Written by
Allen Ginsberg |
Please master can I touch your cheeck
please master can I kneel at your feet
please master can I loosen your blue pants
please master can I gaze at your golden haired belly
please master can I have your thighs bare to my eyes
please master can I take off my clothes below your chair
please master can I can I kiss your ankles and soul
please master can I touch lips to your hard muscle hairless thigh
please master can I lay my ear pressed to your stomach
please master can I wrap my arms around your white ass
please master can I lick your groin gurled with blond soft fur
please master can I touch my tongue to your rosy *******
please master may I pass my face to your balls,
please master order me down on the floor,
please master tell me to lick your thick shaft
please master put your rough hands on my bald hairy skull
please master press my mouth to your prick-heart
please master press my face into your belly, pull me slowly strong thumbed
till your dumb hardness fills my throat to the base
till I swallow and taste your delicate flesh-hot prick barrel veined Please
Mater push my shoulders away and stare in my eyes, & make me bend over
the table
please master grab my thighs and lift my ass to your waist
please master your hand's rough stroke on my neck your palm down to my
backside
please master push me, my feet on chairs, till my hole feels the breath of
your spit and your thumb stroke
please master make my say Please Master **** me now Please
Master grease my balls and hairmouth with sweet vaselines
please master stroke your shaft with white creams
please master touch your cock head to my wrinkled self-hole
please master push it in gently, your elbows enwrapped round my breast
your arms passing down to my belly, my ***** you touch w/ your fingers
please master shove it in me a little, a little, a little,
please master sink your droor thing down my behind
& please master make me wiggle my rear to eat up the prick trunk
till my asshalfs cuddle your thighs, my back bent over,
till I'm alone sticking out, your sword stuck throbbing in me
please master pull out and slowly roll onto the bottom
please master lunge it again, and withdraw the tip
please please master **** me again with your self, please **** me Please
Master drive down till it hurts me the softness the
Softness please master make love to my ass, give body to center, & **** me
for good like a girl,
tenderly clasp me please master I take me to thee,
& drive in my belly your selfsame sweet heat-rood
you fingered in solitude Denver or Brooklyn or fucked in a maiden in Paris
carlots
please master drive me thy vehicle, body of love drops, sweat ****
body of tenderness, Give me your dogh **** faster
please master make me go moan on the table
Go moan O please master do **** me like that
in your rhythm thrill-plunge & pull-back-bounce & push down
till I loosen my ******* a dog on the table yelping with terror delight to be
loved
Please master call me a dog, an ass beast, a wet *******,
& **** me more violent, my eyes hid with your palms round my skull
& plunge down in a brutal hard lash thru soft drip-fish
& throb thru five seconds to spurt out your semen heat
over & over, bamming it in while I cry out your name I do love you
please Master.
May 1968
|
Written by
Robert Frost |
We chanced in passing by that afternoon
To catch it in a sort of special picture
Among tar-banded ancient cherry trees,
Set well back from the road in rank lodged grass,
The little cottage we were speaking of,
A front with just a door between two windows,
Fresh painted by the shower a velvet black.
We paused, the minister and I, to look.
He made as if to hold it at arm's length
Or put the leaves aside that framed it in.
"Pretty," he said. "Come in. No one will care."
The path was a vague parting in the grass
That led us to a weathered window-sill.
We pressed our faces to the pane. "You see," he said,
"Everything's as she left it when she died.
Her sons won't sell the house or the things in it.
They say they mean to come and summer here
Where they were boys. They haven't come this year.
They live so far away--one is out west--
It will be hard for them to keep their word.
Anyway they won't have the place disturbed."
A buttoned hair-cloth lounge spread scrolling arms
Under a crayon portrait on the wall
Done sadly from an old daguerreotype.
"That was the father as he went to war.
She always, when she talked about war,
Sooner or later came and leaned, half knelt
Against the lounge beside it, though I doubt
If such unlifelike lines kept power to stir
Anything in her after all the years.
He fell at Gettysburg or Fredericksburg,
I ought to know--it makes a difference which:
Fredericksburg wasn't Gettysburg, of course.
But what I'm getting to is how forsaken
A little cottage this has always seemed;
Since she went more than ever, but before--
I don't mean altogether by the lives
That had gone out of it, the father first,
Then the two sons, till she was left alone.
(Nothing could draw her after those two sons.
She valued the considerate neglect
She had at some cost taught them after years.)
I mean by the world's having passed it by--
As we almost got by this afternoon.
It always seems to me a sort of mark
To measure how far fifty years have brought us.
