Written by
Henry Wadsworth Longfellow |
Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-Five:
Hardly a man is now alive
Who remembers that famous day and year.
He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry-arch
Of the North-Church-tower, as a signal-light,--
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country-folk to be up and to arm."
Then he said "Good night!" and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war:
A phantom ship, with each mast and spar
Across the moon, like a prison-bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.
Meanwhile, his friend, through alley and street
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers
Marching down to their boats on the shore.
Then he climbed to the tower of the church,
Up the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,--
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead,
In their night-encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel's tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, "All is well!"
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay, --
A line of black, that bends and floats
On the rising tide, like a bridge of boats.
Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride,
On the opposite shore walked Paul Revere.
Now he patted his horse's side,
Now gazed on the landscape far and near,
Then impetuous stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry's height,
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!
A hurry of hoofs in a village-street,
A shape in the moonlight, a bulk in the dark,
And beneath from the pebbles, in passing, a spark
Struck out by a steed that flies fearless and fleet:
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders, that skirt its edge,
Now soft on the sand, now load on the ledge,
Is heard the tramp of his steed as he rides.
It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer's dog,
And felt the damp of the river-fog,
That rises when the sun goes down.
It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.
It was two by the village clock,
When be came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.
You know the rest. In the books you have read,
How the British Regulars fired and fled,--
How the farmers gave them ball for ball,
From behind each fence and farmyard-wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,--
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
|
Written by
Denise Duhamel |
At first she was sure it was just a bit of dried strawberry juice,
or a fleck of her mother's red nail polish that had flaked off
when she'd patted her daughter to sleep the night before.
But as she scrubbed, Snow felt a bump, something festering
under the surface, like a tapeworm curled up and living
in her left cheek.
Doc the Dwarf was no dermatologist
and besides Snow doesn't get to meet him in this version
because the mint leaves the tall doctor puts over her face
only make matters worse. Snow and the Queen hope
against hope for chicken pox, measles, something
that would be gone quickly and not plague Snow's whole
adolescence.
If only freckles were red, she cried, if only
concealer really worked. Soon came the pus, the yellow dots,
multiplying like pins in a pin cushion. Soon came
the greasy hair. The Queen gave her daughter a razor
for her legs and a stick of underarm deodorant.
Snow
doodled through her teenage years—"Snow + ?" in Magic
Markered hearts all over her notebooks. She was an average
student, a daydreamer who might have been a scholar
if she'd only applied herself. She liked sappy music
and romance novels. She liked pies and cake
instead of fruit.
The Queen remained the fairest in the land.
It was hard on Snow, having such a glamorous mom.
She rebelled by wearing torn shawls and baggy gowns.
Her mother would sometimes say, "Snow darling,
why don't you pull back your hair? Show those pretty eyes?"
or "Come on, I'll take you shopping."
Snow preferred
staying in her safe room, looking out of her window
at the deer leaping across the lawn. Or she'd practice
her dance moves with invisible princes. And the Queen,
busy being Queen, didn't like to push it.
|
Written by
Pablo Neruda |
America, from a grain
of maize you grew
to crown
with spacious lands
the ocean foam.
A grain of maize was your geography.
From the grain
a green lance rose,
was covered with gold,
to grace the heights
of Peru with its yellow tassels.
But, poet, let
history rest in its shroud;
praise with your lyre
the grain in its granaries:
sing to the simple maize in the kitchen.
First, a fine beard
fluttered in the field
above the tender teeth
of the young ear.
Then the husks parted
and fruitfulness burst its veils
of pale papyrus
that grains of laughter
might fall upon the earth.
To the stone,
in your journey,
you returned.
Not to the terrible stone,
the bloody
triangle of Mexican death,
but to the grinding stone,
sacred
stone of your kitchens.
There, milk and matter,
strength-giving, nutritious
cornmeal pulp,
you were worked and patted
by the wondrous hands
of dark-skinned women.
Wherever you fall, maize,
whether into the
splendid pot of partridge, or among
country beans, you light up
the meal and lend it
your virginal flavor.
Oh, to bite into
the steaming ear beside the sea
of distant song and deepest waltz.
To boil you
as your aroma
spreads through
blue sierras.
But is there
no end
to your treasure?
In chalky, barren lands
bordered
by the sea, along
the rocky Chilean coast,
at times
only your radiance
reaches the empty
table of the miner.
Your light, your cornmeal, your hope
pervades America's solitudes,
and to hunger
your lances
are enemy legions.
