Written by
Robert Southey |
Faint gleams the evening radiance thro' the sky,
The sober twilight dimly darkens round;
In short quick circles the shrill bat flits by,
And the slow vapour curls along the ground.
Now the pleas'd eye from yon lone cottage sees
On the green mead the smoke long-shadowing play;
The Red-breast on the blossom'd spray
Warbles wild her latest lay,
And sleeps along the dale the silent breeze.
Calm CONTEMPLATION,'tis thy favorite hour!
Come fill my bosom, tranquillizing Power.
Meek Power! I view thee on the calmy shore
When Ocean stills his waves to rest;
Or when slow-moving on the surge's hoar
Meet with deep hollow roar
And whiten o'er his breast;
For lo! the Moon with softer radiance gleams,
And lovelier heave the billows in her beams.
When the low gales of evening moan along,
I love with thee to feel the calm cool breeze,
And roam the pathless forest wilds among,
Listening the mellow murmur of the trees
Full-foliaged as they lift their arms on high
And wave their shadowy heads in wildest melody.
Or lead me where amid the tranquil vale
The broken stream flows on in silver light,
And I will linger where the gale
O'er the bank of violets sighs,
Listening to hear its soften'd sounds arise;
And hearken the dull beetle's drowsy flight,
And watch the horn-eyed snail
Creep o'er his long moon-glittering trail,
And mark where radiant thro' the night
Moves in the grass-green hedge the glow-worms living light.
Thee meekest Power! I love to meet,
As oft with even solitary pace
The scatter'd Abbeys hallowed rounds I trace
And listen to the echoings of my feet.
Or on the half demolished tomb,
Whole warning texts anticipate my doom:
Mark the clear orb of night
Cast thro' the storying glass a faintly-varied light.
Nor will I not in some more gloomy hour
Invoke with fearless awe thine holier power,
Wandering beneath the sainted pile
When the blast moans along the darksome aisle,
And clattering patters all around
The midnight shower with dreary sound.
But sweeter 'tis to wander wild
By melancholy dreams beguil'd,
While the summer moon's pale ray
Faintly guides me on my way
To the lone romantic glen
Far from all the haunts of men,
Where no noise of uproar rude
Breaks the calm of solitude.
But soothing Silence sleeps in all
Save the neighbouring waterfall,
Whose hoarse waters falling near
Load with hollow sounds the ear,
And with down-dasht torrent white
Gleam hoary thro' the shades of night.
Thus wandering silent on and slow
I'll nurse Reflection's sacred woe,
And muse upon the perish'd day
When Hope would weave her visions gay,
Ere FANCY chill'd by adverse fate
Left sad REALITY my mate.
O CONTEMPLATION! when to Memory's eyes
The visions of the long-past days arise,
Thy holy power imparts the best relief,
And the calm'd Spirit loves the joy of grief.
|
Written by
Rabindranath Tagore |
Mother, the light has grown grey in the sky; I do not know what
the time is.
There is no fun in my play, so I have come to you. It is
Saturday, our holiday.
Leave off your work, mother; sit here by the window and tell
me where the desert of Tepantar in the fairy tale is.
The shadow of the rains has covered the day from end to end.
The fierce lightning is scratching the sky with its nails.
When the clouds rumble and it thunders, I love to be afraid
in my heart and cling to you.
When the heavy rain patters for hours on the bamboo leaves,
and our windows shake and rattle at the gusts of wind, I like to
sit alone in the room, mother, with you, and hear you talk about
the desert of Tepantar in the fairy tale.
Where is it, mother, on the shore of what sea, at the foot of
what hills, in the kingdom of what king?
There are no hedges there to mark the fields, no footpath
across it by which the villagers reach their village in the
evening, or the woman who gathers dry sticks in the forest can
bring her load to the market. With patches of yellow grass in the
sand and only one tree where the pair of wise old birds have their
nest, lies the desert of Tepantar.
I can imagine how, on just such a cloudy day, the young son
of the king is riding alone on a grey horse through the desert, in
search of the princess who lies imprisoned in the giant's palace
across that unknown water.
When the haze of the rain comes down in the distant sky, and
lightning starts up like a sudden fit of pain, does he remember his
unhappy mother, abandoned by the king, sweeping the cow-stall and
wiping her eyes, while he rides through the desert of Tepantar in
the fairy tale?
See, mother, it is almost dark before the day is over, and
thee are no travellers yonder on the village road.
The shepherd boy has gone home early from the pasture, and men
have left their fields to sit on mats under the eaves of their
huts, watching the scowling clouds.
Mother, I have left all my books on the shelf-do not ask me
to do my lessons now.
