw the sacred mother smile
On the ibis that flew up the foam of Nile
Bearing the limbs unblessed, unborn,
That the lurking beast of Nile had torn!
So (for the world is weary) I
These dreadful souls of sense lay by.
I sacrifice these impure shoon
To the cold ray of the waning moon.
I take the forked hazel staff,
And the rose of no terrene graff,
And the lamp of no olive oil
With heart's blood that alone may boil.
With naked breast and feet unshod
I follow the wizard way to God.
Wherever he leads my foot shall follow;
Over the height, into the hollow,
Up to the caves of pure cold breath,
Down to the deeps of foul hot death,
Across the seas, through the fires,
Past the palace of desires;
Where he will, whether he will or no,
If I go, I care not whither I go.
For in me is the taint of the faery blood.
Fast, fast its emerald flood
Leaps within me, violent rude
Like a bestial faun's beatitude.
In me the faery blood runs hard:
My sires were a druid, a devil, a bard,
A beast, a wizard, a snake and a satyr;
For - as my mother said - what does it matter?
She was a fay, pure of the faery;
Queen Morgan's daughter by an aery
Demon that came to Orkney once
To pay the Beetle his orisons.
So, it is I that writhe with the twitch
Of the faery blood, and the wizard itch
To attain a matter one may not utter
Rather than sink in the greasy splutter
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls
Grown to sloppy women and brutal churls.
So, I am off with staff in hand
To the endless light of the nameless land.
Darkness spreads its sombre streams,
Blotting out the elfin dreams.
I might haply be afraid,
Were it not the Feather-maid
Leads me softly by the hand,
Whispers me to understand.
Now (when through the world of weeping
Light at last starrily creeping
Steals upon my babe-new sight,
Light - O light that is not light!)
On my mouth the lips of her
Like a stone on my sepulchre
Seal my speech with ecstasy,
Till a babe is born of me
That is silent more than I;
For its inarticulate cry
Hushes as its mouth is pressed
To the pearl, her honey breast;
While its breath divinely ripples
The rose-petals of her nipples,
And the jetted milk he laps
From the soft delicious paps,
Sweeter than the bee-sweet showers
In the chalice of the flowers,
More intoxicating than
All the purple grapes of Pan.
Ah! my proper lips are stilled.
Only, all the world is filled
With the Echo, that drips over
Like the honey from the clover.
Passion, penitence, and pain
Seek their mother's womb again,
And are born the triple treasure,
Peace and purity and pleasure.
- Hush, my child, and come aloft
Where the stars are velvet soft!
|
Written by
José Martí |
A sincere man am I
From the land where palm trees grow,
And I want before I die
My soul's verses to bestow.
I'm a traveler to all parts,
And a newcomer to none:
I am art among the arts,
With the mountains I am one.
I know how to name and class
All the strange flowers that grow;
I know every blade of grass,
Fatal lie and sublime woe.
I have seen through dead of night
Upon my head softly fall,
Rays formed of the purest light
From beauty celestial.
I have seen wings that were surging
From beautiful women's shoulders,
And seen butterflies emerging
From the refuse heap that moulders.
I have known a man to live
With a dagger at his side,
And never once the name give
Of she by whose hand he died.
Twice, for an instant, did I
My soul's reflection espy:
Twice: when my poor father died
And when she bade me good-bye.
I trembled once, when I flung
The vineyard gate, and to my dread,
The wicked hornet had stung
My little girl on the forehead.
I rejoiced once and felt lucky
The day that my jailer came
To read the death warrant to me
That bore his tears and my name.
I hear a sigh across the earth,
I hear a sigh over the deep:
It is no sign reaching my hearth,
But my son waking from sleep.
If they say I have obtained
The pick of the jeweller's trove,
A good friend is what I've gained
And I have put aside love.
I have seen across the skies
A wounded eagle still flying;
I know the cubby where lies
The snake of its venom dying.
I know that the world is weak
And must soon fall to the ground,
Then the gentle brook will speak
Above the quiet profound.
While trembling with joy and dread,
I have touched with hand so bold
A once-bright star that fell dead
From heaven at my threshold.
On my brave heart is engraved
The sorrow hidden from all eyes:
The son of a land enslaved,
Lives for it, suffers and dies.
