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Best Famous Policy Poems

Here is a collection of the all-time best famous Policy poems. This is a select list of the best famous Policy poetry. Reading, writing, and enjoying famous Policy poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of policy poems.

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Written by Derek Walcott | Create an image from this poem

A Far Cry From Africa

 A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries: "Waste no compassion on these separate dead!" Statistics justify and scholars seize The salients of colonial policy.
What is that to the white child hacked in bed? To savages, expendable as Jews? Threshed out by beaters, the long rushes break In a white dust of ibises whose cries Have wheeled since civilizations dawn >From the parched river or beast-teeming plain.
The violence of beast on beast is read As natural law, but upright man Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars Dance to the tightened carcass of a drum, While he calls courage still that native dread Of the white peace contracted by the dead.
Again brutish necessity wipes its hands Upon the napkin of a dirty cause, again A waste of our compassion, as with Spain, The gorilla wrestles with the superman.
I who am poisoned with the blood of both, Where shall I turn, divided to the vein? I who have cursed The drunken officer of British rule, how choose Between this Africa and the English tongue I love? Betray them both, or give back what they give? How can I face such slaughter and be cool? How can I turn from Africa and live?


Written by Adrienne Rich | Create an image from this poem

For the Record

 The clouds and the stars didn't wage this war
the brooks gave no information
if the mountain spewed stones of fire into the river
it was not taking sides
the raindrop faintly swaying under the leaf
had no political opinions

and if here or there a house
filled with backed-up raw sewage
or poisoned those who lived there
with slow fumes, over years
the houses were not at war
nor did the tinned-up buildings

intend to refuse shelter
to homeless old women and roaming children
they had no policy to keep them roaming
or dying, no, the cities were not the problem
the bridges were non-partisan
the freeways burned, but not with hatred

Even the miles of barbed-wire
stretched around crouching temporary huts
designed to keep the unwanted
at a safe distance, out of sight
even the boards that had to absorb
year upon year, so many human sounds

so many depths of vomit, tears
slow-soaking blood
had not offered themselves for this
The trees didn't volunteer to be cut into boards
nor the thorns for tearing flesh
Look around at all of it

and ask whose signature 
is stamped on the orders, traced
in the corner of the building plans
Ask where the illiterate, big-bellied
women were, the drunks and crazies,
the ones you fear most of all: ask where you were.
Written by Richard Wilbur | Create an image from this poem

Shame

 It is a cramped little state with no foreign policy,
Save to be thought inoffensive.
The grammar of the language Has never been fathomed, owing to the national habit Of allowing each sentence to trail off in confusion.
Those who have visited Scusi, the capital city, Report that the railway-route from Schuldig passes Through country best described as unrelieved.
Sheep are the national product.
The faint inscription Over the city gates may perhaps be rendered, "I'm afraid you won't find much of interest here.
" Census-reports which give the population As zero are, of course, not to be trusted, Save as reflecting the natives' flustered insistence That they do not count, as well as their modest horror Of letting one's sex be known in so many words.
The uniform grey of the nondescript buildings, the absence Of churches or comfort-stations, have given observers An odd impression of ostentatious meanness, And it must be said of the citizens (muttering by In their ratty sheepskins, shying at cracks in the sidewalk) That they lack the peace of mind of the truly humble.
The tenor of life is careful, even in the stiff Unsmiling carelessness of the border-guards And douaniers, who admit, whenever they can, Not merely the usual carloads of deodorant But gypsies, g-strings, hasheesh, and contraband pigments.
Their complete negligence is reserved, however, For the hoped-for invasion, at which time the happy people (Sniggering, ruddily naked, and shamelessly drunk) Will stun the foe by their overwhelming submission, Corrupt the generals, infiltrate the staff, Usurp the throne, proclaim themselves to be sun-gods, And bring about the collapse of the whole empire.
Written by Robert Frost | Create an image from this poem

