Written by
Margaret Atwood |
This is a word we use to plug
holes with.
It's the right size for those warm
blanks in speech, for those red heart-
shaped vacancies on the page that look nothing
like real hearts.
Add lace
and you can sell
it.
We insert it also in the one empty
space on the printed form
that comes with no instructions.
There are whole
magazines with not much in them
but the word love, you can
rub it all over your body and you
can cook with it too.
How do we know
it isn't what goes on at the cool
debaucheries of slugs under damp
pieces of cardboard? As for the weed-
seedlings nosing their tough snouts up
among the lettuces, they shout it.
Love! Love! sing the soldiers, raising
their glittering knives in salute.
Then there's the two
of us.
This word
is far too short for us, it has only
four letters, too sparse
to fill those deep bare
vacuums between the stars
that press on us with their deafness.
It's not love we don't wish
to fall into, but that fear.
this word is not enough but it will
have to do.
It's a single
vowel in this metallic
silence, a mouth that says
O again and again in wonder
and pain, a breath, a finger
grip on a cliffside.
You can
hold on or let go.
|
Written by
Thomas Blackburn |
'Of course,' I said, 'we cannot hope to find
What we are looking for in anyone;
They glitter, maybe, but are not the sun,
This pebble here, that bit of apple rind.
Still, it's the Alpine sun that makes them burn,
And what we're looking for, some indirect
Glint of itself each of us may reflect,
And so shed light about us as we turn.
'
Sideways she looked and said, 'How you go on!'
And was the stone and rind, their shinings gone.
'It is some hard dry scale we must break through,
A deadness round the life.
I cannot make
That pebble shine.
Its clarity must take
Sunlight unto itself and prove it true.
It is our childishness that clutters up
With scales out of the past a present speech,
So that the sun's white finger cannot reach
An adult prism.
'
'Will they never stop,
Your words?' she said and settled to the dark.
'But we use words, we cannot grunt or bark,
Use any surer means to make that first
Sharp glare of origin again appear
Through the marred glass,' I cried, 'but can you hear?'
'Quite well, you needn't shout.
' I felt the thirst
Coil back into my body till it shook,
And, 'Are you cold?' she said, then ceased to look
And picked a bit of cotton from her dress.
Out in the square a child began to cry,
What was not said buzzed round us like a fly.
I knew quite well that silence was my cue,
But jabbered out, 'This meeting place we need,
If we can't find it, still the desire may feed
And strengthen on the acts it cannot do.
By suffered depredations we may grow
To bear our energies just strong enough,
And at the last through perdurable stuff
A little of their radiance may show:
I f we keep still.
' Then she, 'It's getting late.
'
A waiter came and took away a plate.
Then from the darkness an accordion;
'These pauses, love, perhaps in them, made free,
Life slips out of its gross machinery,
And turns upon itself in unison.
'
It was quite dark now you must understand
And something of a red mouth on a wall
Joined with the music and the alcohol
And pushed me to the fingers of her hand.
Well, there it was, itself and quite complete,
Accountable, small bones there were and meat.
It did not press on mine or shrink away,
And, since no outgone need can long invest
Oblivion with a living interest,
I drew back and had no more words to say.
Outside the streets were like us and quite dead.
Yet anything more suited to my will,
I can't imagine, than our very still
Return to no place;
As the darkness shed
Increasing whiteness on the far icefall,
A growth of light there was; and that is all.
|
Written by
Walt Whitman |
WITH its cloud of skirmishers in advance,
With now the sound of a single shot, snapping like a whip, and now an irregular volley,
The swarming ranks press on and on, the dense brigades press on;
Glittering dimly, toiling under the sun—the dust-cover’d men,
In columns rise and fall to the undulations of the ground,
With artillery interspers’d—the wheels rumble, the horses sweat,
As the army corps advances.
|
Written by
Elizabeth Barrett Browning |
WHEN our two souls stand up erect and strong
Face to face silent drawing nigh and nigher
Until the lengthening wings break into fire
At either curving point ¡ªwhat bitter wrong
Can the earth do us that we should not long 5
Be here contented? Think! In mounting higher
The angels would press on us and aspire
To drop some golden orb of perfect song
Into our deep dear silence.
Let us stay
Rather on earth Belov¨¨d¡ªwhere the unfit 10
Contrarious moods of men recoil away
And isolate pure spirits and permit
A place to stand and love in for a day
With darkness and the death-hour rounding it.
|
Written by
Siegfried Sassoon |
‘Fall in, that awkward squad, and strike no more
Attractive attitudes! Dress by the right!
The luminous rich colours that you wore
Have changed to hueless khaki in the night.
Magic? What’s magic got to do with you?
There’s no such thing! Blood’s red, and skies are blue.
’
They gasped and sweated, marching up and down.
I drilled them till they cursed my raucous shout.
Love chucked his lute away and dropped his crown.
Rhyme got sore heels and wanted to fall out.
‘Left, right! Press on your butts!’ They looked at me
Reproachful; how I longed to set them free!
I gave them lectures on Defence, Attack;
They fidgeted and shuffled, yawned and sighed,
And boggled at my questions.