All is beautiful and right,
All is as music and reason;
And all, like diamonds, is light
That was coal before its season.
I know when fools are laid to rest
Honor and tears will abound,
And that of all fruits, the best
Is left to rot in holy ground.
Without a word, the pompous muse
I've set aside, and understood:
From a withered branch, I choose
To hang my doctoral hood.
|
Written by
Thomas Gray |
The curfew tolls the knell of parting day,
The lowing herd wind slowly o'er the lea,
The ploughman homeward plods his weary way,
And leaves the world to darkness and to me.
Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds;
Save that from yonder ivy-mantled tower
The moping owl does to the moon complain
Of such as, wandering near her secret bower,
Molest her ancient solitary reign.
Beneath those rugged elms, that yew-tree's shade,
Where heaves the turf in many a mould'ring heap,
Each in his narrow cell for ever laid,
The rude forefathers of the hamlet sleep.
The breezy call of incense-breathing morn,
The swallow twittering from the straw-built shed,
The cock's shrill clarion, or the echoing horn,
No more shall rouse them from their lowly bed.
For them no more the blazing hearth shall burn,
Or busy housewife ply her evening-care;
No children run to lisp their sire's return,
Or climb his knees the envied kiss to share.
Oft did the harvest to their sickle yield,
Their furrow oft the stubborn glebe has broke:
How jocund did they drive their team afield!
How bowed the woods beneath their sturdy stroke!
Let not Ambition mock their useful toil,
Their homely joys and destiny obscure;
Nor Grandeur hear with a disdainful smile
The short and simple annals of the poor.
The boast of heraldry, the pomp of pow'r,
And all that beauty, all that wealth e'er gave,
Awaits alike th' inevitable hour.
The paths of glory lead but to the grave.
Nor you, ye proud, impute to these the fault,
If Memory o'er their tomb no trophies raise,
Where through the long-drawn aisle, and fretted vault,
The pealing anthem swells the note of praise.
Can storied urn, or animated bust,
Back to its mansion call the fleeting breath?
Can Honour's voice provoke the silent dust,
Or Flattery soothe the dull cold ear of Death?
Perhaps in this neglected spot is laid
Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have swayed,
Or waked to ecstasy the living lyre;
But Knowledge to their eyes her ample page,
Rich with the spoils of Time, did ne'er unroll;
Chill Penury repressed their noble rage,
And froze the genial current of the soul.
Full many a gem of purest ray serene
The dark unfathomed caves of ocean bear;
Full many a flower is born to blush unseen,
And waste its sweetness on the desert air.
Some village-Hampden that with dauntless breast
The little tyrant of his fields withstood,
Some mute inglorious Milton here may rest,
Some Cromwell, guiltless of his country's blood.
Th' applause of list'ning senates to command,
The threats of pain and ruin to despise,
To scatter plenty o'er a smiling land,
And read their history in a nation's eyes,
Their lot forbad: nor circumscribed alone
Their growing virtues, but their crimes confined;
Forbad to wade through slaughter to a throne,
And shut the Gates of Mercy on mankind,
The struggling pangs of conscious truth to hide,
To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
With incense kindled at the Muse's flame.
Far from the madding crowd's ignoble strife
Their sober wishes never learned to stray;
Along the cool sequestered vale of life
They kept the noiseless tenor of their way.
Yet ev'n these bones from insult to protect
Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture decked,
Implores the passing tribute of a sigh.
Their name, their years, spelt by th' unlettered Muse,
The place of fame and elegy supply:
And many a holy text around she strews,
That teach the rustic moralist to die.
For who, to dumb Forgetfulness a prey,
This pleasing anxious being e'er resigned,
Left the warm precincts of the cheerful day,
Nor cast one longing ling'ring look behind?
On some fond breast the parting soul relies,
Some pious drops the closing eye requires;
Ev'n from the tomb the voice of Nature cries,
Ev'n in our ashes live their wonted fires.
For thee, who, mindful of th' unhonoured dead,
Dost in these lines their artless tale relate;
If chance, by lonely Contemplation led,
Some kindred spirit shall enquire thy fate,—
Haply some hoary-headed swain may say
"Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away
To meet the sun upon the upland lawn;
"There at the foot of yonder nodding beech,
That wreathes its old fantastic roots so high,
His listless length at noon-tide would he stretch,
And pore upon the brook that babbles by.