A Hundred Collars

 Lancaster bore him--such a little town, 
Such a great man.
It doesn't see him often Of late years, though he keeps the old homestead And sends the children down there with their mother To run wild in the summer--a little wild.
Sometimes he joins them for a day or two And sees old friends he somehow can't get near.
They meet him in the general store at night, Pre-occupied with formidable mail, Rifling a printed letter as he talks.
They seem afraid.
He wouldn't have it so: Though a great scholar, he's a democrat, If not at heart, at least on principle.
Lately when coming up to Lancaster His train being late he missed another train And had four hours to wait at Woodsville Junction After eleven o'clock at night.
Too tired To think of sitting such an ordeal out, He turned to the hotel to find a bed.
"No room," the night clerk said.
"Unless----" Woodsville's a place of shrieks and wandering lamps And cars that shook and rattle--and one hotel.
"You say 'unless.
'" "Unless you wouldn't mind Sharing a room with someone else.
" "Who is it?" "A man.
" "So I should hope.
What kind of man?" "I know him: he's all right.
A man's a man.
Separate beds of course you understand.
" The night clerk blinked his eyes and dared him on.
"Who's that man sleeping in the office chair? Has he had the refusal of my chance?" "He was afraid of being robbed or murdered.
What do you say?" "I'll have to have a bed.
" The night clerk led him up three flights of stairs And down a narrow passage full of doors, At the last one of which he knocked and entered.
"Lafe, here's a fellow wants to share your room.
" "Show him this way.
I'm not afraid of him.
I'm not so drunk I can't take care of myself.
" The night clerk clapped a bedstead on the foot.
"This will be yours.
Good-night," he said, and went.
"Lafe was the name, I think?" "Yes, Layfayette.
You got it the first time.
And yours?" "Magoon.
Doctor Magoon.
" "A Doctor?" "Well, a teacher.
" "Professor Square-the-circle-till-you're-tired? Hold on, there's something I don't think of now That I had on my mind to ask the first Man that knew anything I happened in with.
I'll ask you later--don't let me forget it.
" The Doctor looked at Lafe and looked away.
A man? A brute.
Naked above the waist, He sat there creased and shining in the light, Fumbling the buttons in a well-starched shirt.
"I'm moving into a size-larger shirt.
I've felt mean lately; mean's no name for it.
I just found what the matter was to-night: I've been a-choking like a nursery tree When it outgrows the wire band of its name tag.
I blamed it on the hot spell we've been having.
'Twas nothing but my foolish hanging back, Not liking to own up I'd grown a size.
Number eighteen this is.
What size do you wear?" The Doctor caught his throat convulsively.
"Oh--ah--fourteen--fourteen.
" "Fourteen! You say so! I can remember when I wore fourteen.
And come to think I must have back at home More than a hundred collars, size fourteen.
Too bad to waste them all.
You ought to have them.
They're yours and welcome; let me send them to you.
What makes you stand there on one leg like that? You're not much furtherer than where Kike left you.
You act as if you wished you hadn't come.
Sit down or lie down, friend; you make me nervous.
" The Doctor made a subdued dash for it, And propped himself at bay against a pillow.
"Not that way, with your shoes on Kike's white bed.
You can't rest that way.
Let me pull your shoes off.
" "Don't touch me, please--I say, don't touch me, please.
I'll not be put to bed by you, my man.
" "Just as you say.
Have it your own way then.
'My man' is it? You talk like a professor.
Speaking of who's afraid of who, however, I'm thinking I have more to lose than you If anything should happen to be wrong.
Who wants to cut your number fourteen throat! Let's have a show down as an evidence Of good faith.
There is ninety dollars.
Come, if you're not afraid.
" "I'm not afraid.
There's five: that's all I carry.
" "I can search you? Where are you moving over to? Stay still.
You'd better tuck your money under you And sleep on it the way I always do When I'm with people I don't trust at night.
" "Will you believe me if I put it there Right on the counterpane--that I do trust you?" "You'd say so, Mister Man.
--I'm a collector.
My ninety isn't mine--you won't think that.
I pick it up a dollar at a time All round the country for the Weekly News, Published in Bow.
You know the Weekly News?" "Known it since I was young.
" "Then you know me.
Now we are getting on together--talking.
I'm sort of Something for it at the front.
My business is to find what people want: They pay for it, and so they ought to have it.
Fairbanks, he says to me--he's editor-- Feel out the public sentiment--he says.
A good deal comes on me when all is said.
The only trouble is we disagree In politics: I'm Vermont Democrat-- You know what that is, sort of double-dyed; The News has always been Republican.
Fairbanks, he says to me, 'Help us this year,' Meaning by us their ticket.
'No,' I says, 'I can't and won't.
You've been in long enough: It's time you turned around and boosted us.
You'll have to pay me more than ten a week If I'm expected to elect Bill Taft.
I doubt if I could do it anyway.
'" "You seem to shape the paper's policy.
" "You see I'm in with everybody, know 'em all.
I almost know their farms as well as they do.
" "You drive around? It must be pleasant work.
" "It's business, but I can't say it's not fun.
What I like best's the lay of different farms, Coming out on them from a stretch of woods, Or over a hill or round a sudden corner.
I like to find folks getting out in spring, Raking the dooryard, working near the house.
Later they get out further in the fields.
Everything's shut sometimes except the barn; The family's all away in some back meadow.
There's a hay load a-coming--when it comes.
And later still they all get driven in: The fields are stripped to lawn, the garden patches Stripped to bare ground, the apple trees To whips and poles.
There's nobody about.
The chimney, though, keeps up a good brisk smoking.
And I lie back and ride.
I take the reins Only when someone's coming, and the mare Stops when she likes: I tell her when to go.
I've spoiled Jemima in more ways than one.
She's got so she turns in at every house As if she had some sort of curvature, No matter if I have no errand there.
She thinks I'm sociable.
I maybe am.
It's seldom I get down except for meals, though.
Folks entertain me from the kitchen doorstep, All in a family row down to the youngest.
" "One would suppose they might not be as glad To see you as you are to see them.
" "Oh, Because I want their dollar.
I don't want Anything they've not got.
I never dun.
I'm there, and they can pay me if they like.
I go nowhere on purpose: I happen by.
Sorry there is no cup to give you a drink.
I drink out of the bottle--not your style.
Mayn't I offer you----?" "No, no, no, thank you.
" "Just as you say.
Here's looking at you then.
-- And now I'm leaving you a little while.
You'll rest easier when I'm gone, perhaps-- Lie down--let yourself go and get some sleep.
But first--let's see--what was I going to ask you? Those collars--who shall I address them to, Suppose you aren't awake when I come back?" "Really, friend, I can't let you.
You--may need them.
" "Not till I shrink, when they'll be out of style.
" "But really I--I have so many collars.
" "I don't know who I rather would have have them.
They're only turning yellow where they are.
But you're the doctor as the saying is.
I'll put the light out.
Don't you wait for me: I've just begun the night.
You get some sleep.
I'll knock so-fashion and peep round the door When I come back so you'll know who it is.
There's nothing I'm afraid of like scared people.
I don't want you should shoot me in the head.
What am I doing carrying off this bottle? There now, you get some sleep.
" He shut the door.
The Doctor slid a little down the pillow.
Written by William Shakespeare | Create an image from this poem

