Written by
Rabindranath Tagore |
Art thou abroad on this stormy night
on thy journey of love, my friend?
The sky groans like one in despair.
I have no sleep tonight.
Ever and again I open my door and look out on
the darkness, my friend!
I can see nothing before me.
I wonder where lies thy path!
By what dim shore of the ink-black river,
by what far edge of the frowning forest,
through what mazy depth of gloom art thou threading
thy course to come to me, my friend?
|
Written by
John Keats |
MY heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot, 5
But being too happy in thine happiness,
That thou, light-wing¨¨d Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease. 10
O for a draught of vintage! that hath been
Cool'd a long age in the deep-delv¨¨d earth,
Tasting of Flora and the country-green,
Dance, and Proven?al song, and sunburnt mirth!
O for a beaker full of the warm South! 15
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stain¨¨d mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim: 20
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last grey hairs, 25
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow. 30
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night, 35
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways. 40
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalm¨¨d darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild; 45
White hawthorn, and the pastoral eglantine;
Fast-fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves. 50
Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mus¨¨d rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die, 55
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain¡ª
To thy high requiem become a sod. 60
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path 65
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that ofttimes hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn. 70
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades 75
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:¡ªdo I wake or sleep? 80
|
Written by
Ralph Waldo Emerson |
GIVE all to love;
Obey thy heart;
Friends kindred days
Estate good fame
Plans credit and the Muse¡ª 5
Nothing refuse.
'Tis a brave master;
Let it have scope:
Follow it utterly
Hope beyond hope: 10
High and more high
It dives into noon
With wing unspent
Untold intent;
But it is a god 15
Knows its own path
And the outlets of the sky.
It was never for the mean;
It requireth courage stout
Souls above doubt 20
Valour unbending:
Such 'twill reward;¡ª
They shall return
More than they were
And ever ascending. 25
Leave all for love;
Yet hear me yet
One word more thy heart behoved
One pulse more of firm endeavour¡ª
Keep thee to-day 30
To-morrow for ever
Free as an Arab
Of thy beloved.
Cling with life to the maid;
But when the surprise 35
First vague shadow of surmise
Flits across her bosom young
Of a joy apart from thee
Free be she fancy-free;
Nor thou detain her vesture's hem 40
Nor the palest rose she flung
From her summer diadem.
Though thou loved her as thyself
As a self of purer clay;
Though her parting dims the day 45
Stealing grace from all alive;
Heartily know
When half-gods go
The gods arrive.
|
Written by
Wallace Stevens |
1
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound,
Stilled for the passion of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.
2
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in the comforts of sun,
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measures destined for her soul.
3
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.
4
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote as heaven's hill, that has endured
As April's green endures; or will endure
Like her rememberance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.
5
She says, "But in contentment I still feel
The need of some imperishable bliss."
Death is the mother of beauty; hence from her,
Alone, shall come fulfillment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.
6
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receeding shores
That never touch with inarticulate pang?
Why set the pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.
7
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feet shall manifest.
8
She hears, upon that water without sound,
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay."
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsered, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Abiguous undulations as they sink,
Downward to darkness, on extended wings.
|
Written by
Sara Teasdale |
There! See the line of lights,
A chain of stars down either side the street --
Why can't you lift the chain and give it to me,
A necklace for my throat? I'd twist it round
And you could play with it. You smile at me
As though I were a little dreamy child
Behind whose eyes the fairies live. . . . And see,
The people on the street look up at us
All envious. We are a king and queen,
Our royal carriage is a motor bus,
We watch our subjects with a haughty joy. . . .
How still you are! Have you been hard at work
And are you tired to-night? It is so long
Since I have seen you -- four whole days, I think.
My heart is crowded full of foolish thoughts
Like early flowers in an April meadow,
And I must give them to you, all of them,
Before they fade. The people I have met,
The play I saw, the trivial, shifting things
That loom too big or shrink too little, shadows
That hurry, gesturing along a wall,
Haunting or gay -- and yet they all grow real
And take their proper size here in my heart
When you have seen them. . . . There's the Plaza now,
A lake of light! To-night it almost seems
That all the lights are gathered in your eyes,
Drawn somehow toward you. See the open park
Lying below us with a million lamps
Scattered in wise disorder like the stars.
We look down on them as God must look down
On constellations floating under Him
Tangled in clouds. . . . Come, then, and let us walk
Since we have reached the park. It is our garden,
All black and blossomless this winter night,
But we bring April with us, you and I;
We set the whole world on the trail of spring.
