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Best Famous Profane Poems

Here is a collection of the all-time best famous Profane poems. This is a select list of the best famous Profane poetry. Reading, writing, and enjoying famous Profane poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of profane poems.

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Written by John Donne | Create an image from this poem

The Dream

DEAR love for nothing less than thee 
Would I have broke this happy dream; 
It was a theme 
For reason much too strong for fantasy.
Therefore thou waked'st me wisely; yet 5 My dream thou brok'st not but continued'st it.
Thou art so true that thoughts of thee suffice To make dreams truths and fables histories; Enter these arms for since thou thought'st it best Not to dream all my dream let 's act the rest.
10 As lightning or a taper's light Thine eyes and not thy noise waked me; Yet I thought thee¡ª For thou lov'st truth¡ªan angel at first sight; But when I saw thou saw'st my heart 15 And knew'st my thoughts beyond an angel's art When thou knew'st what I dreamt when thou knew'st when Excess of joy would wake me and cam'st then I must confess it could not choose but be Profane to think thee anything but thee.
20 Coming and staying show'd thee thee But rising makes me doubt that now Thou art not thou.
That Love is weak where Fear 's as strong as he; 'Tis not all spirit pure and brave 25 If mixture it of Fear Shame Honour have.
Perchance as torches which must ready be Men light and put out so thou deal'st with me.
Thou cam'st to kindle go'st to come: then I Will dream that hope again but else would die.
30


Written by Sarojini Naidu | Create an image from this poem

An Indian Love Song

 He

Lift up the veils that darken the delicate moon 
of thy glory and grace,
Withhold not, O love, from the night 
of my longing the joy of thy luminous face,
Give me a spear of the scented keora 
guarding thy pinioned curls, 
Or a silken thread from the fringes 
that trouble the dream of thy glimmering pearls;
Faint grows my soul with thy tresses' perfume 
and the song of thy anklets' caprice,
Revive me, I pray, with the magical nectar 
that dwells in the flower of thy kiss.
She How shall I yield to the voice of thy pleading, how shall I grant thy prayer, Or give thee a rose-red silken tassel, a scented leaf from my hair? Or fling in the flame of thy heart's desire the veils that cover my face, Profane the law of my father's creed for a foe of my father's race? Thy kinsmen have broken our sacred altars and slaughtered our sacred kine, The feud of old faiths and the blood of old battles sever thy people and mine.
He What are the sins of my race, Beloved, what are my people to thee? And what are thy shrines, and kine and kindred, what are thy gods to me? Love recks not of feuds and bitter follies, of stranger, comrade or kin, Alike in his ear sound the temple bells and the cry of the muezzin.
For Love shall cancel the ancient wrong and conquer the ancient rage, Redeem with his tears the memoried sorrow that sullied a bygone age.
Written by Delmira Agustini | Create an image from this poem

Mi Musa Triste (My Sad Muse)

SpanishVagos preludios.
En la noche espléndidaSu voz de perlas una fuente calla,Cuelgan las brisas sus celestes pifanosEn el follaje.
Las cabezas pardasDe los búhos acechan.
Las flores se abren más, como asombradas.
Los cisnes de marfil tienden los cuellosEn las lagunas pálidas.
Selene mira del azul.
Las frondasTiemblan… y todo! hasta el silencio, calla…Es que ella pasa con su boca tristeY el gran misterio de sus ojos de ámbar,A través de la noche, hacia el olvido,Como una estrella fugitiva y blanca.
Como una destronada reina exóticaDe bellos gestos y palabras raras.
Horizontes violados sus ojerasDentro sus ojos–dos estrellas de ámbar–Se abren cansados y húmedos y tristesComo llagas de luz que quejaran.
Es un dolor que vive y que no espera,Es una aurora gris que se levantaDel gran lecho de sombras de la noche,Cansada ya, sin esplendor, sin ansiasY sus canciones son como hadas tristesAlhajadas de lágrimas…              EnglishMurmuring preludes.
On this resplendent nightHer pearled voice quiets a fountain.
The breezes hang their celestial fifesIn the foliage.
The gray headsOf the owls keep watch.
Flowers open themselves, as if surprised.
Ivory swans extend their necksIn the pallid lakes.
Selene watches from the blue.
FrondsTremble…and everything! Even the silence, quiets.
She wanders with her sad mouthAnd the grand mystery of amber eyes,Across the night, toward forgetfulnessLike a star, fugitive and white.
Like a dethroned exotic queenWith comely gestures and rare utterings.
Her undereyes are violated horizonsAnd her irises–two stars of amber–Open wet and weary and sadLike ulcers of light that weep.
She is a grief which thrives and does not hope,She is a gray aurora risingFrom the shadowy bed of night,Exhausted, without splendor, without anxiousness.
And her songs are like dolorous fairiesJeweled in teardrops…                          The strings of lyres                          Are the souls' fibers.
–The blood of bitter vineyards, noble vineyards,In goblets of regal beauty, risesTo her marble hands, to lips carvedLike the blazon of a great lineage.
Strange Princes of Fantasy! TheyHave seen her languid head, once erect,And heard her laugh, for her eyesTremble with the flower of aristocracies!And her soul clean as fire, like a star,Burns in those pupils of amber.
But with a mere glance, scarcely an intimacy,Perhaps the echo of a profane voice,This white and pristine soul shrinksLike a luminous flower, folding herself up!

