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Best Famous Posthumous Poems

Here is a collection of the all-time best famous Posthumous poems. This is a select list of the best famous Posthumous poetry. Reading, writing, and enjoying famous Posthumous poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of posthumous poems.

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Written by Robert William Service | Create an image from this poem

The Ghosts

 Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch.
"Bah!" said Smith, "let my body lie stripped to the buff in swinish shame, If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?" Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by, Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair; Smith bent on him his eyes of doom, shook back his lion mane of hair; Said: "Is there one in my chosen line, writer of forthright tales my peer? Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue; Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame.
" Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift; This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair; Never shall it see printed line: here, by the living God I swear.
" Brown on a Bible laid his hand; Smith, great writer of stories, sighed: "Comrade, I trust you, and understand.
Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store; Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript, Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head.
"The story is not for sale, " he said.
Jones went away, then others came.
Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field; Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew, Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth Garretless in the gloom and grime, singing his glad, mad songs of earth: So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones, Who should chance to behold his plight, but the publisher, the plethoric Jones; Peered at him for a little while, held out a bill: "NOW, will you sell?" Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!" Brown enrolled in the homeless host, sleeping anywhere, anywhen; Suffered, strove, became a ghost, slave of the lamp for other men; For What's-his-name and So-and-so in the abyss his soul he stripped, Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair, Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail: "Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name; You have a manuscript, they say, worth a thousand -- think, man! the shame.
.
.
.
" Brown with his heart pain-pierced the while, with his stern, starved face, and his lips stone-pale, Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol.
" While poor Brown in the leer of dawn wrestled with God for the sacred fire, Came there a woman weak and wan, out of the mob, the murk, the mire; Frail as a reed, a fellow ghost, weary with woe, with sorrowing; Two pale souls in the legion lost; lo! Love bent with a tender wing, Taught them a joy so deep, so true, it seemed that the whole-world fabric shook, Thrilled and dissolved in radiant dew; then Brown made him a golden book, Full of the faith that Life is good, that the earth is a dream divinely fair, Lauding his gem of womanhood in many a lyric rich and rare; Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain; Then came the doctor, grave and grey; spoke of decline, of nervous strain; Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! .
.
.
the manuscript! A thousand dollars! his only hope! he gazed and gazed at the garret wall.
.
.
.
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break: "Oh, my dearest! what shall I do? shall I not sell it for your sake?" Ghostlike she lay, as still as doom; turned to the wall her weary head; Icy-cold in the pallid gloom, silent as death .
.
.
at last she said: "Do! my husband? Keep your vow! Guard his secret and let me die.
.
.
.
Oh, my dear, I must tell you now -- the women he loved and wronged was I; Darling! I haven't long to live: I never told you -- forgive, forgive!" For a long, long time Brown did not speak; sat bleak-browed in the wretched room; Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife; To keep his vow, to save her name, yet at the cost of what? Her life! A moment's space did he hesitate, a moment of pain and dread and doubt, Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out.
.
.
.
On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell, Locked in the silence of the heart, for the awful records of Heav'n and Hell.
) Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above: "Glorious tidings! Egypt, dear! The book is accepted -- life and love.
"


