Written by
Ogden Nash |
It is common knowledge to every schoolboy and even every Bachelor of Arts,
That all sin is divided into two parts.
One kind of sin is called a sin of commission, and that is very important,
And it is what you are doing when you are doing something you ortant,
And the other kind of sin is just the opposite and is called a sin of omission
and is equally bad in the eyes of all right-thinking people, from
Billy Sunday to Buddha,
And it consists of not having done something you shuddha.
I might as well give you my opinion of these two kinds of sin as long as,
in a way, against each other we are pitting them,
And that is, don't bother your head about the sins of commission because
however sinful, they must at least be fun or else you wouldn't be
committing them.
It is the sin of omission, the second kind of sin,
That lays eggs under your skin.
The way you really get painfully bitten
Is by the insurance you haven't taken out and the checks you haven't added up
the stubs of and the appointments you haven't kept and the bills you
haven't paid and the letters you haven't written.
Also, about sins of omission there is one particularly painful lack of beauty,
Namely, it isn't as though it had been a riotous red-letter day or night every
time you neglected to do your duty;
You didn't get a wicked forbidden thrill
Every time you let a policy lapse or forget to pay a bill;
You didn't slap the lads in the tavern on the back and loudly cry Whee,
Let's all fail to write just one more letter before we go home, and this round
of unwritten letters is on me.
No, you never get any fun
Out of things you haven't done,
But they are the things that I do not like to be amid,
Because the suitable things you didn't do give you a lot more trouble than the
unsuitable things you did.
The moral is that it is probably better not to sin at all, but if some kind of
sin you must be pursuing,
Well, remember to do it by doing rather than by not doing.
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Written by
Mary Darby Robinson |
Oft have I seen yon Solitary Man
Pacing the upland meadow. On his brow
Sits melancholy, mark'd with decent pride,
As it would fly the busy, taunting world,
And feed upon reflection. Sometimes, near
The foot of an old Tree, he takes his seat
And with the page of legendary lore
Cheats the dull hour, while Evening's sober eye
Looks tearful as it closes. In the dell
By the swift brook he loiters, sad and mute,
Save when a struggling sigh, half murmur'd, steals
From his wrung bosom. To the rising moon,
His eye rais'd wistfully, expression fraught,
He pours the cherish'd anguish of his Soul,
Silent yet eloquent: For not a sound
That might alarm the night's lone centinel,
The dull-eyed Owl, escapes his trembling lip,
Unapt in supplication. He is young,
And yet the stamp of thought so tempers youth,
That all its fires are faded. What is He?
And why, when morning sails upon the breeze,
Fanning the blue hill's summit, does he stay
Loit'ring and sullen, like a Truant boy,
Beside the woodland glen; or stretch'd along
On the green slope, watch his slow wasting form
Reflected, trembling, on the river's breast?
His garb is coarse and threadbare, and his cheek
Is prematurely faded. The check'd tear,
Dimming his dark eye's lustre, seems to say,
"This world is now, to me, a barren waste,
"A desart, full of weeds and wounding thorns,
"And I am weary: for my journey here
"Has been, though short, but chearless." Is it so?
Poor Traveller! Oh tell me, tell me all--
For I, like thee, am but a Fugitive
An alien from delight, in this dark scene!
And, now I mark thy features, I behold
The cause of thy complaining. Thou art here
A persecuted Exile ! one, whose soul
Unbow'd by guilt, demands no patronage
From blunted feeling, or the frozen hand
Of gilded Ostentation. Thou, poor PRIEST!
Art here, a Stranger, from thy kindred torn--
Thy kindred massacred ! thy quiet home,
The rural palace of some village scant,
Shelter'd by vineyards, skirted by fair meads,
And by the music of a shallow rill
Made ever chearful, now thou hast exchang'd
For stranger woods and vallies.
What of that!
Here, or on torrid desarts; o'er the world
Of trackless waves, or on the frozen cliffs
Of black Siberia, thou art not alone!
For there, on each, on all, The DEITY
Is thy companion still! Then, exiled MAN!
Be chearful as the Lark that o'er yon hill
In Nature's language, wild, yet musical,
Hails the Creator ! nor thus, sullenly
Repine, that, through the day, the sunny beam
Of lust'rous fortune gilds the palace roof,
While thy short path, in this wild labyrinth,
Is lost in transient shadow.
Who, that lives,
Hath not his portion of calamity?
Who, that feels, can boast a tranquil bosom?