"Hard by yon wood, now smiling as in scorn,
Mutt'ring his wayward fancies would he rove;
Now drooping, woeful-wan, like one forlorn,
Or crazed with care, or crossed in hopeless love.
"One morn I missed him from the customed hill,
Along the heath, and near his fav'rite tree;
Another came; nor yet beside the rill,
Nor up the lawn, nor at the wood was he:
"The next, with dirges due in sad array
Slow through the church-way path we saw him borne,—
Approach and read, for thou can'st read, the lay
Graved on the stone beneath yon aged thorn.
"
THE EPITAPH
Here rests his head upon the lap of earth
A Youth, to Fortune and to Fame unknown:
Fair Science frowned not on his humble birth,
And Melancholy marked him for her own.
Large was his bounty, and his soul sincere,
Heaven did a recompense as largely send:
He gave to Misery (all he had) a tear,
He gained from Heaven ('twas all he wished) a friend.
No farther seek his merits to disclose,
Or draw his frailties from their dread abode,
(There they alike in trembling hope repose,)
The bosom of his Father and his God.
|
Written by
Edwin Arlington Robinson |
I
We thrill too strangely at the master's touch;
We shrink too sadly from the larger self
Which for its own completeness agitates
And undetermines us; we do not feel --
We dare not feel it yet -- the splendid shame
Of uncreated failure; we forget,
The while we groan, that God's accomplishment
Is always and unfailingly at hand.
II
Tumultuously void of a clean scheme
Whereon to build, whereof to formulate,
The legion life that riots in mankind
Goes ever plunging upward, up and down,
Most like some crazy regiment at arms,
Undisciplined of aught but Ignorance,
And ever led resourcelessly along
To brainless carnage by drunk trumpeters.
III
To me the groaning of world-worshippers
Rings like a lonely music played in hell
By one with art enough to cleave the walls
Of heaven with his cadence, but without
The wisdom or the will to comprehend
The strangeness of his own perversity,
And all without the courage to deny
The profit and the pride of his defeat.
IV
While we are drilled in error, we are lost
Alike to truth and usefulness.
We think
We are great warriors now, and we can brag
Like Titans; but the world is growing young,
And we, the fools of time, are growing with it: --
We do not fight to-day, we only die;
We are too proud of death, and too ashamed
Of God, to know enough to be alive.
V
There is one battle-field whereon we fall
Triumphant and unconquered; but, alas!
We are too fleshly fearful of ourselves
To fight there till our days are whirled and blurred
By sorrow, and the ministering wheels
Of anguish take us eastward, where the clouds
Of human gloom are lost against the gleam
That shines on Thought's impenetrable mail.
VI
When we shall hear no more the cradle-songs
Of ages -- when the timeless hymns of Love
Defeat them and outsound them -- we shall know
The rapture of that large release which all
Right science comprehends; and we shall read,
With unoppressed and unoffended eyes,
That record of All-Soul whereon God writes
In everlasting runes the truth of Him.
VII
The guerdon of new childhood is repose: --
Once he has read the primer of right thought,
A man may claim between two smithy strokes
Beatitude enough to realize
God's parallel completeness in the vague
And incommensurable excellence
That equitably uncreates itself
And makes a whirlwind of the Universe.
VIII
There is no loneliness: -- no matter where
We go, nor whence we come, nor what good friends
Forsake us in the seeming, we are all
At one with a complete companionship;
And though forlornly joyless be the ways
We travel, the compensate spirit-gleams
Of Wisdom shaft the darkness here and there,
Like scattered lamps in unfrequented streets.
IX
When one that you and I had all but sworn
To be the purest thing God ever made
Bewilders us until at last it seems
An angel has come back restigmatized, --
Faith wavers, and we wonder what there is
On earth to make us faithful any more,
But never are quite wise enough to know
The wisdom that is in that wonderment.
X
Where does a dead man go? -- The dead man dies;
But the free life that would no longer feed
On fagots of outburned and shattered flesh
Wakes to a thrilled invisible advance,
Unchained (or fettered else) of memory;
And when the dead man goes it seems to me
'T were better for us all to do away
With weeping, and be glad that he is gone.
