Written by
Victor Hugo |
("Enfants! Oh! revenez!")
{XXII, April, 1837}
Children, come back—come back, I say—
You whom my folly chased away
A moment since, from this my room,
With bristling wrath and words of doom!
What had you done, you bandits small,
With lips as red as roses all?
What crime?—what wild and hapless deed?
What porcelain vase by you was split
To thousand pieces? Did you need
For pastime, as you handled it,
Some Gothic missal to enrich
With your designs fantastical?
Or did your tearing fingers fall
On some old picture? Which, oh, which
Your dreadful fault? Not one of these;
Only when left yourselves to please
This morning but a moment here
'Mid papers tinted by my mind
You took some embryo verses near—
Half formed, but fully well designed
To open out. Your hearts desire
Was but to throw them on the fire,
Then watch the tinder, for the sight
Of shining sparks that twinkle bright
As little boats that sail at night,
Or like the window lights that spring
From out the dark at evening.
'Twas all, and you were well content.
Fine loss was this for anger's vent—
A strophe ill made midst your play,
Sweet sound that chased the words away
In stormy flight. An ode quite new,
With rhymes inflated—stanzas, too,
That panted, moving lazily,
And heavy Alexandrine lines
That seemed to jostle bodily,
Like children full of play designs
That spring at once from schoolroom's form.
Instead of all this angry storm,
Another might have thanked you well
For saving prey from that grim cell,
That hollowed den 'neath journals great,
Where editors who poets flout
With their demoniac laughter shout.
And I have scolded you! What fate
For charming dwarfs who never meant
To anger Hercules! And I
Have frightened you!—My chair I sent
Back to the wall, and then let fly
A shower of words the envious use—
"Get out," I said, with hard abuse,
"Leave me alone—alone I say."
Poor man alone! Ah, well-a-day,
What fine result—what triumph rare!
As one turns from the coffin'd dead
So left you me:—I could but stare
Upon the door through which you fled—
I proud and grave—but punished quite.
And what care you for this my plight!—
You have recovered liberty,
Fresh air and lovely scenery,
The spacious park and wished-for grass;
lights
And gratefully to sing.
E'e
A blade to watch what comes to pass;
Blue sky, and all the spring can show;
Nature, serenely fair to see;
The book of birds and spirits free,
God's poem, worth much more than mine,
Where flowers for perfect stanzas shine—
Flowers that a child may pluck in play,
No harsh voice frightening it away.
And I'm alone—all pleasure o'er—
Alone with pedant called "Ennui,"
For since the morning at my door
Ennui has waited patiently.
That docto-r-London born, you mark,
One Sunday in December dark,
Poor little ones—he loved you not,
And waited till the chance he got
To enter as you passed away,
And in the very corner where
You played with frolic laughter gay,
He sighs and yawns with weary air.
What can I do? Shall I read books,
Or write more verse—or turn fond looks
Upon enamels blue, sea-green,
And white—on insects rare as seen
Upon my Dresden china ware?
Or shall I touch the globe, and care
To make the heavens turn upon
Its axis? No, not one—not one
Of all these things care I to do;
All wearies me—I think of you.
In truth with you my sunshine fled,
And gayety with your light tread—
Glad noise that set me dreaming still.
'Twas my delight to watch your will,
And mark you point with finger-tips
To help your spelling out a word;
To see the pearls between your lips
When I your joyous laughter heard;
Your honest brows that looked so true,
And said "Oh, yes!" to each intent;
Your great bright eyes, that loved to view
With admiration innocent
My fine old Sèvres; the eager thought
That every kind of knowledge sought;
The elbow push with "Come and see!"
Oh, certes! spirits, sylphs, there be,
And fays the wind blows often here;
The gnomes that squat the ceiling near,
In corners made by old books dim;
The long-backed dwarfs, those goblins grim
That seem at home 'mong vases rare,
And chat to them with friendly air—
Oh, how the joyous demon throng
Must all have laughed with laughter long
To see you on my rough drafts fall,
My bald hexameters, and all
The mournful, miserable band,
And drag them with relentless hand
From out their box, with true delight
To set them each and all a-light,
And then with clapping hands to lean
Above the stove and watch the scene,
How to the mass deformed there came
A soul that showed itself in flame!
Bright tricksy children—oh, I pray
Come back and sing and dance away,
And chatter too—sometimes you may,
A giddy group, a big book seize—
Or sometimes, if it so you please,
With nimble step you'll run to me
And push the arm that holds the pen,
Till on my finished verse will be
A stroke that's like a steeple when
Seen suddenly upon a plain.
My soul longs for your breath again
To warm it. Oh, return—come here
With laugh and babble—and no fear
When with your shadow you obscure
The book I read, for I am sure,
Oh, madcaps terrible and dear,
That you were right and I was wrong.
But who has ne'er with scolding tongue
Blamed out of season. Pardon me!
You must forgive—for sad are we.
