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Best Famous Onyx Poems

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Written by Anne Bradstreet | Create an image from this poem

The Vanity of All Worldly Things

 As he said vanity, so vain say I,
Oh! Vanity, O vain all under sky;
Where is the man can say, "Lo, I have found
On brittle earth a consolation sound"?
What isn't in honor to be set on high?
No, they like beasts and sons of men shall die,
And whilst they live, how oft doth turn their fate;
He's now a captive that was king of late.
What isn't in wealth great treasures to obtain? No, that's but labor, anxious care, and pain.
He heaps up riches, and he heaps up sorrow, It's his today, but who's his heir tomorrow? What then? Content in pleasures canst thou find? More vain than all, that's but to grasp the wind.
The sensual senses for a time they pleasure, Meanwhile the conscience rage, who shall appease? What isn't in beauty? No that's but a snare, They're foul enough today, that once were fair.
What is't in flow'ring youth, or manly age? The first is prone to vice, the last to rage.
Where is it then, in wisdom, learning, arts? Sure if on earth, it must be in those parts; Yet these the wisest man of men did find But vanity, vexation of the mind.
And he that know the most doth still bemoan He knows not all that here is to be known.
What is it then? To do as stoics tell, Nor laugh, nor weep, let things go ill or well? Such stoics are but stocks, such teaching vain, While man is man, he shall have ease or pain.
If not in honor, beauty, age, nor treasure, Nor yet in learning, wisdom, youth, nor pleasure, Where shall I climb, sound, seek, search, or find That summum bonum which may stay my mind? There is a path no vulture's eye hath seen, Where lion fierce, nor lion's whelps have been, Which leads unto that living crystal fount, Who drinks thereof, the world doth naught account.
The depth and sea have said " 'tis not in me," With pearl and gold it shall not valued be.
For sapphire, onyx, topaz who would change; It's hid from eyes of men, they count it strange.
Death and destruction the fame hath heard, But where and what it is, from heaven's declared; It brings to honor which shall ne'er decay, It stores with wealth which time can't wear away.
It yieldeth pleasures far beyond conceit, And truly beautifies without deceit.
Nor strength, nor wisdom, nor fresh youth shall fade, Nor death shall see, but are immortal made.
This pearl of price, this tree of life, this spring, Who is possessed of shall reign a king.
Nor change of state nor cares shall ever see, But wear his crown unto eternity.
This satiates the soul, this stays the mind, And all the rest, but vanity we find.


Written by Matthew Arnold | Create an image from this poem

The Strayed Reveller

 1 Faster, faster, 
2 O Circe, Goddess,
3 Let the wild, thronging train 
4 The bright procession 
5 Of eddying forms, 
6 Sweep through my soul! 

