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Best Famous Pleas Poems

Here is a collection of the all-time best famous Pleas poems. This is a select list of the best famous Pleas poetry. Reading, writing, and enjoying famous Pleas poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of pleas poems.

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Written by Carolyn Kizer | Create an image from this poem

Parents Pantoum

 for Maxine Kumin

Where did these enormous children come from,
More ladylike than we have ever been?
Some of ours look older than we feel.
How did they appear in their long dresses

More ladylike than we have ever been?
But they moan about their aging more than we do,
In their fragile heels and long black dresses.
They say they admire our youthful spontaneity.

They moan about their aging more than we do,
A somber group--why don't they brighten up?
Though they say they admire our youthful spontaneity
The beg us to be dignified like them

As they ignore our pleas to brighten up. 
Someday perhaps we'll capture their attention
Then we won't try to be dignified like them
Nor they to be so gently patronizing.

Someday perhaps we'll capture their attention.
Don't they know that we're supposed to be the stars?
Instead they are so gently patronizing.
It makes us feel like children--second-childish?

Perhaps we're too accustomed to be stars.
The famous flowers glowing in the garden,
So now we pout like children. Second-childish?
Quaint fragments of forgotten history?

Our daughters stroll together in the garden,
Chatting of news we've chosen to ignore,
Pausing to toss us morsels of their history,
Not questions to which only we know answers.

Eyes closed to news we've chosen to ignore,
We'd rather excavate old memories,
Disdaining age, ignoring pain, avoiding mirrors.
Why do they never listen to our stories?

Because they hate to excavate old memories
They don't believe our stories have an end.
They don't ask questions because they dread the answers.
They don't see that we've become their mirrors,

We offspring of our enormous children.


Written by Rainer Maria Rilke | Create an image from this poem

Adam

 High above he stands, beside the many
saintly figures fronting the cathedral's
gothic tympanum, close by the window
called the rose, and looks astonished at his

own deification which placed him there.
Erect and proud he smiles, and quite enjoys
this feat of his survival, willed by choice.

As labourer in the fields he made his start
and through his efforts brought to full fruition
the garden God named Eden. But where was
the hidden path that led to the New Earth?

God would not listen to his endless pleas.
Instead, He threatened him that he shall die.
Yet Adam stood his ground: Eve shall give birth.
Written by W S Merwin | Create an image from this poem

Green Fields

 By this part of the century few are left who believe
 in the animals for they are not there in the carved parts
of them served on plates and the pleas from the slatted trucks
 are sounds of shadows that possess no future
there is still game for the pleasure of killing
 and there are pets for the children but the lives that followed
courses of their own other than ours and older
 have been migrating before us some are already
far on the way and yet Peter with his gaunt cheeks
 and point of white beard the face of an aged Lawrence
Peter who had lived on from another time and country
 and who had seen so many things set out and vanish
still believed in heaven and said he had never once
 doubted it since his childhood on the farm in the days
of the horses he had not doubted it in the worst
 times of the Great War and afterward and he had come
to what he took to be a kind of earthly
 model of it as he wandered south in his sixties
by that time speaking the language well enough
 for them to make him out he took the smallest roads
into a world he thought was a thing of the past
 with wildflowers he scarcely remembered and neighbors
working together scything the morning meadows
 turning the hay before the noon meal bringing it in
by milking time husbandry and abundance
 all the virtues he admired and their reward bounteous
in the eyes of a foreigner and there he remained
 for the rest of his days seeing what he wanted to see
until the winter when he could no longer fork
 the earth in his garden and then he gave away
his house land everything and committed himself
 to a home to die in an old chateau where he lingered
for some time surrounded by those who had lost
 the use of body or mind and as he lay there he told me
that the wall by his bed opened almost every day
 and he saw what was really there and it was eternal life
as he recognized at once when he saw the gardens
 he had made and the green fields where he had been
a child and his mother was standing there then the wall would close
 and around him again were the last days of the world
Written by Joyce Kilmer | Create an image from this poem

A Blue Valentine

 (For Aline)