The young should not be hard and cold
And unforgiving to the old.
Children each morn your souls ope out
Like windows to the shining day,
Oh, miracle that comes about,
The miracle that children gay
Have happiness and goodness too,
Caressed by destiny are you,
Charming you are, if you but play.
But we with living overwrought,
And full of grave and sombre thought,
Are snappish oft: dear little men,
We have ill-tempered days, and then,
Are quite unjust and full of care;
It rained this morning and the air
Was chill; but clouds that dimm'd the sky
Have passed. Things spited me, and why?
But now my heart repents. Behold
What 'twas that made me cross, and scold!
All by-and-by you'll understand,
When brows are mark'd by Time's stern hand;
Then you will comprehend, be sure,
When older—that's to say, less pure.
The fault I freely own was mine.
But oh, for pardon now I pine!
Enough my punishment to meet,
You must forgive, I do entreat
With clasped hands praying—oh, come back,
Make peace, and you shall nothing lack.
See now my pencils—paper—here,
And pointless compasses, and dear
Old lacquer-work; and stoneware clear
Through glass protecting; all man's toys
So coveted by girls and boys.
Great China monsters—bodies much
Like cucumbers—you all shall touch.
I yield up all! my picture rare
Found beneath antique rubbish heap,
My great and tapestried oak chair
I will from you no longer keep.
You shall about my table climb,
And dance, or drag, without a cry
From me as if it were a crime.
Even I'll look on patiently
If you your jagged toys all throw
Upon my carved bench, till it show
The wood is torn; and freely too,
I'll leave in your own hands to view,
My pictured Bible—oft desired—
But which to touch your fear inspired—
With God in emperor's robes attired.
Then if to see my verses burn,
Should seem to you a pleasant turn,
Take them to freely tear away
Or burn. But, oh! not so I'd say,
If this were Méry's room to-day.
That noble poet! Happy town,
Marseilles the Greek, that him doth own!
Daughter of Homer, fair to see,
Of Virgil's son the mother she.
To you I'd say, Hold, children all,
Let but your eyes on his work fall;
These papers are the sacred nest
In which his crooning fancies rest;
To-morrow winged to Heaven they'll soar,
For new-born verse imprisoned still
In manuscript may suffer sore
At your small hands and childish will,
Without a thought of bad intent,
Of cruelty quite innocent.
You wound their feet, and bruise their wings,
And make them suffer those ill things
That children's play to young birds brings.
But mine! no matter what you do,
My poetry is all in you;
You are my inspiration bright
That gives my verse its purest light.
Children whose life is made of hope,
Whose joy, within its mystic scope,
Owes all to ignorance of ill,
You have not suffered, and you still
Know not what gloomy thoughts weigh down
The poet-writer weary grown.
What warmth is shed by your sweet smile!
How much he needs to gaze awhile
Upon your shining placid brow,
When his own brow its ache doth know;
With what delight he loves to hear
Your frolic play 'neath tree that's near,
Your joyous voices mixing well
With his own song's all-mournful swell!
Come back then, children! come to me,
If you wish not that I should be
As lonely now that you're afar
As fisherman of Etrétat,
Who listless on his elbow leans
Through all the weary winter scenes,
As tired of thought—as on Time flies—
And watching only rainy skies!
MRS. NEWTON CROSLAND.
|
Written by
Louisa May Alcott |
Mysterious death! who in a single hour
Life's gold can so refine
And by thy art divine
Change mortal weakness to immortal power!
Bending beneath the weight of eighty years
Spent with the noble strife
of a victorious life
We watched her fading heavenward, through our tears.
But ere the sense of loss our hearts had wrung
A miracle was wrought;
And swift as happy thought
She lived again -- brave, beautiful, and young.
Age, pain, and sorrow dropped the veils they wore
And showed the tender eyes
Of angels in disguise,
Whose discipline so patiently she bore.
The past years brought their harvest rich and fair;
While memory and love,
Together, fondly wove
A golden garland for the silver hair.
How could we mourn like those who are bereft,
When every pang of grief
found balm for its relief
In counting up the treasures she had left?--
Faith that withstood the shocks of toil and time;
Hope that defied despair;
Patience that conquered care;
And loyalty, whose courage was sublime;
The great deep heart that was a home for all--
Just, eloquent, and strong
In protest against wrong;
Wide charity, that knew no sin, no fall;
The spartan spirit that made life so grand,
Mating poor daily needs
With high, heroic deeds,
That wrested happiness from Fate's hard hand.
We thought to weep, but sing for joy instead,
Full of the grateful peace
That follows her release;
For nothing but the weary dust lies dead.
Oh, noble woman! never more a queen
Than in the laying down
Of sceptre and of crown
To win a greater kingdom, yet unseen;
Teaching us how to seek the highest goal,
To earn the true success --
To live, to love, to bless --
And make death proud to take a royal soul.
|
Written by
Rudyard Kipling |
Thy face is far from this our war,
Our call and counter-cry,
I shall not find Thee quick and kind,
Nor know Thee till I die,
Enough for me in dreams to see
And touch Thy garments' hem:
Thy feet have trod so near to God
I may not follow them.
