Written by
Shel Silverstein |
Last night, while I lay thinking here,
some Whatifs crawled inside my ear
and pranced and partied all night long
and sang their same old Whatif song:
Whatif I'm dumb in school?
Whatif they've closed the swimming pool?
Whatif I get beat up?
Whatif there's poison in my cup?
Whatif I start to cry?
Whatif I get sick and die?
Whatif I flunk that test?
Whatif green hair grows on my chest?
Whatif nobody likes me?
Whatif a bolt of lightning strikes me?
Whatif I don't grow talle?
Whatif my head starts getting smaller?
Whatif the fish won't bite?
Whatif the wind tears up my kite?
Whatif they start a war?
Whatif my parents get divorced?
Whatif the bus is late?
Whatif my teeth don't grow in straight?
Whatif I tear my pants?
Whatif I never learn to dance?
Everything seems well, and then
the nighttime Whatifs strike again!
|
Written by
Vachel Lindsay |
I.
THEIR BASIC SAVAGERY
Fat black bucks in a wine-barrel room,
Barrel-house kings, with feet unstable,
Sagged and reeled and pounded on the table,
A deep rolling bass.
Pounded on the table,
Beat an empty barrel with the handle of a broom,
Hard as they were able,
Boom, boom, BOOM,
With a silk umbrella and the handle of a broom,
Boomlay, boomlay, boomlay, BOOM.
THEN I had religion, THEN I had a vision.
I could not turn from their revel in derision.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
More deliberate.
Solemnly chanted.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
Then along that riverbank
A thousand miles
Tattooed cannibals danced in files;
Then I heard the boom of the blood-lust song
And a thigh-bone beating on a tin-pan gong.
A rapidly piling climax of speed & racket.
And "BLOOD" screamed the whistles and the fifes of the warriors,
"BLOOD" screamed the skull-faced, lean witch-doctors,
"Whirl ye the deadly voo-doo rattle,
Harry the uplands,
Steal all the cattle,
Rattle-rattle, rattle-rattle,
Bing.
Boomlay, boomlay, boomlay, BOOM,"
A roaring, epic, rag-time tune
With a philosophic pause.
From the mouth of the Congo
To the Mountains of the Moon.
Death is an Elephant,
Torch-eyed and horrible,
Shrilly and with a heavily accented metre.
Foam-flanked and terrible.
BOOM, steal the pygmies,
BOOM, kill the Arabs,
BOOM, kill the white men,
HOO, HOO, HOO.
Listen to the yell of Leopold's ghost
Like the wind in the chimney.
Burning in Hell for his hand-maimed host.
Hear how the demons chuckle and yell
Cutting his hands off, down in Hell.
Listen to the creepy proclamation,
Blown through the lairs of the forest-nation,
Blown past the white-ants' hill of clay,
Blown past the marsh where the butterflies play: --
"Be careful what you do,
Or Mumbo-Jumbo, God of the Congo,
All the "O" sounds very golden.
Heavy accents very heavy.
Light accents very light.
Last line whispered.
And all of the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you.
"
II.
THEIR IRREPRESSIBLE HIGH SPIRITS
Wild crap-shooters with a whoop and a call
Rather shrill and high.
Danced the juba in their gambling-hall
And laughed fit to kill, and shook the town,
And guyed the policemen and laughed them down
With a boomlay, boomlay, boomlay, BOOM.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Read exactly as in first section.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
A ***** fairyland swung into view,
Lay emphasis on the delicate ideas.
Keep as light-footed as possible.
A minstrel river
Where dreams come true.
The ebony palace soared on high
Through the blossoming trees to the evening sky.
The inlaid porches and casements shone
With gold and ivory and elephant-bone.
And the black crowd laughed till their sides were sore
At the baboon butler in the agate door,
And the well-known tunes of the parrot band
That trilled on the bushes of that magic land.
A troupe of skull-faced witch-men came
With pomposity.
Through the agate doorway in suits of flame,
Yea, long-tailed coats with a gold-leaf crust
And hats that were covered with diamond-dust.