Within your husks,
like gentle kernels,
our sober provincial
children's hearts were nurtured,
until life began
to shuck us from the ear.
|
Written by
Barry Tebb |
Quarter to three: I wake again at the hour of his birth
Thirty years ago and now he paces corridors of dark
In nightmares of self-condemnation where random thoughts
Besiege his fevered imagination – England’s
Imminent destruction, his own, the world’s…
Sixty to eighty cigarettes a day, unavailing depot injections,
Failed abscondings, failed everything: Eton and Balliol
Hold no sway on ward one, nor even being
‘A six language master,’ on PICU madness is the only qualification.
There was the ‘shaving incident’ at school, which
Made him ready to walk out at fifteen, the alcohol
Defences at Oxford which shut us out then petered out
During the six years in India, studying Bengali at Shantiniketan.
He tottered from the plane, penniless and unshaven,
To hide away in the seediest bedsit Beeston could boast
Where night turned to day and vaguely he applied
For jobs as clerk and court usher and drank in pubs with yobs.
When the crisis came – "I feel my head coming off my body’ –
I was ready and unready, making the necessary calls
To get a bed, to keep him on the ward, to visit and reassure
Us both that some way out could be found.
The ‘Care Home’ was the next disaster, trying to cure
Schizophrenia with sticking plaster: "We don’t want
Carers’ input, we call patients ‘residents’ and insist on chores
Not medication", then the letters of terrible abuse, the finding of a flat,
‘The discharge into the community.’
His ‘keyworker’ was the keyworker from hell: the more
Isaiah’s care fell apart the more she encouraged
Him to blame us and ‘Make his life his own’, vital signs
Of decline ignored or consigned to files, ‘confidentiality’ reigned supreme.
Insidiously the way back to the ward unveiled
Over painful months, the self-neglect, the inappropriate remarks
In pubs, the neglected perforated eardrum, keeping
Company with his feckless cousins between their bouts in prison.
The pointless team meetings he was patted through,
My abrupt dismissal as carer at the keyworker’s instigation,
The admission we knew nothing of, the abscondings we were told of
And had to sort out, then the phone call from the ASW.
"We are about to section your son for six months, have you
Any comment?" Then the final absconding to London
From a fifteen minute break on PICU, to face his brother’s
Drunken abuse, the police were kindness itself as they drove him to the secure unit.
Two nurses came by taxi from Leeds the next day to collect him
The Newsam Centre’s like a hotel – Informality and first class treatment
Behind the locked doors he freezes before and whispers
"Daddy, I was damned in hell but now I am God’s friend."
Note: PICU- Psychiatric Intensive Care Unit
Beeston- An inner city area of Leeds
ASW- Approved Social Worker
|
Written by
Robert Browning |
1 It once might have been, once only:
2 We lodged in a street together,
3 You, a sparrow on the housetop lonely,
4 I, a lone she-bird of his feather.
5 Your trade was with sticks and clay,
6 You thumbed, thrust, patted and polished,
7 Then laughed 'They will see some day
8 Smith made, and Gibson demolished.'
9 My business was song, song, song;
10 I chirped, cheeped, trilled and twittered,
11 'Kate Brown's on the boards ere long,
12 And Grisi's existence embittered!'
13 I earned no more by a warble
14 Than you by a sketch in plaster;
15 You wanted a piece of marble,
16 I needed a music-master.
17 We studied hard in our styles,
18 Chipped each at a crust like Hindoos,
19 For air looked out on the tiles,
20 For fun watched each other's windows.
21 You lounged, like a boy of the South,
22 Cap and blouse--nay, a bit of beard too;
23 Or you got it, rubbing your mouth
24 With fingers the clay adhered to.
25 And I--soon managed to find
26 Weak points in the flower-fence facing,
27 Was forced to put up a blind
28 And be safe in my corset-lacing.
29 No harm! It was not my fault
30 If you never turned your eye's tail up
31 As I shook upon E in alt,
32 Or ran the chromatic scale up:
33 For spring bade the sparrows pair,
34 And the boys and girls gave guesses,
35 And stalls in our street looked rare
36 With bulrush and watercresses.
37 Why did not you pinch a flower
38 In a pellet of clay and fling it?
39 Why did not I put a power
40 Of thanks in a look, or sing it?
41 I did look, sharp as a lynx,
42 (And yet the memory rankles,)