Through wantonness if men profess
They weary of Thy parts,
E'en let them die at blasphemy
And perish with their arts;
But we that love, but we that prove
Thine excellence august,
While we adore discover more
Thee perfect, wise, and just.
Since spoken word Man's Spirit stirred
Beyond his belly-need,
What is is Thine of fair design
In thought and craft and deed;
Each stroke aright of toil and fight,
That was and that shall be,
And hope too high, wherefore we die,
Has birth and worth in Thee.
Who holds by Thee hath Heaven in fee
To gild his dross thereby,
And knowledge sure that he endure
A child until he die --
For to make plain that man's disdain
Is but new Beauty's birth --
For to possess in loneliness
The joy of all the earth.
As Thou didst teach all lovers speech
And Life all mystery,
So shalt Thou rule by every school
Till love and longing die,
Who wast or yet the Lights were set,
A whisper in the Void,
Who shalt be sung through planets young
When this is clean destroyed.
Beyond the bounds our staring rounds,
Across the pressing dark,
The children wise of outer skies
Look hitherward and mark
A light that shifts, a glare that drifts,
Rekindling thus and thus,
Not all forlorn, for Thou hast borne
Strange tales to them of us.
Time hath no tide but must abide
The servant of Thy will;
Tide hath no time, for to Thy rhyme
The ranging stars stand still --
Regent of spheres that lock our fears,
Our hopes invisible,
Oh 'twas certes at Thy decrees
We fashioned Heaven and Hell!
Pure Wisdom hath no certain path
That lacks thy morning-eyne,
And captains bold by Thee controlled
Most like to Gods design;
Thou art the Voice to kingly boys
To lift them through the fight,
And Comfortress of Unsuccess,
To give the dead good-night --
A veil to draw 'twixt God His Law
And Man's infirmity,
A shadow kind to dumb and blind
The shambles where we die;
A rule to trick th' arithmetic
Too base of leaguing odds --
The spur of trust, the curb of lust,
Thou handmaid of the Gods!
O Charity, all patiently
Abiding wrack and scaith!
O Faith, that meets ten thousand cheats
Yet drops no jot of faith!
Devil and brute Thou dost transmute
To higher, lordlier show,
Who art in sooth that lovely Truth
The careless angels know!
Thy face is far from this our war,
Our call and counter-cry,
I may not find Thee quick and kind,
Nor know Thee till I die.
Yet may I look with heart unshook
On blow brought home or missed --
Yet may I hear with equal ear
The clarions down the List;
Yet set my lance above mischance
And ride the barriere --
Oh, hit or miss, how little 'tis,
My Lady is not there!
|
Written by
Walt Whitman |
1
SAUNTERING the pavement, or riding the country by-road—lo! such faces!
Faces of friendship, precision, caution, suavity, ideality;
The spiritual, prescient face—the always welcome, common, benevolent face,
The face of the singing of music—the grand faces of natural lawyers and judges, broad
at
the
back-top;
The faces of hunters and fishers, bulged at the brows—the shaved blanch’d faces
of
orthodox citizens;
The pure, extravagant, yearning, questioning artist’s face;
The ugly face of some beautiful Soul, the handsome detested or despised face;
The sacred faces of infants, the illuminated face of the mother of many children;
The face of an amour, the face of veneration;
The face as of a dream, the face of an immobile rock;
The face withdrawn of its good and bad, a castrated face;
A wild hawk, his wings clipp’d by the clipper;
A stallion that yielded at last to the thongs and knife of the gelder.
Sauntering the pavement, thus, or crossing the ceaseless ferry, faces, and faces, and
faces:
I see them, and complain not, and am content with all.
2
Do you suppose I could be content with all, if I thought them their own finale?
This now is too lamentable a face for a man;
Some abject louse, asking leave to be—cringing for it;
Some milk-nosed maggot, blessing what lets it wrig to its hole.
This face is a dog’s snout, sniffing for garbage;
Snakes nest in that mouth—I hear the sibilant threat.
This face is a haze more chill than the arctic sea;
Its sleepy and wobbling icebergs crunch as they go.
This is a face of bitter herbs—this an emetic—they need no label;
And more of the drug-shelf, laudanum, caoutchouc, or hog’s-lard.
This face is an epilepsy, its wordless tongue gives out the unearthly cry,
Its veins down the neck distended, its eyes roll till they show nothing but their whites,
Its teeth grit, the palms of the hands are cut by the turn’d-in nails,
The man falls struggling and foaming to the ground while he speculates well.
This face is bitten by vermin and worms,
And this is some murderer’s knife, with a half-pull’d scabbard.
This face owes to the sexton his dismalest fee;
An unceasing death-bell tolls there.