7 Thou standest, smiling
8 Down on me! thy right arm,
9 Lean'd up against the column there,
10 Props thy soft cheek;
11 Thy left holds, hanging loosely,
12 The deep cup, ivy-cinctured,
13 I held but now.
14 Is it, then, evening 15 So soon? I see, the night-dews, 16 Cluster'd in thick beads, dim 17 The agate brooch-stones 18 On thy white shoulder; 19 The cool night-wind, too, 20 Blows through the portico, 21 Stirs thy hair, Goddess, 22 Waves thy white robe! Circe.
23 Whence art thou, sleeper? The Youth.
24 When the white dawn first 25 Through the rough fir-planks 26 Of my hut, by the chestnuts, 27 Up at the valley-head, 28 Came breaking, Goddess! 29 I sprang up, I threw round me 30 My dappled fawn-skin; 31 Passing out, from the wet turf, 32 Where they lay, by the hut door, 33 I snatch'd up my vine-crown, my fir-staff, 34 All drench'd in dew- 35 Came swift down to join 36 The rout early gather'd 37 In the town, round the temple, 38 Iacchus' white fane 39 On yonder hill.
40 Quick I pass'd, following 41 The wood-cutters' cart-track 42 Down the dark valley;-I saw 43 On my left, through the beeches, 44 Thy palace, Goddess, 45 Smokeless, empty! 46 Trembling, I enter'd; beheld 47 The court all silent, 48 The lions sleeping, 49 On the altar this bowl.
50 I drank, Goddess! 51 And sank down here, sleeping, 52 On the steps of thy portico.
Circe.
53 Foolish boy! Why tremblest thou? 54 Thou lovest it, then, my wine? 55 Wouldst more of it? See, how glows, 56 Through the delicate, flush'd marble, 57 The red, creaming liquor, 58 Strown with dark seeds! 59 Drink, thee! I chide thee not, 60 Deny thee not my bowl.
61 Come, stretch forth thy hand, thee-so! 62 Drink-drink again! The Youth.
63 Thanks, gracious one! 64 Ah, the sweet fumes again! 65 More soft, ah me, 66 More subtle-winding 67 Than Pan's flute-music! 68 Faint-faint! Ah me, 69 Again the sweet sleep! Circe.
70 Hist! Thou-within there! 71 Come forth, Ulysses! 72 Art tired with hunting? 73 While we range the woodland, 74 See what the day brings.
Ulysses.
75 Ever new magic! 76 Hast thou then lured hither, 77 Wonderful Goddess, by thy art, 78 The young, languid-eyed Ampelus, 79 Iacchus' darling- 80 Or some youth beloved of Pan, 81 Of Pan and the Nymphs? 82 That he sits, bending downward 83 His white, delicate neck 84 To the ivy-wreathed marge 85 Of thy cup; the bright, glancing vine-leaves 86 That crown his hair, 87 Falling forward, mingling 88 With the dark ivy-plants-- 89 His fawn-skin, half untied, 90 Smear'd with red wine-stains? Who is he, 91 That he sits, overweigh'd 92 By fumes of wine and sleep, 93 So late, in thy portico? 94 What youth, Goddess,-what guest 95 Of Gods or mortals? Circe.
96 Hist! he wakes! 97 I lured him not hither, Ulysses.
98 Nay, ask him! The Youth.
99 Who speaks' Ah, who comes forth 100 To thy side, Goddess, from within? 101 How shall I name him? 102 This spare, dark-featured, 103 Quick-eyed stranger? 104 Ah, and I see too 105 His sailor's bonnet, 106 His short coat, travel-tarnish'd, 107 With one arm bare!-- 108 Art thou not he, whom fame 109 This long time rumours 110 The favour'd guest of Circe, brought by the waves? 111 Art thou he, stranger? 112 The wise Ulysses, 113 Laertes' son? Ulysses.
114 I am Ulysses.
115 And thou, too, sleeper? 116 Thy voice is sweet.
117 It may be thou hast follow'd 118 Through the islands some divine bard, 119 By age taught many things, 120 Age and the Muses; 121 And heard him delighting 122 The chiefs and people 123 In the banquet, and learn'd his songs.
124 Of Gods and Heroes, 125 Of war and arts, 126 And peopled cities, 127 Inland, or built 128 By the gray sea.
-If so, then hail! 129 I honour and welcome thee.
The Youth.
130 The Gods are happy.
131 They turn on all sides 132 Their shining eyes, 133 And see below them 134 The earth and men.
135 They see Tiresias 136 Sitting, staff in hand, 137 On the warm, grassy 138 Asopus bank, 139 His robe drawn over 140 His old sightless head, 141 Revolving inly 142 The doom of Thebes.
143 They see the Centaurs 144 In the upper glens 145 Of Pelion, in the streams, 146 Where red-berried ashes fringe 147 The clear-brown shallow pools, 148 With streaming flanks, and heads 149 Rear'd proudly, snuffing 150 The mountain wind.
151 They see the Indian 152 Drifting, knife in hand, 153 His frail boat moor'd to 154 A floating isle thick-matted 155 With large-leaved, low-creeping melon-plants 156 And the dark cucumber.
157 He reaps, and stows them, 158 Drifting--drifting;--round him, 159 Round his green harvest-plot, 160 Flow the cool lake-waves, 161 The mountains ring them.