When I grow up and am bid like my father, I shall learn all
that must be learnt.
But just for today, tell me, mother, where the desert of
Tepantar in the fairy tale is.
|
Written by
James Schuyler |
Books litter the bed,
leaves the lawn. It
lightly rains. Fall has
come: unpatterned, in
the shedding leaves.
The maples ripen. Apples
come home crisp in bags.
This pear tastes good.
It rains lightly on the
random leaf patterns.
The nimbus is spread
above our island. Rain
lightly patters on un-
shed leaves. The books
of fall litter the bed.
|
Written by
Amy Lowell |
I
Over the yawning chimney hangs the fog. Drip
-- hiss -- drip -- hiss --
fall the raindrops on the oaken log which burns, and steams,
and smokes the ceiling beams. Drip -- hiss -- the rain
never stops.
The wide, state bed shivers beneath its velvet coverlet. Above,
dim,
in the smoke, a tarnished coronet gleams dully. Overhead
hammers and chinks
the rain. Fearfully wails the wind down distant corridors,
and there comes
the swish and sigh of rushes lifted off the floors. The
arras blows sidewise
out from the wall, and then falls back again.
It is my lady's key, confided with much nice cunning, whisperingly.
He enters on a sob of wind, which gutters the candles almost to
swaling.
The fire flutters and drops. Drip -- hiss -- the rain
never stops.
He shuts the door. The rushes fall again to stillness
along the floor.
Outside, the wind goes wailing.
The velvet coverlet of the wide bed is smooth and cold. Above,
in the firelight, winks the coronet of tarnished gold. The
knight shivers
in his coat of fur, and holds out his hands to the withering flame.
She is always the same, a sweet coquette. He will wait
for her.
How the log hisses and drips! How warm
and satisfying will be her lips!
It is wide and cold, the state bed; but when her head lies under
the coronet,
and her eyes are full and wet with love, and when she holds out
her arms,
and the velvet counterpane half slips from her, and alarms
her trembling modesty, how eagerly he will leap to cover her, and
blot himself
beneath the quilt, making her laugh and tremble.
Is it guilt to free a lady from her palsied lord,
absent and fighting,
terribly abhorred?
He stirs a booted heel and kicks a rolling coal. His
spur clinks
on the hearth. Overhead, the rain hammers and chinks. She
is so pure
and whole. Only because he has her soul will she resign
herself to him,
for where the soul has gone, the body must be given as a sign. He
takes her
by the divine right of the only lover. He has sworn to
fight her lord,
and wed her after. Should he be overborne, she will die
adoring him, forlorn,
shriven by her great love.
Above, the coronet winks in the darkness. Drip
-- hiss -- fall the raindrops.
The arras blows out from the wall, and a door bangs in a far-off
hall.
The candles swale. In the gale the moat below plunges
and spatters.
Will the lady lose courage and not come?
The rain claps on a loosened rafter.
Is that laughter?
The room is filled with lisps and whispers. Something
mutters.
One candle drowns and the other gutters. Is that the
rain
which pads and patters, is it the wind through the winding entries
which chatters?
The state bed is very cold and he is alone. How
far from the wall
the arras is blown!
Christ's Death! It is no storm which makes these little
chuckling sounds.
By the Great Wounds of Holy Jesus, it is his dear lady, kissing
and
clasping someone! Through the sobbing storm he hears
her love take form
and flutter out in words. They prick into his ears and
stun his desire,
which lies within him, hard and dead, like frozen fire. And
the little noise
never stops.
Drip -- hiss -- the rain drops.
He tears down the arras from before an inner chamber's bolted door.
II
The state bed shivers in the watery dawn. Drip
-- hiss -- fall the raindrops.
For the storm never stops.
On the velvet coverlet lie two bodies, stripped
and fair in the cold,
grey air. Drip -- hiss -- fall the blood-drops, for the
bleeding never stops.
The bodies lie quietly. At each side of the bed, on the
floor, is a head.
A man's on this side, a woman's on that, and the red blood oozes
along
the rush mat.
A wisp of paper is twisted carefully into the strands
of the dead man's hair.
It says, "My Lord: Your wife's paramour has paid with
his life
for the high favour."
Through the lady's silver fillet is wound another
paper. It reads,
"Most noble Lord: Your wife's misdeeds are as a double-stranded
necklace of beads. But I have engaged that, on your return,
she shall welcome you here. She will not spurn your love
as before,
you have still the best part of her. Her blood was red,
her body white,
they will both be here for your delight. The soul inside
was a lump of dirt,
I have rid you of that with a spurt of my sword point. Good
luck
to your pleasure. She will be quite complaisant, my friend,
I wager."
The end was a splashed flourish of ink.