3
Those then are really men—the bosses and tufts of the great round globe!
Features of my equals, would you trick me with your creas’d and cadaverous march?
Well, you cannot trick me.
I see your rounded, never-erased flow;
I see neath the rims of your haggard and mean disguises.
Splay and twist as you like—poke with the tangling fores of fishes or rats;
You’ll be unmuzzled, you certainly will.
I saw the face of the most smear’d and slobbering idiot they had at the asylum;
And I knew for my consolation what they knew not;
I knew of the agents that emptied and broke my brother,
The same wait to clear the rubbish from the fallen tenement;
And I shall look again in a score or two of ages,
And I shall meet the real landlord, perfect and unharm’d, every inch as good as
myself.
4
The Lord advances, and yet advances;
Always the shadow in front—always the reach’d hand bringing up the laggards.
Out of this face emerge banners and horses—O superb! I see what is coming;
I see the high pioneer-caps—I see the staves of runners clearing the way,
I hear victorious drums.
This face is a life-boat;
This is the face commanding and bearded, it asks no odds of the rest;
This face is flavor’d fruit, ready for eating;
This face of a healthy honest boy is the programme of all good.
These faces bear testimony, slumbering or awake;
They show their descent from the Master himself.
Off the word I have spoken, I except not one—red, white, black, are all deific;
In each house is the ovum—it comes forth after a thousand years.
Spots or cracks at the windows do not disturb me;
Tall and sufficient stand behind, and make signs to me;
I read the promise, and patiently wait.
This is a full-grown lily’s face,
She speaks to the limber-hipp’d man near the garden pickets,
Come here, she blushingly cries—Come nigh to me, limber-hipp’d
man,
Stand at my side till I lean as high as I can upon you,
Fill me with albescent honey, bend down to me,
Rub to me with your chafing beard, rub to my breast and shoulders.
5
The old face of the mother of many children!
Whist! I am fully content.
Lull’d and late is the smoke of the First-day morning,
It hangs low over the rows of trees by the fences,
It hangs thin by the sassafras, the wild-cherry, and the cat-brier under them.
I saw the rich ladies in full dress at the soiree,
I heard what the singers were singing so long,
Heard who sprang in crimson youth from the white froth and the water-blue,
Behold a woman!
She looks out from her quaker cap—her face is clearer and more beautiful than the
sky.
She sits in an arm-chair, under the shaded porch of the farmhouse,
The sun just shines on her old white head.
Her ample gown is of cream-hued linen,
Her grandsons raised the flax, and her granddaughters spun it with the distaff and the
wheel.
The melodious character of the earth,
The finish beyond which philosophy cannot go, and does not wish to go,
The justified mother of men.
|
Written by
Charles Simic |
A New Version: 1980
What is that little black thing I see there
in the white?
Walt Whitman
One
Out of poverty
To begin again:
With the color of the bride
And that of blindness,
Touch what I can
Of the quick,
Speak and then wait,
As if this light
Will continue to linger
On the threshold.
All that is near,
I no longer give it a name.
Once a stone hard of hearing,
Once sharpened into a knife...
Now only a chill
Slipping through.
Enough glow to kneel by and ask
To be tied to its tail
When it goes marrying
Its cousins, the stars.
Is it a cloud?
If it's a cloud it will move on.
The true shape of this thought,
Migrant, waning.
Something seeks someone,
It bears him a gift
Of himself, a bit
Of snow to taste,
Glimpse of his own nakedness
By which to imagine the face.
On a late afternoon of snow
In a dim badly-aired grocery,
Where a door has just rung
With a short, shrill echo,
A little boy hands the old,
Hard-faced woman
Bending low over the counter,
A shiny nickel for a cupcake.
Now only that shine, now
Only that lull abides.
That your gaze
Be merciful,
Sister, bride
Of my first hopeless insomnia.
Kind nurse, show me
The place of salves.
Teach me the song
That makes a man rise
His glass at dusk
Until a star dances in it.
Who are you? Are you anybody
A moonrock would recognize?
There are words I need.
They are not near men.
I went searching.
Is this a deathmarch?
You bend me, bend me,
Oh toward what flower!
Little-known vowel,
Noose big for us all.
As strange as a shepherd
In the Arctic Circle.
Someone like Bo-peep.
All his sheep are white
And he can't get any sleep
Over lost sheep.
And he's got a flute
Which says Bo-peep,
Which says Poor boy,
Take care of your snow-sheep.
to A.S. Hamilton
Then all's well and white,
And no more than white.
Illinois snowbound.
Indiana with one bare tree.
Michigan a storm-cloud.
Wisconsin empty of men.
There's a trap on the ice
Laid there centuries ago.
The bait is still fresh.
The metal glitters as the night descends.
Woe, woe, it sings from the bough.
Our Lady, etc...
You had me hoodwinked.
I see your brand new claws.
Praying, what do I betray
By desiring your purity?