Written by Robert Burns | Create an image from this poem

110. Epistle to a Young Friend

 May—, 1786.
I LANG hae thought, my youthfu’ friend, A something to have sent you, Tho’ it should serve nae ither end Than just a kind memento: But how the subject-theme may gang, Let time and chance determine; Perhaps it may turn out a sang: Perhaps turn out a sermon.
Ye’ll try the world soon, my lad; And, Andrew dear, believe me, Ye’ll find mankind an unco squad, And muckle they may grieve ye: For care and trouble set your thought, Ev’n when your end’s attained; And a’ your views may come to nought, Where ev’ry nerve is strained.
I’ll no say, men are villains a’; The real, harden’d wicked, Wha hae nae check but human law, Are to a few restricked; But, Och! mankind are unco weak, An’ little to be trusted; If self the wavering balance shake, It’s rarely right adjusted! Yet they wha fa’ in fortune’s strife, Their fate we shouldna censure; For still, th’ important end of life They equally may answer; A man may hae an honest heart, Tho’ poortith hourly stare him; A man may tak a neibor’s part, Yet hae nae cash to spare him.
Aye free, aff-han’, your story tell, When wi’ a bosom crony; But still keep something to yoursel’, Ye scarcely tell to ony: Conceal yoursel’ as weel’s ye can Frae critical dissection; But keek thro’ ev’ry other man, Wi’ sharpen’d, sly inspection.
The sacred lowe o’ weel-plac’d love, Luxuriantly indulge it; But never tempt th’ illicit rove, Tho’ naething should divulge it: I waive the quantum o’ the sin, The hazard of concealing; But, Och! it hardens a’ within, And petrifies the feeling! To catch dame Fortune’s golden smile, Assiduous wait upon her; And gather gear by ev’ry wile That’s justified by honour; Not for to hide it in a hedge, Nor for a train attendant; But for the glorious privilege Of being independent.
The fear o’ hell’s a hangman’s whip, To haud the wretch in order; But where ye feel your honour grip, Let that aye be your border; Its slightest touches, instant pause— Debar a’ side-pretences; And resolutely keep its laws, Uncaring consequences.
The great Creator to revere, Must sure become the creature; But still the preaching cant forbear, And ev’n the rigid feature: Yet ne’er with wits profane to range, Be complaisance extended; An atheist-laugh’s a poor exchange For Deity offended! When ranting round in pleasure’s ring, Religion may be blinded; Or if she gie a random sting, It may be little minded; But when on life we’re tempest driv’n— A conscience but a canker— A correspondence fix’d wi’ Heav’n, Is sure a noble anchor! Adieu, dear, amiable youth! Your heart can ne’er be wanting! May prudence, fortitude, and truth, Erect your brow undaunting! In ploughman phrase, “God send you speed,” Still daily to grow wiser; And may ye better reck the rede, Then ever did th’ adviser!
Written by Mary Darby Robinson | Create an image from this poem