And the crowd in the court gave a whoop and a call
And danced the juba from wall to wall.
But the witch-men suddenly stilled the throng
With a great deliberation & ghostliness.
With a stern cold glare, and a stern old song: --
"Mumbo-Jumbo will hoo-doo you.
" .
.
.
Just then from the doorway, as fat as shotes,
With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats,
Canes with a brilliant lacquer shine,
And tall silk hats that were red as wine.
And they pranced with their butterfly partners there,
With growing speed and sharply marked dance-rhythm
Coal-black maidens with pearls in their hair,
Knee-skirts trimmed with the jassamine sweet,
And bells on their ankles and little black-feet.
And the couples railed at the chant and the frown
Of the witch-men lean, and laughed them down.
(O rare was the revel, and well worth while
That made those glowering witch-men smile.
)
The cake-walk royalty then began
To walk for a cake that was tall as a man
To the tune of "Boomlay, boomlay, BOOM,"
While the witch-men laughed, with a sinister air,
With a touch of ***** dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there: --
"Walk with care, walk with care,
Or Mumbo-Jumbo, God of the Congo,
And all the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you.
Beware, beware, walk with care,
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay,
BOOM.
"
Oh rare was the revel, and well worth while
Slow philosophic calm.
That made those glowering witch-men smile.
III.
THE HOPE OF THEIR RELIGION
A good old ***** in the slums of the town
Heavy bass.
With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown.
Howled at a brother for his low-down ways,
His prowling, guzzling, sneak-thief days.
Beat on the Bible till he wore it out
Starting the jubilee revival shout.
And some had visions, as they stood on chairs,
And sang of Jacob, and the golden stairs,
And they all repented, a thousand strong
From their stupor and savagery and sin and wrong
And slammed with their hymn books till they shook the room
With "glory, glory, glory,"
And "Boom, boom, BOOM.
"
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Exactly as in the first section.
Begin with terror and power, end with joy.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
And the gray sky opened like a new-rent veil
And showed the Apostles with their coats of mail.
In bright white steel they were seated round
And their fire-eyes watched where the Congo wound.
And the twelve Apostles, from their thrones on high
Thrilled all the forest with their heavenly cry: --
"Mumbo-Jumbo will die in the jungle;
Sung to the tune of "Hark, ten thousand harps and voices.
"
Never again will he hoo-doo you,
Never again will he hoo-doo you.
"
Then along that river, a thousand miles
With growing deliberation and joy.
The vine-snared trees fell down in files.
Pioneer angels cleared the way
For a Congo paradise, for babes at play,
For sacred capitals, for temples clean.
Gone were the skull-faced witch-men lean.
There, where the wild ghost-gods had wailed
In a rather high key -- as delicately as possible.
A million boats of the angels sailed
With oars of silver, and prows of blue
And silken pennants that the sun shone through.
'Twas a land transfigured, 'twas a new creation.
Oh, a singing wind swept the ***** nation
And on through the backwoods clearing flew: --
"Mumbo-Jumbo is dead in the jungle.
To the tune of "Hark, ten thousand harps and voices.
"
Never again will he hoo-doo you.
Never again will he hoo-doo you.
Redeemed were the forests, the beasts and the men,
And only the vulture dared again
By the far, lone mountains of the moon
To cry, in the silence, the Congo tune: --
"Mumbo-Jumbo will hoo-doo you,
Dying down into a penetrating, terrified whisper.
"Mumbo-Jumbo will hoo-doo you.
Mumbo .
.
.
Jumbo .
.
.
will .
.
.
hoo-doo .
.
.
you.
"
|
Written by
Thomas Hardy |
Good Father!… ’Twas an eve in middle June,
And war was waged anew
By great Napoleon, who for years had strewn
Men’s bones all Europe through.
Three nights ere this, with columned corps he’d crossed
The Sambre at Charleroi,
To move on Brussels, where the English host
Dallied in Parc and Bois.