162 They see the Scythian 163 On the wide stepp, unharnessing 164 His wheel'd house at noon.
165 He tethers his beast down, and makes his meal-- 166 Mares' milk, and bread 167 Baked on the embers;--all around 168 The boundless, waving grass-plains stretch, thick-starr'd 169 With saffron and the yellow hollyhock 170 And flag-leaved iris-flowers.
171 Sitting in his cart 172 He makes his meal; before him, for long miles, 173 Alive with bright green lizards, 174 And the springing bustard-fowl, 175 The track, a straight black line, 176 Furrows the rich soil; here and there 177 Cluster of lonely mounds 178 Topp'd with rough-hewn, 179 Gray, rain-blear'd statues, overpeer 180 The sunny waste.
181 They see the ferry 182 On the broad, clay-laden 183 Lone Chorasmian stream;--thereon, 184 With snort and strain, 185 Two horses, strongly swimming, tow 186 The ferry-boat, with woven ropes 187 To either bow 188 Firm harness'd by the mane; a chief 189 With shout and shaken spear, 190 Stands at the prow, and guides them; but astern 191 The cowering merchants, in long robes, 192 Sit pale beside their wealth 193 Of silk-bales and of balsam-drops, 194 Of gold and ivory, 195 Of turquoise-earth and amethyst, 196 Jasper and chalcedony, 197 And milk-barred onyx-stones.
198 The loaded boat swings groaning 199 In the yellow eddies; 200 The Gods behold him.
201 They see the Heroes 202 Sitting in the dark ship 203 On the foamless, long-heaving 204 Violet sea.
205 At sunset nearing 206 The Happy Islands.
207 These things, Ulysses, 208 The wise bards, also 209 Behold and sing.
210 But oh, what labour! 211 O prince, what pain! 212 They too can see 213 Tiresias;--but the Gods, 214 Who give them vision, 215 Added this law: 216 That they should bear too 217 His groping blindness, 218 His dark foreboding, 219 His scorn'd white hairs; 220 Bear Hera's anger 221 Through a life lengthen'd 222 To seven ages.
223 They see the Centaurs 224 On Pelion:--then they feel, 225 They too, the maddening wine 226 Swell their large veins to bursting; in wild pain 227 They feel the biting spears 228 Of the grim Lapith?, and Theseus, drive, 229 Drive crashing through their bones; they feel 230 High on a jutting rock in the red stream 231 Alcmena's dreadful son 232 Ply his bow;--such a price 233 The Gods exact for song: 234 To become what we sing.
235 They see the Indian 236 On his mountain lake; but squalls 237 Make their skiff reel, and worms 238 In the unkind spring have gnawn 239 Their melon-harvest to the heart.
--They see 240 The Scythian: but long frosts 241 Parch them in winter-time on the bare stepp, 242 Till they too fade like grass; they crawl 243 Like shadows forth in spring.
244 They see the merchants 245 On the Oxus stream;--but care 246 Must visit first them too, and make them pale.
247 Whether, through whirling sand, 248 A cloud of desert robber-horse have burst 249 Upon their caravan; or greedy kings, 250 In the wall'd cities the way passes through, 251 Crush'd them with tolls; or fever-airs, 252 On some great river's marge, 253 Mown them down, far from home.
254 They see the Heroes 255 Near harbour;--but they share 256 Their lives, and former violent toil in Thebes, 257 Seven-gated Thebes, or Troy; 258 Or where the echoing oars 259 Of Argo first 260 Startled the unknown sea.
261 The old Silenus 262 Came, lolling in the sunshine, 263 From the dewy forest-coverts, 264 This way at noon.
265 Sitting by me, while his Fauns 266 Down at the water-side 267 Sprinkled and smoothed 268 His drooping garland, 269 He told me these things.
270 But I, Ulysses, 271 Sitting on the warm steps, 272 Looking over the valley, 273 All day long, have seen, 274 Without pain, without labour, 275 Sometimes a wild-hair'd M?nad-- 276 Sometimes a Faun with torches-- 277 And sometimes, for a moment, 278 Passing through the dark stems 279 Flowing-robed, the beloved, 280 The desired, the divine, 281 Beloved Iacchus.
282 Ah, cool night-wind, tremulous stars! 283 Ah, glimmering water, 284 Fitful earth-murmur, 285 Dreaming woods! 286 Ah, golden-haired, strangely smiling Goddess, 287 And thou, proved, much enduring, 288 Wave-toss'd Wanderer! 289 Who can stand still? 290 Ye fade, ye swim, ye waver before me-- 291 The cup again! 292 Faster, faster, 293 O Circe, Goddess.
294 Let the wild, thronging train, 295 The bright procession 296 Of eddying forms, 297 Sweep through my soul!
Written by Emily Dickinson | Create an image from this poem