Ode to Despair

 TERRIFIC FIEND! thou Monster fell, 
Condemn'd in haunts profane to dwell, 
Why quit thy solitary Home, 
O'er wide Creation's paths to roam? 
Pale Tyrant of the timid Heart, 
Whose visionary spells can bind 
The strongest passions of the mind, 
Freezing Life's current with thy baneful Art.
Nature recoils when thou art near, For round thy form all plagues are seen; Thine is the frantic tone, the sullen mien, The glance of petrifying fear, The haggard Brow, the low'ring Eye, The hollow Cheek, the smother'd Sigh, When thy usurping fangs assail, The sacred Bonds of Friendship fail.
Meek-bosom'd Pity sues in vain; Imperious Sorrow spurns relief, Feeds on the luxury of Grief, Drinks the hot Tear, and hugs the galling Chain.
AH! plunge no more thy ruthless dart, In the dark centre of the guilty Heart; The POW'R SUPREME, with pitying eye, Looks on the erring Child of Misery; MERCY arrests the wing of Time; To expiate the wretch's crime; Insulted HEAV'N consign'd thy brand To the first Murd'rer's crimson hand.
Swift o'er the earth the Monster flew, And round th' ensanguin'd Poisons threw, By CONSCIENCE goaded­driven by FEAR, Till the meek Cherub HOPE subdued his fell career.
Thy Reign is past, when erst the brave Imbib'd contagion o'er the midnight lamp, Close pent in loathsome cells, where poisons damp Hung round the confines of a Living Grave; * Where no glimm'ring ray illum'd The flinty walls, where pond'rous chains Bound the wan Victim to the humid earth, Where VALOUR, GENIUS, TASTE, and WORTH, In pestilential caves entomb'd, Sought thy cold arms, and smiling mock'd their pains.
THERE,­each procrastinated hour The woe-worn suff'rer gasping lay, While by his side in proud array Stalk'd the HUGE FIEND, DESPOTIC POW'R.
There REASON clos'd her radiant eye, And fainting HOPE retir'd to die, Truth shrunk appall'd, In spells of icy Apathy enthrall'd; Till FREEDOM spurn'd the ignominious chain, And roused from Superstition's night, Exulting Nature claim'd her right, And call'd dire Vengeance from her dark domain.
Now take thy solitary flight Amid the turbid gales of night, Where Spectres starting from the tomb, Glide along th' impervious gloom; Or, stretch'd upon the sea-beat shore, Let the wild winds, as they roar, Rock Thee on thy Bed of Stone; Or, in gelid caverns pent, Listen to the sullen moan Of subterranean winds;­or glut thy sight Where stupendous mountains rent Hurl their vast fragments from their dizzy height.
At Thy approach the rifted Pine Shall o'er the shatter'd Rock incline, Whose trembling brow, with wild weeds drest, Frowns on the tawny EAGLE's nest; THERE enjoy the 'witching hour, And freeze in Frenzy's dire conceit, Or seek the Screech-owl's lone retreat, On the bleak rampart of some nodding Tow'r.
In some forest long and drear, Tempt the fierce BANDITTI's rage, War with famish'd Tygers wage, And mock the taunts of Fear.
When across the yawning deep, The Demons of the Tempest sweep, Or deaf'ning Thunders bursting cast Their red bolts on the shivering mast, While fix'd below the sea-boy stands, As threat'ning Death his soul dismays, He lifts his supplicating hands, And shrieks, and groans, and weeps, and prays, Till lost amid the floating fire The agonizing crew expire; THEN let thy transports rend the air, For mad'ning Anguish feeds DESPAIR.
When o'er the couch of pale Disease The MOTHER bends, with tearful eye, And trembles, lest her quiv'ring sigh, Should wake the darling of her breast, Now, by the taper's feeble rays, She steals a last, fond, eager gaze.
Ah, hapless Parent! gaze no more, Thy CHERUB soars among the Blest, Life's crimson Fount begins to freeze, His transitory scene is o'er.
She starts­she raves­her burning brain, Consumes, unconscious of its fires, Dead to the Heart's convulsive Pain, Bewilder'd Memory retires.
See! See! she grasps her flowing hair, From her fix'd eye the big drops roll, Her proud Affliction mocks controul, And riots in DESPAIR, Such are thy haunts, malignant Pow'r, There all thy murd'rous Poisons pour; But come not near my calm retreat, Where Peace and holy FRIENDSHIP meet; Where SCIENCE sheds a gentle ray, And guiltless Mirth beguiles the day, Where Bliss congenial to the MUSE Shall round my Heart her sweets diffuse, Where, from each restless Passion free, I give my noiseless hours, BLESS'D POETRY, TO THEE.