The yestertide we’d heard the gloomy gun
Growl through the long-sunned day
From Quatre-Bras and Ligny; till the dun
Twilight suppressed the fray;
Albeit therein—as lated tongues bespoke—
Brunswick’s high heart was drained,
And Prussia’s Line and Landwehr, though unbroke,
Stood cornered and constrained.
And at next noon-time Grouchy slowly passed
With thirty thousand men:
We hoped thenceforth no army, small or vast,
Would trouble us again.
My hut lay deeply in a vale recessed,
And never a soul seemed nigh
When, reassured at length, we went to rest—
My children, wife, and I.
But what was this that broke our humble ease?
What noise, above the rain,
Above the dripping of the poplar trees
That smote along the pane?
—A call of mastery, bidding me arise,
Compelled me to the door,
At which a horseman stood in martial guise—
Splashed—sweating from every pore.
Had I seen Grouchy? Yes? Which track took he?
Could I lead thither on?—
Fulfilment would ensure gold pieces three,
Perchance more gifts anon.
“I bear the Emperor’s mandate,” then he said,
“Charging the Marshal straight
To strike between the double host ahead
Ere they co-operate,
“Engaging Bl?cher till the Emperor put
Lord Wellington to flight,
And next the Prussians.
This to set afoot
Is my emprise to-night.
”
I joined him in the mist; but, pausing, sought
To estimate his say,
Grouchy had made for Wavre; and yet, on thought,
I did not lead that way.
I mused: “If Grouchy thus instructed be,
The clash comes sheer hereon;
My farm is stript.
While, as for pieces three,
Money the French have none.
“Grouchy unwarned, moreo’er, the English win,
And mine is left to me—
They buy, not borrow.
”—Hence did I begin
To lead him treacherously.
By Joidoigne, near to east, as we ondrew,
Dawn pierced the humid air;
And eastward faced I with him, though I knew
Never marched Grouchy there.
Near Ottignies we passed, across the Dyle
(Lim’lette left far aside),
And thence direct toward Pervez and Noville
Through green grain, till he cried:
“I doubt thy conduct, man! no track is here
I doubt they gag?d word!”
Thereat he scowled on me, and pranced me near,
And pricked me with his sword.
“Nay, Captain, hold! We skirt, not trace the course
Of Grouchy,” said I then:
“As we go, yonder went he, with his force
Of thirty thousand men.
”
—At length noon nighed, when west, from Saint-John’s-Mound,
A hoarse artillery boomed,
And from Saint-Lambert’s upland, chapel-crowned,
The Prussian squadrons loomed.
Then to the wayless wet gray ground he leapt;
“My mission fails!” he cried;
“Too late for Grouchy now to intercept,
For, peasant, you have lied!”
He turned to pistol me.
I sprang, and drew
The sabre from his flank,
And ’twixt his nape and shoulder, ere he knew,
I struck, and dead he sank.
I hid him deep in nodding rye and oat—
His shroud green stalks and loam;
His requiem the corn-blade’s husky note—
And then I hastened home….
—Two armies writhe in coils of red and blue,
And brass and iron clang
From Goumont, past the front of Waterloo,
To Pap’lotte and Smohain.
The Guard Imperial wavered on the height;
The Emperor’s face grew glum;
“I sent,” he said, “to Grouchy yesternight,
And yet he does not come!”
’Twas then, Good Father, that the French espied,
Streaking the summer land,
The men of Bl?cher.
But the Emperor cried,
“Grouchy is now at hand!”
And meanwhile Vand’leur, Vivian, Maitland, Kempt,
Met d’Erlon, Friant, Ney;
But Grouchy—mis-sent, blamed, yet blame-exempt—
Grouchy was far away.
Be even, slain or struck, Michel the strong,
Bold Travers, Dnop, Delord,
Smart Guyot, Reil-le, l’Heriter, Friant.
Scattered that champaign o’er.
