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Best Famous Portico Poems

Here is a collection of the all-time best famous Portico poems. This is a select list of the best famous Portico poetry. Reading, writing, and enjoying famous Portico poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of portico poems.

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Written by Sylvia Plath | Create an image from this poem

Conversation Among The Ruins

 Through portico of my elegant house you stalk
With your wild furies, disturbing garlands of fruit
And the fabulous lutes and peacocks, rending the net
Of all decorum which holds the whirlwind back.
Now, rich order of walls is fallen; rooks croak Above the appalling ruin; in bleak light Of your stormy eye, magic takes flight Like a daunted witch, quitting castle when real days break.
Fractured pillars frame prospects of rock; While you stand heroic in coat and tie, I sit Composed in Grecian tunic and psyche-knot, Rooted to your black look, the play turned tragic: Which such blight wrought on our bankrupt estate, What ceremony of words can patch the havoc?


Written by Rudyard Kipling | Create an image from this poem

The English Flag

 Above the portico a flag-staff, bearing the Union Jack,
remained fluttering in the flames for some time, but ultimately
when it fell the crowds rent the air with shouts,
and seemed to see significance in the incident.
-- DAILY PAPERS.
Winds of the World, give answer! They are whimpering to and fro -- And what should they know of England who only England know? -- The poor little street-bred people that vapour and fume and brag, They are lifting their heads in the stillness to yelp at the English Flag! Must we borrow a clout from the Boer -- to plaster anew with dirt? An Irish liar's bandage, or an English coward's shirt? We may not speak of England; her Flag's to sell or share.
What is the Flag of England? Winds of the World, declare! The North Wind blew: -- "From Bergen my steel-shod vanguards go; I chase your lazy whalers home from the Disko floe; By the great North Lights above me I work the will of God, And the liner splits on the ice-field or the Dogger fills with cod.
"I barred my gates with iron, I shuttered my doors with flame, Because to force my ramparts your nutshell navies came; I took the sun from their presence, I cut them down with my blast, And they died, but the Flag of England blew free ere the spirit passed.
"The lean white bear hath seen it in the long, long Arctic night, The musk-ox knows the standard that flouts the Northern Light: What is the Flag of England? Ye have but my bergs to dare, Ye have but my drifts to conquer.
Go forth, for it is there!" The South Wind sighed: -- "From the Virgins my mid-sea course was ta'en Over a thousand islands lost in an idle main, Where the sea-egg flames on the coral and the long-backed breakers croon Their endless ocean legends to the lazy, locked lagoon.
"Strayed amid lonely islets, mazed amid outer keys, I waked the palms to laughter -- I tossed the scud in the breeze -- Never was isle so little, never was sea so lone, But over the scud and the palm-trees an English flag was flown.
"I have wrenched it free from the halliard to hang for a wisp on the Horn; I have chased it north to the Lizard -- ribboned and rolled and torn; I have spread its fold o'er the dying, adrift in a hopeless sea; I have hurled it swift on the slaver, and seen the slave set free.
"My basking sunfish know it, and wheeling albatross, Where the lone wave fills with fire beneath the Southern Cross.
What is the Flag of England? Ye have but my reefs to dare, Ye have but my seas to furrow.
Go forth, for it is there!" The East Wind roared: -- "From the Kuriles, the Bitter Seas, I come, And me men call the Home-Wind, for I bring the English home.
Look -- look well to your shipping! By the breath of my mad typhoon I swept your close-packed Praya and beached your best at Kowloon! "The reeling junks behind me and the racing seas before, I raped your richest roadstead -- I plundered Singapore! I set my hand on the Hoogli; as a hooded snake she rose, And I flung your stoutest steamers to roost with the startled crows.
"Never the lotus closes, never the wild-fowl wake, But a soul goes out on the East Wind that died for England's sake -- Man or woman or suckling, mother or bride or maid -- Because on the bones of the English the English Flag is stayed.
"The desert-dust hath dimmed it, the flying wild-ass knows, The scared white leopard winds it across the taintless snows.
What is the Flag of England? Ye have but my sun to dare, Ye have but my sands to travel.
Go forth, for it is there!" The West Wind called: -- "In squadrons the thoughtless galleons fly That bear the wheat and cattle lest street-bred people die.
They make my might their porter, they make my house their path, Till I loose my neck from their rudder and whelm them all in my wrath.
"I draw the gliding fog-bank as a snake is drawn from the hole, They bellow one to the other, the frighted ship-bells toll, For day is a drifting terror till I raise the shroud with my breath, And they see strange bows above them and the two go locked to death.
"But whether in calm or wrack-wreath, whether by dark or day, I heave them whole to the conger or rip their plates away, First of the scattered legions, under a shrieking sky, Dipping between the rollers, the English Flag goes by.
"The dead dumb fog hath wrapped it -- the frozen dews have kissed -- The naked stars have seen it, a fellow-star in the mist.
What is the Flag of England? Ye have but my breath to dare, Ye have but my waves to conquer.
Go forth, for it is there!"
Written by Matthew Arnold | Create an image from this poem

The Strayed Reveller

 1 Faster, faster, 
2 O Circe, Goddess,
3 Let the wild, thronging train 
4 The bright procession 
5 Of eddying forms, 
6 Sweep through my soul! 