Like trains of cars on tracks of plush

Like trains of cars on tracks of plush
I hear the level bee:
A jar across the flowers goes,
Their velvet masonry

Withstands until the sweet assault
Their chivalry consumes,
While he, victorious, tilts away
To vanquish other blooms.
His feet are shod with gauze, His helmet is of gold; His breast, a single onyx With chrysoprase, inlaid.
His labor is a chant, His idleness a tune; Oh, for a bee's experience Of clovers and of noon!
Written by Philip Levine | Create an image from this poem

The Present

 The day comes slowly in the railyard 
behind the ice factory.
It broods on one cinder after another until each glows like lead or the eye of a dog possessed of no inner fire, the brown and greasy pointer who raises his muzzle a moment and sighing lets it thud down on the loading dock.
In no time the day has crossed two sets of tracks, a semi-trailer with no tractor, and crawled down three stories of the bottling plant at the end of the alley.
It is now less than five hours until mid-day when nothing will be left in doubt, each scrap of news, each banished carton, each forgotten letter, its ink bled of lies, will stare back at the one eye that sees it all and never blinks.
But for now there is water settling in a clean glass on the shelf beside the razor, the slap of bare feet on the floor above.
Soon the scent of rivers borne across roof after roof by winds without names, the aroma of opened beds better left closed, of mouths without teeth, of light rustling among the mice droppings at the back of a bin of potatoes.
* The old man who sleeps among the cases of empty bottles in a little nest of rags and newspapers at the back of the plant is not an old man.
He is twenty years younger than I am now putting this down in permanent ink on a yellow legal pad during a crisp morning in October.
When he fell from a high pallet, his sleeve caught on a nail and spread his arms like a figure out of myth.
His head tore open on a spear of wood, and he swore in French.
No, he didn't want a doctor.
He wanted toilet paper and a drink, which were fetched.
He used the tiny bottle of whisky to straighten out his eyes and the toilet paper to clean his pants, fouled in the fall, and he did both with seven teenage boys looking on in wonder and fear.
At last the blood slowed and caked above his ear, and he never once touched the wound.
Instead, in a voice no one could hear, he spoke to himself, probably in French, and smoked sitting back against a pallet, his legs thrust out on the damp cement floor.
* In his white coveralls, crisp and pressed, Teddy the Polack told us a fat tit would stop a toothache, two a headache.
He told it to anyone who asked, and grinned -- the small eyes watering at the corners -- as Alcibiades might have grinned when at last he learned that love leads even the body beloved to a moment in the present when desire calms, the skin glows, the soul takes the light of day, even a working day in 1944.
For Baharozian at seventeen the present was a gift.
Seeing my ashen face, the cold sweats starting, he seated me in a corner of the boxcar and did both our jobs, stacking the full cases neatly row upon row and whistling the songs of Kate Smith.
In the bathroom that night I posed naked before the mirror, the new cross of hair staining my chest, plunging to my groin.
That was Wednesday, for every Wednesday ended in darkness.
* One of those teenage boys was my brother.
That night as we lay in bed, the lights out, we spoke of Froggy, of how at first we thought he would die and how little he seemed to care as the blood rose to fill and overflow his ear.
Slowly the long day came over us and our breath quieted and eased at last, and we slept.
When I close my eyes now his bare legs glow before me again, pure and lovely in their perfect whiteness, the buttocks dimpled and firm.
I see again the rope of his sex, unwrinkled, flushed and swaying, the hard flat belly as he raises his shirt to clean himself.
He gazes at no one or nothing, but seems instead to look off into a darkness I hadn't seen, a pool of shadow that forms before his eyes, in my memory now as solid as onyx.
* I began this poem in the present because nothing is past.
The ice factory, the bottling plant, the cindered yard all gave way to a low brick building a block wide and windowless where they designed gun mounts for personnel carriers that never made it to Korea.
My brother rises early, and on clear days he walks to the corner to have toast and coffee.
Seventeen winters have melted into an earth of stone, bottle caps, and old iron to carry off the hard remains of Froggy Frenchman without a blessing or a stone to bear it.
A little spar of him the size of a finger, pointed and speckled as though blood-flaked, washed ashore from Lake Erie near Buffalo before the rest slipped down the falls out into the St.
Lawrence.
He could be at sea, he could be part of an ocean, by now he could even be home.
This morning I rose later than usual in a great house full of sunlight, but I believe it came down step by step on each wet sheet of wooden siding before it crawled from the ceiling and touched my pillow to waken me.
When I heave myself out of this chair with a great groan of age and stand shakily, the three mice still in the wall.
From across the lots the wind brings voices I can't make out, scraps of song or sea sounds, daylight breaking into dust, the perfume of waiting rain, of onions and potatoes frying.
Written by Amy Lowell | Create an image from this poem