43 When models arrived, some minx
44 Tripped up-stairs, she and her ankles.
45 But I think I gave you as good!
46 'That foreign fellow,--who can know
47 How she pays, in a playful mood,
48 For his tuning her that piano?'
49 Could you say so, and never say
50 'Suppose we join hands and fortunes,
51 And I fetch her from over the way,
52 Her, piano, and long tunes and short tunes?'
53 No, no: you would not be rash,
54 Nor I rasher and something over:
55 You've to settle yet Gibson's hash,
56 And Grisi yet lives in clover.
57 But you meet the Prince at the Board,
58 I'm queen myself at bals-par?,
59 I've married a rich old lord,
60 And you're dubbed knight and an R.A.
61 Each life unfulfilled, you see;
62 It hangs still, patchy and scrappy:
63 We have not sighed deep, laughed free,
64 Starved, feasted, despaired,--been happy.
65 And nobody calls you a dunce,
66 And people suppose me clever:
67 This could but have happened once,
68 And we missed it, lost it for ever.
|
Written by
Henry Wadsworth Longfellow |
Listen my children and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.
He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,--
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm."
Then he said "Good-night!" and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.
Meanwhile, his friend through alley and street
Wanders and watches, with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.
Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,--
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town
And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead,
In their night encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel's tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, "All is well!"
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,--
A line of black that bends and floats
On the rising tide like a bridge of boats.
Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse's side,
Now he gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle girth;
But mostly he watched with eager search
The belfry tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry's height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns.
A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.
It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer's dog,
And felt the damp of the river fog,
That rises after the sun goes down.
It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, black and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.
It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadow brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket ball.
You know the rest. In the books you have read
How the British Regulars fired and fled,---
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,---
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
|
Written by
Rudyard Kipling |
A much-discerning Public hold
The Singer generally sings
And prints and sells his past for gold.
Whatever I may here disclaim,
The very clever folk I sing to
Will most indubitably cling to
Their pet delusion, just the same.
I had seen, as the dawn was breaking
And I staggered to my rest,
Tari Devi softly shaking
From the Cart Road to the crest.
I had seen the spurs of Jakko
Heave and quiver, swell and sink.
Was it Earthquake or tobacco,
Day of Doom, or Night of Drink?
In the full, fresh fragrant morning
I observed a camel crawl,
Laws of gravitation scorning,
On the ceiling and the wall;
Then I watched a fender walking,
And I heard grey leeches sing,
And a red-hot monkey talking
Did not seem the proper thing.
Then a Creature, skinned and crimson,
Ran about the floor and cried,
And they said that I had the "jims" on,
And they dosed me with bromide,
And they locked me in my bedroom --
Me and one wee Blood Red Mouse --
Though I said: "To give my head room
You had best unroof the house."
But my words were all unheeded,
Though I told the grave M.D.
That the treatment really needed
Was a dip in open sea
That was lapping just below me,
Smooth as silver, white as snow,
And it took three men to throw me
When I found I could not go.
Half the night I watched the Heavens
Fizz like '81 champagne --
Fly to sixes and to sevens,
Wheel and thunder back again;
And when all was peace and order
Save one planet nailed askew,
Much I wept because my warder
Would not let me sit it true.
After frenzied hours of wating,
When the Earth and Skies were dumb,
Pealed an awful voice dictating
An interminable sum,
Changing to a tangle story --
"What she said you said I said" --
Till the Moon arose in glory,
And I found her . . . in my head;
Then a Face came, blind and weeping,
And It couldn't wipe its eyes,
And It muttered I was keeping
Back the moonlight from the skies;
So I patted it for pity,
But it whistled shrill with wrath,
And a huge black Devil City
Poured its peoples on my path.
So I fled with steps uncertain
On a thousand-year long race,
But the bellying of the curtain
Kept me always in one place;
While the tumult rose and maddened
To the roar of Earth on fire,
Ere it ebbed and sank and saddened
To a whisper tense as wire.
In tolerable stillness
Rose one little, little star,
And it chuckled at my illness,
And it mocked me from afar;
And its breathren came and eyed me,
Called the Universe to aid,
Till I lay, with naught to hide me,
'Neath' the Scorn of All Things Made.
Dun and saffron, robed and splendid,
Broke the solemn, pitying Day,
And I knew my pains were ended,
And I turned and tried to pray;
But my speech was shattered wholly,
And I wept as children weep.