7 Thou standest, smiling
8 Down on me! thy right arm,
9 Lean'd up against the column there,
10 Props thy soft cheek;
11 Thy left holds, hanging loosely,
12 The deep cup, ivy-cinctured,
13 I held but now.
14 Is it, then, evening 15 So soon? I see, the night-dews, 16 Cluster'd in thick beads, dim 17 The agate brooch-stones 18 On thy white shoulder; 19 The cool night-wind, too, 20 Blows through the portico, 21 Stirs thy hair, Goddess, 22 Waves thy white robe! Circe.
23 Whence art thou, sleeper? The Youth.
24 When the white dawn first 25 Through the rough fir-planks 26 Of my hut, by the chestnuts, 27 Up at the valley-head, 28 Came breaking, Goddess! 29 I sprang up, I threw round me 30 My dappled fawn-skin; 31 Passing out, from the wet turf, 32 Where they lay, by the hut door, 33 I snatch'd up my vine-crown, my fir-staff, 34 All drench'd in dew- 35 Came swift down to join 36 The rout early gather'd 37 In the town, round the temple, 38 Iacchus' white fane 39 On yonder hill.
40 Quick I pass'd, following 41 The wood-cutters' cart-track 42 Down the dark valley;-I saw 43 On my left, through the beeches, 44 Thy palace, Goddess, 45 Smokeless, empty! 46 Trembling, I enter'd; beheld 47 The court all silent, 48 The lions sleeping, 49 On the altar this bowl.
50 I drank, Goddess! 51 And sank down here, sleeping, 52 On the steps of thy portico.
Circe.
53 Foolish boy! Why tremblest thou? 54 Thou lovest it, then, my wine? 55 Wouldst more of it? See, how glows, 56 Through the delicate, flush'd marble, 57 The red, creaming liquor, 58 Strown with dark seeds! 59 Drink, thee! I chide thee not, 60 Deny thee not my bowl.
61 Come, stretch forth thy hand, thee-so! 62 Drink-drink again! The Youth.
63 Thanks, gracious one! 64 Ah, the sweet fumes again! 65 More soft, ah me, 66 More subtle-winding 67 Than Pan's flute-music! 68 Faint-faint! Ah me, 69 Again the sweet sleep! Circe.
70 Hist! Thou-within there! 71 Come forth, Ulysses! 72 Art tired with hunting? 73 While we range the woodland, 74 See what the day brings.
Ulysses.
75 Ever new magic! 76 Hast thou then lured hither, 77 Wonderful Goddess, by thy art, 78 The young, languid-eyed Ampelus, 79 Iacchus' darling- 80 Or some youth beloved of Pan, 81 Of Pan and the Nymphs? 82 That he sits, bending downward 83 His white, delicate neck 84 To the ivy-wreathed marge 85 Of thy cup; the bright, glancing vine-leaves 86 That crown his hair, 87 Falling forward, mingling 88 With the dark ivy-plants-- 89 His fawn-skin, half untied, 90 Smear'd with red wine-stains? Who is he, 91 That he sits, overweigh'd 92 By fumes of wine and sleep, 93 So late, in thy portico? 94 What youth, Goddess,-what guest 95 Of Gods or mortals? Circe.
96 Hist! he wakes! 97 I lured him not hither, Ulysses.
98 Nay, ask him! The Youth.
99 Who speaks' Ah, who comes forth 100 To thy side, Goddess, from within? 101 How shall I name him? 102 This spare, dark-featured, 103 Quick-eyed stranger? 104 Ah, and I see too 105 His sailor's bonnet, 106 His short coat, travel-tarnish'd, 107 With one arm bare!-- 108 Art thou not he, whom fame 109 This long time rumours 110 The favour'd guest of Circe, brought by the waves? 111 Art thou he, stranger? 112 The wise Ulysses, 113 Laertes' son? Ulysses.
114 I am Ulysses.
115 And thou, too, sleeper? 116 Thy voice is sweet.
117 It may be thou hast follow'd 118 Through the islands some divine bard, 119 By age taught many things, 120 Age and the Muses; 121 And heard him delighting 122 The chiefs and people 123 In the banquet, and learn'd his songs.
124 Of Gods and Heroes, 125 Of war and arts, 126 And peopled cities, 127 Inland, or built 128 By the gray sea.
-If so, then hail! 129 I honour and welcome thee.
The Youth.
130 The Gods are happy.
131 They turn on all sides 132 Their shining eyes, 133 And see below them 134 The earth and men.
135 They see Tiresias 136 Sitting, staff in hand, 137 On the warm, grassy 138 Asopus bank, 139 His robe drawn over 140 His old sightless head, 141 Revolving inly 142 The doom of Thebes.
143 They see the Centaurs 144 In the upper glens 145 Of Pelion, in the streams, 146 Where red-berried ashes fringe 147 The clear-brown shallow pools, 148 With streaming flanks, and heads 149 Rear'd proudly, snuffing 150 The mountain wind.
151 They see the Indian 152 Drifting, knife in hand, 153 His frail boat moor'd to 154 A floating isle thick-matted 155 With large-leaved, low-creeping melon-plants 156 And the dark cucumber.
157 He reaps, and stows them, 158 Drifting--drifting;--round him, 159 Round his green harvest-plot, 160 Flow the cool lake-waves, 161 The mountains ring them.