Why not sit down if you are in no haste?
These doorsteps seldom have a visitor.
The warping boards pull out their own old nails
With none to tread and put them in their place.
She had her own idea of things, the old lady.
And she liked talk. She had seen Garrison
And Whittier, and had her story of them.
One wasn't long in learning that she thought
Whatever else the Civil War was for
It wasn't just to keep the States together,
Nor just to free the slaves, though it did both.
She wouldn't have believed those ends enough
To have given outright for them all she gave.
Her giving somehow touched the principle
That all men are created free and equal.
And to hear her quaint phrases--so removed
From the world's view to-day of all those things.
That's a hard mystery of Jefferson's.
What did he mean? Of course the easy way
Is to decide it simply isn't true.
It may not be. I heard a fellow say so.
But never mind, the Welshman got it planted
Where it will trouble us a thousand years.
Each age will have to reconsider it.
You couldn't tell her what the West was saying,
And what the South to her serene belief.
She had some art of hearing and yet not
Hearing the latter wisdom of the world.
White was the only race she ever knew.
Black she had scarcely seen, and yellow never.
But how could they be made so very unlike
By the same hand working in the same stuff?
She had supposed the war decided that.
What are you going to do with such a person?
Strange how such innocence gets its own way.
I shouldn't be surprised if in this world
It were the force that would at last prevail.
Do you know but for her there was a time
When to please younger members of the church,
Or rather say non-members in the church,
Whom we all have to think of nowadays,
I would have changed the Creed a very little?
Not that she ever had to ask me not to;
It never got so far as that; but the bare thought
Of her old tremulous bonnet in the pew,
And of her half asleep was too much for me.
Why, I might wake her up and startle her.
It was the words 'descended into Hades'
That seemed too pagan to our liberal youth.
You know they suffered from a general onslaught.
And well, if they weren't true why keep right on
Saying them like the heathen? We could drop them.
Only--there was the bonnet in the pew.
Such a phrase couldn't have meant much to her.
But suppose she had missed it from the Creed
As a child misses the unsaid Good-night,
And falls asleep with heartache--how should I feel?
I'm just as glad she made me keep hands off,
For, dear me, why abandon a belief
Merely because it ceases to be true.
Cling to it long enough, and not a doubt
It will turn true again, for so it goes.
Most of the change we think we see in life
Is due to truths being in and out of favour.
As I sit here, and oftentimes, I wish
I could be monarch of a desert land
I could devote and dedicate forever
To the truths we keep coming back and back to.
So desert it would have to be, so walled
By mountain ranges half in summer snow,
No one would covet it or think it worth
The pains of conquering to force change on.
Scattered oases where men dwelt, but mostly
Sand dunes held loosely in tamarisk
Blown over and over themselves in idleness.
Sand grains should sugar in the natal dew
The babe born to the desert, the sand storm
Retard mid-waste my cowering caravans--
"There are bees in this wall." He struck the clapboards,
Fierce heads looked out; small bodies pivoted.
We rose to go. Sunset blazed on the windows.
|
Written by
Joyce Kilmer |
(For Shaemas O Sheel)
One winter night a Devil came and sat upon my bed,
His eyes were full of laughter for his heart was full of crime.
"Why don't you take up fancy work, or embroidery?" he said,
"For a needle is as manly a tool as a pen that makes a rhyme!"
"You little ugly Devil," said I, "go back to Hell
For the idea you express I will not listen to:
I have trouble enough with poetry and poverty as well,
Without having to pay attention to orators like you.
"When you say of the making of ballads and songs
that it is woman's work
You forget all the fighting poets that have been in every land.
There was Byron who left all his lady-loves to fight against the
Turk,
And David, the Singing King of the Jews,
who was born with a sword in his hand.
It was yesterday that Rupert Brooke went out to the Wars and died,
And Sir Philip Sidney's lyric voice was as sweet as his arm was
strong;
And Sir Walter Raleigh met the axe as a lover meets his bride,
Because he carried in his soul the courage of his song.
"And there is no consolation so quickening to the
heart
As the warmth and whiteness that come from the lines of noble poetry.
It is strong joy to read it when the wounds of the spirit smart,
It puts the flame in a lonely breast where only ashes be.
It is strong joy to read it, and to make it is a thing
That exalts a man with a sacreder pride than any pride on earth.
For it makes him kneel to a broken slave and set his foot on a king,
And it shakes the walls of his little soul with the echo of God's
mirth.