Behind a Wall

 I own a solace shut within my heart,
A garden full of many a quaint delight
And warm with drowsy, poppied sunshine; bright,
Flaming with lilies out of whose cups dart
Shining things
With powdered wings.
Here terrace sinks to terrace, arbors close The ends of dreaming paths; a wanton wind Jostles the half-ripe pears, and then, unkind, Tumbles a-slumber in a pillar rose, With content Grown indolent.
By night my garden is o'erhung with gems Fixed in an onyx setting.
Fireflies Flicker their lanterns in my dazzled eyes.
In serried rows I guess the straight, stiff stems Of hollyhocks Against the rocks.
So far and still it is that, listening, I hear the flowers talking in the dawn; And where a sunken basin cuts the lawn, Cinctured with iris, pale and glistening, The sudden swish Of a waking fish.


Written by Matthew Arnold | Create an image from this poem

Strayed Reveller The

 The Youth

Faster, faster,
O Circe, Goddess,
Let the wild, thronging train
The bright procession
Of eddying forms,
Sweep through my soul!
Thou standest, smiling
Down on me! thy right arm,
Lean'd up against the column there,
Props thy soft cheek;
Thy left holds, hanging loosely,
The deep cup, ivy-cinctured,
I held but now.
Is it, then, evening So soon? I see, the night-dews, Cluster'd in thick beads, dim The agate brooch-stones On thy white shoulder; The cool night-wind, too, Blows through the portico, Stirs thy hair, Goddess, Waves thy white robe! Circe.
Whence art thou, sleeper? The Youth.
When the white dawn first Through the rough fir-planks Of my hut, by the chestnuts, Up at the valley-head, Came breaking, Goddess! I sprang up, I threw round me My dappled fawn-skin; Passing out, from the wet turf, Where they lay, by the hut door, I snatch'd up my vine-crown, my fir-staff, All drench'd in dew- Came swift down to join The rout early gather'd In the town, round the temple, Iacchus' white fane On yonder hill.
Quick I pass'd, following The wood-cutters' cart-track Down the dark valley;-I saw On my left, through the beeches, Thy palace, Goddess, Smokeless, empty! Trembling, I enter'd; beheld The court all silent, The lions sleeping, On the altar this bowl.
I drank, Goddess! And sank down here, sleeping, On the steps of thy portico.
Circe.
Foolish boy! Why tremblest thou? Thou lovest it, then, my wine? Wouldst more of it? See, how glows, Through the delicate, flush'd marble, The red, creaming liquor, Strown with dark seeds! Drink, thee! I chide thee not, Deny thee not my bowl.
Come, stretch forth thy hand, thee-so! Drink-drink again! The Youth.
Thanks, gracious one! Ah, the sweet fumes again! More soft, ah me, More subtle-winding Than Pan's flute-music! Faint-faint! Ah me, Again the sweet sleep! Circe.
Hist! Thou-within there! Come forth, Ulysses! Art tired with hunting? While we range the woodland, See what the day brings.
Ulysses.
Ever new magic! Hast thou then lured hither, Wonderful Goddess, by thy art, The young, languid-eyed Ampelus, Iacchus' darling- Or some youth beloved of Pan, Of Pan and the Nymphs? That he sits, bending downward His white, delicate neck To the ivy-wreathed marge Of thy cup; the bright, glancing vine-leaves That crown his hair, Falling forward, mingling With the dark ivy-plants-- His fawn-skin, half untied, Smear'd with red wine-stains? Who is he, That he sits, overweigh'd By fumes of wine and sleep, So late, in thy portico? What youth, Goddess,-what guest Of Gods or mortals? Circe.
Hist! he wakes! I lured him not hither, Ulysses.
Nay, ask him! The Youth.
Who speaks' Ah, who comes forth To thy side, Goddess, from within? How shall I name him? This spare, dark-featured, Quick-eyed stranger? Ah, and I see too His sailor's bonnet, His short coat, travel-tarnish'd, With one arm bare!-- Art thou not he, whom fame This long time rumours The favour'd guest of Circe, brought by the waves? Art thou he, stranger? The wise Ulysses, Laertes' son? Ulysses.
I am Ulysses.
And thou, too, sleeper? Thy voice is sweet.
It may be thou hast follow'd Through the islands some divine bard, By age taught many things, Age and the Muses; And heard him delighting The chiefs and people In the banquet, and learn'd his songs.
Of Gods and Heroes, Of war and arts, And peopled cities, Inland, or built By the gray sea.
-If so, then hail! I honour and welcome thee.
The Youth.
The Gods are happy.
They turn on all sides Their shining eyes, And see below them The earth and men.