Hark! In the passage is heard the clink
of armour, the tread of a heavy man.
The door bursts open and standing there, his thin hair wavering
in the glare of steely daylight, is my Lord of Clair.
Over the yawning chimney hangs the fog. Drip -- hiss
-- drip -- hiss --
fall the raindrops. Overhead hammers and chinks the rain
which never stops.
The velvet coverlet is sodden and wet, yet the
roof beams are tight.
Overhead, the coronet gleams with its blackened gold, winking and
blinking.
Among the rushes three corpses are growing cold.
III
In the castle church you may see them stand,
Two sumptuous tombs on either hand
Of the choir, my Lord's and my Lady's, grand
In sculptured filigrees. And where the transepts of the
church expand,
A crusader, come from the Holy Land,
Lies with crossed legs and embroidered band.
The page's name became a brand
For shame. He was buried in crawling sand,
After having been burnt by royal command.
|
Written by
Conrad Aiken |
Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.
'I brought you this . . . ' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
She sees an infinite May sky spread
A vault profoundly blue.
The voice from the house fades far away,
The glistening leaves more vaguely ripple and sway . .
The tap is closed, the water ceases to hiss . . .
Silence . . . blue sky . . . and then, 'I brought you this . . . '
She turns again, and smiles . . . He does not know
She smiles from long ago . . .
She turns to him and smiles . . . Sunlight above him
Roars like a vast invisible sea,
Gold is beaten before him, shrill bells of silver;
He is released of weight, his body is free,
He lifts his arms to swim,
Dark years like sinister tides coil under him . . .
The lazy sea-waves crumble along the beach
With a whirring sound like wind in bells,
He lies outstretched on the yellow wind-worn sands
Reaching his lazy hands
Among the golden grains and sea-white shells . . .
'One white rose . . . or is it pink, to-day?'
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.
'Pink,—to-day!'—Face turns to dream-bright face,
Green leaves rise round them, sunshine settles upon them,
Water, in drops of silver, falls from the rose.
She smiles at a face that smiles through leaves from the mirror.
She breathes the fragrance; her dark eyes close . . .
Time is dissolved, it blows like a little dust:
Time, like a flurry of rain,
Patters and passes, starring the window-pane.
Once, long ago, one night,
She saw the lightning, with long blue quiver of light,
Ripping the darkness . . . and as she turned in terror
A soft face leaned above her, leaned softly down,
Softly around her a breath of roses was blown,
She sank in waves of quiet, she seemed to float
In a sea of silence . . . and soft steps grew remote . .
'Well, let us walk in the park . . . The sun is warm,
We'll sit on a bench and talk . . .' They turn and glide,
The crowd of faces wavers and breaks and flows.
'Look how the oak-tops turn to gold in the sunlight!
Look how the tower is changed and glows!'
Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.
What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
The red sun drops, the walls grow grey.
|
Written by
Robert William Service |
Give me the scorn of the stars and a peak defiant;
Wail of the pines and a wind with the shout of a giant;
Night and a trail unknown and a heart reliant.
Give me to live and love in the old, bold fashion;
A soldier's billet at night and a soldier's ration;
A heart that leaps to the fight with a soldier's passion.
For I hold as a simple faith there's no denying:
The trade of a soldier's the only trade worth plying;
The death of a soldier's the only death worth dying.
So let me go and leave your safety behind me;
Go to the spaces of hazard where nothing shall bind me;
Go till the word is War -- and then you will find me.
Then you will call me and claim me because you will need me;
Cheer me and gird me and into the battle-wrath speed me. . . .
And when it's over, spurn me and no longer heed me.
For guile and a purse gold-greased are the arms you carry;
With deeds of paper you fight and with pens you parry;
You call on the hounds of the law your foes to harry.
You with your "Art for its own sake", posing and prinking;
You with your "Live and be merry", eating and drinking;
You with your "Peace at all hazard", from bright blood shrinking.
Fools! I will tell you now: though the red rain patters,
And a million of men go down, it's little it matters. . . .
There's the Flag upflung to the stars, though it streams in tatters.
There's a glory gold never can buy to yearn and to cry for;
There's a hope that's as old as the sky to suffer and sigh for;
There's a faith that out-dazzles the sun to martyr and die for.
Ah no! it's my dream that War will never be ended;
That men will perish like men, and valour be splendid;
That the Flag by the sword will be served, and honour defended.
That the tale of my fights will never be ancient story;
That though my eye may be dim and my beard be hoary,
I'll die as a soldier dies on the Field of Glory.
So give me a strong right arm for a wrong's swift righting;
Stave of a song on my lips as my sword is smiting;
Death in my boots may-be, but fighting, fighting.
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