Sonnet 118: Like as to make our appetite more keen

 Like as to make our appetite more keen
With eager compounds we our palate urge,
As to prevent our maladies unseen,
We sicken to shun sickness when we purge.
Even so being full of your ne'er-cloying sweetness, To bitter sauces did I frame my feeding; And, sick of welfare, found a kind of meetness To be diseased ere that there was true needing.
Thus policy in love t' anticipate The ills that were not, grew to faults assured, And brought to medicine a healthful state Which, rank of goodness, would by ill be cured.
But thence I learn and find the lesson true: Drugs poison him that so fell sick of you.


Written by John Wilmot | Create an image from this poem

Upon Nothing

 Nothing, thou elder brother even to shade,
That hadst a being ere the world was made,
And (well fixed) art alone of ending not afraid.
Ere time and place were, time and place were not, When primitive Nothing Something straight begot, Then all proceeded from the great united--What? Something, the general attribute of all, Severed from thee, its sole original, Into thy boundless self must undistinguished fall.
Yet Something did thy mighty power command, And from thy fruitful emptiness's hand, Snatched men, beasts, birds, fire, air, and land.
Matter, the wickedest offspring of thy race, By Form assisted, flew from thy embrace, And rebel Light obscured thy reverend dusky face.
With Form and Matter, Time and Place did join, Body, thy foe, with these did leagues combine To spoil thy peaceful realm, and ruin all thy line.
But turncoat Time assists the foe in vain, And, bribed by thee, assists thy short-lived reign, And to thy hungry womb drives back thy slaves again.
Though mysteries are barred from laic eyes, And the Divine alone with warrant pries Into thy bosom, where thy truth in private lies, Yet this of thee the wise may freely say, Thou from the virtuous nothing takest away, And to be part of thee the wicked wisely pray.
Great Negative, how vainly would the wise Inquire, define, distinguish, teach, devise? Didst thou not stand to point their dull philosophies.
Is, or is not, the two great ends of Fate, And true or false, the subject of debate, That perfects, or destroys, the vast designs of Fate, When they have racked the politician's breast, Within thy bosom most securely rest, And, when reduced to thee, are least unsafe and best.
But Nothing, why does Something still permit That sacred monarchs should at council sit With persons highly thought at best for nothing fit? Whist weighty Something modestly abstains From princes' coffers, and from statesmen's brains, And Nothing there like stately Nothing reigns, Nothing, who dwellest with fools in grave disguise, For whom they reverend shapes and forms devise, Lawn sleeves, and furs, and gowns, when they like thee look wise.
French truth, Dutch prowess, British policy, Hibernian learning, Scotch civility, Spaniard's dispatch, Dane's wit are mainly seen in thee.
The great man's gratitude to his best friend, King's promises, whore's vows, towards thee they bend, Flow swiftly to thee, and in thee never end.
Written by Allen Ginsberg | Create an image from this poem