There are old men and women,
All bandaged up, waiting
At the spiked, wrought-iron gate
Of the Great Eye and Ear Infirmery.
We haven't gone far...
Fear lives there too.
Five ears of my fingertips
Against the white page.
What do you hear?
We hear holy nothing
Blindfolding itself.
It touched you once, twice,
And tore like a stitch
Out of a new wound.
Two
What are you up to son of a gun?
I roast on my heart's dark side.
What do you use as a skewer sweetheart?
I use my own crooked backbone.
What do you salt yourself with loverboy?
I grind the words out of my spittle.
And how will you know when you're done chump?
When the half-moons on my fingernails set.
With what knife will you carve yourself smartass?
The one I hide in my tongue's black boot.
Well, you can't call me a wrestler
If my own dead weight has me pinned down.
Well, you can't call me a cook
If the pot's got me under its cover.
Well, you can't call me a king
if the flies hang their hats in my mouth.
Well, you can't call me smart,
When the rain's falling my cup's in the cupboard.
Nor can you call me a saint,
If I didn't err, there wouldn't be these smudges.
One has to manage as best as one can.
The poppies ate the sunset for supper.
One has to manage as best as one can.
Who stole my blue thread, the one
I tied around my pinky to remember?
One has to manage as best as one can.
The flea I was standing on, jumped.
One has to manage as best as one can.
I think my head went out for a walk.
One has to manage as best as one can.
This is breath, only breath,
Think it over midnight!
A fly weighs twice as much.
The struck match nods as it passes,
But when I shout,
Its true name sticks in my throat.
It has to be cold
So the breath turns white,
And then mother, who's fast enough
To write his life on it?
A song in prison
And for prisoners,
Made of what the condemned
Have hidden from the jailers.
White--let me step aside
So that the future may see you,
For when this sheet is blown away,
What else is left
But to set the food on the table,
To cut oneself a slice of bread?
In an unknown year
Of an algebraic century,
An obscure widow
Wrapped in the colors of widowhood,
Met a true-blue orphan
On an indeterminate street-corner.
She offered him
A tiny sugar cube
In the hand so wizened
All the lines said: fate.
Do you take this line
Stretching to infinity?
I take this chipped tooth
On which to cut it in half.
Do you take this circle
Bounded by a single curved line?
I take this breath
That it cannot capture.
Then you may kiss the spot
Where her bridal train last rustled.
Winter can come now,
The earth narrow to a ditch--
And the sky with its castles and stone lions
Above the empty plains.
The snow can fall...
What other perennials would you plant,
My prodigals, my explorers
Tossing and turning in the dark
For those remote, finely honed bees,
The December stars?
Had to get through me elsewhere.
Woe to bone
That stood in their way.
Woe to each morsel of flesh.
White ants
In a white anthill.
The rustle of their many feet
Scurrying--tiptoing too.
Gravedigger ants.
Village-idiot ants.
This is the last summoning.
Solitude--as in the beginning.
A zero burped by a bigger zero--
It's an awful licking I got.
And fear--that dead letter office.
And doubt--that Chinese shadow play.
Does anyone still say a prayer
Before going to bed?
White sleeplessness.
No one knows its weight.
What The White Had To Say
For how could anything white be distinct
from or divided from whiteness?
Meister Eckhart
Because I am the bullet
That has gone through everyone already,
I thought of you long before you thought of me.
Each one of you still keeps a blood-stained handkerchief
In which to swaddle me, but it stays empty
And even the wind won't remain in it long.
Cleverly you've invented name after name for me,
Mixed the riddles, garbled the proverbs,
Shook you loaded dice in a tin cup,
But I do not answer back even to your curses,
For I am nearer to you than your breath.
One sun shines on us both through a crack in the roof.
A spoon brings me through the window at dawn.
A plate shows me off to the four walls
While with my tail I swing at the flies.
But there's no tail and the flies are your thoughts.
Steadily, patiently I life your arms.
I arrange them in the posture of someone drowning,
And yet the sea in which you are sinking,
And even this night above it, is myself.
Because I am the bullet
That has baptized each one of your senses,
Poems are made of our lusty wedding nights...
The joy of words as they are written.
The ear that got up at four in the morning
To hear the grass grow inside a word.
Still, the most beautiful riddle has no answer.
I am the emptiness that tucks you in like a
mockingbird's nest,
The fingernail that scratched on your sleep's
blackboard.
Take a letter: From cloud to onion.
Say: There was never any real choice.
One gaunt shadowy mother wiped our asses,
The same old orphanage taught us loneliness.
Street-organ full of blue notes,
I am the monkey dancing to your grinding--
And still you are afraid-and so,
It's as if we had not budged from the beginning.
Time slopes. We are falling head over heels
At the speed of night. That milk tooth
You left under the pillow, it's grinning.
1970-1980
This currently out-of-print edition:
Copyright ©1980 Logbridge-Rhodes, Inc.