Fallen likewise wronged Duhesme, and skilled Lobau
Did that red sunset see;
Colbert, Legros, Blancard!… And of the foe
Picton and Ponsonby;
With Gordon, Canning, Blackman, Ompteda,
L’Estrange, Delancey, Packe,
Grose, D’Oyly, Stables, Morice, Howard, Hay,
Von Schwerin, Watzdorf, Boek,
Smith, Phelips, Fuller, Lind, and Battersby,
And hosts of ranksmen round…
Memorials linger yet to speak to thee
Of those that bit the ground!
The Guards’ last column yielded; dykes of dead
Lay between vale and ridge,
As, thinned yet closing, faint yet fierce, they sped
In packs to Genappe Bridge.
Safe was my stock; my capple cow unslain;
Intact each cock and hen;
But Grouchy far at Wavre all day had lain,
And thirty thousand men.
O Saints, had I but lost my earing corn
And saved the cause once prized!
O Saints, why such false witness had I borne
When late I’d sympathized!…
So, now, being old, my children eye askance
My slowly dwindling store,
And crave my mite; till, worn with tarriance,
I care for life no more.
To Almighty God henceforth I stand confessed,
And Virgin-Saint Marie;
O Michael, John, and Holy Ones in rest,
Entreat the Lord for me!
|
Written by
Andrew Barton Paterson |
Oh, Mulligan's bar was the deuce of a place
To drink, and to fight, and to gamble and race;
The height of choice spirits from near and from far
Were all concentrated on Mulligan's bar.
There was "Jerry the Swell", and the jockey-boy Ned,
"Dog-bite-me" -- so called from the shape of his head --
And a man whom the boys, in their musical slang,
Designated the "Gaffer of Mulligan's Gang".
Now Mulligan's Gang had a racer to show,
A bad un to look at, a good un to go;
Whenever they backed her you safely might swear
She'd walk in a winner, would Mulligan's mare.
But Mulligan, having some radical views,
Neglected his business and got on the booze;
He took up with runners -- a treacherous troop --
Who gave him away, and he "fell in the soup".
And so it turned out on a fine summer day,
A bailiff turned up with a writ of "fi.
fa.
";
He walked to the bar with a manner serene,
"I levy," said he, "in the name of the Queen.
"
Then Mulligan wanted, in spite of the law,
To pay out the bailiff with "one on the jaw";
He drew out to hit him; but ere you could wink,
He changed his intention and stood him a drink.
A great consultation there straightway befell
'Twixt jockey-boy Neddy and Jerry the Swell,
And the man with the head, who remarked "Why, you bet!
Dog-bite-me!" said he, "but we'll diddle 'em yet.
"We'll slip out the mare from her stall in a crack,
And put in her place the old broken-down hack;
The hack is so like her, I'm ready to swear
The bailiff will think he has Mulligan's mare.
"So out with the racer and in with the screw,
We'll show him what Mulligan's talent can do;
And if he gets nasty and dares to say much,
I'll knock him as stiff as my grandfather's crutch.
"
Then off to the town went the mare and the lad;
The bailiff came out, never dreamt he was "had";
But marched to the stall with a confident air --
"I levy," said he, "upon Mulligan's mare.
"
He watched her by day and he watched her by night,
She was never an instant let out of his sight,
For races were coming away in the West
And Mulligan's mare had a chance with the best.
"Here's a slant," thought the bailiff, "to serve my own ends,
I'll send off a wire to my bookmaking friends:
'Get all you can borrow, beg, snavel or snare
And lay the whole lot against Mulligan's mare.
'"
The races came round, and the crowd on the course
Were laying the mare till they made themselves hoarse,
And Mulligan's party, with ardour intense,
They backed her for pounds and for shillings and pence.
But think of the grief of the bookmaking host
At the sound of the summons to go to the post --
For down to the start with her thoroughbred air
As fit as a fiddle pranced Mulligan's mare!
They started, and off went the boy to the front,
He cleared out at once, and he made it a hunt;
He steadied as rounding the corner they wheeled,
Then gave her her head -- and she smothered the field.