Monsignore,
Right Reverend Bishop Valentinus,
Sometime of Interamna, which is called Ferni,
Now of the delightful Court of Heaven,
I respectfully salute you,
I genuflect
And I kiss your episcopal ring.
It is not, Monsignore,
The fragrant memory of your holy life,
Nor that of your shining and joyous martyrdom,
Which causes me now to address you.
But since this is your august festival, Monsignore,
It seems appropriate to me to state
According to a venerable and agreeable custom,
That I love a beautiful lady.
Her eyes, Monsignore,
Are so blue that they put lovely little blue reflections
On everything that she looks at,
Such as a wall
Or the moon
Or my heart.
It is like the light coming through blue stained glass,
Yet not quite like it,
For the blueness is not transparent,
Only translucent.
Her soul's light shines through,
But her soul cannot be seen.
It is something elusive, whimsical, tender, wanton, infantile, wise
And noble.
She wears, Monsignore, a blue garment,
Made in the manner of the Japanese.
It is very blue --
I think that her eyes have made it more blue,
Sweetly staining it
As the pressure of her body has graciously given it form.
Loving her, Monsignore,
I love all her attributes;
But I believe
That even if I did not love her
I would love the blueness of her eyes,
And her blue garment, made in the manner of the Japanese.
Monsignore,
I have never before troubled you with a request.
The saints whose ears I chiefly worry with my pleas
are the most exquisite and maternal Brigid,
Gallant Saint Stephen, who puts fire in my blood,
And your brother bishop, my patron,
The generous and jovial Saint Nicholas of Bari.
But, of your courtesy, Monsignore,
Do me this favour:
When you this morning make your way
To the Ivory Throne that bursts into bloom with roses
because of her who sits upon it,
When you come to pay your devoir to Our Lady,
I beg you, say to her:
"Madame, a poor poet, one of your singing servants yet on earth,
Has asked me to say that at this moment he is especially grateful 
to you
For wearing a blue gown."
Written by Carolyn Kizer | Create an image from this poem

On a Line from Valéry (The Gulf War)

 The whole green sky is dying.The last tree flares
With a great burst of supernatural rose
Under a canopy of poisonous airs.

Could we imagine our return to prayers
To end in time before time's final throes,
The green sky dying as the last tree flares?

But we were young in judgement, old in years
Who could make peace; but it was war we chose,
To spread its canopy of poisoning airs.

Not all our children's pleas and women's fears
Could steer us from this hell.And now God knows
His whole green sky is dying as it flares.

Our crops of wheat have turned to fields of tares.
This dreadful century staggers to its close
And the sky dies for us, its poisoned heirs.

All rain was dust.Its granules were our tears.
Throats burst as universal winter rose
To kill the whole green sky, the last tree bare
Beneath its canopy of poisoned air.


Written by Conrad Aiken | Create an image from this poem

Nocturne Of Remembered Spring

 I. 

Moonlight silvers the tops of trees,
Moonlight whitens the lilac shadowed wall
And through the evening fall,
Clearly, as if through enchanted seas,
Footsteps passing, an infinite distance away,
In another world and another day.
Moonlight turns the purple lilacs blue,
Moonlight leaves the fountain hoar and old,
And the boughs of elms grow green and cold,
Our footsteps echo on gleaming stones,
The leaves are stirred to a jargon of muted tones.
This is the night we have kept, you say:
This is the moonlit night that will never die.
Through the grey streets our memories retain
Let us go back again. 

II. 

Mist goes up from the river to dim the stars,
The river is black and cold; so let us dance
To flare of horns, and clang of cymbals and drums;
And strew the glimmering floor with roses,
And remember, while the rich music yawns and closes,
With a luxury of pain, how silence comes.
Yes, we loved each other, long ago;
We moved like wind to a music's ebb and flow.
At a phrase from violins you closed your eyes,
And smiled, and let me lead you how young we were!
Your hair, upon that music, seemed to stir.
Let us return there, let us return, you and I;
Through changeless streets our memories retain
Let us go back again. 

 III. 