Written by Joyce Kilmer | Create an image from this poem

The Twelve-Forty-Five

 (For Edward J.
Wheeler) Within the Jersey City shed The engine coughs and shakes its head, The smoke, a plume of red and white, Waves madly in the face of night.
And now the grave incurious stars Gleam on the groaning hurrying cars.
Against the kind and awful reign Of darkness, this our angry train, A noisy little rebel, pouts Its brief defiance, flames and shouts -- And passes on, and leaves no trace.
For darkness holds its ancient place, Serene and absolute, the king Unchanged, of every living thing.
The houses lie obscure and still In Rutherford and Carlton Hill.
Our lamps intensify the dark Of slumbering Passaic Park.
And quiet holds the weary feet That daily tramp through Prospect Street.
What though we clang and clank and roar Through all Passaic's streets? No door Will open, not an eye will see Who this loud vagabond may be.
Upon my crimson cushioned seat, In manufactured light and heat, I feel unnatural and mean.
Outside the towns are cool and clean; Curtained awhile from sound and sight They take God's gracious gift of night.
The stars are watchful over them.
On Clifton as on Bethlehem The angels, leaning down the sky, Shed peace and gentle dreams.
And I -- I ride, I blasphemously ride Through all the silent countryside.
The engine's shriek, the headlight's glare, Pollute the still nocturnal air.
The cottages of Lake View sigh And sleeping, frown as we pass by.
Why, even strident Paterson Rests quietly as any nun.
Her foolish warring children keep The grateful armistice of sleep.
For what tremendous errand's sake Are we so blatantly awake? What precious secret is our freight? What king must be abroad so late? Perhaps Death roams the hills to-night And we rush forth to give him fight.
Or else, perhaps, we speed his way To some remote unthinking prey.
Perhaps a woman writhes in pain And listens -- listens for the train! The train, that like an angel sings, The train, with healing on its wings.
Now "Hawthorne!" the conductor cries.
My neighbor starts and rubs his eyes.
He hurries yawning through the car And steps out where the houses are.
This is the reason of our quest! Not wantonly we break the rest Of town and village, nor do we Lightly profane night's sanctity.
What Love commands the train fulfills, And beautiful upon the hills Are these our feet of burnished steel.
Subtly and certainly I feel That Glen Rock welcomes us to her And silent Ridgewood seems to stir And smile, because she knows the train Has brought her children back again.
We carry people home -- and so God speeds us, wheresoe'er we go.
Hohokus, Waldwick, Allendale Lift sleepy heads to give us hail.
In Ramsey, Mahwah, Suffern stand Houses that wistfully demand A father -- son -- some human thing That this, the midnight train, may bring.
The trains that travel in the day They hurry folks to work or play.
The midnight train is slow and old But of it let this thing be told, To its high honor be it said It carries people home to bed.
My cottage lamp shines white and clear.
God bless the train that brought me here.
Written by Friedrich von Schiller | Create an image from this poem