162 They see the Scythian 163 On the wide stepp, unharnessing 164 His wheel'd house at noon.
165 He tethers his beast down, and makes his meal-- 166 Mares' milk, and bread 167 Baked on the embers;--all around 168 The boundless, waving grass-plains stretch, thick-starr'd 169 With saffron and the yellow hollyhock 170 And flag-leaved iris-flowers.
171 Sitting in his cart 172 He makes his meal; before him, for long miles, 173 Alive with bright green lizards, 174 And the springing bustard-fowl, 175 The track, a straight black line, 176 Furrows the rich soil; here and there 177 Cluster of lonely mounds 178 Topp'd with rough-hewn, 179 Gray, rain-blear'd statues, overpeer 180 The sunny waste.
181 They see the ferry 182 On the broad, clay-laden 183 Lone Chorasmian stream;--thereon, 184 With snort and strain, 185 Two horses, strongly swimming, tow 186 The ferry-boat, with woven ropes 187 To either bow 188 Firm harness'd by the mane; a chief 189 With shout and shaken spear, 190 Stands at the prow, and guides them; but astern 191 The cowering merchants, in long robes, 192 Sit pale beside their wealth 193 Of silk-bales and of balsam-drops, 194 Of gold and ivory, 195 Of turquoise-earth and amethyst, 196 Jasper and chalcedony, 197 And milk-barred onyx-stones.
198 The loaded boat swings groaning 199 In the yellow eddies; 200 The Gods behold him.
201 They see the Heroes 202 Sitting in the dark ship 203 On the foamless, long-heaving 204 Violet sea.
205 At sunset nearing 206 The Happy Islands.
207 These things, Ulysses, 208 The wise bards, also 209 Behold and sing.
210 But oh, what labour! 211 O prince, what pain! 212 They too can see 213 Tiresias;--but the Gods, 214 Who give them vision, 215 Added this law: 216 That they should bear too 217 His groping blindness, 218 His dark foreboding, 219 His scorn'd white hairs; 220 Bear Hera's anger 221 Through a life lengthen'd 222 To seven ages.
223 They see the Centaurs 224 On Pelion:--then they feel, 225 They too, the maddening wine 226 Swell their large veins to bursting; in wild pain 227 They feel the biting spears 228 Of the grim Lapith?, and Theseus, drive, 229 Drive crashing through their bones; they feel 230 High on a jutting rock in the red stream 231 Alcmena's dreadful son 232 Ply his bow;--such a price 233 The Gods exact for song: 234 To become what we sing.
235 They see the Indian 236 On his mountain lake; but squalls 237 Make their skiff reel, and worms 238 In the unkind spring have gnawn 239 Their melon-harvest to the heart.
--They see 240 The Scythian: but long frosts 241 Parch them in winter-time on the bare stepp, 242 Till they too fade like grass; they crawl 243 Like shadows forth in spring.
244 They see the merchants 245 On the Oxus stream;--but care 246 Must visit first them too, and make them pale.
247 Whether, through whirling sand, 248 A cloud of desert robber-horse have burst 249 Upon their caravan; or greedy kings, 250 In the wall'd cities the way passes through, 251 Crush'd them with tolls; or fever-airs, 252 On some great river's marge, 253 Mown them down, far from home.
254 They see the Heroes 255 Near harbour;--but they share 256 Their lives, and former violent toil in Thebes, 257 Seven-gated Thebes, or Troy; 258 Or where the echoing oars 259 Of Argo first 260 Startled the unknown sea.
261 The old Silenus 262 Came, lolling in the sunshine, 263 From the dewy forest-coverts, 264 This way at noon.
265 Sitting by me, while his Fauns 266 Down at the water-side 267 Sprinkled and smoothed 268 His drooping garland, 269 He told me these things.
270 But I, Ulysses, 271 Sitting on the warm steps, 272 Looking over the valley, 273 All day long, have seen, 274 Without pain, without labour, 275 Sometimes a wild-hair'd M?nad-- 276 Sometimes a Faun with torches-- 277 And sometimes, for a moment, 278 Passing through the dark stems 279 Flowing-robed, the beloved, 280 The desired, the divine, 281 Beloved Iacchus.
282 Ah, cool night-wind, tremulous stars! 283 Ah, glimmering water, 284 Fitful earth-murmur, 285 Dreaming woods! 286 Ah, golden-haired, strangely smiling Goddess, 287 And thou, proved, much enduring, 288 Wave-toss'd Wanderer! 289 Who can stand still? 290 Ye fade, ye swim, ye waver before me-- 291 The cup again! 292 Faster, faster, 293 O Circe, Goddess.
294 Let the wild, thronging train, 295 The bright procession 296 Of eddying forms, 297 Sweep through my soul!
Written by James Henry Leigh Hunt | Create an image from this poem