XI
So through the dusk of dead, blank-legended,
And unremunerative years we search
To get where life begins, and still we groan
Because we do not find the living spark
Where no spark ever was; and thus we die,
Still searching, like poor old astronomers
Who totter off to bed and go to sleep,
To dream of untriangulated stars.
XII
With conscious eyes not yet sincere enough
To pierce the glimmered cloud that fluctuates
Between me and the glorifying light
That screens itself with knowledge, I discern
The searching rays of wisdom that reach through
The mist of shame's infirm credulity,
And infinitely wonder if hard words
Like mine have any message for the dead.
XIII
I grant you friendship is a royal thing,
But none shall ever know that royalty
For what it is till he has realized
His best friend in himself.
'T is then, perforce,
That man's unfettered faith indemnifies
Of its own conscious freedom the old shame,
And love's revealed infinitude supplants
Of its own wealth and wisdom the old scorn.
XIV
Though the sick beast infect us, we are fraught
Forever with indissoluble Truth,
Wherein redress reveals itself divine,
Transitional, transcendent.
Grief and loss,
Disease and desolation, are the dreams
Of wasted excellence; and every dream
Has in it something of an ageless fact
That flouts deformity and laughs at years.
XV
We lack the courage to be where we are: --
We love too much to travel on old roads,
To triumph on old fields; we love too much
To consecrate the magic of dead things,
And yieldingly to linger by long walls
Of ruin, where the ruinous moonlight
That sheds a lying glory on old stones
Befriends us with a wizard's enmity.
XVI
Something as one with eyes that look below
The battle-smoke to glimpse the foeman's charge,
We through the dust of downward years may scan
The onslaught that awaits this idiot world
Where blood pays blood for nothing, and where life
Pays life to madness, till at last the ports
Of gilded helplessness be battered through
By the still crash of salvatory steel.
XVII
To you that sit with Sorrow like chained slaves,
And wonder if the night will ever come,
I would say this: The night will never come,
And sorrow is not always.
But my words
Are not enough; your eyes are not enough;
The soul itself must insulate the Real,
Or ever you do cherish in this life --
In this life or in any life -- repose.
XVIII
Like a white wall whereon forever breaks
Unsatisfied the tumult of green seas,
Man's unconjectured godliness rebukes
With its imperial silence the lost waves
Of insufficient grief.
This mortal surge
That beats against us now is nothing else
Than plangent ignorance.
Truth neither shakes
Nor wavers; but the world shakes, and we shriek.
XIX
Nor jewelled phrase nor mere mellifluous rhyme
Reverberates aright, or ever shall,
One cadence of that infinite plain-song
Which is itself all music.
Stronger notes
Than any that have ever touched the world
Must ring to tell it -- ring like hammer-blows,
Right-echoed of a chime primordial,
On anvils, in the gleaming of God's forge.
XX
The prophet of dead words defeats himself:
Whoever would acknowledge and include
The foregleam and the glory of the real,
Must work with something else than pen and ink
And painful preparation: he must work
With unseen implements that have no names,
And he must win withal, to do that work,
Good fortitude, clean wisdom, and strong skill.
XXI
To curse the chilled insistence of the dawn
Because the free gleam lingers; to defraud
The constant opportunity that lives
Unchallenged in all sorrow; to forget
For this large prodigality of gold
That larger generosity of thought, --
These are the fleshly clogs of human greed,
The fundamental blunders of mankind.
XXII
Forebodings are the fiends of Recreance;
The master of the moment, the clean seer
Of ages, too securely scans what is,
Ever to be appalled at what is not;
He sees beyond the groaning borough lines
Of Hell, God's highways gleaming, and he knows
That Love's complete communion is the end
Of anguish to the liberated man.
XXIII
Here by the windy docks I stand alone,
But yet companioned.
There the vessel goes,
And there my friend goes with it; but the wake
That melts and ebbs between that friend and me
Love's earnest is of Life's all-purposeful
And all-triumphant sailing, when the ships
Of Wisdom loose their fretful chains and swing
Forever from the crumbled wharves of Time.
|
Written by
Anne Bronte |
Brightly the sun of summer shone,
Green fields and waving woods upon,
And soft winds wandered by;
Above, a sky of purest blue,
Around, bright flowers of loveliest hue,
Allured the gazer's eye.