The fever, throbbing in the Tyrant's veins
In quick, strong language, tells the daring wretch
That He is mortal, like the poorest slave
Who wears his chain, yet healthfully suspires.
The sweetest Rose will wither, while the storm
Passes the mountain thistle. The bold Bird,
Whose strong eye braves the ever burning Orb,
Falls like the Summer Fly, and has at most,
But his allotted sojourn. EXILED MAN!
Be chearful ! Thou art not a fugitive!
All are thy kindred--all thy brothers, here--
The hoping--trembling Creatures--of one GOD!
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Written by
Ella Wheeler Wilcox |
We must not force events, but rather make
The heart soil ready for their coming, as
The earth spreads carpets for the feet of Spring,
Or, with the strengthening tonic of the frost,
Prepares for Winter. Should a July noon
Burst suddenly upon a frozen world
Small joy would follow, even tho' that world
Were longing for the Summer. Should the sting
Of sharp December pierce the heart of June,
What death and devastation would ensue!
All things are planned. The most majestic sphere
That whirls through space is governed and controlled
By supreme law, as is the blade of grass
Which through the bursting bosom of the earth
Creeps up to kiss the light. Poor puny man
Alone doth strive and battle with the Force
Which rules all lives and worlds, and he alone
Demands effect before producing cause.
How vain the hope! We cannot harvest joy
Until we sow the seed, and God alone
Knows when that seed has ripened. Oft we stand
And watch the ground with anxious brooding eyes
Complaining of the slow unfruitful yield,
Not knowing that the shadow of ourselves
Keeps off the sunlight and delays result.
Sometimes our fierce impatience of desire
Doth like a sultry May force tender shoots
Of half-formed pleasures and unshaped events
To ripen prematurely, and we reap
But disappointment; or we rot the germs
With briny tears ere they have time to grow.
While stars are born and mighty planets die
And hissing comets scorch the brow of space
The Universe keeps its eternal calm.
Through patient preparation, year on year,
The earth endures the travail of the Spring
And Winter's desolation. So our souls
In grand submission to a higher law
Should move serene through all the ills of life,
Believing them masked joys.
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Written by
Francesco Petrarch |
SESTINA IV. Chi è fermato di menar sua vita. HE PRAYS GOD TO GUIDE HIS FRAIL BARK TO A SAFE PORT. Who is resolved to venture his vain lifeOn the deceitful wave and 'mid the rocks,Alone, unfearing death, in little bark,Can never be far distant from his end:Therefore betimes he should return to portWhile to the helm yet answers his true sail. The gentle breezes to which helm and sailI trusted, entering on this amorous life,And hoping soon to make some better port,Have led me since amid a thousand rocks,And the sure causes of my mournful endAre not alone without, but in my bark. Long cabin'd and confined in this blind bark,I wander'd, looking never at the sail,Which, prematurely, bore me to my end;Till He was pleased who brought me into lifeSo far to call me back from those sharp rocks,That, distantly, at last was seen my port. As lights at midnight seen in any port,Sometimes from the main sea by passing bark,Save when their ray is lost 'mid storms or rocks;So I too from above the swollen sailSaw the sure colours of that other life,And could not help but sigh to reach my end. [Pg 83]Not that I yet am certain of that end,For wishing with the dawn to be in port,Is a long voyage for so short a life:And then I fear to find me in frail bark,Beyond my wishes full its every sailWith the strong wind which drove me on those rocks. Escape I living from these doubtful rocks,Or if my exile have but a fair end,How happy shall I be to furl my sail,And my last anchor cast in some sure port;But, ah! I burn, and, as some blazing bark,So hard to me to leave my wonted life. Lord of my end and master of my life,Before I lose my bark amid the rocks,Direct to a good port its harass'd sail! Macgregor.
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Written by
Francesco Petrarch |
SONNET ***. Orso, e' non furon mai fiumi nè stagni. HE COMPLAINS OF THE VEIL AND HAND OF LAURA, THAT THEY DEPRIVE HIM OF THE SIGHT OF HER EYES. Orso, my friend, was never stream, nor lake,Nor sea in whose broad lap all rivers fall,Nor shadow of high hill, or wood, or wall,Nor heaven-obscuring clouds which torrents make,Nor other obstacles my grief so wake,Whatever most that lovely face may pall,As hiding the bright eyes which me enthrall,That veil which bids my heart "Now burn or break,"And, whether by humility or pride,Their glance, extinguishing mine every joy,Conducts me prematurely to my tomb:Also my soul by one fair hand is tried,Cunning and careful ever to annoy,'Gainst my poor eyes a rock that has become.
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