Till the dawn-wind, softly, slowly,
Brought to burning eyelids sleep.
|
Written by
Robert Browning |
I sprang to the stirrup, and Joris, and he;
I galloped, Dirck galloped, we galloped all three;
"Good speed!" cried the watch, as the gate-bolts undrew;
"Speed!" echoed the wall to us galloping through;
Behind shut the postern, the lights sank to rest,
And into the midnight we galloped abreast.
Not a word to each other; we kept the great pace
Neck by neck, stride by stride, never changing our place;
I turned in my saddle and made its girths tight,
Then shortened each stirrup, and set the pique right,
Rebuckled the cheek-strap, chained slacker the bit,
Nor galloped less steadily Roland a whit.
'Twas moonset at starting; but while we drew near
Lokeren, the cocks crew and twilight dawned clear;
At Boom, a great yellow star came out to see;
At Duffeld, 'twas morning as plain as could be;
And from Mecheln church-steeple we heard the half-chime,
So Joris broke silence with, "Yet there is time!"
At Aerschot, up leaped of a sudden the sun,
And against him the cattle stood black every one,
To stare through the mist at us galloping past,
And I saw my stout galloper Roland at last,
With resolute shoulders, each butting away
The haze, as some bluff river headland its spray:
And his low head and crest, just one sharp ear bent back
For my voice, and the other pricked out on his track;
And one eye's black intelligence,—ever that glance
O'er its white edge at me, his own master, askance!
And the thick heavy spume-flakes which aye and anon
His fierce lips shook upwards in galloping on.
By Hasselt, Dirck groaned; and cried Joris, "Stay spur!
Your Roos galloped bravely, the fault's not in her,
We'll remember at Aix"—for one heard the quick wheeze
Of her chest, saw the stretched neck and staggering knees,
And sunk tail, and horrible heave of the flank,
As down on her haunches she shuddered and sank.
So, we were left galloping, Joris and I,
Past Looz and past Tongres, no cloud in the sky;
The broad sun above laughed a pitiless laugh,
'Neath our feet broke the brittle bright stubble like chaff;
Till over by Dalhem a dome-spire sprang white,
And "Gallop," gasped Joris, "for Aix is in sight!"
"How they'll greet us!"—and all in a moment his roan
Rolled neck and croup over, lay dead as a stone;
And there was my Roland to bear the whole weight
Of the news which alone could save Aix from her fate,
With his nostrils like pits full of blood to the brim,
And with circles of red for his eye-socket's rim.
Then I cast loose my buffcoat, each holster let fall,
Shook off both my jack-boots, let go belt and all,
Stood up in the stirrup, leaned, patted his ear,
Called my Roland his pet-name, my horse without peer;
Clapped my hands, laughed and sang, any noise, bad or good,
Till at length into Aix Roland galloped and stood.
And all I remember is—friends flocking round
As I sat with his head 'twixt my knees on the ground;
And no voice but was praising this Roland of mine,
As I poured down his throat our last measure of wine,
Which (the burgesses voted by common consent)
Was no more than his due who brought good news from Ghent
|
Written by
Amy Lowell |
The little boy pressed his face against the window-pane
and looked out
at the bright sunshiny morning. The cobble-stones of
the square
glistened like mica. In the trees, a breeze danced and
pranced,
and shook drops of sunlight like falling golden coins into the brown
water
of the canal. Down stream slowly drifted a long string
of galliots
piled with crimson cheeses. The little boy thought they
looked as if
they were roc's eggs, blocks of big ruby eggs. He said,
"Oh!" with delight,
and pressed against the window with all his might.
The golden cock on the top of the `Stadhuis' gleamed. His
beak was open
like a pair of scissors and a narrow piece of blue sky was wedged
in it.
"Cock-a-doodle-do," cried the little boy. "Can't you
hear me
through the window, Gold Cocky? Cock-a-doodle-do! You
should crow
when you see the eggs of your cousin, the great roc." But
the golden cock
stood stock still, with his fine tail blowing in the wind.
He could not understand the little boy, for he said "Cocorico"
when he said anything. But he was hung in the air to
swing, not to sing.
His eyes glittered to the bright West wind, and the crimson cheeses
drifted away down the canal.
It was very dull there in the big room. Outside in the
square, the wind
was playing tag with some fallen leaves. A man passed,
with a dogcart
beside him full of smart, new milkcans. They rattled
out a gay tune:
"Tiddity-tum-ti-ti. Have some milk for your tea. Cream
for your coffee
to drink to-night, thick, and smooth, and sweet, and white,"
and the man's sabots beat an accompaniment: "Plop! trop!
milk for your tea.