I think that every path we ever took
Has marked our footprints in mysterious fire,
Delicate gold that only fairies see.
When they wake up at dawn in hollow tree-trunks
And come out on the drowsy park, they look
Along the empty paths and say, "Oh, here
They went, and here, and here, and here! Come, see,
Here is their bench, take hands and let us dance
About it in a windy ring and make
A circle round it only they can cross
When they come back again!" . . . Look at the lake --
Do you remember how we watched the swans
That night in late October while they slept?
Swans must have stately dreams, I think. But now
The lake bears only thin reflected lights
That shake a little. How I long to take
One from the cold black water -- new-made gold
To give you in your hand! And see, and see,
There is a star, deep in the lake, a star!
Oh, dimmer than a pearl -- if you stoop down
Your hand could almost reach it up to me. . . .
There was a new frail yellow moon to-night --
I wish you could have had it for a cup
With stars like dew to fill it to the brim. . . .
How cold it is! Even the lights are cold;
They have put shawls of fog around them, see!
What if the air should grow so dimly white
That we would lose our way along the paths
Made new by walls of moving mist receding
The more we follow. . . . What a silver night!
That was our bench the time you said to me
The long new poem -- but how different now,
How eerie with the curtain of the fog
Making it strange to all the friendly trees!
There is no wind, and yet great curving scrolls
Carve themselves, ever changing, in the mist.
Walk on a little, let me stand here watching
To see you, too, grown strange to me and far. . . .
I used to wonder how the park would be
If one night we could have it all alone --
No lovers with close arm-encircled waists
To whisper and break in upon our dreams.
And now we have it! Every wish comes true!
We are alone now in a fleecy world;
Even the stars have gone. We two alone!
|
Written by
Marianne Moore |
This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman --
I have seen her
when she was so handsome
she gave me a start,
able to write simultaneously
in three languages --
English, German and French
and talk in the meantime;
equally positive in demanding a commotion
and in stipulating quiet:
"I should like to be alone;"
to which the visitor replies,
"I should like to be alone;
why not be alone together?"
Below the incandescent stars
below the incandescent fruit,
the strange experience of beauty;
its existence is too much;
it tears one to pieces
and each fresh wave of consciousness
is poison.
"See her, see her in this common world,"
the central flaw
in that first crystal-fine experiment,
this amalgamation which can never be more
than an interesting possibility,
describing it
as "that strange paradise
unlike flesh, gold, or stately buildings,
the choicest piece of my life:
the heart rising
in its estate of peace
as a boat rises
with the rising of the water;"
constrained in speaking of the serpent --
that shed snakeskin in the history of politeness
not to be returned to again --
that invaluable accident
exonerating Adam.
And he has beauty also;
it's distressing -- the O thou
to whom, from whom,
without whom nothing -- Adam;
"something feline,
something colubrine" -- how true!
a crouching mythological monster
in that Persian miniature of emerald mines,
raw silk -- ivory white, snow white,
oyster white and six others --
that paddock full of leopards and giraffes --
long lemonyellow bodies
sown with trapezoids of blue.
Alive with words,
vibrating like a cymbal
touched before it has been struck,
he has prophesied correctly --
the industrious waterfall,
"the speedy stream
which violently bears all before it,
at one time silent as the air
and now as powerful as the wind."
"Treading chasms
on the uncertain footing of a spear,"
forgetting that there is in woman
a quality of mind
which is an instinctive manifestation
is unsafe,
he goes on speaking
in a formal, customary strain
of "past states," the present state,
seals, promises,
the evil one suffered,
the good one enjoys,
hell, heaven,
everything convenient
to promote one's joy."
There is in him a state of mind
by force of which,
perceiving what it was not
intended that he should,
"he experiences a solemn joy
in seeing that he has become an idol."
Plagued by the nightingale
in the new leaves,
with its silence --
not its silence but its silences,
he says of it:
"It clothes me with a shirt of fire."
"He dares not clap his hands
to make it go on
lest it should fly off;
if he does nothing, it will sleep;
if he cries out, it will not understand."
Unnerved by the nightingale
and dazzled by the apple,
impelled by "the illusion of a fire
effectual to extinguish fire,"
compared with which
the shining of the earth
is but deformity -- a fire
"as high as deep as bright as broad
as long as life itself,"
he stumbles over marriage,
"a very trivial object indeed"
to have destroyed the attitude
in which he stood --
the ease of the philosopher
unfathered by a woman.
Unhelpful Hymen!
