Written by
Anne Bradstreet |
1
To sing of wars, of captains, and of kings,
Of cities founded, commonwealths begun,
For my mean pen, are too superior things,
And how they all, or each, their dates have run
Let poets, and historians set these forth,
My obscure verse shall not so dim their worth.
2
But when my wond'ring eyes, and envious heart,
Great Bartas' sugared lines do but read o'er,
Fool, I do grudge the Muses did not part
'Twixt him and me that overfluent store;
A Bartas can do what a Bartas will,
But simple I, according to my skill.
3
From schoolboy's tongue, no rhetoric we expect,
Nor yet a sweet consort, from broken strings,
Nor perfect beauty, where's a main defect;
My foolish, broken, blemished Muse so sings;
And this to mend, alas, no art is able,
'Cause nature made it so irreparable.
4
Nor can I, like that fluent sweet-tongued Greek
Who lisped at first, speak afterwards more plain.
By art, he gladly found what he did seek,
A full requital of his striving pain:
Art can do much, but this maxim's most sure.
A weak or wounded brain admits no cure.
5
I am obnoxious to each carping tongue,
Who says my hand a needle better fits;
A poet's pen all scorn I should thus wrong;
For such despite they cast on female wits:
If what I do prove well, it won't advance,
They'll say it's stolen, or else it was by chance.
6
But sure the antique Greeks were far more mild,
Else of our sex, why feigned they those nine,
And poesy made Calliope's own child?
So 'mongst the rest they placed the arts divine:
But this weak knot they will full soon untie,
The Greeks did nought, but play the fool and lie.
7
Let Greeks be Greeks, and women what they are,
Men have precedency, and still excel;
It is but vain, unjustly to wage war;
Men can do best, and women know it well;
Preeminence in each and all is yours,
Yet grant some small acknowledgement of ours.
8
And oh, ye high flown quills that soar the skies,
And ever with your prey, still catch your praise,
If e'er you deign these lowly lines your eyes,
Give wholesome parsley wreath, I ask no bays:
This mean and unrefinèd stuff of mine,
Will make your glistering gold but more to shine.
|
Written by
Philip Levine |
The first time I drank gin
I thought it must be hair tonic.
My brother swiped the bottle
from a guy whose father owned
a drug store that sold booze
in those ancient, honorable days
when we acknowledged the stuff
was a drug. Three of us passed
the bottle around, each tasting
with disbelief. People paid
for this? People had to have
it, the way we had to have
the women we never got near.
(Actually they were girls, but
never mind, the important fact
was their impenetrability. )
Leo, the third foolish partner,
suggested my brother should have
swiped Canadian whiskey or brandy,
but Eddie defended his choice
on the grounds of the expressions
"gin house" and "gin lane," both
of which indicated the preeminence
of gin in the world of drinking,
a world we were entering without
understanding how difficult
exit might be. Maybe the bliss
that came with drinking came
only after a certain period
of apprenticeship. Eddie likened
it to the holy man's self-flagellation
to experience the fullness of faith.
(He was very well read for a kid
of fourteen in the public schools. )
So we dug in and passed the bottle
around a second time and then a third,
in the silence each of us expecting
some transformation. "You get used
to it," Leo said. "You don't
like it but you get used to it."
I know now that brain cells
were dying for no earthly purpose,
that three boys were becoming
increasingly despiritualized
even as they took into themselves
these spirits, but I thought then
I was at last sharing the world
with the movie stars, that before
long I would be shaving because
I needed to, that hair would
sprout across the flat prairie
of my chest and plunge even
to my groin, that first girls
and then women would be drawn
to my qualities. Amazingly, later
some of this took place, but
first the bottle had to be
emptied, and then the three boys
had to empty themselves of all
they had so painfully taken in
and by means even more painful
as they bowed by turns over
the eye of the toilet bowl
to discharge their shame. Ahead
lay cigarettes, the futility
of guaranteed programs of
exercise, the elaborate lies
of conquest no one believed,
forms of sexual torture and
rejection undreamed of. Ahead
lay our fifteenth birthdays,
acne, deodorants, crabs, salves,
butch haircuts, draft registration,
the military and political victories
of Dwight Eisenhower, who brought us
Richard Nixon with wife and dog.
Any wonder we tried gin.
|
Written by
Anne Bradstreet |
1 To sing of Wars, of Captains, and of Kings,
2 Of Cities founded, Common-wealths begun,
3 For my mean Pen are too superior things;
4 Or how they all, or each their dates have run,
5 Let Poets and Historians set these forth.
6 My obscure lines shall not so dim their worth.
7 But when my wond'ring eyes and envious heart
8 Great Bartas' sugar'd lines do but read o'er,
9 Fool, I do grudge the Muses did not part
10 'Twixt him and me that over-fluent store.
11 A Bartas can do what a Bartas will
12 But simple I according to my skill.
13 From School-boy's tongue no Rhet'ric we expect,
14 Nor yet a sweet Consort from broken strings,
15 Nor perfect beauty where's a main defect.
16 My foolish, broken, blemished Muse so sings,
17 And this to mend, alas, no Art is able,
18 'Cause Nature made it so irreparable.