But what were all these charms to me,
When one sweet breath of memory
Came gently wafting by?
I closed my eyes against the day,
And called my willing soul away,
From earth, and air, and sky;
That I might simply fancy there
One little flower -- a primrose fair,
Just opening into sight;
As in the days of infancy,
An opening primrose seemed to me
A source of strange delight.
Sweet Memory! ever smile on me;
Nature's chief beauties spring from thee,
Oh, still thy tribute bring!
Still make the golden crocus shine
Among the flowers the most divine,
The glory of the spring.
Still in the wall-flower's fragrance dwell;
And hover round the slight blue bell,
My childhood's darling flower.
Smile on the little daisy still,
The buttercup's bright goblet fill
With all thy former power.
For ever hang thy dreamy spell
Round mountain star and heather bell,
And do not pass away
From sparkling frost, or wreathed snow,
And whisper when the wild winds blow,
Or rippling waters play.
Is childhood, then, so all divine?
Or Memory, is the glory thine,
That haloes thus the past?
Not all divine; its pangs of grief,
(Although, perchance, their stay be brief,)
Are bitter while they last.
Nor is the glory all thine own,
For on our earliest joys alone
That holy light is cast.
With such a ray, no spell of thine
Can make our later pleasures shine,
Though long ago they passed.
|
Written by
Friedrich von Schiller |
Forever fair, forever calm and bright,
Life flies on plumage, zephyr-light,
For those who on the Olympian hill rejoice--
Moons wane, and races wither to the tomb,
And 'mid the universal ruin, bloom
The rosy days of Gods--With man, the choice,
Timid and anxious, hesitates between
The sense's pleasure and the soul's content;
While on celestial brows, aloft and sheen,
The beams of both are blent.
Seekest thou on earth the life of gods to share,
Safe in the realm of death?--beware
To pluck the fruits that glitter to thine eye;
Content thyself with gazing on their glow--
Short are the joys possession can bestow,
And in possession sweet desire will die.
'Twas not the ninefold chain of waves that bound
Thy daughter, Ceres, to the Stygian river--
She plucked the fruit of the unholy ground,
And so--was hell's forever!
The weavers of the web--the fates--but sway
The matter and the things of clay;
Safe from change that time to matter gives,
Nature's blest playmate, free at will to stray
With gods a god, amidst the fields of day,
The form, the archetype [39], serenely lives.
Would'st thou soar heavenward on its joyous wing?
Cast from thee, earth, the bitter and the real,
High from this cramped and dungeon being, spring
Into the realm of the ideal!
Here, bathed, perfection, in thy purest ray,
Free from the clogs and taints of clay,
Hovers divine the archetypal man!
Dim as those phantom ghosts of life that gleam
And wander voiceless by the Stygian stream,--
Fair as it stands in fields Elysian,
Ere down to flesh the immortal doth descend:--
If doubtful ever in the actual life
Each contest--here a victory crowns the end
Of every nobler strife.
Not from the strife itself to set thee free,
But more to nerve--doth victory
Wave her rich garland from the ideal clime.
Whate'er thy wish, the earth has no repose--
Life still must drag thee onward as it flows,
Whirling thee down the dancing surge of time.
But when the courage sinks beneath the dull
Sense of its narrow limits--on the soul,
Bright from the hill-tops of the beautiful,
Bursts the attained goal!
If worth thy while the glory and the strife
Which fire the lists of actual life--
The ardent rush to fortune or to fame,
In the hot field where strength and valor are,
And rolls the whirling thunder of the car,
And the world, breathless, eyes the glorious game--
Then dare and strive--the prize can but belong
To him whose valor o'er his tribe prevails;
In life the victory only crowns the strong--
He who is feeble fails.
But life, whose source, by crags around it piled,
Chafed while confined, foams fierce and wild,
Glides soft and smooth when once its streams expand,
When its waves, glassing in their silver play,
Aurora blent with Hesper's milder ray,
Gain the still beautiful--that shadow-land!
Here, contest grows but interchange of love,
All curb is but the bondage of the grace;
Gone is each foe,--peace folds her wings above
Her native dwelling-place.
When, through dead stone to breathe a soul of light,
With the dull matter to unite
The kindling genius, some great sculptor glows;
Behold him straining, every nerve intent--
Behold how, o'er the subject element,
The stately thought its march laborious goes!