"a kind of overgrown cupid"
reduced to insignificance
by the mechanical advertising
parading as involuntary comment,
by that experiment of Adam's
with ways out but no way in --
the ritual of marriage,
augmenting all its lavishness;
its fiddle-head ferns,
lotus flowers, opuntias, white dromedaries,
its hippopotamus --
nose and mouth combined
in one magnificent hopper,
"the crested screamer --
that huge bird almost a lizard,"
its snake and the potent apple.
He tells us
that "for love
that will gaze an eagle blind,
that is like a Hercules
climbing the trees
in the garden of the Hesperides,
from forty-five to seventy
is the best age,"
commending it
as a fine art, as an experiment,
a duty or as merely recreation.
One must not call him ruffian
nor friction a calamity --
the fight to be affectionate:
"no truth can be fully known
until it has been tried
by the tooth of disputation."
The blue panther with black eyes,
the basalt panther with blue eyes,
entirely graceful --
one must give them the path --
the black obsidian Diana
who "darkeneth her countenance
as a bear doth,
causing her husband to sigh,"
the spiked hand
that has an affection for one
and proves it to the bone,
impatient to assure you
that impatience is the mark of independence
not of bondage.
"Married people often look that way" --
"seldom and cold, up and down,
mixed and malarial
with a good day and bad."
"When do we feed?"
We occidentals are so unemotional,
we quarrel as we feed;
one's self is quite lost,
the irony preserved
in "the Ahasuerus t?te ? t?te banquet"
with its "good monster, lead the way,"
with little laughter
and munificence of humor
in that quixotic atmosphere of frankness
in which "Four o'clock does not exist
but at five o'clock
the ladies in their imperious humility
are ready to receive you";
in which experience attests
that men have power
and sometimes one is made to feel it.
He says, "what monarch would not blush
to have a wife
with hair like a shaving-brush?
The fact of woman
is not `the sound of the flute
but every poison.'"
She says, "`Men are monopolists
of stars, garters, buttons
and other shining baubles' --
unfit to be the guardians
of another person's happiness."
He says, "These mummies
must be handled carefully --
`the crumbs from a lion's meal,
a couple of shins and the bit of an ear';
turn to the letter M
and you will find
that `a wife is a coffin,'
that severe object
with the pleasing geometry
stipulating space and not people,
refusing to be buried
and uniquely disappointing,
revengefully wrought in the attitude
of an adoring child
to a distinguished parent."
She says, "This butterfly,
this waterfly, this nomad
that has `proposed
to settle on my hand for life.' --
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists are fools."
He says, "You know so many fools
who are not artists."
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough --
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them --
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?
This model of petrine fidelity
who "leaves her peaceful husband
only because she has seen enough of him" --
that orator reminding you,
"I am yours to command."
"Everything to do with love is mystery;
it is more than a day's work
to investigate this science."
One sees that it is rare --
that striking grasp of opposites
opposed each to the other, not to unity,
which in cycloid inclusiveness
has dwarfed the demonstration
of Columbus with the egg --
a triumph of simplicity --
that charitive Euroclydon
of frightening disinterestedness
which the world hates,
admitting:
"I am such a cow,
if I had a sorrow,
I should feel it a long time;
I am not one of those
who have a great sorrow
in the morning
and a great joy at noon;"
which says: "I have encountered it
among those unpretentious
proteg?s of wisdom,
where seeming to parade
as the debater and the Roman,
the statesmanship
of an archaic Daniel Webster
persists to their simplicity of temper
as the essence of the matter:
`Liberty and union
now and forever;'
the book on the writing-table;
the hand in the breast-pocket."
|
Written by
Rabindranath Tagore |
Mother, let us imagine we are travelling, and passing through a
strange and dangerous country.
You are riding in a palanquin and I am trotting by you on a
red horse.
It is evening and the sun goes down. The waste of Joradighi
lies wan and grey before us. The land is desolate and barren.
You are frightened and thinking-"I know not where we have come
to."
I say to you, "Mother, do not be afraid."
The meadow is prickly with spiky grass, and through it runs
a narrow broken path.
There are no cattle to be seen in the wide field; they have
gone to their village stalls.
It grows dark and dim on the land and sky, and we cannot tell
where we are going.
Suddenly you call me and ask me in a whisper, "What light is
that near the bank?"
Just then there bursts out a fearful yell, and figures come
running towards us.
You sit crouched in your palanquin and repeat the names of the
gods in prayer.
The bearers, shaking in terror, hide themselves in the thorny
bush.
I shout to you, "Don't be afraid, mother. I am here."
With long sticks in their hands and hair all wild about their
heads, they come nearer and nearer.