A Thought or Two on Reading Pomfrets

 I have been reading Pomfret's "Choice" this spring, 
A pretty kind of--sort of--kind of thing, 
Not much a verse, and poem none at all, 
Yet, as they say, extremely natural.
And yet I know not.
There's an art in pies, In raising crusts as well as galleries; And he's the poet, more or less, who knows The charm that hallows the least truth from prose, And dresses it in its mild singing clothes.
Not oaks alone are trees, nor roses flowers; Much humble wealth makes rich this world of ours.
Nature from some sweet energy throws up Alike the pine-mount and the buttercup; And truth she makes so precious, that to paint Either, shall shrine an artist like a saint, And bring him in his turn the crowds that press Round Guido's saints or Titian's goddesses.
Our trivial poet hit upon a theme Which all men love, an old, sweet household dream:-- Pray, reader, what is yours?--I know full well What sort of home should grace my garden-bell,-- No tall, half-furnish'd, gloomy, shivering house, That worst of mountains labouring with a mouse; Nor should I choose to fill a tawdry niche in A Grecian temple, opening to a kitchen.
The frogs in Homer should have had such boxes, Or Aesop's frog, whose heart was like the ox's.
Such puff about high roads, so grand, so small, With wings and what not, portico and all, And poor drench'd pillars, which it seems a sin Not to mat up at night-time, or take in.
I'd live in none of those.
Nor would I have Veranda'd windows to forestall my grave; Veranda'd truly, from the northern heat! And cut down to the floor to comfort one's cold feet! My house should be of brick, more wide than high, With sward up to the path, and elm-trees nigh; A good old country lodge, half hid with blooms Of honied green, and quaint with straggling rooms, A few of which, white-bedded and well swept, For friends, whose name endear'd them, should be kept.
The tip-toe traveller, peeping through the boughs O'er my low wall, should bless the pleasant house: And that my luck might not seem ill-bestow'd, A bench and spring should greet him on the road.
My grounds should not be large.
I like to go To Nature for a range, and prospect too, And cannot fancy she'd comprise for me, Even in a park, her all-sufficiency.
Besides, my thoughts fly far, and when at rest Love not a watch-tow'r but a lulling nest.
A Chiswick or a Chatsworth might, I grant, Visit my dreams with an ambitious want; But then I should be forc'd to know the weight Of splendid cares, new to my former state; And these 'twould far more fit me to admire, Borne by the graceful ease of noblest Devonshire.
Such grounds, however, as I had should look Like "something" still; have seats, and walks, and brook; One spot for flowers, the rest all turf and trees; For I'd not grow my own bad lettuces.
I'd build a cover'd path too against rain, Long, peradventure, as my whole domain, And so be sure of generous exercise, The youth of age and med'cine of the wise.
And this reminds me, that behind some screen About my grounds, I'd have a bowling-green; Such as in wits' and merry women's days Suckling preferr'd before his walk of bays.
You may still see them, dead as haunts of fairies, By the old seats of Killigrews and Careys, Where all, alas! is vanish'd from the ring, Wits and black eyes, the skittles and the king! Fishing I hate, because I think about it, Which makes it right that I should do without it.
A dinner, or a death, might not be much, But cruelty's a rod I dare not touch.
I own I cannot see my right to feel For my own jaws, and tear a trout's with steel; To troll him here and there, and spike, and strain, And let him loose to jerk him back again.
Fancy a preacher at this sort of work, Not with his trout or gudgeon, but his clerk: The clerk leaps gaping at a tempting bit, And, hah! an ear-ache with a knife in it! That there is pain and evil is no rule That I should make it greater, like a fool; Or rid me of my rust so vile a way, As long as there's a single manly play.
Nay, "fool"'s a word my pen unjustly writes, Knowing what hearts and brains have dozed o'er "bites"; But the next inference to be drawn might be, That higher beings made a trout of me; Which I would rather should not be the case, Though Isaak were the saint to tear my face, And, stooping from his heaven with rod and line, Made the fell sport, with his old dreams divine, As pleasant to his taste, as rough to mine.
Such sophistry, no doubt, saves half the hell, But fish would have preferr'd his reasoning well, And, if my gills concern'd him, so should I.
The dog, I grant, is in that "equal sky," But, heaven be prais'd, he's not my deity.
All manly games I'd play at,--golf and quoits, And cricket, to set lungs and limbs to rights, And make me conscious, with a due respect, Of muscles one forgets by long neglect.
With these, or bowls aforesaid, and a ride, Books, music, friends, the day I would divide, Most with my family, but when alone, Absorb'd in some new poem of my own, A task which makes my time so richly pass, So like a sunshine cast through painted glass (Save where poor Captain Sword crashes the panes), That cold my friends live too, and were the gains Of toiling men but freed from sordid fears, Well could I walk this earth a thousand years.
Written by Henry Wadsworth Longfellow | Create an image from this poem