"There was the poet Homer had the sorrow to be
blind,
Yet a hundred people with good eyes would listen to him all night;
For they took great enjoyment in the heaven of his mind,
And were glad when the old blind poet let them share his powers
of sight.
And there was Heine lying on his mattress all day long,
He had no wealth, he had no friends, he had no joy at all,
Except to pour his sorrow into little cups of song,
And the world finds in them the magic wine that his broken heart
let fall.
"And these are only a couple of names from a list
of a thousand score
Who have put their glory on the world in poverty and pain.
And the title of poet's a noble thing, worth living and dying for,
Though all the devils on earth and in Hell spit at me their disdain.
It is stern work, it is perilous work, to thrust your hand in the
sun
And pull out a spark of immortal flame to warm the hearts of men:
But Prometheus, torn by the claws and beaks whose task is never
done,
Would be tortured another eternity to go stealing fire again."
|
Written by
Vladimir Mayakovsky |
I'd tear
like a wolf
at bureaucracy.
For mandates
my respect's but the slightest.
To the devil himself
I'd chuck without mercy
every red-taped paper.
But this ...
Down the long front
of coupés and cabins
File the officials
politely.
They gather up passports
and I give in
My own vermilion booklet.
For one kind of passport -
smiling lips part
For others -
an attitude scornful.
They take
with respect, for instance,
the passport
From a sleeping-car
English Lionel.
The good fellows eyes
almost slip like pips
when,
bowing as low as men can,
they take,
as if they were taking a tip,
the passport
from an American.
At the Polish,
they dolefully blink and wheeze
in dumb
police elephantism -
where are they from,
and what are these
geographical novelties?
And without a turn
of their cabbage heads,
their feelings
hidden in lower regions,
they take without blinking,
the passports from Swedes
and various
old Norwegians.
Then sudden
as if their mouths were
aquake
those gentlemen almost
whine
Those very official gentlemen
take
that red-skinned passport
of mine.
Take-
like a bomb
take - like a hedgehog,
like a razor
double-edge stropped,
take -
like a rattlesnake huge and long
with at least
20 fangs
poison-tipped.
The porter's eyes
give a significant flick
(I'll carry your baggage
for nix,
mon ami...)
The gendarmes enquiringly
look at the tec,
the tec, -
at the gendarmerie.
With what delight
that gendarme caste
would have me
strung-up and whipped raw
because I hold
in my hands
hammered-fast
sickle-clasped
my red Soviet passport.
I'd tear
like a wolf
at bureaucracy.
For mandates
my respect's but the slightest.
To the devil himself
I'd chuck
without mercy
every red-taped paper,
But this ...
I pull out
of my wide trouser-pockets
duplicate
of a priceless cargo.
You now:
read this
and envy,
I'm a citizen
of the Soviet Socialist Union!
Transcribed: by Liviu Iacob.
|
Written by
Andrew Hudgins |
Our Father who art in heaven, I am drunk.
Again. Red wine. For which I offer thanks.
I ought to start with praise, but praise
comes hard to me. I stutter. Did I tell you
about the woman, whom I taught, in bed,
this prayer? It starts with praise; the simple form
keeps things in order. I hear from her sometimes.
Do you? And after love, when I was hungry,
I said, Make me something to eat. She yelled,
Poof! You're a casserole! - and laughed so hard
she fell out of bed. Take care of her.
Next, confession - the dreary part. At night
deer drift from the dark woods and eat my garden.
They're like enormous rats on stilts except,
of course, they're beautiful. But why? What makes
them beautiful? I haven't shot one yet.
I might. When I was twelve I'd ride my bike
out to the dump and shoot the rats. It's hard
to kill your rats, our Father. You have to use
a hollow point and hit them solidly.
A leg is not enough. The rat won't pause.
Yeep! Yeep! it screams, and scrabbles, three-legged, back
into the trash, and I would feel a little bad
to kill something that wants to live
more savagely than I do, even if
it's just a rat. My garden's vanishing.
Perhaps I'll plant more beans, though that
might mean more beautiful and hungry deer.
Who knows?
I'm sorry for the times I've driven
home past a black, enormous, twilight ridge.
Crested with mist it looked like a giant wave
about to break and sweep across the valley,
and in my loneliness and fear I've thought,
O let it come and wash the whole world clean.
Forgive me. This is my favorite sin: despair-
whose love I celebrate with wine and prayer.
Our Father, thank you for all the birds and trees,
that nature stuff. I'm grateful for good health,
food, air, some laughs, and all the other things I've never had to do
without. I have confused myself. I'm glad
there's not a rattrap large enough for deer.