Plop! trop! drink it to-night." It was very pleasant
out there,
but it was lonely here in the big room. The little boy
gulped at a tear.
It was ***** how dull all his toys were. They were so
still.
Nothing was still in the square. If he took his eyes
away a moment
it had changed. The milkman had disappeared round the
corner,
there was only an old woman with a basket of green stuff on her
head,
picking her way over the shiny stones. But the wind pulled
the leaves
in the basket this way and that, and displayed them to beautiful
advantage.
The sun patted them condescendingly on their flat surfaces, and
they seemed
sprinkled with silver. The little boy sighed as he looked
at his disordered
toys on the floor. They were motionless, and their colours
were dull.
The dark wainscoting absorbed the sun. There was none
left for toys.
The square was quite empty now. Only the wind ran round
and round it,
spinning. Away over in the corner where a street opened
into the square,
the wind had stopped. Stopped running, that is, for it
never
stopped spinning. It whirred, and whirled, and gyrated,
and turned.
It burned like a great coloured sun. It hummed, and buzzed,
and sparked,
and darted. There were flashes of blue, and long smearing
lines of saffron,
and quick jabs of green. And over it all was a sheen
like a myriad
cut diamonds. Round and round it went, the huge wind-wheel,
and the little boy's head reeled with watching it. The
whole square
was filled with its rays, blazing and leaping round after one another,
faster and faster. The little boy could not speak, he
could only gaze,
staring in amaze.
The wind-wheel was coming down the square. Nearer and
nearer it came,
a great disk of spinning flame. It was opposite the window
now,
and the little boy could see it plainly, but it was something more
than the wind which he saw. A man was carrying a huge
fan-shaped frame
on his shoulder, and stuck in it were many little painted paper
windmills,
each one scurrying round in the breeze. They were bright
and beautiful,
and the sight was one to please anybody, and how much more a little
boy
who had only stupid, motionless toys to enjoy.
The little boy clapped his hands, and his eyes danced and whizzed,
for the circling windmills made him dizzy. Closer and
closer
came the windmill man, and held up his big fan to the little boy
in the window of the Ambassador's house. Only a pane
of glass
between the boy and the windmills. They slid round before
his eyes
in rapidly revolving splendour. There were wheels and
wheels of colours --
big, little, thick, thin -- all one clear, perfect spin. The
windmill vendor
dipped and raised them again, and the little boy's face was glued
to the window-pane. Oh! What a glorious, wonderful
plaything!
Rings and rings of windy colour always moving! How had
any one ever preferred
those other toys which never stirred. "Nursie, come quickly. Look!
I want a windmill. See! It is never still. You
will buy me one, won't you?
I want that silver one, with the big ring of blue."
So a servant was sent to buy that one: silver, ringed
with blue,
and smartly it twirled about in the servant's hands as he stood
a moment
to pay the vendor. Then he entered the house, and in
another minute
he was standing in the nursery door, with some crumpled paper on
the end
of a stick which he held out to the little boy. "But
I wanted a windmill
which went round," cried the little boy. "That is the
one you asked for,
Master Charles," Nursie was a bit impatient, she had mending to
do.
"See, it is silver, and here is the blue." "But it is
only a blue streak,"
sobbed the little boy. "I wanted a blue ring, and this
silver
doesn't sparkle." "Well, Master Charles, that is what
you wanted,
now run away and play with it, for I am very busy."
The little boy hid his tears against the friendly window-pane. On
the floor
lay the motionless, crumpled bit of paper on the end of its stick.
But far away across the square was the windmill vendor, with his
big wheel
of whirring splendour. It spun round in a blaze like
a whirling rainbow,
and the sun gleamed upon it, and the wind whipped it, until it seemed
a maze of spattering diamonds. "Cocorico!" crowed the
golden cock
on the top of the `Stadhuis'. "That is something worth
crowing for."
But the little boy did not hear him, he was sobbing over the crumpled
bit of paper on the floor.
|
Written by
Amy Lowell |
There once was a man whom the gods didn't love,
And a disagreeable man was he.
He loathed his neighbours, and his neighbours hated him,
And he cursed eternally.
He damned the sun, and he damned the stars,
And he blasted the winds in the sky.
He sent to Hell every green, growing thing,
And he raved at the birds as they fly.
His oaths were many, and his range was wide,
He swore in fancy ways;
But his meaning was plain: that no created thing
Was other than a hurt to his gaze.
