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Best Famous Parks Poems

Here is a collection of the all-time best famous Parks poems. This is a select list of the best famous Parks poetry. Reading, writing, and enjoying famous Parks poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of parks poems.

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Written by Rainer Maria Rilke | Create an image from this poem

Autumn Day

 Four Translations

Lord: it is time.
The summer was immense.
Lay your shadow on the sundials and let loose the wind in the fields.
Bid the last fruits to be full; give them another two more southerly days, press them to ripeness, and chase the last sweetness into the heavy wine.
Whoever has no house now will not build one anymore.
Whoever is alone now will remain so for a long time, will stay up, read, write long letters, and wander the avenues, up and down, restlessly, while the leaves are blowing.
Translated by Galway Kinnell and Hannah Liebmann, "The Essential Rilke" (Ecco) Lord, it is time.
The summer was too long.
Lay your shadow on the sundials now, and through the meadow let the winds throng.
Ask the last fruits to ripen on the vine; give them further two more summer days to bring about perfection and to raise the final sweetness in the heavy wine.
Whoever has no house now will establish none, whoever lives alone now will live on long alone, will waken, read, and write long letters, wander up and down the barren paths the parks expose when the leaves are blown.
Translated by William Gass, "Reading Rilke: Reflections on the Problem of Translation" (Knopf) Lord: it is time.
The huge summer has gone by.
Now overlap the sundials with your shadows, and on the meadows let the wind go free.
Command the fruits to swell on tree and vine; grant them a few more warm transparent days, urge them on to fulfillment then, and press the final sweetness into the heavy wine.
Whoever has no house now, will never have one.
Whoever is alone will stay alone, will sit, read, write long letters through the evening, and wander the boulevards, up and down, restlessly, while the dry leaves are blowing.
Translated by Stephen Mitchell, "The Selected Poetry of Rainer Maria Rilke" (Random House) Lord, it is time now, for the summer has gone on and gone on.
Lay your shadow along the sun- dials and in the field let the great wind blow free.
Command the last fruit be ripe: let it bow down the vine -- with perhaps two sun-warm days more to force the last sweetness in the heavy wine.
He who has no home will not build one now.
He who is alone will stay long alone, will wake up, read, write long letters, and walk in the streets, walk by in the streets when the leaves blow.
Translated by John Logan, "Homage to Rainer Maria Rilke," (BOA Editions) Original German Herbsttag Herr: es ist Zeit.
Der Sommer war sehr gross.
Leg deinen Schatten auf die Sonnenuhren, und auf den Fluren lass die Winde los.
Befiehl den letzten Fruchten voll zu sein; gieb innen noch zwei sudlichere Tage, drange sie zur Vollendung hin und jage die letzte Susse in den schweren Wein.
Wer jetzt kein Haus hat, baut sich keines mehr.
Wer jetzt allein ist, wird es lange bleiben, wird wachen, lesen, lange Briefe schreiben und wird in den Alleen hin und her unruhig wandern, wenn die Blatter treiben.
-- Rainer Maria Rilke, Paris, Sept.
21, 1902


Written by George Herbert | Create an image from this poem

Redemption

 Having been tenant long to a rich lord, 
Not thriving, I resolved to be bold, 
And make a suit unto him, to afford 
A new small-rented lease, and cancel the old.
In heaven at his manor I him sought; They told me there that he was lately gone About some land, which he had dearly bought Long since on earth, to take possession.
I straight returned, and knowing his great birth, Sought him accordingly in great resorts; In cities, theaters, gardens, parks, and courts; At length I heard a ragged noise and mirth Of thieves and murderers; there I him espied, Who straight, Your suit is granted, said, and died.
Written by Ralph Waldo Emerson | Create an image from this poem