An earlier version of White was first published
by New Rivers Press in 1972.
|
Written by
Walt Whitman |
1
A CALIFORNIA song!
A prophecy and indirection—a thought impalpable, to breathe, as air;
A chorus of dryads, fading, departing—or hamadryads departing;
A murmuring, fateful, giant voice, out of the earth and sky,
Voice of a mighty dying tree in the Redwood forest dense.
Farewell, my brethren,
Farewell, O earth and sky—farewell, ye neighboring waters;
My time has ended, my term has come.
2
Along the northern coast,
Just back from the rock-bound shore, and the caves,
In the saline air from the sea, in the Mendocino country,
With the surge for bass and accompaniment low and hoarse,
With crackling blows of axes, sounding musically, driven by strong arms,
Riven deep by the sharp tongues of the axes—there in the Redwood forest dense,
I heard the mighty tree its death-chant chanting.
The choppers heard not—the camp shanties echoed not;
The quick-ear’d teamsters, and chain and jack-screw men, heard not,
As the wood-spirits came from their haunts of a thousand years, to join the refrain;
But in my soul I plainly heard.
Murmuring out of its myriad leaves,
Down from its lofty top, rising two hundred feet high,
Out of its stalwart trunk and limbs—out of its foot-thick bark,
That chant of the seasons and time—chant, not of the past only, but the future.
3
You untold life of me,
And all you venerable and innocent joys,
Perennial, hardy life of me, with joys, ’mid rain, and many a summer sun,
And the white snows, and night, and the wild winds;
O the great patient, rugged joys! my soul’s strong joys, unreck’d by man;
(For know I bear the soul befitting me—I too have consciousness, identity,
And all the rocks and mountains have—and all the earth;)
Joys of the life befitting me and brothers mine,
Our time, our term has come.
Nor yield we mournfully, majestic brothers,
We who have grandly fill’d our time;
With Nature’s calm content, and tacit, huge delight,
We welcome what we wrought for through the past,
And leave the field for them.
For them predicted long,
For a superber Race—they too to grandly fill their time,
For them we abdicate—in them ourselves, ye forest kings!
In them these skies and airs—these mountain peaks—Shasta—Nevadas,
These huge, precipitous cliffs—this amplitude—these valleys grand—Yosemite,
To be in them absorb’d, assimilated.
4
Then to a loftier strain,
Still prouder, more ecstatic, rose the chant,
As if the heirs, the Deities of the West,
Joining, with master-tongue, bore part.
Not wan from Asia’s fetishes,
Nor red from Europe’s old dynastic slaughter-house,
(Area of murder-plots of thrones, with scent left yet of wars and scaffolds every
where,)
But come from Nature’s long and harmless throes—peacefully builded thence,
These virgin lands—Lands of the Western Shore,
To the new Culminating Man—to you, the Empire New,
You, promis’d long, we pledge, we dedicate.
You occult, deep volitions,
You average Spiritual Manhood, purpose of all, pois’d on yourself—giving, not taking
law,
You Womanhood divine, mistress and source of all, whence life and love, and aught that
comes
from life and love,
You unseen Moral Essence of all the vast materials of America, (age upon age,
working
in Death the same as Life,)
You that, sometimes known, oftener unknown, really shape and mould the New World,
adjusting
it to Time and Space,
You hidden National Will, lying in your abysms, conceal’d, but ever alert,
You past and present purposes, tenaciously pursued, may-be unconscious of
yourselves,
Unswerv’d by all the passing errors, perturbations of the surface;
You vital, universal, deathless germs, beneath all creeds, arts, statutes,
literatures,
Here build your homes for good—establish here—These areas entire, Lands of the Western
Shore,
We pledge, we dedicate to you.
For man of you—your characteristic Race,
Here may be hardy, sweet, gigantic grow—here tower, proportionate to Nature,
Here climb the vast, pure spaces, unconfined, uncheck’d by wall or roof,
Here laugh with storm or sun—here joy—here patiently inure,
Here heed himself, unfold himself (not others’ formulas heed)—here fill
his time,
To duly fall, to aid, unreck’d at last,
To disappear, to serve.
Thus, on the northern coast,
In the echo of teamsters’ calls, and the clinking chains, and the music of choppers’ axes,
The falling trunk and limbs, the crash, the muffled shriek, the groan,
Such words combined from the Redwood-tree—as of wood-spirits’ voices ecstatic, ancient and
rustling,
The century-lasting, unseen dryads, singing, withdrawing,
All their recesses of forests and mountains leaving,
From the Cascade range to the Wasatch—or Idaho far, or Utah,
To the deities of the Modern henceforth yielding,
The chorus and indications, the vistas of coming humanity—the settlements, features all,
In the Mendocino woods I caught.
5
The flashing and golden pageant of California!