The race put her owner right clear of his debts;
He landed a fortune in stakes and in bets,
He paid the old bailiff the whole of his pelf,
And gave him a hiding to keep for himself.
So all you bold sportsmen take warning, I pray,
Keep clear of the running, you'll find it don't pay;
For the very best rule that you'll hear in a week
Is never to bet on a thing that can speak.
And whether you're lucky or whether you lose,
Keep clear of the cards and keep clear of the booze,
And fortune in season will answer your prayer
And send you a flyer like Mulligan's mare.
|
Written by
J R R Tolkien |
There is an inn, a merry old inn
beneath an old grey hill,
And there they brew a beer so brown
That the Man in the Moon himself came down
one night to drink his fill.
The ostler has a tipsy cat
that plays a five-stringed fiddle;
And up and down he saws his bow
Now squeaking high, now purring low,
now sawing in the middle.
The landlord keeps a little dog
that is mighty fond of jokes;
When there's good cheer among the guests,
He cocks an ear at all the jests
and laughs until he chokes.
They also keep a hornéd cow
as proud as any queen;
But music turns her head like ale,
And makes her wave her tufted tail
and dance upon the green.
And O! the rows of silver dishes
and the store of silver spoons!
For Sunday there's a special pair,
And these they polish up with care
on Saturday afternoons.
The Man in the Moon was drinking deep,
and the cat began to wail;
A dish and a spoon on the table danced,
The cow in the garden madly pranced
and the little dog chased his tail.
The Man in the Moon took another mug,
and then rolled beneath his chair;
And there he dozed and dreamed of ale,
Till in the sky the stars were pale,
and dawn was in the air.
Then the ostler said to his tipsy cat:
'The white horses of the Moon,
They neigh and champ their silver bits;
But their master's been and drowned his wits,
and the Sun'll be rising soon!'
So the cat on the fiddle played hey-diddle-diddle,
a jig that would wake the dead:
He squeaked and sawed and quickened the tune,
While the landlord shook the Man in the Moon:
'It's after three!' he said.
They rolled the Man slowly up the hill
and bundled him into the Moon,
While his horses galloped up in rear,
And the cow came capering like a deer,
and a dish ran up with the spoon.
Now quicker the fiddle went deedle-dum-diddle;
the dog began to roar,
The cow and the horses stood on their heads;
The guests all bounded from their beds
and danced upon the floor.
With a ping and a pang the fiddle-strings broke!
the cow jumped over the Moon,
And the little dog laughed to see such fun,
And the Saturday dish went off at a run
with the silver Sunday spoon.
The round Moon rolled behind the hill,
as the Sun raised up her head.
She* hardly believed her fiery eyes;
For though it was day, to her surprise
they all went back to bed!
|
Written by
Vachel Lindsay |
Sometimes I dip my pen and find the bottle full of fire,
The salamanders flying forth I cannot but admire.
It's Etna, or Vesuvius, if those big things were small,
And then 'tis but itself again, and does not smoke at all.
And so my blood grows cold.
I say, "The bottle held but ink,
And, if you thought it otherwise, the worser for your think.
"
And then, just as I throw my scribbled paper on the floor,
The bottle says, "Fe, fi, fo, fum," and steams and shouts some more.
O sad deceiving ink, as bad as liquor in its way—
All demons of a bottle size have pranced from you to-day,
And seized my pen for hobby-horse as witches ride a broom,
And left a trail of brimstone words and blots and gobs of gloom.
And yet when I am extra good and say my prayers at night,
And mind my ma, and do the chores, and speak to folks polite,
My bottle spreads a rainbow-mist, and from the vapor fine
Ten thousand troops from fairyland come riding in a line.
I've seen them on their chargers race around my study chair,
They opened wide the window and rode forth upon the air.
The army widened as it went, and into myriads grew,
O how the lances shimmered, how the silvery trumpets blew!
|
Written by
Amy Lowell |
The little boy pressed his face against the window-pane
and looked out
at the bright sunshiny morning.
The cobble-stones of
the square
glistened like mica.