Initial Love

 Venus, when her son was lost,
Cried him up and down the coast,
In hamlets, palaces, and parks,
And told the truant by his marks,
Golden curls, and quiver, and bow;—
This befell long ago.
Time and tide are strangely changed, Men and manners much deranged; None will now find Cupid latent By this foolish antique patent.
He came late along the waste, Shod like a traveller for haste, With malice dared me to proclaim him, That the maids and boys might name him.
Boy no more, he wears all coats, Frocks, and blouses, capes, capôtes, He bears no bow, or quiver, or wand, Nor chaplet on his head or hand: Leave his weeds and heed his eyes, All the rest he can disguise.
In the pit of his eyes a spark Would bring back day if it were dark, And,—if I tell you all my thought, Though I comprehend it not,— In those unfathomable orbs Every function he absorbs; He doth eat, and drink, and fish, and shoot, And write, and reason, and compute, And ride, and run, and have, and hold, And whine, and flatter, and regret, And kiss, and couple, and beget, By those roving eye-balls bold; Undaunted are their courages, Right Cossacks in their forages; Fleeter they than any creature, They are his steeds and not his feature, Inquisitive, and fierce, and fasting, Restless, predatory, hasting,— And they pounce on other eyes, As lions on their prey; And round their circles is writ, Plainer than the day, Underneath, within, above, Love, love, love, love.
He lives in his eyes, There doth digest, and work, and spin, And buy, and sell, and lose, and win; He rolls them with delighted motion, Joy-tides swell their mimic ocean.
Yet holds he them with tortest rein, That they may seize and entertain The glance that to their glance opposes, Like fiery honey sucked from roses.
He palmistry can understand, Imbibing virtue by his hand As if it were a living root; The pulse of hands will make him mute; With all his force he gathers balms Into those wise thrilling palms.
Cupid is a casuist, A mystic, and a cabalist, Can your lurking Thought surprise, And interpret your device; Mainly versed in occult science, In magic, and in clairvoyance.
Oft he keeps his fine ear strained, And reason on her tiptoe pained, For aery intelligence, And for strange coincidence.
But it touches his quick heart When Fate by omens takes his part, And chance-dropt hints from Nature's sphere Deeply soothe his anxious ear.
Heralds high before him run, He has ushers many a one, Spreads his welcome where he goes, And touches all things with his rose.
All things wait for and divine him,— How shall I dare to malign him, Or accuse the god of sport?— I must end my true report, Painting him from head to foot, In as far as I took note, Trusting well the matchless power Of this young-eyed emperor Will clear his fame from every cloud, With the bards, and with the crowd.
He is wilful, mutable, Shy, untamed, inscrutable, Swifter-fashioned than the fairies, Substance mixed of pure contraries, His vice some elder virtue's token, And his good is evil spoken.
Failing sometimes of his own, He is headstrong and alone; He affects the wood and wild, Like a flower-hunting child, Buries himself in summer waves, In trees, with beasts, in mines, and caves, Loves nature like a horned cow, Bird, or deer, or cariboo.
Shun him, nymphs, on the fleet horses! He has a total world of wit, O how wise are his discourses! But he is the arch-hypocrite, And through all science and all art, Seeks alone his counterpart.
He is a Pundit of the east, He is an augur and a priest, And his soul will melt in prayer, But word and wisdom are a snare; Corrupted by the present toy, He follows joy, and only joy.
There is no mask but he will wear, He invented oaths to swear, He paints, he carves, he chants, he prays, And holds all stars in his embrace, Godlike, —but 'tis for his fine pelf, The social quintessence of self.
Well, said I, he is hypocrite, And folly the end of his subtle wit, He takes a sovran privilege Not allowed to any liege, For he does go behind all law, And right into himself does draw, For he is sovranly allied.
Heaven's oldest blood flows in his side, And interchangeably at one With every king on every throne, That no God dare say him nay, Or see the fault, or seen betray; He has the Muses by the heart, And the Parcæ all are of his part.
His many signs cannot be told, He has not one mode, but manifold, Many fashions and addresses, Piques, reproaches, hurts, caresses, Action, service, badinage, He will preach like a friar, And jump like Harlequin, He will read like a crier, And fight like a Paladin.
Boundless is his memory, Plans immense his term prolong, He is not of counted age, Meaning always to be young.
And his wish is intimacy, Intimater intimacy, And a stricter privacy, The impossible shall yet be done, And being two shall still be one.
As the wave breaks to foam on shelves, Then runs into a wave again, So lovers melt their sundered selves, Yet melted would be twain.
Written by Vernon Scannell | Create an image from this poem