THE OLD CLOCK ON THE STAIRS

 L'eternite est une pendule, dont le balancier dit et redit sans
cesse ces deux mots seulement dans le silence des tombeaux:
"Toujours! jamais! Jamais! toujours!"--JACQUES BRIDAINE.
Somewhat back from the village street Stands the old-fashioned country-seat.
Across its antique portico Tall poplar-trees their shadows throw; And from its station in the hall An ancient timepiece says to all,-- "Forever--never! Never--forever!" Half-way up the stairs it stands, And points and beckons with its hands From its case of massive oak, Like a monk, who, under his cloak, Crosses himself, and sighs, alas! With sorrowful voice to all who pass,-- "Forever--never! Never--forever!" By day its voice is low and light; But in the silent dead of night, Distinct as a passing footstep's fall, It echoes along the vacant hall, Along the ceiling, along the floor, And seems to say, at each chamber-door,-- "Forever--never! Never--forever!" Through days of sorrow and of mirth, Through days of death and days of birth, Through every swift vicissitude Of changeful time, unchanged it has stood, And as if, like God, it all things saw, It calmly repeats those words of awe,-- "Forever--never! Never--forever!" In that mansion used to be Free-hearted Hospitality; His great fires up the chimney roared; The stranger feasted at his board; But, like the skeleton at the feast, That warning timepiece never ceased,-- "Forever--never! Never--forever!" There groups of merry children played, There youths and maidens dreaming strayed; O precious hours! O golden prime, And affluence of love and time! Even as a Miser counts his gold, Those hours the ancient timepiece told,-- "Forever--never! Never--forever!" From that chamber, clothed in white, The bride came forth on her wedding night; There, in that silent room below, The dead lay in his shroud of snow; And in the hush that followed the prayer, Was heard the old clock on the stair,-- "Forever--never! Never--forever!" All are scattered now and fled, Some are married, some are dead; And when I ask, with throbs of pain.
"Ah! when shall they all meet again?" As in the days long since gone by, The ancient timepiece makes reply,-- "Forever--never! Never--forever! Never here, forever there, Where all parting, pain, and care, And death, and time shall disappear,-- Forever there, but never here! The horologe of Eternity Sayeth this incessantly,-- "Forever--never! Never--forever!"


Written by Marianne Moore | Create an image from this poem

The Steeple-Jack

 Dürer would have seen a reason for living
 in a town like this, with eight stranded whales
to look at; with the sweet sea air coming into your house
on a fine day, from water etched
 with waves as formal as the scales
on a fish.
One by one in two's and three's, the seagulls keep flying back and forth over the town clock, or sailing around the lighthouse without moving their wings -- rising steadily with a slight quiver of the body -- or flock mewing where a sea the purple of the peacock's neck is paled to greenish azure as Dürer changed the pine green of the Tyrol to peacock blue and guinea gray.
You can see a twenty-five- pound lobster; and fish nets arranged to dry.
The whirlwind fife-and-drum of the storm bends the salt marsh grass, disturbs stars in the sky and the star on the steeple; it is a privilege to see so much confusion.
Disguised by what might seem the opposite, the sea- side flowers and trees are favored by the fog so that you have the tropics first hand: the trumpet-vine, fox-glove, giant snap-dragon, a salpiglossis that has spots and stripes; morning-glories, gourds, or moon-vines trained on fishing-twine at the back door; cat-tails, flags, blueberries and spiderwort, striped grass, lichens, sunflowers, asters, daisies -- yellow and crab-claw ragged sailors with green bracts -- toad-plant, petunias, ferns; pink lilies, blue ones, tigers; poppies; black sweet-peas.
The climate is not right for the banyan, frangipani, or jack-fruit trees; or for exotic serpent life.
Ring lizard and snake-skin for the foot, if you see fit; but here they've cats, not cobras, to keep down the rats.
The diffident little newt with white pin-dots on black horizontal spaced- out bands lives here; yet there is nothing that ambition can buy or take away.
The college student named Ambrose sits on the hillside with his not-native books and hat and sees boats at sea progress white and rigid as if in a groove.
Liking an elegance of which the sourch is not bravado, he knows by heart the antique sugar-bowl shaped summer-house of interlacing slats, and the pitch of the church spire, not true, from which a man in scarlet lets down a rope as a spider spins a thread; he might be part of a novel, but on the sidewalk a sign says C.
J.
Poole, Steeple Jack, in black and white; and one in red and white says Danger.
The church portico has four fluted columns, each a single piece of stone, made modester by white-wash.
Theis would be a fit haven for waifs, children, animals, prisoners, and presidents who have repaid sin-driven senators by not thinking about them.
The place has a school-house, a post-office in a store, fish-houses, hen-houses, a three-masted schooner on the stocks.
The hero, the student, the steeple-jack, each in his way, is at home.
It could not be dangerous to be living in a town like this, of simple people, who have a steeple-jack placing danger signs by the church while he is gilding the solid- pointed star, which on a steeple stands for hope.
Written by Matthew Arnold | Create an image from this poem