 Mist goes up from the rain steeped earth, and clings
Ghostly with lamplight among drenched maple trees.
We walk in silence and see how the lamplight flings
Fans of shadow upon it the music's mournful pleas
Die out behind us, the door is closed at last,
A net of silver silence is softly cast
Over our thought slowly we walk,
Quietly with delicious pause, we talk,
Of foolish trivial things; of life and death,
Time, and forgetfulness, and dust and truth;
Lilacs and youth.
You laugh, I hear the after taken breath,
You darken your eyes and turn away your head
At something I have said
Some intuition that flew too deep,
And struck a plageant chord.
Tonight, tonight you will remember it as you fall asleep,
Your dream will suddenly blossom with sharp delight,
Goodnight! You say.
The leaves of the lilac dip and sway;
The purple spikes of bloom
Nod their sweetness upon us, lift again,
Your white face turns, I am cought with pain
And silence descends, and dripping of dew from eaves,
And jeweled points of leaves. 

IV. 

I walk in a pleasure of sorrow along the street
And try to remember you; slow drops patter;
Water upon the lilacs has made them sweet;
I brush them with my sleeve, the cool drops scatter;
And suddenly I laugh and stand and listen
As if another had laughed a gust
Rustles the leaves, the wet spikes glisten;
And it seems as though it were you who had shaken the bough,
And spilled the fragrance I pursue your face again,
It grows more vague and lovely, it eludes me now.
I remember that you are gone, and drown in pain.
Something there was I said to you I recall,
Something just as the music seemed to fall 
That made you laugh, and burns me still with pleasure.
What were those words the words like dripping fire?
I remember them now, and in sweet leisure
Rehearse the scene, more exquisite than before,
And you more beautiful, and I more wise.
Lilacs and spring, and night, and your clear eyes,
And you, in white, by the darkness of a door:
These things, like voices weaving to richest music,
Flow and fall in the cool night of my mind,
I pursue your ghost among green leaves that are ghostly,
I pursue you, but cannot find.
And suddenly, with a pang that is sweetest of all,
I become aware that I cannot remember you;
The ghost I knew
Has silently plunged in shadows, shadows that stream and fall.

V. 

Let us go in and dance once more
On the dream's glimmering floor,
Beneath the balcony festooned with roses.
Let us go in and dance once more.
The door behind us closes
Against an evening purple with stars and mist.
Let us go in and keep our tryst
With music and white roses, and spin around
In swirls of sound.
Do you forsee me, married and grown old?
And you, who smile about you at this room,
Is it foretold
That you must step from tumult into gloom,
Forget me, love another?
No, you are Cleopatra, fiercely young,
Laughing upon the topmost stair of night;
Roses upon the desert must be flung;
Above us, light by light,
Weaves the delirious darkness, petal fall,
And music breaks in waves on the pillared wall;
And you are Cleopatra, and do not care.
And so, in memory, you will always be
Young and foolish, a thing of dream and mist;
And so, perhaps when all is disillusioned,
And eternal spring returns once more,
Bringing a ghost of lovelier springs remembered,
You will remember me. 

VI. 

Yet when we meet we seem in silence to say,
Pretending serene forgetfulness of our youth,
"Do you remember but then why should you remember! 
Do you remember a certain day,
Or evening rather, spring evening long ago,
We talked of death, and love, and time, and truth,
And said such wise things, things that amused us so 
How foolish we were, who thought ourselves so wise!"
And then we laugh, with shadows in our eyes.
Written by Gerard Manley Hopkins | Create an image from this poem

The Buglers First Communion

 A buglar boy from barrack (it is over the hill
There)—boy bugler, born, he tells me, of Irish
 Mother to an English sire (he
Shares their best gifts surely, fall how things will), 

This very very day came down to us after a boon he on
My late being there begged of me, overflowing
 Boon in my bestowing,
Came, I say, this day to it—to a First Communion. 

Here he knelt then ín regimental red.
Forth Christ from cupboard fetched, how fain I of feet
 To his youngster take his treat!
Low-latched in leaf-light housel his too huge godhead. 