They Did Not Expect This

 They did not expect this.
Being neither wise nor brave And wearing only the beauty of youth's season They took the first turning quite unquestioningly And walked quickly without looking back even once.
It was of course the wrong turning.
First they were nagged By a small wind that tugged at their clothing like a dog; Then the rain began and there was no shelter anywhere, Only the street and the rows of houses stern as soldiers.
Though the blood chilled, the endearing word burnt the tongue.
There were no parks or gardens or public houses: Midnight settled and the rain paused leaving the city Enormous and still like a great sleeping seal.
At last they found accommodation in a cold Furnished room where they quickly learnt to believe in ghosts; They had their hope stuffed and put on the mantelpiece But found, after a while, that they did not notice it.
While she spends many hours looking in the bottoms of teacups He reads much about association football And waits for the marvellous envelope to fall: Their eyes are strangers and they rarely speak.
They did not expect this.
Written by Alfred Lord Tennyson | Create an image from this poem

The Princess (The Conclusion)

 So closed our tale, of which I give you all 
The random scheme as wildly as it rose: 
The words are mostly mine; for when we ceased 
There came a minute's pause, and Walter said, 
'I wish she had not yielded!' then to me, 
'What, if you drest it up poetically?' 
So prayed the men, the women: I gave assent: 
Yet how to bind the scattered scheme of seven 
Together in one sheaf? What style could suit? 
The men required that I should give throughout 
The sort of mock-heroic gigantesque, 
With which we bantered little Lilia first: 
The women--and perhaps they felt their power, 
For something in the ballads which they sang, 
Or in their silent influence as they sat, 
Had ever seemed to wrestle with burlesque, 
And drove us, last, to quite a solemn close-- 
They hated banter, wished for something real, 
A gallant fight, a noble princess--why 
Not make her true-heroic--true-sublime? 
Or all, they said, as earnest as the close? 
Which yet with such a framework scarce could be.
Then rose a little feud betwixt the two, Betwixt the mockers and the realists: And I, betwixt them both, to please them both, And yet to give the story as it rose, I moved as in a strange diagonal, And maybe neither pleased myself nor them.
But Lilia pleased me, for she took no part In our dispute: the sequel of the tale Had touched her; and she sat, she plucked the grass, She flung it from her, thinking: last, she fixt A showery glance upon her aunt, and said, 'You--tell us what we are' who might have told, For she was crammed with theories out of books, But that there rose a shout: the gates were closed At sunset, and the crowd were swarming now, To take their leave, about the garden rails.
So I and some went out to these: we climbed The slope to Vivian-place, and turning saw The happy valleys, half in light, and half Far-shadowing from the west, a land of peace; Gray halls alone among their massive groves; Trim hamlets; here and there a rustic tower Half-lost in belts of hop and breadths of wheat; The shimmering glimpses of a stream; the seas; A red sail, or a white; and far beyond, Imagined more than seen, the skirts of France.
'Look there, a garden!' said my college friend, The Tory member's elder son, 'and there! God bless the narrow sea which keeps her off, And keeps our Britain, whole within herself, A nation yet, the rulers and the ruled-- Some sense of duty, something of a faith, Some reverence for the laws ourselves have made, Some patient force to change them when we will, Some civic manhood firm against the crowd-- But yonder, whiff! there comes a sudden heat, The gravest citizen seems to lose his head, The king is scared, the soldier will not fight, The little boys begin to shoot and stab, A kingdom topples over with a shriek Like an old woman, and down rolls the world In mock heroics stranger than our own; Revolts, republics, revolutions, most No graver than a schoolboys' barring out; Too comic for the serious things they are, Too solemn for the comic touches in them, Like our wild Princess with as wise a dream As some of theirs--God bless the narrow seas! I wish they were a whole Atlantic broad.
' 'Have patience,' I replied, 'ourselves are full Of social wrong; and maybe wildest dreams Are but the needful preludes of the truth: For me, the genial day, the happy crowd, The sport half-science, fill me with a faith.
This fine old world of ours is but a child Yet in the go-cart.
Patience! Give it time To learn its limbs: there is a hand that guides.
' In such discourse we gained the garden rails, And there we saw Sir Walter where he stood, Before a tower of crimson holly-hoaks, Among six boys, head under head, and looked No little lily-handed Baronet he, A great broad-shouldered genial Englishman, A lord of fat prize-oxen and of sheep, A raiser of huge melons and of pine, A patron of some thirty charities, A pamphleteer on guano and on grain, A quarter-sessions chairman, abler none; Fair-haired and redder than a windy morn; Now shaking hands with him, now him, of those That stood the nearest--now addressed to speech-- Who spoke few words and pithy, such as closed Welcome, farewell, and welcome for the year To follow: a shout rose again, and made The long line of the approaching rookery swerve From the elms, and shook the branches of the deer From slope to slope through distant ferns, and rang Beyond the bourn of sunset; O, a shout More joyful than the city-roar that hails Premier or king! Why should not these great Sirs Give up their parks some dozen times a year To let the people breathe? So thrice they cried, I likewise, and in groups they streamed away.
But we went back to the Abbey, and sat on, So much the gathering darkness charmed: we sat But spoke not, rapt in nameless reverie, Perchance upon the future man: the walls Blackened about us, bats wheeled, and owls whooped, And gradually the powers of the night, That range above the region of the wind, Deepening the courts of twilight broke them up Through all the silent spaces of the worlds, Beyond all thought into the Heaven of Heavens.
Last little Lilia, rising quietly, Disrobed the glimmering statue of Sir Ralph From those rich silks, and home well-pleased we went.