He dwelt all alone, underneath a leaning hill,
And windows toward the hill there were none,
And on the other side they were white-washed thick,
To keep out every spark of the sun.
When he went to market he walked all the way
Blaspheming at the path he trod.
He cursed at those he bought of, and swore at those he sold to,
By all the names he knew of God.
For his heart was soured in his weary old hide,
And his hopes had curdled in his breast.
His friend had been untrue, and his love had thrown him over
For the chinking money-bags she liked best.
The rats had devoured the contents of his grain-bin,
The deer had trampled on his corn,
His brook had shrivelled in a summer drought,
And his sheep had died unshorn.
His hens wouldn't lay, and his cow broke loose,
And his old horse perished of a colic.
In the loft his wheat-bags were nibbled into holes
By little, glutton mice on a frolic.
So he slowly lost all he ever had,
And the blood in his body dried.
Shrunken and mean he still lived on,
And cursed that future which had lied.
One day he was digging, a spade or two,
As his aching back could lift,
When he saw something glisten at the bottom of the trench,
And to get it out he made great shift.
So he dug, and he delved, with care and pain,
And the veins in his forehead stood taut.
At the end of an hour, when every bone cracked,
He gathered up what he had sought.
A dim old vase of crusted glass,
Prismed while it lay buried deep.
Shifting reds and greens, like a pigeon's neck,
At the touch of the sun began to leap.
It was dull in the tree-shade, but glowing in the
light;
Flashing like an opal-stone,
Carved into a flagon; and the colours glanced and ran,
Where at first there had seemed to be none.
It had handles on each side to bear it up,
And a belly for the gurgling wine.
Its neck was slender, and its mouth was wide,
And its lip was curled and fine.
The old man saw it in the sun's bright stare
And the colours started up through the crust,
And he who had cursed at the yellow sun
Held the flask to it and wiped away the dust.
And he bore the flask to the brightest spot,
Where the shadow of the hill fell clear;
And he turned the flask, and he looked at the flask,
And the sun shone without his sneer.
Then he carried it home, and put it on a shelf,
But it was only grey in the gloom.
So he fetched a pail, and a bit of cloth,
And he went outside with a broom.
And he washed his windows just to let the sun
Lie upon his new-found vase;
And when evening came, he moved it down
And put it on a table near the place
Where a candle fluttered in a draught from the
door.
The old man forgot to swear,
Watching its shadow grown a mammoth size,
Dancing in the kitchen there.
He forgot to revile the sun next morning
When he found his vase afire in its light.
And he carried it out of the house that day,
And kept it close beside him until night.
And so it happened from day to day.
The old man fed his life
On the beauty of his vase, on its perfect shape.
And his soul forgot its former strife.
And the village-folk came and begged to see
The flagon which was dug from the ground.
And the old man never thought of an oath, in his joy
At showing what he had found.
One day the master of the village school
Passed him as he stooped at toil,
Hoeing for a bean-row, and at his side
Was the vase, on the turned-up soil.
"My friend," said the schoolmaster, pompous and
kind,
"That's a valuable thing you have there,
But it might get broken out of doors,
It should meet with the utmost care.
What are you doing with it out here?"
"Why, Sir," said the poor old man,
"I like to have it about, do you see?
To be with it all I can."
"You will smash it," said the schoolmaster, sternly
right,
"Mark my words and see!"
And he walked away, while the old man looked
At his treasure despondingly.
Then he smiled to himself, for it was his!
He had toiled for it, and now he cared.
Yes! loved its shape, and its subtle, swift hues,
Which his own hard work had bared.
He would carry it round with him everywhere,
As it gave him joy to do.
A fragile vase should not stand in a bean-row!
Who would dare to say so? Who?
Then his heart was rested, and his fears gave way,
And he bent to his hoe again. . . .
A clod rolled down, and his foot slipped back,
And he lurched with a cry of pain.
For the blade of the hoe crashed into glass,
And the vase fell to iridescent sherds.
The old man's body heaved with slow, dry sobs.
He did not curse, he had no words.
He gathered the fragments, one by one,
And his fingers were cut and torn.
Then he made a hole in the very place
Whence the beautiful vase had been borne.
He covered the hole, and he patted it down,
Then he hobbled to his house and shut the door.
He tore up his coat and nailed it at the windows
That no beam of light should cross the floor.
He sat down in front of the empty hearth,
And he neither ate nor drank.
In three days they found him, dead and cold,
And they said: "What a ***** old crank!"
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