Strayed Reveller The

 The Youth

Faster, faster,
O Circe, Goddess,
Let the wild, thronging train
The bright procession
Of eddying forms,
Sweep through my soul!
Thou standest, smiling
Down on me! thy right arm,
Lean'd up against the column there,
Props thy soft cheek;
Thy left holds, hanging loosely,
The deep cup, ivy-cinctured,
I held but now.
Is it, then, evening So soon? I see, the night-dews, Cluster'd in thick beads, dim The agate brooch-stones On thy white shoulder; The cool night-wind, too, Blows through the portico, Stirs thy hair, Goddess, Waves thy white robe! Circe.
Whence art thou, sleeper? The Youth.
When the white dawn first Through the rough fir-planks Of my hut, by the chestnuts, Up at the valley-head, Came breaking, Goddess! I sprang up, I threw round me My dappled fawn-skin; Passing out, from the wet turf, Where they lay, by the hut door, I snatch'd up my vine-crown, my fir-staff, All drench'd in dew- Came swift down to join The rout early gather'd In the town, round the temple, Iacchus' white fane On yonder hill.
Quick I pass'd, following The wood-cutters' cart-track Down the dark valley;-I saw On my left, through the beeches, Thy palace, Goddess, Smokeless, empty! Trembling, I enter'd; beheld The court all silent, The lions sleeping, On the altar this bowl.
I drank, Goddess! And sank down here, sleeping, On the steps of thy portico.
Circe.
Foolish boy! Why tremblest thou? Thou lovest it, then, my wine? Wouldst more of it? See, how glows, Through the delicate, flush'd marble, The red, creaming liquor, Strown with dark seeds! Drink, thee! I chide thee not, Deny thee not my bowl.
Come, stretch forth thy hand, thee-so! Drink-drink again! The Youth.
Thanks, gracious one! Ah, the sweet fumes again! More soft, ah me, More subtle-winding Than Pan's flute-music! Faint-faint! Ah me, Again the sweet sleep! Circe.
Hist! Thou-within there! Come forth, Ulysses! Art tired with hunting? While we range the woodland, See what the day brings.
Ulysses.
Ever new magic! Hast thou then lured hither, Wonderful Goddess, by thy art, The young, languid-eyed Ampelus, Iacchus' darling- Or some youth beloved of Pan, Of Pan and the Nymphs? That he sits, bending downward His white, delicate neck To the ivy-wreathed marge Of thy cup; the bright, glancing vine-leaves That crown his hair, Falling forward, mingling With the dark ivy-plants-- His fawn-skin, half untied, Smear'd with red wine-stains? Who is he, That he sits, overweigh'd By fumes of wine and sleep, So late, in thy portico? What youth, Goddess,-what guest Of Gods or mortals? Circe.
Hist! he wakes! I lured him not hither, Ulysses.
Nay, ask him! The Youth.
Who speaks' Ah, who comes forth To thy side, Goddess, from within? How shall I name him? This spare, dark-featured, Quick-eyed stranger? Ah, and I see too His sailor's bonnet, His short coat, travel-tarnish'd, With one arm bare!-- Art thou not he, whom fame This long time rumours The favour'd guest of Circe, brought by the waves? Art thou he, stranger? The wise Ulysses, Laertes' son? Ulysses.
I am Ulysses.
And thou, too, sleeper? Thy voice is sweet.
It may be thou hast follow'd Through the islands some divine bard, By age taught many things, Age and the Muses; And heard him delighting The chiefs and people In the banquet, and learn'd his songs.
Of Gods and Heroes, Of war and arts, And peopled cities, Inland, or built By the gray sea.
-If so, then hail! I honour and welcome thee.
The Youth.
The Gods are happy.
They turn on all sides Their shining eyes, And see below them The earth and men.
They see Tiresias Sitting, staff in hand, On the warm, grassy Asopus bank, His robe drawn over His old sightless head, Revolving inly The doom of Thebes.
They see the Centaurs In the upper glens Of Pelion, in the streams, Where red-berried ashes fringe The clear-brown shallow pools, With streaming flanks, and heads Rear'd proudly, snuffing The mountain wind.
They see the Indian Drifting, knife in hand, His frail boat moor'd to A floating isle thick-matted With large-leaved, low-creeping melon-plants And the dark cucumber.