Genius

 "Do I believe," sayest thou, "what the masters of wisdom would teach me,
And what their followers' band boldly and readily swear?
Cannot I ever attain to true peace, excepting through knowledge,
Or is the system upheld only by fortune and law?
Must I distrust the gently-warning impulse, the precept
That thou, Nature, thyself hast in my bosom impressed,
Till the schools have affixed to the writ eternal their signet,
Till a mere formula's chain binds down the fugitive soul?
Answer me, then! for thou hast down into these deeps e'en descended,--
Out of the mouldering grave thou didst uninjured return.
Is't to thee known what within the tomb of obscure works is hidden, Whether, yon mummies amid, life's consolations can dwell? Must I travel the darksome road? The thought makes me tremble; Yet I will travel that road, if 'tis to truth and to right.
" Friend, hast thou heard of the golden age? Full many a story Poets have sung in its praise, simply and touchingly sung-- Of the time when the holy still wandered over life's pathways,-- When with a maidenly shame every sensation was veiled,-- When the mighty law that governs the sun in his orbit, And that, concealed in the bud, teaches the point how to move, When necessity's silent law, the steadfast, the changeless, Stirred up billows more free, e'en in the bosom of man,-- When the sense, unerring, and true as the hand of the dial, Pointed only to truth, only to what was eternal? Then no profane one was seen, then no initiate was met with, And what as living was felt was not then sought 'mongst the dead; Equally clear to every breast was the precept eternal, Equally hidden the source whence it to gladden us sprang; But that happy period has vanished! And self-willed presumption Nature's godlike repose now has forever destroyed.
Feelings polluted the voice of the deities echo no longer, In the dishonored breast now is the oracle dumb.
Save in the silenter self, the listening soul cannot find it, There does the mystical word watch o'er the meaning divine; There does the searcher conjure it, descending with bosom unsullied; There does the nature long-lost give him back wisdom again.
If thou, happy one, never hast lost the angel that guards thee, Forfeited never the kind warnings that instinct holds forth; If in thy modest eye the truth is still purely depicted; If in thine innocent breast clearly still echoes its call; If in thy tranquil mind the struggles of doubt still are silent, If they will surely remain silent forever as now; If by the conflict of feelings a judge will ne'er be required; If in its malice thy heart dims not the reason so clear, Oh, then, go thy way in all thy innocence precious! Knowledge can teach thee in naught; thou canst instruct her in much! Yonder law, that with brazen staff is directing the struggling, Naught is to thee.
What thou dost, what thou mayest will is thy law, And to every race a godlike authority issues.
What thou with holy hand formest, what thou with holy mouth speakest, Will with omnipotent power impel the wondering senses; Thou but observest not the god ruling within thine own breast, Not the might of the signet that bows all spirits before thee; Simple and silent thou goest through the wide world thou hast won.
Written by William Butler Yeats | Create an image from this poem

Under Ben Bulben

 I

Swear by what the sages spoke
Round the Mareotic Lake
That the Witch of Atlas knew,
Spoke and set the cocks a-crow.
Swear by those horsemen, by those women Complexion and form prove superhuman, That pale, long-visaged company That air in immortality Completeness of their passions won; Now they ride the wintry dawn Where Ben Bulben sets the scene.
Here's the gist of what they mean.
II Many times man lives and dies Between his two eternities, That of race and that of soul, And ancient Ireland knew it all.
Whether man die in his bed Or the rifle knocks him dead, A brief parting from those dear Is the worst man has to fear.
Though grave-diggers' toil is long, Sharp their spades, their muscles strong.
They but thrust their buried men Back in the human mind again.
III You that Mitchel's prayer have heard, 'Send war in our time, O Lord!' Know that when all words are said And a man is fighting mad, Something drops from eyes long blind, He completes his partial mind, For an instant stands at ease, Laughs aloud, his heart at peace.
Even the wisest man grows tense With some sort of violence Before he can accomplish fate, Know his work or choose his mate.
IV Poet and sculptor, do the work, Nor let the modish painter shirk What his great forefathers did.
Bring the soul of man to God, Make him fill the cradles right.
Measurement began our might: Forms a stark Egyptian thought, Forms that gentler phidias wrought.
Michael Angelo left a proof On the Sistine Chapel roof, Where but half-awakened Adam Can disturb globe-trotting Madam Till her bowels are in heat, proof that there's a purpose set Before the secret working mind: Profane perfection of mankind.
Quattrocento put in paint On backgrounds for a God or Saint Gardens where a soul's at ease; Where everything that meets the eye, Flowers and grass and cloudless sky, Resemble forms that are or seem When sleepers wake and yet still dream.
And when it's vanished still declare, With only bed and bedstead there, That heavens had opened.
Gyres run on; When that greater dream had gone Calvert and Wilson, Blake and Claude, Prepared a rest for the people of God, Palmer's phrase, but after that Confusion fell upon our thought.
V Irish poets, earn your trade, Sing whatever is well made, Scorn the sort now growing up All out of shape from toe to top, Their unremembering hearts and heads Base-born products of base beds.
Sing the peasantry, and then Hard-riding country gentlemen, The holiness of monks, and after Porter-drinkers' randy laughter; Sing the lords and ladies gay That were beaten into the clay Through seven heroic centuries; Cast your mind on other days That we in coming days may be Still the indomitable Irishry.
VI Under bare Ben Bulben's head In Drumcliff churchyard Yeats is laid.
An ancestor was rector there Long years ago, a church stands near, By the road an ancient cross.
No marble, no conventional phrase; On limestone quarried near the spot By his command these words are cut: Cast a cold eye On life, on death.
Horseman, pass by!
Written by George (Lord) Byron | Create an image from this poem

