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Best Famous Prismatic Poems

Here is a collection of the all-time best famous Prismatic poems. This is a select list of the best famous Prismatic poetry. Reading, writing, and enjoying famous Prismatic poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of prismatic poems.

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Written by Robert William Service | Create an image from this poem

Why Do Birds Sing?

 Let poets piece prismatic words,
Give me the jewelled joy of birds!

What ecstasy moves them to sing?
Is it the lyric glee of Spring,
The dewy rapture of the rose?
Is it the worship born in those
Who are of Nature's self a part,
The adoration of the heart?

Is it the mating mood in them
That makes each crystal note a gem?
Oh mocking bird and nightingale,
Oh mavis, lark and robin - hail!
Tell me what perfect passion glows
In your inspired arpeggios?

A thrush is thrilling as I write
Its obligato of delight;
And in its fervour, as in mine,
I fathom tenderness divine,
And pity those of earthy ear
Who cannot hear . . . who cannot hear.

Let poets pattern pretty words:
For lovely largesse - bless you, Birds!


Written by Amy Lowell | Create an image from this poem

Roads

 I know a country laced with roads,
They join the hills and they span the brooks,
They weave like a shuttle between broad fields,
And slide discreetly through hidden nooks.
They are canopied like a Persian dome
And carpeted with orient dyes.
They are myriad-voiced, and musical,
And scented with happiest memories.
O Winding roads that I know so well,
Every twist and turn, every hollow and hill!
They are set in my heart to a pulsing tune
Gay as a honey-bee humming in June.
'T is the rhythmic beat of a horse's feet
And the pattering paws of a sheep-dog *****;
'T is the creaking trees, and the singing breeze,
And the rustle of leaves in the road-side ditch.
A cow in a meadow shakes her bell
And the notes cut sharp through the autumn air,
Each chattering brook bears a fleet of leaves
Their cargo the rainbow, and just now where
The sun splashed bright on the road ahead
A startled rabbit quivered and fled.
O Uphill roads and roads that dip down!
You curl your sun-spattered length along,
And your march is beaten into a song
By the softly ringing hoofs of a horse
And the panting breath of the dogs I love.
The pageant of Autumn follows its course
And the blue sky of Autumn laughs above.
And the song and the country become as one,
I see it as music, I hear it as light;
Prismatic and shimmering, trembling to tone,
The land of desire, my soul's delight.
And always it beats in my listening ears
With the gentle thud of a horse's stride,
With the swift-falling steps of many dogs,
Following, following at my side.
O Roads that journey to fairyland!
Radiant highways whose vistas gleam,
Leading me on, under crimson leaves,
To the opaline gates of the Castles of Dream.
Written by Seamus Heaney | Create an image from this poem

Exposure

 It is December in Wicklow:
Alders dripping, birches
Inheriting the last light,
The ash tree cold to look at.

A comet that was lost
Should be visible at sunset,
Those million tons of light
Like a glimmer of haws and rose-hips,

And I sometimes see a falling star.
If I could come on meteorite!
Instead I walk through damp leaves,
Husks, the spent flukes of autumn,

Imagining a hero
On some muddy compound,
His gift like a slingstone
Whirled for the desperate.

How did I end up like this?
I often think of my friends'
Beautiful prismatic counselling
And the anvil brains of some who hate me

As I sit weighing and weighing
My responsible tristia.
For what? For the ear? For the people?
For what is said behind-backs?

Rain comes down through the alders,
Its low conductive voices
Mutter about let-downs and erosions
And yet each drop recalls

The diamond absolutes.
I am neither internee nor informer;
An inner ?migr?, grown long-haired
And thoughtful; a wood-kerne

Escaped from the massacre,
Taking protective colouring
From bole and bark, feeling
Every wind that blows;

Who, blowing up these sparks
For their meagre heat, have missed
The once-in-a-lifetime portent,
The comet's pulsing rose.
Written by Amy Lowell | Create an image from this poem