Written by Czeslaw Milosz | Create an image from this poem

Child of Europe

 1
We, whose lungs fill with the sweetness of day.
Who in May admire trees flowering Are better than those who perished.
We, who taste of exotic dishes, And enjoy fully the delights of love, Are better than those who were buried.
We, from the fiery furnaces, from behind barbed wires On which the winds of endless autumns howled, We, who remember battles where the wounded air roared in paroxysms of pain.
We, saved by our own cunning and knowledge.
By sending others to the more exposed positions Urging them loudly to fight on Ourselves withdrawing in certainty of the cause lost.
Having the choice of our own death and that of a friend We chose his, coldly thinking: Let it be done quickly.
We sealed gas chamber doors, stole bread Knowing the next day would be harder to bear than the day before.
As befits human beings, we explored good and evil.
Our malignant wisdom has no like on this planet.
Accept it as proven that we are better than they, The gullible, hot-blooded weaklings, careless with their lives.
2 Treasure your legacy of skills, child of Europe.
Inheritor of Gothic cathedrals, of baroque churches.
Of synagogues filled with the wailing of a wronged people.
Successor of Descartes, Spinoza, inheritor of the word 'honor', Posthumous child of Leonidas Treasure the skills acquired in the hour of terror.
You have a clever mind which sees instantly The good and bad of any situation.
You have an elegant, skeptical mind which enjoys pleasures Quite unknown to primitive races.
Guided by this mind you cannot fail to see The soundness of the advice we give you: Let the sweetness of day fill your lungs For this we have strict but wise rules.
3 There can be no question of force triumphant We live in the age of victorious justice.
Do not mention force, or you will be accused Of upholding fallen doctrines in secret.
He who has power, has it by historical logic.
Respectfully bow to that logic.
Let your lips, proposing a hypothesis Not know about the hand faking the experiment.
Let your hand, faking the experiment No know about the lips proposing a hypothesis.
Learn to predict a fire with unerring precision Then burn the house down to fulfill the prediction.
4 Grow your tree of falsehood from a single grain of truth.
Do not follow those who lie in contempt of reality.
Let your lie be even more logical than the truth itself So the weary travelers may find repose in the lie.
After the Day of the Lie gather in select circles Shaking with laughter when our real deeds are mentioned.
Dispensing flattery called: perspicacious thinking.
Dispensing flattery called: a great talent.
We, the last who can still draw joy from cynicism.
We, whose cunning is not unlike despair.
A new, humorless generation is now arising It takes in deadly earnest all we received with laughter.
5 Let your words speak not through their meanings But through them against whom they are used.
Fashion your weapon from ambiguous words.
Consign clear words to lexical limbo.
Judge no words before the clerks have checked In their card index by whom they were spoken.
The voice of passion is better than the voice of reason.
The passionless cannot change history.
6 Love no country: countries soon disappear Love no city: cities are soon rubble.
Throw away keepsakes, or from your desk A choking, poisonous fume will exude.
Do not love people: people soon perish.
Or they are wronged and call for your help.
Do not gaze into the pools of the past.
Their corroded surface will mirror A face different from the one you expected.
7 He who invokes history is always secure.
The dead will not rise to witness against him.
You can accuse them of any deeds you like.
Their reply will always be silence.
Their empty faces swim out of the deep dark.
You can fill them with any feature desired.
Proud of dominion over people long vanished, Change the past into your own, better likeness.
8 The laughter born of the love of truth Is now the laughter of the enemies of the people.
Gone is the age of satire.
We no longer need mock.
The sensible monarch with false courtly phrases.
Stern as befits the servants of a cause, We will permit ourselves sycophantic humor.
Tight-lipped, guided by reasons only Cautiously let us step into the era of the unchained fire.
Written by Jorie Graham | Create an image from this poem

The Guardian Angel Of The Private Life

 All this was written on the next day's list.
On which the busyness unfurled its cursive roots, pale but effective, and the long stem of the necessary, the sum of events, built-up its tiniest cathedral.
.
.
(Or is it the sum of what takes place? ) If I lean down, to whisper, to them, down into their gravitational field, there where they head busily on into the woods, laying the gifts out one by one, onto the path, hoping to be on the air, hoping to please the children -- (and some gifts overwrapped and some not wrapped at all) -- if I stir the wintered ground-leaves up from the paths, nimbly, into a sheet of sun, into an escape-route-width of sun, mildly gelatinous where wet, though mostly crisp, fluffing them up a bit, and up, as if to choke the singularity of sun with this jubilation of manyness, all through and round these passers-by -- just leaves, nothing that can vaporize into a thought, no, a burning bush's worth of spidery, up-ratcheting, tender-cling leaves, oh if -- the list gripped hard by the left hand of one, the busyness buried so deep into the puffed-up greenish mind of one, the hurried mind hovering over its rankings, the heart -- there at the core of the drafting leaves -- wet and warm at the zero of the bright mock-stairwaying-up of the posthumous leaves -- the heart, formulating its alleyways of discovery, fussing about the integrity of the whole, the heart trying to make time and place seem small, sliding its slim tears into the deep wallet of each new event on the list then checking it off -- oh the satisfaction -- each check a small kiss, an echo of the previous one, off off it goes the dry high-ceilinged obligation, checked-off by the fingertips, by the small gust called done that swipes the unfinishable's gold hem aside, revealing what might have been, peeling away what should .
.
.
There are flowerpots at their feet.
There is fortune-telling in the air they breathe.
It filters-in with its flashlight-beam, its holy-water-tinted air, down into the open eyes, the lampblack open mouth.
Oh listen to these words I'm spitting out for you.
My distance from you makes them louder.
Are we all waiting for the phone to ring? Who should it be? What fountain is expected to thrash forth mysteries of morning joy? What quail-like giant tail of promises, pleiades, psalters, plane-trees, what parapets petalling-forth the invisible into the world of things, turning the list into its spatial-form at last, into its archival many-headed, many-legged colony .
.
.
Oh look at you.
What is it you hold back? What piece of time is it the list won't cover? You down there, in the theater of operations -- you, throat of the world -- so diacritical -- (are we all waiting for the phone to ring?) -- (what will you say? are you home? are you expected soon?) -- oh wanderer back from break, all your attention focused -- as if the thinking were an oar, this ship the last of some original fleet, the captains gone but some of us who saw the plan drawn-out still here -- who saw the thinking clot-up in the bodies of the greater men, who saw them sit in silence while the voices in the other room lit-up with passion, itchings, dreams of landings, while the solitary ones, heads in their hands, so still, the idea barely forming at the base of that stillness, the idea like a homesickness starting just to fold and pleat and knot-itself out of the manyness -- the plan -- before it's thought, before it's a done deal or the name-you're-known-by -- the men of x, the outcomes of y -- before -- the mind still gripped hard by the hands that would hold the skull even stiller if they could, that nothing distract, that nothing but the possible be let to filter through, the possible and then the finely filamented hope, the filigree, without the distractions of wonder -- oh tiny golden spore just filtering-in to touch the good idea, which taking-form begins to twist, coursing for bottom-footing, palpating for edge-hold, limit, now finally about to rise, about to go into the other room -- and yet not having done so yet, not yet -- the intake -- before the credo, before the plan -- right at the homesickness -- before this list you hold in your exhausted hand.
Oh put it down.
Written by Thomas Blackburn | Create an image from this poem