There! and your sweetest sendings, ah divine,
By it, heavens, befall him! as a heart Christ's darling, dauntless;
 Tongue true, vaunt- and tauntless;
Breathing bloom of a chastity in mansex fine. 

Frowning and forefending angel-warder
Squander the hell-rook ranks sally to molest him;
 March, kind comrade, abreast him;
Dress his days to a dexterous and starlight order. 

How it dóes my heart good, visiting at that bleak hill,
When limber liquid youth, that to all I teach
 Yields tender as a pushed peach,
Hies headstrong to its wellbeing of a self-wise self-will! 

Then though I should tread tufts of consolation
Dáys áfter, só I in a sort deserve to
 And do serve God to serve to
Just such slips of soldiery Christ's royal ration. 

Nothing élse is like it, no, not all so strains
Us: fresh youth fretted in a bloomfall all portending
 That sweet's sweeter ending;
Realm both Christ is heir to and thére réigns. 

O now well work that sealing sacred ointment!
O for now charms, arms, what bans off bad
 And locks love ever in a lad!
Let mé though see no more of him, and not disappointment 

Those sweet hopes quell whose least me quickenings lift,
In scarlet or somewhere of some day seeing
 That brow and bead of being,
An our day's God's own Galahad. Though this child's drift 

Seems by a divíne doom chánnelled, nor do I cry
Disaster there; but may he not rankle and roam
 In backwheels though bound home?—
That left to the Lord of the Eucharist, I here lie by; 

Recorded only, I have put my lips on pleas
Would brandle adamantine heaven with ride and jar, did
 Prayer go disregarded:
Forward-like, but however, and like favourable heaven heard these.
Written by Louis Untermeyer | Create an image from this poem

Roast Leviathan

"Old Jews!" Well, David, aren't we?
What news is that to make you see so red,
To swear and almost tear your beard in half?
Jeered at? Well, let them laugh.
You can laugh longer when you're dead.
What? Are you still too blind to see?
Have you forgot your Midrash!... They were right,
The little goyim, with their angry stones.
You should be buried in the desert out of sight
And not a dog should howl miscarried moans
Over your foul bones....
Have you forgotten what is promised us,
Because of stinking days and rotting nights?
Eternal feasting, drinking, blazing lights
With endless leisure, periods of play!
Supernal pleasures, myriads of gay
Discussions, great debates with prophet-kings!
And rings of riddling scholars all surrounding
God who sits in the very middle, expounding
The Torah.... Now your dull eyes glisten!
Listen:
It is the final Day.

A blast of Gabriel's horn has torn away
The last haze from our eyes, and we can see
Past the three hundred skies and gaze upon
The Ineffable Name engraved deep in the sun.
Now one by one, the pious and the just
Are seated by us, radiantly risen
From their dull prison in the dust.
And then the festival begins!
A sudden music spins great webs of sound
Spanning the ground, the stars and their companions;
While from the cliffs and cañons of blue air,
Prayers of all colors, cries of exultation
Rise into choruses of singing gold.
And at the height of this bright consecration,
The whole Creation's rolled before us.
The seven burning heavens unfold....
We see the first (the only one we know)
Dispersed and, shining through,
The other six declining: Those that hold
The stars and moons, together with all those
Containing rain and fire and sullen weather;
Cellars of dew-fall higher than the brim;
Huge arsenals with centuries of snows;
Infinite rows of storms and swarms of seraphim....
Divided now are winds and waters. Sea and land,
Tohu and Bohu, light and darkness, stand
Upright on either hand.
And down this terrible aisle,