While at the zoo last week, I sat and wept
when I saw one elephant insert his trunk
into another's ass, pull out a lump,
and whip it back and forth impatiently
to free the goodies hidden in the lump.
I could have let it mean most anything,
but I was stunned again at just how little
we ask for in our lives. Don't look! Don't look!
Two young nuns tried to herd their giggling
schoolkids away. Line up, they called, Let's go
and watch the monkeys in the monkey house.
I laughed and got a dirty look. Dear Lord,
we lurch from metaphor to metaphor,
which is -let it be so- a form of praying.
I'm usually asleep by now -the time
for supplication. Requests. As if I'd stayed
up late and called the radio and asked
they play a sentimental song. Embarrassed.
I want a lot of money and a woman.
And, also, I want vanishing cream. You know-
a character like Popeye rubs it on
and disappears. Although you see right through him,
he's there. He chuckles, stumbles into things,
and smoke that's clearly visible escapes
from his invisible pipe. It make me think,
sometimes, of you. What makes me think of me
is the poor jerk who wanders out on air
and then looks down. Below his feet, he sees
eternity, and suddenly his shoes
no longer work on nothingness, and down
he goes. As I fall past, remember me.
|
Written by
Rudyard Kipling |
There's a whisper down the field where the year has shot her yield,
And the ricks stand grey to the sun,
Singing: "Over then, come over, for the bee has quit the dover,
"And your English summer's done."
You have heard the beat of the off-shore wind,
And the thresh of the deep-sea rain;
You have heard the song -- how long? how long?
Pull out on the trail again!
Ha' done with the Tents of Shem, dear lass,
We've seen the seasons through,
And it's time to turn the old trail, our own trail, the out trail,
Pull out, pull out, on the Long Trail-the trail that is always new!
It's North you may run to the rime-ringed sun
Or South to the blind Hom's hate;
Or East all the way into Mississippi Bay,
Or West to the Golden Gate --
Where the blindest bluffs hold good, dear lass,
And the wildest tales are true,
And the men bulk big on the old trail, our own trail, the out trail,
And life runs large on the Long Trail -- the trail that is always new.
The days are sick and cold, and the skies are grey and old
And the twice-breathed airs blow damp;
And I'd sell my tired soul for the bucking beam-sea roll
Of a black Bilbao tramp,
With her load-line over her hatch, dear lass,
And a drunken Dago crew,
And her nose held down on the old trail, our own trail, the out trail
From Cadiz south on the Long Trail-the trail that is always new.
There be triple ways to take, of the eagle or the snake,
Or the way of a man with a maid;
But the sweetest way to me is a ship's upon the sea
In the heel of the North-East Trade.
Can you hear the crash on her brows, dear lass.
And the drum of the racing screw,
As she ships it green on the old trail, our own trail, the out trail,
As she lifts and 'scends on the Long Trail -- the trail that is always new?
See the shaking funnels roar, with the Peter at the fore,
And the fenders grind and heave,
And the derricks clack and grate, as the tackle hooks the crate,
And the fall-rope whines through the sheave;
It's "Gang-plank up and in," dear lass,
It's "Hawsers warp her through!"
And it's "All clear aft" on the old trail, our own trail, the out trail,
We're backing down on the Long Trail -- the trail that is always new.
O the mutter overside, when the port-fog holds us tied,
And the sirens hoot their dread,
When foot by foot we creep o'er the hueless, viewless deep
To the sob of the questing lead!
It's down by the Lower Hope, dear lass,
With the Grinfleet Sands in view,
Till the Mouse swings green on the old trail, our own trail, the out trail,
And the Gull Light lifts on the Long Trail -- the trail that is always new.
O the blazing tropic night, when the wake's a welt of light
That holds the hot sky tame,
And the steady fore-foot snores through the planet-powdered floors
Where the scared whale flukes in flame!
Her plates are flaked by the sun, dear lass
And her ropes are taut with the dew,
For we're booming down on the old trail, our own trail, the out trail,
We're sagging south on the Long Trail -- the trail that is always new.
Then home, get her home, where the drunken rollers comb,
And the shouting seas drive by,
And the engines stamp and ring, and the wet bows reel and swing,
And the Southern Cross rides high!
Yes, the old lost stars wheel back, dear lass,
That blaze in the velvet blue.
They're all old friends on the old trail, our own trail, the out trail,
They're God's own guides on the Long Trail -- the trail that is always new.