They see Tiresias Sitting, staff in hand, On the warm, grassy Asopus bank, His robe drawn over His old sightless head, Revolving inly The doom of Thebes.
They see the Centaurs In the upper glens Of Pelion, in the streams, Where red-berried ashes fringe The clear-brown shallow pools, With streaming flanks, and heads Rear'd proudly, snuffing The mountain wind.
They see the Indian Drifting, knife in hand, His frail boat moor'd to A floating isle thick-matted With large-leaved, low-creeping melon-plants And the dark cucumber.
He reaps, and stows them, Drifting--drifting;--round him, Round his green harvest-plot, Flow the cool lake-waves, The mountains ring them.
They see the Scythian On the wide stepp, unharnessing His wheel'd house at noon.
He tethers his beast down, and makes his meal-- Mares' milk, and bread Baked on the embers;--all around The boundless, waving grass-plains stretch, thick-starr'd With saffron and the yellow hollyhock And flag-leaved iris-flowers.
Sitting in his cart He makes his meal; before him, for long miles, Alive with bright green lizards, And the springing bustard-fowl, The track, a straight black line, Furrows the rich soil; here and there Cluster of lonely mounds Topp'd with rough-hewn, Gray, rain-blear'd statues, overpeer The sunny waste.
They see the ferry On the broad, clay-laden Lone Chorasmian stream;--thereon, With snort and strain, Two horses, strongly swimming, tow The ferry-boat, with woven ropes To either bow Firm harness'd by the mane; a chief With shout and shaken spear, Stands at the prow, and guides them; but astern The cowering merchants, in long robes, Sit pale beside their wealth Of silk-bales and of balsam-drops, Of gold and ivory, Of turquoise-earth and amethyst, Jasper and chalcedony, And milk-barred onyx-stones.
The loaded boat swings groaning In the yellow eddies; The Gods behold him.
They see the Heroes Sitting in the dark ship On the foamless, long-heaving Violet sea.
At sunset nearing The Happy Islands.
These things, Ulysses, The wise bards, also Behold and sing.
But oh, what labour! O prince, what pain! They too can see Tiresias;--but the Gods, Who give them vision, Added this law: That they should bear too His groping blindness, His dark foreboding, His scorn'd white hairs; Bear Hera's anger Through a life lengthen'd To seven ages.
They see the Centaurs On Pelion:--then they feel, They too, the maddening wine Swell their large veins to bursting; in wild pain They feel the biting spears Of the grim Lapith?, and Theseus, drive, Drive crashing through their bones; they feel High on a jutting rock in the red stream Alcmena's dreadful son Ply his bow;--such a price The Gods exact for song: To become what we sing.
They see the Indian On his mountain lake; but squalls Make their skiff reel, and worms In the unkind spring have gnawn Their melon-harvest to the heart.
--They see The Scythian: but long frosts Parch them in winter-time on the bare stepp, Till they too fade like grass; they crawl Like shadows forth in spring.
They see the merchants On the Oxus stream;--but care Must visit first them too, and make them pale.
Whether, through whirling sand, A cloud of desert robber-horse have burst Upon their caravan; or greedy kings, In the wall'd cities the way passes through, Crush'd them with tolls; or fever-airs, On some great river's marge, Mown them down, far from home.
They see the Heroes Near harbour;--but they share Their lives, and former violent toil in Thebes, Seven-gated Thebes, or Troy; Or where the echoing oars Of Argo first Startled the unknown sea.
The old Silenus Came, lolling in the sunshine, From the dewy forest-coverts, This way at noon.
Sitting by me, while his Fauns Down at the water-side Sprinkled and smoothed His drooping garland, He told me these things.
But I, Ulysses, Sitting on the warm steps, Looking over the valley, All day long, have seen, Without pain, without labour, Sometimes a wild-hair'd M?nad-- Sometimes a Faun with torches-- And sometimes, for a moment, Passing through the dark stems Flowing-robed, the beloved, The desired, the divine, Beloved Iacchus.
Ah, cool night-wind, tremulous stars! Ah, glimmering water, Fitful earth-murmur, Dreaming woods! Ah, golden-haired, strangely smiling Goddess, And thou, proved, much enduring, Wave-toss'd Wanderer! Who can stand still? Ye fade, ye swim, ye waver before me-- The cup again! Faster, faster, O Circe, Goddess.
Let the wild, thronging train, The bright procession Of eddying forms, Sweep through my soul!
Written by Elinor Wylie | Create an image from this poem