Written by Philip Larkin | Create an image from this poem

Lines On A Young Ladys Photograph Album

 At last you yielded up the album, which
Once open, sent me distracted.
All your ages Matt and glossy on the thick black pages! Too much confectionery, too rich: I choke on such nutritious images.
My swivel eye hungers from pose to pose -- In pigtails, clutching a reluctant cat; Or furred yourself, a sweet girl-graduate; Or lifting a heavy-headed rose Beneath a trellis, or in a trilby-hat (Faintly disturbing, that, in several ways) -- From every side you strike at my control, Not least through those these disquieting chaps who loll At ease about your earlier days: Not quite your class, I'd say, dear, on the whole.
But o, photography! as no art is, Faithful and disappointing! that records Dull days as dull, and hold-it smiles as frauds, And will not censor blemishes Like washing-lines, and Hall's-Distemper boards, But shows a cat as disinclined, and shades A chin as doubled when it is, what grace Your candour thus confers upon her face! How overwhelmingly persuades That this is a real girl in a real place, In every sense empirically true! Or is it just the past? Those flowers, that gate, These misty parks and motors, lacerate Simply by being you; you Contract my heart by looking out of date.
Yes, true; but in the end, surely, we cry Not only at exclusion, but because It leaves us free to cry.
We know what was Won't call on us to justify Our grief, however hard we yowl across The gap from eye to page.
So I am left To mourn (without a chance of consequence) You, balanced on a bike against a fence; To wonder if you'd spot the theft Of this one of you bathing; to condense, In short, a past that no one now can share, No matter whose your future; calm and dry, It holds you like a heaven, and you lie Unvariably lovely there, Smaller and clearer as the years go by.
Written by Alan Seeger | Create an image from this poem

The Need to Love

 The need to love that all the stars obey
Entered my heart and banished all beside.
Bare were the gardens where I used to stray; Faded the flowers that one time satisfied.
Before the beauty of the west on fire, The moonlit hills from cloister-casements viewed Cloud-like arose the image of desire, And cast out peace and maddened solitude.
I sought the City and the hopes it held: With smoke and brooding vapors intercurled, As the thick roofs and walls close-paralleled Shut out the fair horizons of the world--- A truant from the fields and rustic joy, In my changed thought that image even so Shut out the gods I worshipped as a boy And all the pure delights I used to know.
Often the veil has trembled at some tide Of lovely reminiscence and revealed How much of beauty Nature holds beside Sweet lips that sacrifice and arms that yield: Clouds, window-framed, beyond the huddled eaves When summer cumulates their golden chains, Or from the parks the smell of burning leaves, Fragrant of childhood in the country lanes, An organ-grinder's melancholy tune In rainy streets, or from an attic sill The blue skies of a windy afternoon Where our kites climbed once from some grassy hill: And my soul once more would be wrapped entire In the pure peace and blessing of those years.
Before the fierce infection of Desire Had ravaged all the flesh.
Through starting tears Shone that lost Paradise; but, if it did, Again ere long the prison-shades would fall That Youth condemns itself to walk amid, So narrow, but so beautiful withal.
And I have followed Fame with less devotion, And kept no real ambition but to see Rise from the foam of Nature's sunlit ocean My dream of palpable divinity; And aught the world contends for to mine eye Seemed not so real a meaning of success As only once to clasp before I die My vision of embodied happiness.
Written by Robert William Service | Create an image from this poem