Fly forward, O my heart, from the Foreland to the Start
We're steaming all too slow,
And it's twenty thousand mile to our little lazy isle
Where the trumpet-orchids blow!
You have heard the call of the off-shore wind
And the voice of the deep-sea rain;
You have heard the song-how long? how long?
Pull out on the trail again!
The Lord knows what we may find, dear lass,
And The Deuce knows we may do
But we're back once more on the old trail, our own trail, the out trail,
We're down, hull-down, on the Long Trail -- the trail that is always new!
|
Written by
Yehuda Amichai |
You mustn't show weakness
and you've got to have a tan.
But sometimes I feel like the thin veils
of Jewish women who faint
at weddings and on Yom Kippur.
You mustn't show weakness
and you've got to make a list
of all the things you can load
in a baby carriage without a baby.
This is the way things stand now:
if I pull out the stopper
after pampering myself in the bath,
I'm afraid that all of Jerusalem, and with it the whole world,
will drain out into the huge darkness.
In the daytime I lay traps for my memories
and at night I work in the Balaam Mills,
turning curse into blessing and blessing into curse.
And don't ever show weakness.
Sometimes I come crashing down inside myself
without anyone noticing. I'm like an ambulance
on two legs, hauling the patient
inside me to Last Aid
with the wailing of cry of a siren,
and people think it's ordinary speech.
|
Written by
Denise Levertov |
I like to find
what's not found
at once, but lies
within something of another nature,
in repose, distinct.
Gull feathers of glass, hidden
in white pulp: the bones of squid
which I pull out and lay
blade by blade on the draining board--
tapered as if for swiftness, to pierce
the heart, but fragile, substance
belying design. Or a fruit, mamey,
cased in rough brown peel, the flesh
rose-amber, and the seed:
the seed a stone of wood, carved and
polished, walnut-colored, formed
like a brazilnut, but large,
large enough to fill
the hungry palm of a hand.
I like the juicy stem of grass that grows
within the coarser leaf folded round,
and the butteryellow glow
in the narrow flute from which the morning-glory
opens blue and cool on a hot morning.
|
Written by
Roger McGough |
So you think its Stephen?
Then I'd best make sure
Be on the safe side as it were.
Ah, theres been a mistake. The hair
you see, its black, now Stephens fair ...
Whats that? The explosion?
Of course, burnt black. Silly of me.
I should have known. Then lets get on.
The face, is that the face mask?
that mask of charred wood
blistered scarred could
that have been a child's face?
The sweater, where intact, looks
in fact all too familiar.
But one must be sure.
The scoutbelt. Yes thats his.
I recognise the studs he hammered in
not a week ago. At the age
when boys get clothes-conscious
now you know. Its almost
certainly Stephen. But one must
be sure. Remove all trace of doubt.
Pull out every splinter of hope.
Pockets. Empty the pockets.
Handkerchief? Could be any schoolboy's.
Dirty enough. Cigarettes?
Oh this can't be Stephen.
I dont allow him to smoke you see.
He wouldn't disobey me. Not his father.
But that's his penknife. Thats his alright.
And thats his key on the keyring
Gran gave him just the other night.
Then this must be him.
I think I know what happened
... ... ... about the cigarettes
No doubt he was minding them
for one of the older boys.
Yes thats it.
Thats him.
Thats our Stephen.
|
Written by
James Tate |
Jim just loves to garden, yes he does.
He likes nothing better than to put on
his little overalls and his straw hat.
He says, "Let's go get those tools, Jim."
But then doubt begins to set in.
He says, "What is a garden, anyway?"
And thoughts about a "modernistic" garden
begin to trouble him, eat away at his resolve.
He stands in the driveway a long time.
"Horticulture is a groping in the dark
into the obscure and unfamiliar,
kneeling before a disinterested secret,
slapping it, punching it like a Chinese puzzle,
birdbrained babbling gibberish, dig and
destroy, pull out and apply salt,
hoe and spray, before it spreads, burn roots,
where not desired, with gloved hands, poisonous,
the self-sacrifice of it, the self-love,
into the interior, thunderclap, excruciating,
through the nose, the earsplitting necrology
of it, the withering, shrivelling,
the handy hose holder and Persian insect powder
and smut fungi, the enemies of the iris,
wireworms are worse than their parents,
there is no way out, flowers as big as heads,
pock-marked, disfigured, blinking insolently
at me, the me who so loves to garden
because it prevents the heaving of the ground
and the untimely death of porch furniture,
and dark, murky days in a large city
and the dream home under a permanent storm
is also a factor to keep in mind."
|