War Profit Litany

 To Ezra Pound

These are the names of the companies that have made
 money from this war
nineteenhundredsixtyeight Annodomini fourthousand
 eighty Hebraic
These are the Corporations who have profited by merchan-
 dising skinburning phosphorous or shells fragmented
 to thousands of fleshpiercing needles
and here listed money millions gained by each combine for
 manufacture
and here are gains numbered, index'd swelling a decade, set
 in order,
here named the Fathers in office in these industries, tele-
 phones directing finance,
names of directors, makers of fates, and the names of the 
 stockholders of these destined Aggregates,
and here are the names of their ambassadors to the Capital,
 representatives to legislature, those who sit drinking
 in hotel lobbies to persuade,
and separate listed, those who drop Amphetamine with
 military, gossip, argue, and persuade
suggesting policy naming language proposing strategy, this
 done for fee as ambassadors to Pentagon, consul-
 tants to military, paid by their industry:
and these are the names of the generals & captains mili-
 tary, who know thus work for war goods manufactur-
 ers;
and above these, listed, the names of the banks, combines,
 investment trusts that control these industries:
and these are the names of the newspapers owned by these
 banks
and these are the names of the airstations owned by these
 combines;
and these are the numbers of thousands of citizens em-
 ployed by these businesses named;
and the beginning of this accounting is 1958 and the end
 1968, that static be contained in orderly mind,
 coherent and definite,
and the first form of this litany begun first day December
 1967 furthers this poem of these States.
December 1, 1967
Written by Ben Jonson | Create an image from this poem

Epode

  

XI.
— EPODE.
                  


                 And her black spite expel,
Which to effect (since no breast is so sure,
                 Or safe, but she'll procure
Some way of entrance) we must plant a guard
                 Of thoughts to watch, and ward
At the eye and ear, the ports unto the mind,                 Give knowledge instantly,
To wakeful reason, our affections' king :
                 Who, in th' examining,
Will quickly taste the treason, and commit
                 Close, the close cause of it.

'Tis the securest policy we have,
                 To make our sense our slave.

But this true course is not embraced by many :                 Or else the sentinel,
That should ring larum to the heart, doth sleep ;
                 Or some great thought doth keep
Back the intelligence, and falsely swears,
                 They are base, and idle fears
Whereof the loyal conscience so complains,
                 Thus, by these subtile trains,
Do several passions invade the mind,                 The first ; as prone to move
Most frequent tumults, horrors, and unrests,
                 In our enflamed breasts :
But this doth from the cloud of error grow,
                 Which thus we over-blow.

The thing they here call Love, is blind desire,
                 Arm'd with bow, shafts, and fire ;
Inconstant, like the sea, of whence 'tis born,                 And boils, as if he were
In a continual tempest.
  Now, true love
                 No such effects doth prove ;
That is an essence far more gentle, fine,
                 Pure, perfect, nay divine ;
It is a golden chain let down from heaven,
                 Whose links are bright and even,
That falls like sleep on lovers, and combines                 To murder different hearts,
But in a calm, and god-like unity,
                 Preserves community.

O, who is he, that, in this peace, enjoys
                 The elixir of all joys ?
A form more fresh than are the Eden bowers,
                 And  lasting as her flowers :
Richer than Time, and as time's virtue rare                 Who, blest with such high chance
Would, at suggestion of a steep desire,
                 Cast himself from the spire
Of all his happiness ?   But soft :  I hear
                 Some vicious fool draw near,
That cries, we dream, and swears there's no such thing, 
                 As this chaste love we sing.