Joy was slack,
And Wisdom gnawed his fingers, gloomy-eyed.
Young Fancy—how I loved him all the while—
Stared at his note-book with a rueful smile.
Their training done, I shipped them all to France,
Where most of those I’d loved too well got killed.
Rapture and pale Enchantment and Romance,
And many a sickly, slender lord who’d filled
My soul long since with lutanies of sin,
Went home, because they couldn’t stand the din.
But the kind, common ones that I despised
(Hardly a man of them I’d count as friend),
What stubborn-hearted virtues they disguised!
They stood and played the hero to the end,
Won gold and silver medals bright with bars,
And marched resplendent home with crowns and stars.
|
Written by
Anne Killigrew |
NOt that thy Fair Hand
Should lead me from my deep Dispaire,
Or thy Love, Cloris, End my Care,
And back my Steps command:
But if hereafter thou Retire,
To quench with Tears, thy Wandring Fire,
This Clue I'll leave behinde,
By which thou maist untwine
The Saddest Way,
To shun the Day,
That ever Grief did find.
II.
First take thy Hapless Way
Along the Rocky Northern Shore,
Infamous for the Matchless Store
Of Wracks within that Bay.
None o're the Cursed Beach e're crost,
Unless the Robb'd, the Wrack'd, or Lost
Where on the Strand lye spread,
The Sculls of many Dead.
Their mingl'd Bones,
Among the Stones,
Thy Wretched Feet must tread.
III.
The Trees along the Coast,
Stretch forth to Heaven their blasted Arms,
As if they plaind the North-winds harms,
And Youthful Verdure lost.
There stands a Grove of Fatal Ewe,
Where Sun nere pierc't, nor Wind ere blew.
In it a Brooke doth fleet,
The Noise must guide thy Feet,
For there's no Light,
But all is Night,
And Darkness that you meet.
IV.
Follow th'Infernal Wave,
Until it spread into a Floud,
Poysoning the Creatures of the Wood,
There twice a day a Slave,
I know not for what Impious Thing,
Bears thence the Liquor of that Spring.
It adds to the sad Place,
To hear how at each Pace,
He curses God,
Himself, his Load,
For such his Forlorn Case.
V.
Next make no Noyse, nor talk,
Until th'art past a Narrow Glade,
Where Light does only break the Shade;
'Tis a Murderers Walk.
Observing this thou need'st not fear,
He sleeps the Day or Wakes elsewhere.
Though there's no Clock or Chime,
The Hour he did his Crime,
His Soul awakes,
His Conscience quakes
And warns him that's the Time.
VI.
Thy Steps must next advance,
Where Horrour, Sin, and Spectars dwell,
Where the Woods Shade seems turn'd Hell,
Witches here Nightly Dance,
And Sprights joyn with them when they call,
The Murderer dares not view the Ball.
For Snakes and Toads conspire,
To make them up a Quire.
And for their Light,
And Torches bright,
The Fiends dance all on fire.
VII.
Press on till thou descrie
Among the Trees sad, gastly, wan,
Thinne as the Shadow of a Man,
One that does ever crie,
She is not; and she ne're will be,
Despair and Death come swallow me,
Leave him; and keep thy way,
No more thou now canst stray
Thy Feet do stand,
In Sorrows Land,
It's Kingdomes every way.
VIII.
Here Gloomy Light will shew
Reard like a Castle to the Skie,
A Horrid Cliffe there standing nigh
Shading a Creek below.
In which Recess there lies a Cave,
Dreadful as Hell, still as the Grave.
Sea-Monsters there abide,
The coming of the Tide,
No Noise is near,
To make them fear,
God-sleep might there reside.
IX.
But when the Boysterous Seas,
With Roaring Waves resumes this Cell,
You'd swear the Thunders there did dwell.
So lowd he makes his Plea;
So Tempests bellow under ground,
And Ecchos multiply the Sound!
This is the place I chose,
Changeable like my Woes,
Now calmly Sad,
Then Raging Mad,
As move my Bitter Throwes.
X.
Such Dread besets this Part,
That all the Horrour thou hast past,
Are but Degrees to This at last.
The sight must break my Heart.
Here Bats and Owles that hate the Light
Fly and enjoy Eternal Night.
Scales of Serpents, Fish-bones,
Th'Adders Eye, and Toad-stones,
Are all the Light,
Hath blest my Sight,
Since first began my Groans.
XI.
When thus I lost the Sense,
Of all the heathful World calls Bliss,
And held it Joy, those Joys to miss,
When Beauty was Offence:
Celestial Strains did read the Aire,
Shaking these Mansions of Despaire;
A Form Divine and bright,
Stroke Day through all that Night
As when Heav'ns Queen
In Hell was seen,
With wonder and affright !
XII.
The Monsters fled for fear,
The Terrors of the Cursed Wood
Dismantl'd were, and where they stood,
No longer did appear.
The Gentle Pow'r, which wrought this thing,
Eudora was, who thus did sing.