Spats

 When young I was a Socialist
 Despite my tender years;
No blessed chance I ever missed
 To slam the profiteers.
Yet though a fanatic I was, And cursed aristocrats, The Party chucked me out because I sported Spats.
Aye, though on soap boxes I stood, And spouted in the parks, They grizzled that my foot-wear would Be disavowed my Marx.
It's buttons of a pearly sheen Bourgois they deemed and thus They told me; 'You must choose between Your spats and us.
' Alas! I loved my gaitered feet Of smoothly fitting fawn; They were so snappy and so neat, A gift from Uncle John Who had a fortune in the Bank That one day might be mine: 'Give up my spats!' said I, 'I thank You--but resign.
' Today when red or pink I see In stripy pants of state, I think of how they lost in me A demon of debate.
I muse as leaders strut about In frock-coats and high hats .
.
.
The bloody party chucked me out Because of Spats.
Written by Dylan Thomas | Create an image from this poem

Then Was My Neophyte

 Then was my neophyte,
Child in white blood bent on its knees
Under the bell of rocks,
Ducked in the twelve, disciple seas
The winder of the water-clocks
Calls a green day and night.
My sea hermaphrodite, Snail of man in His ship of fires That burn the bitten decks, Knew all His horrible desires The climber of the water sex Calls the green rock of light.
Who in these labyrinths, This tidethread and the lane of scales, Twine in a moon-blown shell, Escapes to the flat cities' sails Furled on the fishes' house and hell, Nor falls to His green myths? Stretch the salt photographs, The landscape grief, love in His oils Mirror from man to whale That the green child see like a grail Through veil and fin and fire and coil Time on the canvas paths.
He films my vanity.
Shot in the wind, by tilted arcs, Over the water come Children from homes and children's parks Who speak on a finger and thumb, And the masked, headless boy.
His reels and mystery The winder of the clockwise scene Wound like a ball of lakes Then threw on that tide-hoisted screen Love's image till my heartbone breaks By a dramatic sea.
Who kills my history? The year-hedged row is lame with flint, Blunt scythe and water blade.
'Who could snap off the shapeless print From your to-morrow-treading shade With oracle for eye?' Time kills me terribly.
'Time shall not murder you,' He said, 'Nor the green nought be hurt; Who could hack out your unsucked heart, O green and unborn and undead?' I saw time murder me.
Written by Henry Lawson | Create an image from this poem

Australias Peril

 We must suffer, husband and father, we must suffer, daughter and son,
For the wrong we have taken part in and the wrong that we have seen done.
Let the bride of frivolous fashion, and of ease, be ashamed and dumb, For I tell you the nations shall rule us who have let their children come! How shall Australia escape it – we in the South and alone Who have taken the sword for no right of England and none of our own? (Can we bring back the husbands and fathers, can we bring the lovers and sons? From the Dead to the homes we have ruined with the fire of our murdering guns?) Who shall aid and protect us when the blood-streaked dawn we meet? Will England, the hated of nations, whose existence depends on her fleet? Who, because of the deer-parks and game-runs where her wheat-fields and pastures should be, Must bring food for her herded thousands and shepherd it over the sea? The beak of the British Octopus, or the Bosses within our reach Who spend the hot days on the Mountains or summer at Manly Beach! The thousands of paltry swindlers who are fathoms beneath our scorn – Or the army of brave sons grown from the children who should have been born! The wealth you have won has been wasted on trips to the English Rome, On costly costumes from Paris, and titles and gewgaws from "home".
Shall a knighthood frighten Asia when she comes with the hate of hell? Will the motor-launch race the torpedo, or the motor-car outspeed the shell? Keep the wealth you have won from the cities, spend the wealth you have won on the land, Save the floods that run into the ocean – save the floods that sink into the sand! Make farms fit to live on, build workshops and technical schools for your sons; Keep the wealth of the land in Australia – make your own cloth, machines, and guns! Clear out the Calico Jimmy, the ******, the Chow, and his pals; Be your foreword for years: Irrigation.
Make a network of lakes and canals! See that your daughters have children, and see that Australia is home, And so be prepared, a strong nation, for the storm that most surely must come.

Book: Reflection on the Important Things