Churchills Grave

 I stood beside the grave of him who blazed
The comet of a season, and I saw
The humblest of all sepulchres, and gazed
With not the less of sorrow and of awe
On that neglected turf and quiet stone,
With name no clearer than the names unknown,
Which lay unread around it; and asked
The Gardener of that ground, why it might be
That for this plant strangers his memory tasked
Through the thick deaths of half a century;
And thus he answered—"Well, I do not know
Why frequent travellers turn to pilgrims so;
He died before my day of sextonship,
And I had not the digging of this grave.
" And is this all? I thought,—and do we rip The veil of Immortality? and crave I know not what of honour and of light Through unborn ages, to endure this blight? So soon, and so successless? As I said, The Architect of all on which we tread, For Earth is but a tombstone, did essay To extricate remembrance from the clay, Whose minglings might confuse a Newton's thought, Were it not that all life must end in one, Of which we are but dreamers;—as he caught As 'twere the twilight of a former Sun, Thus spoke he,—"I believe the man of whom You wot, who lies in this selected tomb, Was a most famous writer in his day, And therefore travellers step from out their way To pay him honour,—and myself whate'er Your honour pleases,"—then most pleased I shook From out my pocket's avaricious nook Some certain coins of silver, which as 'twere Perforce I gave this man, though I could spare So much but inconveniently:—Ye smile, I see ye, ye profane ones! all the while, Because my homely phrase the truth would tell.
You are the fools, not I—for I did dwell With a deep thought, and with a softened eye, On that Old Sexton's natural homily, In which there was Obscurity and Fame,— The Glory and the Nothing of a Name.
Written by John Keats | Create an image from this poem

Ode to Fanny

 Physician Nature! Let my spirit blood! 
O ease my heart of verse and let me rest; 
Throw me upon thy Tripod, till the flood 
Of stifling numbers ebbs from my full breast.
A theme! a theme! great nature! give a theme; Let me begin my dream.
I come -- I see thee, as thou standest there, Beckon me not into the wintry air.
Ah! dearest love, sweet home of all my fears, And hopes, and joys, and panting miseries, -- To-night, if I may guess, thy beauty wears A smile of such delight, As brilliant and as bright, As when with ravished, aching, vassal eyes, Lost in soft amaze, I gaze, I gaze! Who now, with greedy looks, eats up my feast? What stare outfaces now my silver moon! Ah! keep that hand unravished at the least; Let, let, the amorous burn -- But pr'ythee, do not turn The current of your heart from me so soon.
O! save, in charity, The quickest pulse for me.
Save it for me, sweet love! though music breathe Voluptuous visions into the warm air; Though swimming through the dance's dangerous wreath, Be like an April day, Smiling and cold and gay, A temperate lilly, temperate as fair; Then, Heaven! there will be A warmer June for me.
Why, this, you'll say, my Fanny! is not true: Put your soft hand upon your snowy side, Where the heart beats: confess -- 'tis nothing new -- Must not a woman be A feather on the sea, Sway'd to and fro by every wind and tide? Of as uncertain speed As blow-ball from the mead? I know it -- and to know it is despair To one who loves you as I love, sweet Fanny! Whose heart goes fluttering for you every where, Nor, when away you roam, Dare keep its wretched home, Love, love alone, his pains severe and many: Then, loveliest! keep me free, From torturing jealousy.
Ah! if you prize my subdued soul above The poor, the fading, brief, pride of an hour; Let none profane my Holy See of love, Or with a rude hand break The sacramental cake: Let none else touch the just new-budded flower; If not -- may my eyes close, Love! on their lost repose.

Book: Reflection on the Important Things