Dissolv'd is Cloris spell,
From whence thy Evils fell,
Send her this Clue,
'Tis there most due
And thy Phantastick Hell.
|
Written by
John Milton |
Lord God that dost me save and keep,
All day to thee I cry;
And all night long, before thee weep
Before thee prostrate lie.
Into thy presence let my praier
With sighs devout ascend
And to my cries, that ceaseless are,
Thine ear with favour bend.
For cloy'd with woes and trouble store
Surcharg'd my Soul doth lie,
My life at death's uncherful dore
Unto the grave draws nigh.
Reck'n'd I am with them that pass
Down to the dismal pit
I am a *man, but weak alas * Heb.
A man without manly
And for that name unfit.
strength.
From life discharg'd and parted quite
Among the dead to sleep
And like the slain in bloody fight
That in the grave lie deep.
Whom thou rememberest no more,
Dost never more regard,
Them from thy hand deliver'd o're
Deaths hideous house hath barr'd.
Thou in the lowest pit profound'
Hast set me all forlorn,
Where thickest darkness hovers round,
In horrid deeps to mourn.
Thy wrath from which no shelter saves
Full sore doth press on me;
*Thou break'st upon me all thy waves, *The Heb.
*And all thy waves break me bears both.
Thou dost my friends from me estrange,
And mak'st me odious,
Me to them odious, for they change,
And I here pent up thus.
Through sorrow, and affliction great
Mine eye grows dim and dead,
Lord all the day I thee entreat,
My hands to thee I spread.
Wilt thou do wonders on the dead,
Shall the deceas'd arise
And praise thee from their loathsom bed
With pale and hollow eyes ?
Shall they thy loving kindness tell
On whom the grave hath hold,
Or they who in perdition dwell
Thy faithfulness unfold?
In darkness can thy mighty hand
Or wondrous acts be known,
Thy justice in the gloomy land
Of dark oblivion?
But I to thee O Lord do cry
E're yet my life be spent,
And up to thee my praier doth hie
Each morn, and thee prevent.
Why wilt thou Lord my soul forsake,
And hide thy face from me,
That am already bruis'd, and *shake *Heb.
Prae Concussione.
With terror sent from thee;
Bruz'd, and afflicted and so low
As ready to expire,
While I thy terrors undergo
Astonish'd with thine ire.
Thy fierce wrath over me doth flow
Thy threatnings cut me through.
All day they round about me go,
Like waves they me persue.
Lover and friend thou hast remov'd
And sever'd from me far.
They fly me now whom I have lov'd,
And as in darkness are.
|
Written by
Elizabeth Barrett Browning |
When our two souls stand up erect and strong,
Face to face, silent, drawing nigh and nigher,
Until the lengthening wings break into fire
At either curved point,—what bitter wrong
Can the earth do to us, that we should not long
Be here contented? Think.
In mounting higher,
The angels would press on us and aspire
To drop some golden orb of perfect song
Into our deep, dear silence.
Let us stay
Rather on earth, Beloved,—where the unfit
Contrarious moods of men recoil away
And isolate pure spirits, and permit
A place to stand and love in for a day,
With darkness and the death-hour rounding it.
|
Written by
Vachel Lindsay |
On the road to nowhere
What wild oats did you sow
When you left your father's house
With your cheeks aglow?
Eyes so strained and eager
To see what you might see?
Were you thief or were you fool
Or most nobly free?
Were the tramp-days knightly,
True sowing of wild seed?
Did you dare to make the songs
Vanquished workmen need?
Did you waste much money
To deck a leper's feast?
Love the truth, defy the crowd
Scandalize the priest?
On the road to nowhere
What wild oats did you sow?
Stupids find the nowhere-road
Dusty, grim and slow.
Ere their sowing's ended
They turn them on their track,
Look at the caitiff craven wights
Repentant, hurrying back!
Grown ashamed of nowhere,
Of rags endured for years,
Lust for velvet in their hearts,
Pierced with Mammon's spears,
All but a few fanatics
Give up their darling goal,
Seek to be as others are,
Stultify the soul.
Reapings now confront them,
Glut them, or destroy,
Curious seeds, grain or weeds
Sown with awful joy.
Hurried is their harvest,
They make soft peace with men.
Pilgrims pass.
They care not,
Will not tramp again.
O nowhere, golden nowhere!
Sages and fools go on
To your chaotic ocean,
To your tremendous dawn.
Far in your fair dream-haven,
Is nothing or is all.
.
.
They press on, singing, sowing
Wild deeds without recall!
|
Written by
Thomas Hardy |
Con the dead page as 'twere live love: press on!
Cold wisdom's words will ease thy track for thee;
Aye, go; cast off sweet ways, and leave me wan
To biting blasts that are intent on me.
But if thy object Fame's far summits be,
Whose inclines many a skeleton o'erlies
That missed both dream and substance, stop and see
How absence wears these cheeks and dims these eyes!
It surely is far sweeter and more wise
To water love, than toil to leave anon
A name whose glory-gleam will but advise
Invidious minds to quench it with their own,
And over which the kindliest will but stay
A moment, musing, "He, too, had his day!"
|