I shout, "Have a care, you villains! One step more and you are
dead men."
They give another terrible yell and rush forward.
You clutch my hand and say, "Dear boy, for heaven's sake, keep
away from them."
I say, "Mother, just you watch me."
Then I spur my horse for a wild gallop, and my sword and
buckler clash against each other.
The fight becomes so fearful, mother, that it would give you
a cold shudder could you see it from your palanquin.
Many of them fly, and a great number are cut to pieces.
I know you are thinking, sitting all by yourself, that your
boy must be dead by this time.
But I come to you all stained with blood, and say,"Mother, the
fight is over now."
You come out and kiss me, pressing me to your heart, and you
say to yourself,
"I don't know what I should do if I hadn't my boy to escort
me."
A thousand useless things happen day after day, and why
couldn't such a thing come true by chance?
It would be like a story in a book.
My brother would say, "Is it possible? I always thought he was
so delicate!"
Our village people would all say in amazement, "Was it not
lucky that the boy was with his mother?"
|
Written by
Siegfried Sassoon |
EVENING was in the wood, louring with storm.
A time of drought had sucked the weedy pool
And baked the channels; birds had done with song.
Thirst was a dream of fountains in the moon,
Or willow-music blown across the water 5
Leisurely sliding on by weir and mill.
Uneasy was the man who wandered, brooding,
His face a little whiter than the dusk.
A drone of sultry wings flicker¡¯d in his head.
The end of sunset burning thro¡¯ the boughs 10
Died in a smear of red; exhausted hours
Cumber¡¯d, and ugly sorrows hemmed him in.
He thought: ¡®Somewhere there¡¯s thunder,¡¯ as he strove
To shake off dread; he dared not look behind him,
But stood, the sweat of horror on his face. 15
He blunder¡¯d down a path, trampling on thistles,
In sudden race to leave the ghostly trees.
And: ¡®Soon I¡¯ll be in open fields,¡¯ he thought,
And half remembered starlight on the meadows,
Scent of mown grass and voices of tired men, 20
Fading along the field-paths; home and sleep
And cool-swept upland spaces, whispering leaves,
And far off the long churring night-jar¡¯s note.
But something in the wood, trying to daunt him,
Led him confused in circles through the thicket. 25
He was forgetting his old wretched folly,
And freedom was his need; his throat was choking.
Barbed brambles gripped and clawed him round his legs,
And he floundered over snags and hidden stumps.
Mumbling: ¡®I will get out! I must get out!¡¯ 30
Butting and thrusting up the baffling gloom,
Pausing to listen in a space ¡¯twixt thorns,
He peers around with peering, frantic eyes.
An evil creature in the twilight looping,
Flapped blindly in his face. Beating it off, 35
He screeched in terror, and straightway something clambered
Heavily from an oak, and dropped, bent double,
To shamble at him zigzag, squat and bestial.
Headlong he charges down the wood, and falls
With roaring brain¡ªagony¡ªthe snap¡¯t spark¡ª 40
And blots of green and purple in his eyes.
Then the slow fingers groping on his neck,
And at his heart the strangling clasp of death.
|
Written by
George Herbert |
My God, I heard this day
That none doth build a stately habitation,
But he that means to dwell therein.
What house more stately hath there been,
Or can be, than is Man? to whose creation
All things are in decay.
For Man is every thing,
And more: he is a tree, yet bears more fruit;
A beast, yet is or should be more:
Reason and speech we only bring.
Parrots may thank us, if they are not mute,
They go upon the score.
Man is all symmetry,
Full of proportions, one limb to another,
And all to all the world besides:
Each part may call the furthest, brother;
For head with foot hath private amity,
And both with moons and tides.
Nothing hath got so far,
But man hath caught and kept it, as his prey.
His eyes dismount the highest star:
He is in little all the sphere.
Herbs gladly cure our flesh, because that they
Find their acquaintance there.
For us the winds do blow,
The earth doth rest, heaven move, and fountains flow.
Nothing we see but means our good,
As our delight or as our treasure:
The whole is either our cupboard of food,
Or cabinet of pleasure.
The stars have us to bed;
Night draws the curtain, which the sun withdraws;
Music and light attend our head.
All things unto our flesh are kind
In their descent and being; to our mind
In their ascent and cause.
Each thing is full of duty:
Waters united are our navigation;
Distinguishèd, our habitation;
Below, our drink; above, our meat;
Both are our cleanliness. Hath one such beauty?
Then how are all things neat?
More servants wait on Man
Than he'll take notice of: in every path
He treads down that which doth befriend him
When sickness makes him pale and wan.