While heaven's ranges roar aghast,
Pours a vast file of strange and hidden things:
Forbidden monsters, crocodiles with wings
And perfumed flesh that sings and glows
With more fresh colors than the rainbow knows....
The reëm, those great beasts with eighteen horns,
Who mate but once in seventy years and die
In their own tears which flow ten stadia high.
The shamir, made by God on the sixth morn,
No longer than a grain of barley corn
But stronger than the bull of Bashan and so hard
It cuts through diamonds. Meshed and starred
With precious stones, there struts the shattering ziz
Whose groans are wrinkled thunder....
For thrice three hundred years the full parade
Files past, a cavalcade of fear and wonder.
And then the vast aisle clears.
Now comes our constantly increased reward.
The Lord commands that monstrous beast,
Leviathan, to be our feast.
What cheers ascend from horde on ravenous horde!
One hears the towering creature rend the seas,
Frustrated, cowering, and his pleas ignored.
In vain his great, belated tears are poured—
For this he was created, kept and nursed.
Cries burst from all the millions that attend:
"Ascend, Leviathan, it is the end!
We hunger and we thirst! Ascend!" ...
Observe him first, my friend.

God's deathless plaything rolls an eye
Five hundred thousand cubits high.
The smallest scale upon his tail
Could hide six dolphins and a whale.
His nostrils breathe—and on the spot
The churning waves turn seething hot.
If he be hungry, one huge fin
Drives seven thousand fishes in;
And when he drinks what he may need,
The rivers of the earth recede.
Yet he is more than huge and strong—
Twelve brilliant colors play along
His sides until, compared to him,
The naked, burning sun seems dim.
New scintillating rays extend
Through endless singing space and rise
Into an ecstasy that cries:
"Ascend, Leviathan, ascend!"
God now commands the multi-colored bands
Of angels to intrude and slay the beast
That His good sons may have a feast of food.
But as they come, Leviathan sneezes twice ...
And, numb with sudden pangs, each arm hangs slack.
Black terror seizes them; blood freezes into ice
And every angel flees from the attack!
God, with a look that spells eternal law,
Compels them back.
But, though they fight and smite him tail and jaw,

Nothing avails; upon his scales their swords
Break like frayed cords or, like a blade of straw,
Bend towards the hilt and wilt like faded grass.
Defeat and fresh retreat.... But once again
God's murmurs pass among them and they mass
With firmer steps upon the crowded plain.
Vast clouds of spears and stones rise from the ground;
But every dart flies past and rocks rebound
To the disheartened angels falling around.
A pause.
The angel host withdraws
With empty boasts throughout its sullen files.
Suddenly God smiles....
On the walls of heaven a tumble of light is caught.
Low thunder rumbles like an afterthought;
And God's slow laughter calls:
"Behemot!"
Behemot, sweating blood,
Uses for his daily food
All the fodder, flesh and juice
That twelve tall mountains can produce.
Jordan, flooded to the brim,
Is a single gulp to him;
Two great streams from Paradise
Cool his lips and scarce suffice.
When he shifts from side to side

Earthquakes gape and open wide;
When a nightmare makes him snore,
All the dead volcanoes roar.
In the space between each toe,
Kingdoms rise and saviours go;
Epochs fall and causes die
In the lifting of his eye.
Wars and justice, love and death,
These are but his wasted breath;
Chews a planet for his cud—
Behemot sweating blood.
Roused from his unconcern,
Behemot burns with anger.
Dripping sleep and languor from his heavy haunches,
He turns from deep disdain and launches
Himself upon the thickening air,
And, with weird cries of sickening despair,
Flies at Leviathan.
None can surmise the struggle that ensues—
The eyes lose sight of it and words refuse
To tell the story in its gory might.
Night passes after night,
And still the fight continues, still the sparks
Fly from the iron sinews,... till the marks
Of fire and belching thunder fill the dark
And, almost torn asunder, one falls stark,
Hammering upon the other!...
What clamor now is born, what crashings rise!

Hot lightnings lash the skies and frightening cries
Clash with the hymns of saints and seraphim.
The bloody limbs thrash through a ruddy dusk,
Till one great tusk of Behemot has gored
Leviathan, restored to his full strength,
Who, dealing fiercer blows in those last throes,
Closes on reeling Behemot at length—
Piercing him with steel-pointed claws,
Straight through the jaws to his disjointed head.
And both lie dead.
Then come the angels!
With hoists and levers, joists and poles,
With knives and cleavers, ropes and saws,
Down the long slopes to the gaping maws,
The angels hasten; hacking and carving,
So nought will be lacking for the starving
Chosen of God, who in frozen wonderment
Realize now what the terrible thunder meant.
How their mouths water while they are looking
At miles of slaughter and sniffing the cooking!
Whiffs of delectable fragrance swim by;
Spice-laden vagrants that float and entice,
Tickling the throat and brimming the eye.
Ah! what rejoicing and crackling and roasting!
Ah! How the boys sing as, cackling and boasting,
The angels' old wives and their nervous assistants
Run in to serve us....
And while we are toasting 