In the trees, a breeze danced and
pranced,
and shook drops of sunlight like falling golden coins into the brown
water
of the canal.
Down stream slowly drifted a long string
of galliots
piled with crimson cheeses.
The little boy thought they
looked as if
they were roc's eggs, blocks of big ruby eggs.
He said,
"Oh!" with delight,
and pressed against the window with all his might.
The golden cock on the top of the `Stadhuis' gleamed.
His
beak was open
like a pair of scissors and a narrow piece of blue sky was wedged
in it.
"Cock-a-doodle-do," cried the little boy.
"Can't you
hear me
through the window, Gold Cocky? Cock-a-doodle-do! You
should crow
when you see the eggs of your cousin, the great roc.
" But
the golden cock
stood stock still, with his fine tail blowing in the wind.
He could not understand the little boy, for he said "Cocorico"
when he said anything.
But he was hung in the air to
swing, not to sing.
His eyes glittered to the bright West wind, and the crimson cheeses
drifted away down the canal.
It was very dull there in the big room.
Outside in the
square, the wind
was playing tag with some fallen leaves.
A man passed,
with a dogcart
beside him full of smart, new milkcans.
They rattled
out a gay tune:
"Tiddity-tum-ti-ti.
Have some milk for your tea.
Cream
for your coffee
to drink to-night, thick, and smooth, and sweet, and white,"
and the man's sabots beat an accompaniment: "Plop! trop!
milk for your tea.
Plop! trop! drink it to-night.
" It was very pleasant
out there,
but it was lonely here in the big room.
The little boy
gulped at a tear.
It was ***** how dull all his toys were.
They were so
still.
Nothing was still in the square.
If he took his eyes
away a moment
it had changed.
The milkman had disappeared round the
corner,
there was only an old woman with a basket of green stuff on her
head,
picking her way over the shiny stones.
But the wind pulled
the leaves
in the basket this way and that, and displayed them to beautiful
advantage.
The sun patted them condescendingly on their flat surfaces, and
they seemed
sprinkled with silver.
The little boy sighed as he looked
at his disordered
toys on the floor.
They were motionless, and their colours
were dull.
The dark wainscoting absorbed the sun.
There was none
left for toys.
The square was quite empty now.
Only the wind ran round
and round it,
spinning.
Away over in the corner where a street opened
into the square,
the wind had stopped.
Stopped running, that is, for it
never
stopped spinning.
It whirred, and whirled, and gyrated,
and turned.
It burned like a great coloured sun.
It hummed, and buzzed,
and sparked,
and darted.
There were flashes of blue, and long smearing
lines of saffron,
and quick jabs of green.
And over it all was a sheen
like a myriad
cut diamonds.
Round and round it went, the huge wind-wheel,
and the little boy's head reeled with watching it.
The
whole square
was filled with its rays, blazing and leaping round after one another,
faster and faster.
The little boy could not speak, he
could only gaze,
staring in amaze.
The wind-wheel was coming down the square.
Nearer and
nearer it came,
a great disk of spinning flame.
It was opposite the window
now,
and the little boy could see it plainly, but it was something more
than the wind which he saw.
A man was carrying a huge
fan-shaped frame
on his shoulder, and stuck in it were many little painted paper
windmills,
each one scurrying round in the breeze.
They were bright
and beautiful,
and the sight was one to please anybody, and how much more a little
boy
who had only stupid, motionless toys to enjoy.
The little boy clapped his hands, and his eyes danced and whizzed,
for the circling windmills made him dizzy.
Closer and
closer
came the windmill man, and held up his big fan to the little boy
in the window of the Ambassador's house.
Only a pane
of glass
between the boy and the windmills.
They slid round before
his eyes
in rapidly revolving splendour.
There were wheels and
wheels of colours --
big, little, thick, thin -- all one clear, perfect spin.
The
windmill vendor
dipped and raised them again, and the little boy's face was glued
to the window-pane.
Oh! What a glorious, wonderful
plaything!
Rings and rings of windy colour always moving! How had
any one ever preferred
those other toys which never stirred.