19 Nor can I, like that fluent sweet-tongued Greek
20 Who lisp'd at first, in future times speak plain.
21 By Art he gladly found what he did seek,
22 A full requital of his striving pain.
23 Art can do much, but this maxim's most sure:
24 A weak or wounded brain admits no cure.
25 I am obnoxious to each carping tongue
26 Who says my hand a needle better fits.
27 A Poet's Pen all scorn I should thus wrong,
28 For such despite they cast on female wits.
29 If what I do prove well, it won't advance,
30 They'll say it's stol'n, or else it was by chance.
31 But sure the antique Greeks were far more mild,
32 Else of our Sex, why feigned they those nine
33 And poesy made Calliope's own child?
34 So 'mongst the rest they placed the Arts divine,
35 But this weak knot they will full soon untie.
36 The Greeks did nought but play the fools and lie.
37 Let Greeks be Greeks, and Women what they are.
38 Men have precedency and still excel;
39 It is but vain unjustly to wage war.
40 Men can do best, and Women know it well.
41 Preeminence in all and each is yours;
42 Yet grant some small acknowledgement of ours.
43 And oh ye high flown quills that soar the skies,
44 And ever with your prey still catch your praise,
45 If e'er you deign these lowly lines your eyes,
46 Give thyme or Parsley wreath, I ask no Bays.
47 This mean and unrefined ore of mine
48 Will make your glist'ring gold but more
|
Written by
Mary Darby Robinson |
WHERE on the bosom of the foamy RHINE,
In curling waves the rapid waters shine;
Where tow'ring cliffs in awful grandeur rise,
And midst the blue expanse embrace the skies;
The wond'ring eye beholds yon craggy height,
Ting'd with the glow of Evening's fading light:
Where the fierce cataract swelling o'er its bound,
Bursts from its source, and dares the depth profound.
On ev'ry side the headlong currents flow,
Scatt'ring their foam like silv'ry sands below:
From hill to hill responsive echoes sound,
Loud torrents roar, and dashing waves rebound:
Th' opposing rock, the azure stream divides
The white froth tumbling down its sparry sides;
From fall to fall the glitt'ring channels flow,
'Till lost, they mingle in the Lake below.
Tremendous spot ! amid thy views sublime,
The mental sight ethereal realms may climb,
With wonder rapt the mighty work explore,
Confess TH' ETERNAL'S pow'r ! and pensively adore!
ALL VARYING NATURE! oft the outstretch'd eye
Marks o'er the WELKIN's brow the meteor fly:
Marks, where the COMET with impetuous force,
O'er Heaven's wide concave, skims its fiery course:
While on the ALPINE steep thin vapours rise,
Float on the blastor freeze amidst the skies:
Or half congeal'd in flaky fragments glide
Along the gelid mountain's breezy side;
Or mingling with the waste of yielding snow,
From the vast height in various currents flow.
Now pale-ey'd MORNING, at thy soft command,
O'er the rich landscape spreads her dewy hand:
Swift o'er the plain the lucid rivers fly,
Imperfect mirrors of the dappled sky:
On the fring'd margin of the dimpling tide,
Each od'rous bud, by FLORA'S pencil dy'd,
Expands its velvet leaves of lust'rous hue,
Bath'd in the essence of celestial dew:
While from the METEOR to the simplest FLOW R,
Prolific Nature ! we behold thy pow'r !
Yet has mysterious Heaven with care consign'd
Thy noblest triumphs to the human mind;
MAN feels the proud preeminence impart
Intrepid firmness to his swelling heart;
Creation's lord ! where'er HE bends his way,
The torch of REASON spreads its godlike ray.
As o'er SIClLlAN sands the Trav'ler roves,
Feeds on its fruits, and shelters in its groves,
Sudden amidst the calm retreat he hears
The pealing thunders in the distant spheres;
He sees the curling fumes from ETNA rise,
Shade the green vale, and blacken all the skies.
Around his head the forked lightnings glare,
The vivid streams illume the stagnant air:
The nodding hills hang low'ring o'er the deep,
The howling winds the clust'ring vineyards sweep;
The cavern'd rocks terrific tremours rend;
Low to the earth the tawny forests bend:
While He an ATOM in the direful scene,
Views the wild CHAOS, wond'ring, and serene;
Tho' at his feet sulphureous rivers roll,
No touch of terror shakes his conscious soul:
His MIND ! enlighten'd by PROMETHEAN rays
Expanding, glows with intellectual blaze!
Such scenes, long since, th' immortal POET charm'd,
His MUSE enraptur'd, and his FANCY warm'd:
From them he learnt with magic eye t' explore,
The dire ARCANUM of the STYGIAN shore !
Where the departed spirit trembling, hurl'd
"With restless violence round the pendent world,"
On the swift wings of whistling whirlwinds flung,
Plung'd in the wave, or on the mountain hung.
While o'er yon cliff the ling'ring fires of day,
In ruby shadows faintly glide away;
The glassy source that feeds the CATARACT's stream,
Bears the last image of the solar beam:
Wide o'er the Landscape Nature's tints disclose,
The softest picture of sublime repose;
The sober beauties of EVE'S hour serene,
The scatter'd village, now but dimly seen,
The neighb'ring rock, whose flinty brow inclin'd,
Shields the clay cottage from the northern wind:
The variegated woodlands scarce we view,
The distant mountains ting'd with purple hue:
Pale twilight flings her mantle o'er the skies,
From the still lake, the misty vapours rise;
Cold show'rs descending on the western breeze,
Sprinkle with lucid drops the bending trees,
Whose spreading branches o'er the glade reclin'd,
Wave their dank leaves, and murmur to the wind.
Such scenes, O LOUTHERBOURG! thy pencil fir'd,
Warm'd thy great mind, and every touch inspir'd:
Beneath thy hand the varying colours glow,
Vast mountains rise, and crystal rivers flow:
Thy wond'rous Genius owns no pedant rule,
Nature's thy guide, and Nature's works thy school:
Pursue her steps, each rival's art defy,
For while she charms, THY NAME shall never die.
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