He reaps, and stows them, Drifting--drifting;--round him, Round his green harvest-plot, Flow the cool lake-waves, The mountains ring them.
They see the Scythian On the wide stepp, unharnessing His wheel'd house at noon.
He tethers his beast down, and makes his meal-- Mares' milk, and bread Baked on the embers;--all around The boundless, waving grass-plains stretch, thick-starr'd With saffron and the yellow hollyhock And flag-leaved iris-flowers.
Sitting in his cart He makes his meal; before him, for long miles, Alive with bright green lizards, And the springing bustard-fowl, The track, a straight black line, Furrows the rich soil; here and there Cluster of lonely mounds Topp'd with rough-hewn, Gray, rain-blear'd statues, overpeer The sunny waste.
They see the ferry On the broad, clay-laden Lone Chorasmian stream;--thereon, With snort and strain, Two horses, strongly swimming, tow The ferry-boat, with woven ropes To either bow Firm harness'd by the mane; a chief With shout and shaken spear, Stands at the prow, and guides them; but astern The cowering merchants, in long robes, Sit pale beside their wealth Of silk-bales and of balsam-drops, Of gold and ivory, Of turquoise-earth and amethyst, Jasper and chalcedony, And milk-barred onyx-stones.
The loaded boat swings groaning In the yellow eddies; The Gods behold him.
They see the Heroes Sitting in the dark ship On the foamless, long-heaving Violet sea.
At sunset nearing The Happy Islands.
These things, Ulysses, The wise bards, also Behold and sing.
But oh, what labour! O prince, what pain! They too can see Tiresias;--but the Gods, Who give them vision, Added this law: That they should bear too His groping blindness, His dark foreboding, His scorn'd white hairs; Bear Hera's anger Through a life lengthen'd To seven ages.
They see the Centaurs On Pelion:--then they feel, They too, the maddening wine Swell their large veins to bursting; in wild pain They feel the biting spears Of the grim Lapith?, and Theseus, drive, Drive crashing through their bones; they feel High on a jutting rock in the red stream Alcmena's dreadful son Ply his bow;--such a price The Gods exact for song: To become what we sing.
They see the Indian On his mountain lake; but squalls Make their skiff reel, and worms In the unkind spring have gnawn Their melon-harvest to the heart.
--They see The Scythian: but long frosts Parch them in winter-time on the bare stepp, Till they too fade like grass; they crawl Like shadows forth in spring.
They see the merchants On the Oxus stream;--but care Must visit first them too, and make them pale.
Whether, through whirling sand, A cloud of desert robber-horse have burst Upon their caravan; or greedy kings, In the wall'd cities the way passes through, Crush'd them with tolls; or fever-airs, On some great river's marge, Mown them down, far from home.
They see the Heroes Near harbour;--but they share Their lives, and former violent toil in Thebes, Seven-gated Thebes, or Troy; Or where the echoing oars Of Argo first Startled the unknown sea.
The old Silenus Came, lolling in the sunshine, From the dewy forest-coverts, This way at noon.
Sitting by me, while his Fauns Down at the water-side Sprinkled and smoothed His drooping garland, He told me these things.
But I, Ulysses, Sitting on the warm steps, Looking over the valley, All day long, have seen, Without pain, without labour, Sometimes a wild-hair'd M?nad-- Sometimes a Faun with torches-- And sometimes, for a moment, Passing through the dark stems Flowing-robed, the beloved, The desired, the divine, Beloved Iacchus.
Ah, cool night-wind, tremulous stars! Ah, glimmering water, Fitful earth-murmur, Dreaming woods! Ah, golden-haired, strangely smiling Goddess, And thou, proved, much enduring, Wave-toss'd Wanderer! Who can stand still? Ye fade, ye swim, ye waver before me-- The cup again! Faster, faster, O Circe, Goddess.
Let the wild, thronging train, The bright procession Of eddying forms, Sweep through my soul!
Written by Emily Dickinson | Create an image from this poem