Peace, Luxury, thou art like one of those                 No, Vice, we let thee know,
Though thy wild thoughts with sparrows' wings do flie,
                 Turtles can chastly die ;
And yet (in this t' express ourselves more clear)
                 We do not number here
Such spirits as are only continent,
                 Because lust's means are spent :
Or those, who doubt the common mouth of fame,                 Is mere necessity.

Nor mean we those, whom vows and conscience
                 Have fill'd with abstinence :
Though we acknowledge, who can so abstain,
                 Makes a most blessed gain.

He that for love of goodness hateth ill,
                 Is more crown-worthy still,
Than he, which for sin's penalty forbears ;                 Graced with a Phoenix' love ;
A beauty of that clear and sparkling light,
                 Would make a day of night,
And turn the blackest sorrows to bright joys ;
                 Whose odorous breath destroys
All taste of bitterness, and makes the air
                 As sweet as she is fair.

A body so harmoniously composed,                 O, so divine a creature,
Who could be false to?  chiefly, when he knows
                 How only she bestows
The wealthy treasure of her love on him ;
                 Making his fortune swim
In the full flood of her admired perfection ?
                 What savage, brute affection,
Would not be fearful to offend a dame                 To virtuous moods inclined
That knows the weight of guilt ; he will refrain
                 From thoughts of such a strain,
And to his sense object this sentence ever,
                 "Man may securely sin, but safely never.
"


                 Is virtue and not fate :
Next to that virtue, is to know vice well,
                 And her black spite expel,
Which to effect (since no breast is so sure,
                 Or safe, but she'll procure
Some way of entrance) we must plant a guard
                 Of thoughts to watch, and ward
At the eye and ear, the ports unto the mind,
Written by Ogden Nash | Create an image from this poem

Portrait of the Artist as a Prematurely Old Man

 It is common knowledge to every schoolboy and even every Bachelor of Arts,
That all sin is divided into two parts.
One kind of sin is called a sin of commission, and that is very important, And it is what you are doing when you are doing something you ortant, And the other kind of sin is just the opposite and is called a sin of omission and is equally bad in the eyes of all right-thinking people, from Billy Sunday to Buddha, And it consists of not having done something you shuddha.
I might as well give you my opinion of these two kinds of sin as long as, in a way, against each other we are pitting them, And that is, don't bother your head about the sins of commission because however sinful, they must at least be fun or else you wouldn't be committing them.
It is the sin of omission, the second kind of sin, That lays eggs under your skin.
The way you really get painfully bitten Is by the insurance you haven't taken out and the checks you haven't added up the stubs of and the appointments you haven't kept and the bills you haven't paid and the letters you haven't written.
Also, about sins of omission there is one particularly painful lack of beauty, Namely, it isn't as though it had been a riotous red-letter day or night every time you neglected to do your duty; You didn't get a wicked forbidden thrill Every time you let a policy lapse or forget to pay a bill; You didn't slap the lads in the tavern on the back and loudly cry Whee, Let's all fail to write just one more letter before we go home, and this round of unwritten letters is on me.
No, you never get any fun Out of things you haven't done, But they are the things that I do not like to be amid, Because the suitable things you didn't do give you a lot more trouble than the unsuitable things you did.
The moral is that it is probably better not to sin at all, but if some kind of sin you must be pursuing, Well, remember to do it by doing rather than by not doing.
Written by John Betjeman | Create an image from this poem

Mortality

 The first-class brains of a senior civil servant
Shiver and shatter and fall
As the steering column of his comfortable Humber
Batters in the bony wall.
All those delicate re-adjustments "On the one hand, if we proceed With the ad hoc policy hitherto adapted To individual need.
.
.
On the other hand, too rigid an arrangement Might, of itself, perforce.
.
.
I would like to submit for the Minister's concurrence The following alternative course, Subject to revision and reconsideration In the light of our experience gains.
.
.
" And this had to happen at the corner where the by-pass Comes into Egham out of Staines.
That very near miss for an All Souls' Fellowship The recent compensation of a 'K' - The first-class brains of a senior civil servant Are sweetbread on the road today.

Book: Reflection on the Important Things