The sudden and gorgeous drama—the sunny and ample lands;
The long and varied stretch from Puget Sound to Colorado south;
Lands bathed in sweeter, rarer, healthier air—valleys and mountain cliffs;
The fields of Nature long prepared and fallow—the silent, cyclic chemistry;
The slow and steady ages plodding—the unoccupied surface ripening—the rich ores forming
beneath;
At last the New arriving, assuming, taking possession,
A swarming and busy race settling and organizing every where;
Ships coming in from the whole round world, and going out to the whole world,
To India and China and Australia, and the thousand island paradises of the Pacific;
Populous cities—the latest inventions—the steamers on the rivers—the railroads—with
many a thrifty farm, with machinery,
And wool, and wheat, and the grape—and diggings of yellow gold.
6
But more in you than these, Lands of the Western Shore!
(These but the means, the implements, the standing-ground,)
I see in you, certain to come, the promise of thousands of years, till now deferr’d,
Promis’d, to be fulfill’d, our common kind, the Race.
The New Society at last, proportionate to Nature,
In Man of you, more than your mountain peaks, or stalwart trees imperial,
In Woman more, far more, than all your gold, or vines, or even vital air.
Fresh come, to a New World indeed, yet long prepared,
I see the Genius of the Modern, child of the Real and Ideal,
Clearing the ground for broad humanity, the true America, heir of the past so grand,
To build a grander future.
|
Written by
Anthony Hecht |
I'm mighty glad to see you, Mrs. Curtis,
And thank you very kindly for this visit--
Especially now when all the others here
Are having holiday visitors, and I feel
A little conspicuous and in the way.
It's mainly because of Thanksgiving. All these mothers
And wives and husbands gaze at me soulfully
And feel they should break up their box of chocolates
For a donation, or hand me a chunk of fruitcake.
What they don't understand and never guess
Is that it's better for me without a family;
It's a great blessing. Though I mean no harm.
And as for visitors, why, I have you,
All cheerful, brisk and punctual every Sunday,
Like church, even if the aisles smell of phenol.
And you always bring even better gifts than any
On your book-trolley. Though they mean only good,
Families can become a sort of burden.
I've only got my father, and he won't come,
Poor man, because it would be too much for him.
And for me, too, so it's best the way it is.
He knows, you see, that I will predecease him,
Which is hard enough. It would take a callous man
To come and stand around and watch me failing.
(Now don't you fuss; we both know the plain facts.)
But for him it's even harder. He loved my mother.
They say she looked like me; I suppose she may have.
Or rather, as I grew older I came to look
More and more like she must one time have looked,
And so the prospect for my father now
Of losing me is like having to lose her twice.
I know he frets about me. Dr. Frazer
Tells me he phones in every single day,
Hoping that things will take a turn for the better.
But with leukemia things don't improve.
It's like a sort of blizzard in the bloodstream,
A deep, severe, unseasonable winter,
Burying everything. The white blood cells
Multiply crazily and storm around,
Out of control. The chemotherapy
Hasn't helped much, and it makes my hair fall out.
I know I look a sight, but I don't care.
I care about fewer things; I'm more selective.
It's got so I can't even bring myself
To read through any of your books these days.
It's partly weariness, and partly the fact
That I seem not to care much about the endings,
How things work out, or whether they even do.
What I do instead is sit here by this window
And look out at the trees across the way.
You wouldn't think that was much, but let me tell you,
It keeps me quite intent and occupied.
Now all the leaves are down, you can see the spare,
Delicate structures of the sycamores,
The fine articulation of the beeches.
I have sat here for days studying them,
And I have only just begun to see
What it is that they resemble. One by one,
They stand there like magnificent enlargements
Of the vascular system of the human brain.
I see them there like huge discarnate minds,
Lost in their meditative silences.
The trunks, branches and twigs compose the vessels
That feed and nourish vast immortal thoughts.
So I've assigned them names. There, near the path,
Is the great brain of Beethoven, and Kepler
Haunts the wide spaces of that mountain ash.
This view, you see, has become my Hall of Fame,
It came to me one day when I remembered
Mary Beth Finley who used to play with me
When we were girls. One year her parents gave her
A birthday toy called "The Transparent Man."
It was made of plastic, with different colored organs,
And the circulatory system all mapped out
In rivers of red and blue. She'd ask me over
And the two of us would sit and study him
Together, and do a powerful lot of giggling.
I figure he's most likely the only man
Either of us would ever get to know
Intimately, because Mary Beth became
A Sister of Mercy when she was old enough.
She must be thirty-one; she was a year
Older than I, and about four inches taller.
I used to envy both those advantages
Back in those days. Anyway, I was struck
Right from the start by the sea-weed intricacy,
The fine-haired, silken-threaded filiations
That wove, like Belgian lace, throughout the head.
But this last week it seems I have found myself
Looking beyond, or through, individual trees
At the dense, clustered woodland just behind them,
Where those great, nameless crowds patiently stand.