The Fairest of All, they call from the distance
The rare ones of Time, they share our enjoyment;
Their only employment to bear jars of wine
And shine like the stars in a circle of glory.
Here sways Rebekah accompanied by Zilpah;
Miriam plays to the singing of Bilhah;
Hagar has tales for us, Judith her story;
Esther exhales bright romances and musk.
There, in the dusky light, Salome dances.
Sara and Rachel and Leah and Ruth,
Fairer than ever and all in their youth,
Come at our call and go by our leave.
And, from her bower of beauty, walks Eve
While, with the voice of a flower, she sings
Of Eden, young earth and the birth of all things....
Peace without end.
Peace will descend on us, discord will cease;
And we, now so wretched, will lie stretched out
Free of old doubt, on our cushions of ease.
And, like a gold canopy over our bed,
The skin of Leviathan, tail-tip to head,
Soon will be spread till it covers the skies.
Light will still rise from it; millions of bright
Facets of brilliance, shaming the white
Glass of the moon, inflaming the night.
So Time shall pass and rest and pass again,
Burn with an endless zest and then return,

Walk at our side and tide us to new joys;
God's voice to guide us, beauty as our staff.
Thus shall Life be when Death has disappeared....
Jeered at? Well, let them laugh.
Written by Carolyn Kizer | Create an image from this poem

On a Line From Valery (Gulf War)

 Tout le ciel vert se meurt
Le dernier arbre brûle.

The whole green sky is dying. The last tree flares
With a great burst of supernatural rose
Under a canopy of poisonous airs.

Could we imagine our return to prayers
To end in time before time's final throes,
The green sky dying as the last tree flares?

But we were young in judgment, gray in hairs
Who could make peace; but it was war we chose,
To spread its canopy of poisoning airs.

Not all our children's pleas and women's stares
Could steer us from this Hell. And now God knows
His whole green sky is dying as it flares.

Our crops of wheat have turned to fields of tares.
This dreadful century staggers to its close
And the sky dies for us, its poisoned heirs.

All rain was dust. Its granules were our cares.
Throats burst as everywhere winter arose
To dye the dead sky green. The last tree bears
Within its canopy ripe poisoned pears.
Written by Robert William Service | Create an image from this poem

Land Mine

 A grey gull hovered overhead,
 Then wisely flew away.
'In half a jiffy you'll be dead,'
 I thought I heard it say;
As there upon the railway line,
 Checking an urge to cough,
I laboured to de-fuse the mine
 That had not yet gone off.

I tapped around the time-clock rim,
 Then something worried me.
I heard the singing of a hymn:
 Nearer my God to Thee.
That damned Salvation Army band!
 I phoned back to the boys:
'Please tell them,--they will understand,--
 Cut out the bloody noise!'

Silence . . . I went to work anew,
 And then I heard a tick
That told me the blast was due,--
 I never ran so quick.
I heard the fury-roar behind;
 The earth erupted hell,
As hoisted high and stunned and blind
 Into a ditch I fell.

Then when at last I crawled from cover,
 My hands were bloody raw;
And I was blue and bruised all over,
 And this is what I saw:
All pale, but panting with elation,
 And very much unstuck,
There was the Army of Salvation
 Emerging from the muck.

And then I heard the Captain saying:
 ''Twas Heaven heard our pleas;
For there anight we all were praying
 Down on our bended knees.
'Twas little hope your comrades gave you,
 Though we had faith divine . . .
The blessed Lord stooped down to save you,
 But Gosh! He cut it fine.'

Book: Radiant Verses: A Journey Through Inspiring Poetry