The Fairy Goldsmith

 Here's a wonderful thing, 
A humming-bird's wing 
In hammered gold, 
And store well chosen 
Of snowflakes frozen 
In crystal cold.
Black onyx cherries And mistletoe berries Of chrysoprase, Jade buds, tight shut, All carven and cut In intricate ways.
Here, if you please Are little gilt bees In amber drops Which look like honey, Translucent and sunny, From clover-tops.
Here's an elfin girl Of mother-of-pearl And moonshine made, With tortise-shell hair Both dusky and fair In its light and shade.
Here's lacquer laid thin, Like a scarlet skin On an ivory fruit; And a filigree frost Of frail notes lost From a fairy lute.
Here's a turquoise chain Of sun-shower rain To wear if you wish; And glittering green With aquamarine, A silvery fish.
Here are pearls all strung On a thread among Pretty pink shells; And bubbles blown From the opal stone Which ring like bells.
Touch them and take them, But do not break them! Beneath your hand They will wither like foam If you carry them home Out of fairy-lannd.
O, they never can last Though you hide them fast From moth and from rust; In your monstrous day They will crumble away Into quicksilver dust.
Written by D. H. Lawrence | Create an image from this poem

The Hands of the Betrothed

 Her tawny eyes are onyx of thoughtlessness, 
Hardened they are like gems in ancient modesty; 
Yea, and her mouth’s prudent and crude caress 
Means even less than her many words to me.
Though her kiss betrays me also this, this only Consolation, that in her lips her blood at climax clips Two wild, dumb paws in anguish on the lonely Fruit of my heart, ere down, rebuked, it slips.
I know from her hardened lips that still her heart is Hungry for me, yet if I put my hand in her breast She puts me away, like a saleswoman whose mart is Endangered by the pilferer on his quest.
But her hands are still the woman, the large, strong hands Heavier than mine, yet like leverets caught in steel When I hold them; my still soul understands Their dumb confession of what her sort must feel.
For never her hands come nigh me but they lift Like heavy birds from the morning stubble, to settle Upon me like sleeping birds, like birds that shift Uneasily in their sleep, disturbing my mettle.
How caressingly she lays her hand on my knee, How strangely she tries to disown it, as it sinks In my flesh and bone and forages into me, How it stirs like a subtle stoat, whatever she thinks! And often I see her clench her fingers tight And thrust her fists suppressed in the folds of her skirt; And sometimes, how she grasps her arms with her bright Big hands, as if surely her arms did hurt.
And I have seen her stand all unaware Pressing her spread hands over her breasts, as she Would crush their mounds on her heart, to kill in there The pain that is her simple ache for me.
Her strong hands take my part, the part of a man To her; she crushes them into her bosom deep Where I should lie, and with her own strong span Closes her arms, that should fold me in sleep.
Ah, and she puts her hands upon the wall, Presses them there, and kisses her bright hands, Then lets her black hair loose, the darkness fall About her from her maiden-folded bands.
And sits in her own dark night of her bitter hair Dreaming—God knows of what, for to me she’s the same Betrothed young lady who loves me, and takes care Of her womanly virtue and of my good name.
Written by Emily Dickinson | Create an image from this poem

His Feet are shod with Gauze --

 His Feet are shod with Gauze --
His Helmet, is of Gold,
His Breast, a Single Onyx
With Chrysophrase, inlaid.
His Labor is a Chant -- His Idleness -- a Tune -- Oh, for a Bee's experience Of Clovers, and of Noon!
Written by William Butler Yeats | Create an image from this poem

The Mountain Tomb

 Pour wine and dance if manhood still have pride,
Bring roses if the rose be yet in bloom;
The cataract smokes upon the mountain side,
Our Father Rosicross is in his tomb.
Pull down the blinds, bring fiddle and clarionet That there be no foot silent in the room Nor mouth from kissing, nor from wine unwet; Our Father Rosicross is in his tomb.
In vain, in pain; the cataract still cries; The everlasting taper lights the gloom; All wisdom shut into his onyx eyes, Our Father Rosicross sleeps in his tomb.

Book: Reflection on the Important Things