It's become a sort of complex, ultimate puzzle
And keeps me fascinated. My eyes are twenty-twenty,
Or used to be, but of course I can't unravel
The tousled snarl of intersecting limbs,
That mackled, cinder grayness. It's a riddle
Beyond the eye's solution. Impenetrable.
If there is order in all that anarchy
Of granite mezzotint, that wilderness,
It takes a better eye than mine to see it.
It set me on to wondering how to deal
With such a thickness of particulars,
Deal with it faithfully, you understand,
Without blurring the issue. Of course I know
That within a month the sleeving snows will come
With cold, selective emphases, with massings
And arbitrary contrasts, rendering things
Deceptively simple, thickening the twigs
To frosty veins, bestowing epaulets
And decorations on every birch and aspen.
And the eye, self-satisfied, will be misled,
Thinking the puzzle solved, supposing at last
It can look forth and comprehend the world.
That's when you have to really watch yourself.
So I hope that you won't think me plain ungrateful
For not selecting one of your fine books,
And I take it very kindly that you came
And sat here and let me rattle on this way.
|
Written by
John Betjeman |
She died in the upstairs bedroom
By the light of the ev'ning star
That shone through the plate glass window
From over Leamington Spa
Beside her the lonely crochet
Lay patiently and unstirred,
But the fingers that would have work'd it
Were dead as the spoken word.
And Nurse came in with the tea-things
Breast high 'mid the stands and chairs-
But Nurse was alone with her own little soul,
And the things were alone with theirs.
She bolted the big round window,
She let the blinds unroll,
She set a match to the mantle,
She covered the fire with coal.
And "Tea!" she said in a tiny voice
"Wake up! It's nearly five"
Oh! Chintzy, chintzy cheeriness,
Half dead and half alive.
Do you know that the stucco is peeling?
Do you know that the heart will stop?
From those yellow Italianate arches
Do you hear the plaster drop?
Nurse looked at the silent bedstead,
At the gray, decaying face,
As the calm of a Leamington ev'ning
Drifted into the place.
She moved the table of bottles
Away from the bed to the wall;
And tiptoeing gently over the stairs
Turned down the gas in the hall.
|
Written by
Rainer Maria Rilke |
Come let us watch the sun go down
and walk in twilight through the orchard's green.
Does it not seem as if we had for long
collected, saved and harbored within us
old memories? To find releases and seek
new hopes, remembering half-forgotten joys,
mingled with darkness coming from within,
as we randomly voice our thoughts aloud
wandering beneath these harvest-laden trees
reminiscent of Durer woodcuts, branches
which, bent under the fully ripened fruit,
wait patiently, trying to outlast, to
serve another season's hundred days of toil,
straining, uncomplaining, by not breaking
but succeeding, even though the burden
should at times seem almost past endurance.
Not to falter! Not to be found wanting!
Thus must it be, when willingly you strive
throughout a long and uncomplaining life,
committed to one goal: to give yourself!
And silently to grow and to bear fruit.
|
Written by
Amy Lowell |
Now what in the name of the sun and the stars
Is the meaning of this most unholy of wars?
Do men find life so full of humour and joy
That for want of excitement they smash up the toy?
Fifteen millions of soldiers with popguns and horses
All bent upon killing, because their "of courses"
Are not quite the same. All these men by the ears,
And nine nations of women choking with tears.
It is folly to think that the will of a king
Can force men to make ducks and drakes of a thing
They value, and life is, at least one supposes,
Of some little interest, even if roses
Have not grown up between one foot and the other.
What a marvel bureaucracy is, which can smother
Such quite elementary feelings, and tag
A man with a number, and set him to wag
His legs and his arms at the word of command
Or the blow of a whistle! He's certainly damned,
Fit only for mince-meat, if a little gold lace
And an upturned moustache can set him to face
Bullets, and bayonets, and death, and diseases,
Because some one he calls his Emperor, pleases.
If each man were to lay down his weapon, and say,
With a click of his heels, "I wish you Good-day,"
Now what, may I ask, could the Emperor do?
A king and his minions are really so few.
Angry? Oh, of course, a most furious Emperor!
But the men are so many they need not mind his temper, or
The dire results which could not be inflicted.
With no one to execute sentence, convicted
Is just the weak wind from an old, broken bellows.
What lackeys men are, who might be such fine fellows!
To be killing each other, unmercifully,
At an order, as though one said, "Bring up the tea."
Or is it that tasting the blood on their jaws
They lap at it, drunk with its ferment, and laws
So patiently builded, are nothing to drinking
More blood, any blood. They don't notice its stinking.
I don't suppose tigers do, fighting cocks, sparrows,
And, as to men -- what are men, when their marrows
Are running with blood they have gulped; it is plain
Such excellent sport does not recollect pain.
Toll the bells in the steeples left standing. Half-mast
The flags which meant order, for order is past.
Take the dust of the streets and sprinkle your head,
The civilization we've worked for is dead.
Squeeze into this archway, the head of the line
Has just swung round the corner to `Die Wacht am Rhein'.
|