A Fairy Tale

 On winter nights beside the nursery fire
We read the fairy tale, while glowing coals
Builded its pictures. There before our eyes
We saw the vaulted hall of traceried stone
Uprear itself, the distant ceiling hung
With pendent stalactites like frozen vines;
And all along the walls at intervals,
Curled upwards into pillars, roses climbed,
And ramped and were confined, and clustered leaves
Divided where there peered a laughing face.
The foliage seemed to rustle in the wind,
A silent murmur, carved in still, gray stone.
High pointed windows pierced the southern wall
Whence proud escutcheons flung prismatic fires
To stain the tessellated marble floor
With pools of red, and quivering green, and blue;
And in the shade beyond the further door,
Its sober squares of black and white were hid
Beneath a restless, shuffling, wide-eyed mob
Of lackeys and retainers come to view
The Christening.
A sudden blare of trumpets, and the throng
About the entrance parted as the guests
Filed singly in with rare and precious gifts.
Our eager fancies noted all they brought,
The glorious, unattainable delights!
But always there was one unbidden guest
Who cursed the child and left it bitterness.
The fire falls asunder, all is changed,
I am no more a child, and what I see
Is not a fairy tale, but life, my life.
The gifts are there, the many pleasant things:
Health, wealth, long-settled friendships, with a name
Which honors all who bear it, and the power
Of making words obedient. This is much;
But overshadowing all is still the curse,
That never shall I be fulfilled by love!
Along the parching highroad of the world
No other soul shall bear mine company.
Always shall I be teased with semblances,
With cruel impostures, which I trust awhile
Then dash to pieces, as a careless boy
Flings a kaleidoscope, which shattering
Strews all the ground about with coloured sherds.
So I behold my visions on the ground
No longer radiant, an ignoble heap
Of broken, dusty glass. And so, unlit,
Even by hope or faith, my dragging steps
Force me forever through the passing days.
Written by Sidney Lanier | Create an image from this poem

In Absence

 I.

The storm that snapped our fate's one ship in twain
Hath blown my half o' the wreck from thine apart.
O Love! O Love! across the gray-waved main
To thee-ward strain my eyes, my arms, my heart.
I ask my God if e'en in His sweet place,
Where, by one waving of a wistful wing,
My soul could straightway tremble face to face
With thee, with thee, across the stellar ring --
Yea, where thine absence I could ne'er bewail
Longer than lasts that little blank of bliss
When lips draw back, with recent pressure pale,
To round and redden for another kiss --
Would not my lonesome heart still sigh for thee
What time the drear kiss-intervals must be?


II.

So do the mottled formulas of Sense
Glide snakewise through our dreams of Aftertime;
So errors breed in reeds and grasses dense
That bank our singing rivulets of rhyme.
By Sense rule Space and Time; but in God's Land
Their intervals are not, save such as lie
Betwixt successive tones in concords bland
Whose loving distance makes the harmony.
Ah, there shall never come 'twixt me and thee
Gross dissonances of the mile, the year;
But in the multichords of ecstasy
Our souls shall mingle, yet be featured clear,
And absence, wrought to intervals divine,
Shall part, yet link, thy nature's tone and mine.


III.

Look down the shining peaks of all my days
Base-hidden in the valleys of deep night,
So shalt thou see the heights and depths of praise
My love would render unto love's delight;
For I would make each day an Alp sublime
Of passionate snow, white-hot yet icy-clear,
-- One crystal of the true-loves of all time
Spiring the world's prismatic atmosphere;
And I would make each night an awful vale
Deep as thy soul, obscure as modesty,
With every star in heaven trembling pale
O'er sweet profounds where only Love can see.
Oh, runs not thus the lesson thou hast taught? --
When life's all love, 'tis life: aught else, 'tis naught.


IV.

Let no man say, `He at his lady's feet
Lays worship that to Heaven alone belongs;
Yea, swings the incense that for God is meet
In flippant censers of light lover's songs.'
Who says it, knows not God, nor love, nor thee;
For love is large as is yon heavenly dome:
In love's great blue, each passion is full free
To fly his favorite flight and build his home.
Did e'er a lark with skyward-pointing beak
Stab by mischance a level-flying dove?
Wife-love flies level, his dear mate to seek:
God-love darts straight into the skies above.
Crossing, the windage of each other's wings
But speeds them both upon their journeyings.


Written by Robert William Service | Create an image from this poem

A Little Prayer

 Let us be thankful, Lord, for little things -
The song of birds, the rapture of the rose;
Cloud-dappled skies, the laugh of limpid springs,
Drowned sunbeams and the perfume April blows;
Bronze wheat a-shimmer, purple shade of trees -
Let us be thankful, Lord of Life, for these!

Let us be praiseful, Sire, for simple sights; -
The blue smoke curling from a fire of peat;
Keen stars a-frolicking on frosty nights,
Prismatic pigeons strutting in a street;
Daisies dew-diamonded in smiling sward -
For simple sights let us be praiseful, Lord!