I know some lonely Houses off the Road

 I know some lonely Houses off the Road
A Robber'd like the look of --
Wooden barred,
And Windows hanging low,
Inviting to --
A Portico,
Where two could creep --
One -- hand the Tools --
The other peep --
To make sure All's Asleep --
Old fashioned eyes --
Not easy to surprise!

How orderly the Kitchen'd look, by night,
With just a Clock --
But they could gag the Tick --
And Mice won't bark --
And so the Walls -- don't tell --
None -- will --

A pair of Spectacles ajar just stir --
An Almanac's aware --
Was it the Mat -- winked,
Or a Nervous Star?
The Moon -- slides down the stair,
To see who's there!

There's plunder -- where --
Tankard, or Spoon --
Earring -- or Stone --
A Watch -- Some Ancient Brooch
To match the Grandmama --
Staid sleeping -- there --

Day -- rattles -- too
Stealth's -- slow --
The Sun has got as far
As the third Sycamore --
Screams Chanticleer
"Who's there"?

And Echoes -- Trains away,
Sneer -- "Where"!
While the old Couple, just astir,
Fancy the Sunrise -- left the door ajar!
Written by Robert William Service | Create an image from this poem

Decadence

 Before the florid portico
I watched the gamblers come and go,
While by me on a bench there sat
A female in a faded hat;
A shabby, shrinking, crumpled creature,
Of waxy casino-ward with eyes
Of lost soul seeking paradise.
Then from the Café de la Paix There shambled forth a waiter fellow, Clad dingily, down-stooped and grey, With hollow face, careworn and yellow.
With furtive feet before our seat He came to a respectful stand, And bowed, my sorry crone to greet, Saying: "Princess, I kiss your hand.
" She gave him such a gracious smile, And bade him linger by her side; So there they talked a little while Of kingly pomp and country pride; Of Marquis This and Prince von That, Of Old Vienna, glamour gay.
.
.
.
Then sad he rose and raised his hat: Saying: "My tables I must lay.
" "Yea, you must go, dear Count," she said, "For luncheon tables must be laid.
" He sighed: from his alpaca jacket He pressed into her hand a packet, "Sorry, to-day it's all I'm rich in - A chicken sandwich from the kitchen.
" Then bowed and left her after she Had thanked him with sweet dignity.
She pushed the package out of sight, Within her bag and closed it tight; But by and bye I saw her go To where thick laurel bushes grow, And there behind that leafy screen, Thinking herself by all unseen, That sandwich! How I saw her grab it, And gulp it like a starving rabbit! Thinks I: Is all that talk a bluff - Their dukes and kings and courtly stuff: The way she ate, why one would say She hadn't broken fast all day.
Written by Friedrich von Schiller | Create an image from this poem

Pompeii And Herculaneum

 What wonder this?--we ask the lympid well,
O earth! of thee--and from thy solemn womb
What yieldest thou?--is there life in the abyss--
Doth a new race beneath the lava dwell?
Returns the past, awakening from the tomb?
Rome--Greece!--Oh, come!--Behold--behold! for this!
Our living world--the old Pompeii sees;
And built anew the town of Dorian Hercules!
House upon house--its silent halls once more
Opes the broad portico!--Oh, haste and fill
Again those halls with life!--Oh, pour along
Through the seven-vista'd theatre the throng!
Where are ye, mimes?--Come forth, the steel prepare
For crowned Atrides, or Orestes haunt,
Ye choral Furies, with your dismal chant!
The arch of triumph!--whither leads it?--still
Behold the forum!--on the curule chair
Where the majestic image? Lictors, where
Your solemn fasces?--Place upon his throne
The Praetor--here the witness lead, and there
Bid the accuser stand

--O God! how lone
The clear streets glitter in the quiet day--
The footpath by the doors winding its lifeless way!
The roofs arise in shelter, and around
The desolate Atrium--every gentle room
Wears still the dear familiar smile of home!
Open the doors--the shops--on dreary night
Let lusty day laugh down in jocund light!

See the trim benches ranged in order!--See
The marble-tesselated floor--and there
The very walls are glittering livingly
With their clear colors.
But the artist, where! Sure but this instant he hath laid aside Pencil and colors!--Glittering on the eye Swell the rich fruits, and bloom the flowers!--See all Art's gentle wreaths still fresh upon the wall! Here the arch Cupid slyly seems to glide By with bloom-laden basket.
There the shapes Of genii press with purpling feet the grapes, Here springs the wild Bacchante to the dance, And there she sleeps [while that voluptuous trance Eyes the sly faun with never-sated glance] Now on one knee upon the centaur-steeds Hovering--the Thyrsus plies.
--Hurrah!--away she speeds! Come--come, why loiter ye?--Here, here, how fair The goodly vessels still! Girls, hither turn, Fill from the fountain the Etruscan urn! On the winged sphinxes see the tripod.
-- Ho! Quick--quick, ye slaves, come--fire!--the hearth prepare! Ha! wilt thou sell?--this coin shall pay thee--this, Fresh from the mint of mighty Titus!--Lo! Here lie the scales, and not a weight we miss So--bring the light! The delicate lamp!--what toil Shaped thy minutest grace!--quick pour the oil! Yonder the fairy chest!--come, maid, behold The bridegroom's gifts--the armlets--they are gold, And paste out-feigning jewels!--lead the bride Into the odorous bath--lo! unguents still-- And still the crystal vase the arts for beauty fill! But where the men of old--perchance a prize More precious yet in yon papyrus lies, And see ev'n still the tokens of their toil-- The waxen tablets--the recording style.
The earth, with faithful watch, has hoarded all! Still stand the mute penates in the hall; Back to his haunts returns each ancient god.
Why absent only from their ancient stand The priests?--waves Hermes his Caducean rod, And the winged victory struggles from the hand.
Kindle the flame--behold the altar there! Long hath the god been worshipless--to prayer.

Book: Reflection on the Important Things