O mighty love! Man is one world, and hath
Another to attend him.
Since then, my God, thou hast
So brave a palace built, O dwell in it
That it may dwell with thee at last!
Till then, afford us so much wit,
That, as the world serves us, we may serve thee,
And both thy servants be.
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Written by
Paul Eluard |
I. Soon
Of all the springtimes of the world
This one is the ugliest
Of all of my ways of being
To be trusting is the best
Grass pushes up snow
Like the stone of a tomb
But I sleep within the storm
And awaken eyes bright
Slowness, brief time ends
Where all streets must pass
Through my innermost recesses
So that I would meet someone
I don’t listen to monsters
I know them and all that they say
I see only beautiful faces
Good faces, sure of themselves
Certain soon to ruin their masters
II. The women’s role
As they sing, the maids dash forward
To tidy up the killing fields
Well-powdered girls, quickly to their knees
Their hands -- reaching for the fresh air --
Are blue like never before
What a glorious day!
Look at their hands, the dead
Look at their liquid eyes
This is the toilet of transience
The final toilet of life
Stones sink and disappear
In the vast, primal waters
The final toilet of time
Hardly a memory remains
the dried-up well of virtue
In the long, oppressive absences
One surrenders to tender flesh
Under the spell of weakness
III. As deep as the silence
As deep as the silence
Of a corpse under ground
With nothing but darkness in mind
As dull and deaf
As autumn by the pond
Covered with stale shame
Poison, deprived of its flower
And of its golden beasts
out its night onto man
IV. Patience
You, my patient one
My patience
My parent
Head held high and proudly
Organ of the sluggish night
Bow down
Concealing all of heaven
And its favor
Prepare for vengeance
A bed where I'll be born
V. First march, the voice of another
Laughing at sky and planets
Drunk with their confidence
The wise men wish for sons
And for sons from their sons
Until they all perish in vain
Time burdens only fools
While Hell alone prospers
And the wise men are absurd
VI. A wolf
Day surprises me and night scares me
haunts me and winter follows me
An animal walking on the snow has placed
Its paws in the sand or in the mud
Its paws have traveled
From further afar than my own steps
On a path where death
Has the imprints of life
VII. A flawless fire
The threat under the red sky
Came from below -- jaws
And scales and links
Of a slippery, heavy chain
Life was spread about generously
So that death took seriously
The debt it was paid without a thought
Death was the God of love
And the conquerors in a kiss
Swooned upon their victims
Corruption gained courage
And yet, beneath the red sky
Under the appetites for blood
Under the dismal starvation
The cavern closed
The kind earth filled
The graves dug in advance
Children were no longer afraid
Of maternal depths
And madness and stupidity
And vulgarity make way
For humankind and brotherhood
No longer fighting against life --
For an everlasting humankind
VIII. Liberty
On my school notebooks
On my desk, on the trees
On the sand, on the snow
I write your name
On all the read pages
On all the empty pages
Stone, blood, paper or ash
I write your name
On the golden images
On the weapons of warriors
On the crown of kings
I write your name
On the jungle and the desert
On the nests, on the broom
On the echo of my childhood
I write your name
On the wonders of nights
On the white bread of days
On the seasons betrothed
I write your name
d'azur On all my blue rags
On the sun-molded pond
On the moon-enlivened lake
I write your name
On the fields, on the horizon
On the wings of birds
And on the mill of shadows
I write your name
On every burst of dawn
On the sea, on the boats
On the insane mountain
I write your name
On the foam of clouds
On the sweat of the storm
On the rain, thick and insipid
I write your name
On the shimmering shapes
On the colorful bells
On the physical truth
I write your name
On the alert pathways
On the wide-spread roads
On the overflowing places
I write your name
On the lamp that is ignited
On the lamp that is dimmed
On my reunited houses
I write your name
On the fruit cut in two
Of the mirror and of my room
On my bed, an empty shell
I write your name
On my dog, young and greedy
On his pricked-up ears
On his clumsy paw
I write your name
On the springboard of my door
On the familiar objects
On the wave of blessed fire
I write your name
On all harmonious flesh
On the face of my friends
On every out-stretched hand
I write your name
On the window-pane of surprises
On the careful lips
Well-above silence
I write your name
On my destroyed shelter
On my collapsed beacon
On the walls of my weariness
I write your name
On absence without want
On naked solitude
On the steps of death
I write your name
On regained health
On vanished risk
On hope free from memory
I write your name
And by the power of one word
I begin my life again
I am born to know you
To call you by name: Liberty!
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