Let us be grateful, God, for health serene,
The hope to do a kindly deed each day;
The faith of fellowship, a conscience clean,
The will to worship and the gift to pray;
For all of worth in us, of You a part,
Let us be grateful, God, with humble heart.
Written by Walt Whitman | Create an image from this poem

Elemental Drifts

 1
ELEMENTAL drifts! 
How I wish I could impress others as you have just been impressing me! 

As I ebb’d with an ebb of the ocean of life, 
As I wended the shores I know, 
As I walk’d where the ripples continually wash you, Paumanok,
Where they rustle up, hoarse and sibilant, 
Where the fierce old mother endlessly cries for her castaways, 
I, musing, late in the autumn day, gazing off southward, 
Alone, held by this eternal Self of me, out of the pride of which I utter my poems, 
Was seiz’d by the spirit that trails in the lines underfoot,
In the rim, the sediment, that stands for all the water and all the land of the globe. 

Fascinated, my eyes, reverting from the south, dropt, to follow those slender winrows, 
Chaff, straw, splinters of wood, weeds, and the sea-gluten, 
Scum, scales from shining rocks, leaves of salt-lettuce, left by the tide: 
Miles walking, the sound of breaking waves the other side of me,
Paumanok, there and then, as I thought the old thought of likenesses, 
These you presented to me, you fish-shaped island, 
As I wended the shores I know, 
As I walk’d with that eternal Self of me, seeking types. 

2
As I wend to the shores I know not,
As I list to the dirge, the voices of men and women wreck’d, 
As I inhale the impalpable breezes that set in upon me, 
As the ocean so mysterious rolls toward me closer and closer, 
I, too, but signify, at the utmost, a little wash’d-up drift, 
A few sands and dead leaves to gather,
Gather, and merge myself as part of the sands and drift. 

O baffled, balk’d, bent to the very earth, 
Oppress’d with myself that I have dared to open my mouth, 
Aware now, that, amid all that blab whose echoes recoil upon me, I have not once had the
 least
 idea who or what I am, 
But that before all my insolent poems the real ME stands yet untouch’d, untold,
 altogether
 unreach’d,
Withdrawn far, mocking me with mock-congratulatory signs and bows, 
With peals of distant ironical laughter at every word I have written, 
Pointing in silence to these songs, and then to the sand beneath. 

Now I perceive I have not understood anything—not a single object—and that no
 man
 ever can. 

I perceive Nature, here in sight of the sea, is taking advantage of me, to dart upon me,
 and
 sting me,
Because I have dared to open my mouth, to sing at all. 

3
You oceans both! I close with you; 
We murmur alike reproachfully, rolling our sands and drift, knowing not why, 
These little shreds indeed, standing for you and me and all. 

You friable shore, with trails of debris!
You fish-shaped island! I take what is underfoot; 
What is yours is mine, my father. 

I too Paumanok, 
I too have bubbled up, floated the measureless float, and been wash’d on your shores;

I too am but a trail of drift and debris,
I too leave little wrecks upon you, you fish-shaped island. 

I throw myself upon your breast, my father, 
I cling to you so that you cannot unloose me, 
I hold you so firm, till you answer me something. 

Kiss me, my father,
Touch me with your lips, as I touch those I love, 
Breathe to me, while I hold you close, the secret of the murmuring I envy. 

4
Ebb, ocean of life, (the flow will return,) 
Cease not your moaning, you fierce old mother, 
Endlessly cry for your castaways—but fear not, deny not me,
Rustle not up so hoarse and angry against my feet, as I touch you, or gather from you. 

I mean tenderly by you and all, 
I gather for myself, and for this phantom, looking down where we lead, and following me
 and
 mine. 

Me and mine! 
We, loose winrows, little corpses,
Froth, snowy white, and bubbles, 
(See! from my dead lips the ooze exuding at last! 
See—the prismatic colors, glistening and rolling!) 
Tufts of straw, sands, fragments, 
Buoy’d hither from many moods, one contradicting another,
From the storm, the long calm, the darkness, the swell; 
Musing, pondering, a breath, a briny tear, a dab of liquid or soil; 
Up just as much out of fathomless workings fermented and thrown; 
A limp blossom or two, torn, just as much over waves floating, drifted at random; 
Just as much for us that sobbing dirge of Nature;
Just as much, whence we come, that blare of the cloud-trumpets; 
We, capricious, brought hither, we know not whence, spread out before you, 
You, up there, walking or sitting, 
Whoever you are—we too lie in drifts at your feet.

Book: Reflection on the Important Things