For never, save to toil untiring, spoke
The unwilling truth from her mysterious well--
The statue only to the chisel's stroke
Wakes from its marble cell.
But onward to the sphere of beauty--go
Onward, O child of art! and, lo!
Out of the matter which thy pains control
The statue springs!--not as with labor wrung
From the hard block, but as from nothing sprung--
Airy and light--the offspring of the soul!
The pangs, the cares, the weary toils it cost
Leave not a trace when once the work is done--
The Artist's human frailty merged and lost
In art's great victory won! [40]
If human sin confronts the rigid law
Of perfect truth and virtue [41], awe
Seizes and saddens thee to see how far
Beyond thy reach, perfection;--if we test
By the ideal of the good, the best,
How mean our efforts and our actions are!
This space between the ideal of man's soul
And man's achievement, who hath ever past?
An ocean spreads between us and that goal,
Where anchor ne'er was cast!
But fly the boundary of the senses--live
The ideal life free thought can give;
And, lo, the gulf shall vanish, and the chill
Of the soul's impotent despair be gone!
And with divinity thou sharest the throne,
Let but divinity become thy will!
Scorn not the law--permit its iron band
The sense (it cannot chain the soul) to thrall.
Let man no more the will of Jove withstand [42],
And Jove the bolt lets fall!
If, in the woes of actual human life--
If thou could'st see the serpent strife
Which the Greek art has made divine in stone--
Could'st see the writhing limbs, the livid cheek,
Note every pang, and hearken every shriek,
Of some despairing lost Laocoon,
The human nature would thyself subdue
To share the human woe before thine eye--
Thy cheek would pale, and all thy soul be true
To man's great sympathy.
But in the ideal realm, aloof and far,
Where the calm art's pure dwellers are,
Lo, the Laocoon writhes, but does not groan.
Here, no sharp grief the high emotion knows--
Here, suffering's self is made divine, and shows
The brave resolve of the firm soul alone:
Here, lovely as the rainbow on the dew
Of the spent thunder-cloud, to art is given,
Gleaming through grief's dark veil, the peaceful blue
Of the sweet moral heaven.
So, in the glorious parable, behold
How, bowed to mortal bonds, of old
Life's dreary path divine Alcides trod:
The hydra and the lion were his prey,
And to restore the friend he loved to-day,
He went undaunted to the black-browed god;
And all the torments and the labors sore
Wroth Juno sent--the meek majestic one,
With patient spirit and unquailing, bore,
Until the course was run--
Until the god cast down his garb of clay,
And rent in hallowing flame away
The mortal part from the divine--to soar
To the empyreal air! Behold him spring
Blithe in the pride of the unwonted wing,
And the dull matter that confined before
Sinks downward, downward, downward as a dream!
Olympian hymns receive the escaping soul,
And smiling Hebe, from the ambrosial stream,
Fills for a god the bowl!
|
Written by
George Eliot |
Oh, may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
For miserable aims that end with self,
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge men's search
To vaster issues.
So to live is heaven:
To make undying music in the world,
Breathing a beauteous order that controls
With growing sway the growing life of man.
So we inherit that sweet purity
For which we struggled, failed, and agonized
With widening retrospect that bred despair.
Rebellious flesh that would not be subdued,
A vicious parent shaming still its child,
Poor anxious penitence, is quick dissolved;
Its discords, quenched by meeting harmonies,
Die in the large and charitable air,
And all our rarer, better, truer self
That sobbed religiously in yearning song,
That watched to ease the burden of the world,
Laboriously tracing what must be,
And what may yet be better, -- saw within
A worthier image for the sanctuary,
And shaped it forth before the multitude,
Divinely human, raising worship so
To higher reverence more mixed with love, --
That better self shall live till human Time
Shall fold its eyelids, and the human sky
Be gathered like a scroll within the tomb
Unread forever.
This is life to come, --
Which martyred men have made more glorious
For us who strive to follow.
May I reach
That purest heaven, -- be to other souls
The cup of strength in some great agony,
Enkindle generous ardor, feed pure love,
Beget the smiles that have no cruelty,
Be the sweet presence of a good diffused,
And in diffusion ever more intense!
So shall I join the choir invisible
Whose music is the gladness of the world.
|