"Nursie, come quickly.
Look!
I want a windmill.
See! It is never still.
You
will buy me one, won't you?
I want that silver one, with the big ring of blue.
"
So a servant was sent to buy that one: silver, ringed
with blue,
and smartly it twirled about in the servant's hands as he stood
a moment
to pay the vendor.
Then he entered the house, and in
another minute
he was standing in the nursery door, with some crumpled paper on
the end
of a stick which he held out to the little boy.
"But
I wanted a windmill
which went round," cried the little boy.
"That is the
one you asked for,
Master Charles," Nursie was a bit impatient, she had mending to
do.
"See, it is silver, and here is the blue.
" "But it is
only a blue streak,"
sobbed the little boy.
"I wanted a blue ring, and this
silver
doesn't sparkle.
" "Well, Master Charles, that is what
you wanted,
now run away and play with it, for I am very busy.
"
The little boy hid his tears against the friendly window-pane.
On
the floor
lay the motionless, crumpled bit of paper on the end of its stick.
But far away across the square was the windmill vendor, with his
big wheel
of whirring splendour.
It spun round in a blaze like
a whirling rainbow,
and the sun gleamed upon it, and the wind whipped it, until it seemed
a maze of spattering diamonds.
"Cocorico!" crowed the
golden cock
on the top of the `Stadhuis'.
"That is something worth
crowing for.
"
But the little boy did not hear him, he was sobbing over the crumpled
bit of paper on the floor.
|
Written by
Andrew Barton Paterson |
Into her presence he gaily pranced,
A very fat spark, and a bit advanced.
With a Samson tread on the earth he trod,
He was stayed and gaitered, and fifty odd.
And she was a tulip just unfurled,
The sweetest thing in the motor world.
Her body was one of which poets dreamed;
Eighteen -- twenty, or so she seemed.
Her air was haughty, her spirit proud,
But properly governed, as all allowed.
"Pity," he said, "my sad condition;
My heart's in a state of advanced ignition.
"Ask me to do some desperate deed,
And I'll do it at once at my topmost speed.
"
"Sir," said the maiden, "pray be seated;
I fear from your bearing you're somewhat heated.
"And I trust that a timely lubrication
Of throttle will cool your circulation.
"
As a well-made mixture she indicated,
With joy and gladness he radiated.
"Oh, come," said he, "in this soft spring weather,
Let us run over the world together!"
But she slipped his clutch with a gesture mocking,
"Your heart," she said; "I can hear it knocking.
"You haven't the gear at my pace to last;
Both men and motors -- I like them fast.
"And I think that in me you have missed your mission;
You are only an old-style tube-ignition!"
With a sidelong motion he left the place;
For weal or woe he was off his base.
He drove his car to the cliffs of Dover,
Made one short circuit and ran her over.
And the stormy Petrol her rest is taking,
Where only the wild waves do the "braking".
|
Written by
William Butler Yeats |
'Although I'd lie lapped up in linen
A deal I'd sweat and little earn
If I should live as live the neighbours,'
Cried the beggar, Billy Byrne;
'Stretch bones till the daylight come
On great-grandfather's battered tomb.
'
Upon a grey old battered tombstone
In Glendalough beside the stream
Where the O'Byrnes and Byrnes are buried,
He stretched his bones and fell in a dream
Of sun and moon that a good hour
Bellowed and pranced in the round tower;
Of golden king and Silver lady,
Bellowing up and bellowing round,
Till toes mastered a sweet measure,
Mouth mastered a sweet sound,
Prancing round and prancing up
Until they pranced upon the top.
That golden king and that wild lady
Sang till stars began to fade,
Hands gripped in hands, toes close together,
Hair spread on the wind they made;
That lady and that golden king
Could like a brace of blackbirds sing.
'It's certain that my luck is broken,'
That rambling jailbird Billy said;
'Before nightfall I'll pick a pocket
And snug it in a feather bed.
I cannot find the peace of home
On great-grandfather's battered tomb.
'
|