An Invitation

 Holding with shaking hands a letter from some
Official – high up he says in the Ministry,
I note that I am invited to Birmingham,
There pedagogues to address for a decent fee.
'We like to meet,' he goes on, 'men eminent In the field of letters each year,' and that's well put, Though I find his words not wholly relevant To this red-eyed fellow whose mouth tastes rank as soot.
No doubt what he's thinking of is poetry When 'Thomas Blackburn' he writes, and not the fuss A life makes when it has no symmetry, Though the term 'a poet' being mainly posthumous, Since I'm no stiff, is inappropriate.
What I can confirm is the struggle that never lets up Between the horses of Plato beneath my yoke, One after Light, and for Hell not giving a rap, The other only keen on infernal smoke.
And poems.
.
.
? From time to time they commemorate Some particularly dirty battle between these two; I put the letter down – what's the right note? 'Dear Sir,' I type, 'how nice to speak to you!'
Written by Emily Dickinson | Create an image from this poem

Is Heaven a Physician?

 Is Heaven a Physician?
They say that He can heal --
But Medicine Posthumous
Is unavailable --
Is Heaven an Exchequer?
They speak of what we owe --
But that negotiation
I'm not a Party to --


Written by Stevie Smith | Create an image from this poem

Tenuous And Precarious

 Tenuous and Precarious
Were my guardians,
Precarious and Tenuous,
Two Romans.
My father was Hazardous, Hazardous Dear old man, Three Romans.
There was my brother Spurious, Spurious Posthumous, Spurious was Spurious, Was four Romans.
My husband was Perfidious, He was Perfidious Five Romans.
Surreptitious, our son, Was Surreptitious, He was six Romans.
Our cat Tedious Still lives, Count not Tedious Yet.
My name is Finis, Finis, Finis, I am Finis, Six, five, four, three, two, One Roman, Finis.
Written by Geoffrey Hill | Create an image from this poem

Mercian Hymns XXV

 Brooding on the eightieth letter of Fors Clavigera, I speak this in
memory of my grandmother, whose childhood and prime womanhood were spent
in the nailer's darg.
The nailshop stood back of the cottage, by the fold.
It reeked stale mineral sweat.
Sparks had furred its low roof.
In dawn-light the troughed water floated a damson-bloom of dust --- not to be shaken by posthumous clamour.
It is one thing to celebrate the 'quick forge', another to cradle a face hare-lipped by the searing wire.
Brooding on the eightieth letter of Fors Clavigera, I speak this in memory of my grandmother, whose childhood and prime womanhood were spent in the nailer's darg.
Written by Emily Dickinson | Create an image from this poem

Judgment is justest

 Judgment is justest
When the Judged,
His action laid away,
Divested is of every Disk
But his sincerity.
Honor is then the safest hue In a posthumous Sun -- Not any color will endure That scrutiny can burn.
Written by Robert Burns | Create an image from this poem

311. On the Birth of a Posthumous Child

 SWEET flow’ret, pledge o’ meikle love,
 And ward o’ mony a prayer,
What heart o’ stane wad thou na move,
 Sae helpless, sweet, and fair?


November hirples o’er the lea,
 Chill, on thy lovely form:
And gane, alas! the shelt’ring tree,
 Should shield thee frae the storm.
May He who gives the rain to pour, And wings the blast to blaw, Protect thee frae the driving show’r, The bitter frost and snaw.
May He, the friend o’ Woe and Want, Who heals life’s various stounds, Protect and guard the mother plant, And heal her cruel wounds.
But late she flourish’d, rooted fast, Fair in the summer morn, Now feebly bends she in the blast, Unshelter’d and forlorn.
Blest be thy bloom, thou lovely gem, Unscath’d by ruffian hand! And from thee many a parent stem Arise to deck our land!

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