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Best Famous Onyx Poems

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Written by Anne Bradstreet | Create an image from this poem

The Vanity of All Worldly Things

 As he said vanity, so vain say I,
Oh! Vanity, O vain all under sky;
Where is the man can say, "Lo, I have found
On brittle earth a consolation sound"?
What isn't in honor to be set on high?
No, they like beasts and sons of men shall die,
And whilst they live, how oft doth turn their fate;
He's now a captive that was king of late.
What isn't in wealth great treasures to obtain?
No, that's but labor, anxious care, and pain.
He heaps up riches, and he heaps up sorrow,
It's his today, but who's his heir tomorrow?
What then? Content in pleasures canst thou find?
More vain than all, that's but to grasp the wind.
The sensual senses for a time they pleasure,
Meanwhile the conscience rage, who shall appease?
What isn't in beauty? No that's but a snare,
They're foul enough today, that once were fair.
What is't in flow'ring youth, or manly age?
The first is prone to vice, the last to rage.
Where is it then, in wisdom, learning, arts?
Sure if on earth, it must be in those parts;
Yet these the wisest man of men did find
But vanity, vexation of the mind.
And he that know the most doth still bemoan
He knows not all that here is to be known.
What is it then? To do as stoics tell,
Nor laugh, nor weep, let things go ill or well?
Such stoics are but stocks, such teaching vain,
While man is man, he shall have ease or pain.
If not in honor, beauty, age, nor treasure,
Nor yet in learning, wisdom, youth, nor pleasure,
Where shall I climb, sound, seek, search, or find
That summum bonum which may stay my mind?
There is a path no vulture's eye hath seen,
Where lion fierce, nor lion's whelps have been,
Which leads unto that living crystal fount,
Who drinks thereof, the world doth naught account.
The depth and sea have said " 'tis not in me,"
With pearl and gold it shall not valued be.
For sapphire, onyx, topaz who would change;
It's hid from eyes of men, they count it strange.
Death and destruction the fame hath heard,
But where and what it is, from heaven's declared;
It brings to honor which shall ne'er decay,
It stores with wealth which time can't wear away.
It yieldeth pleasures far beyond conceit,
And truly beautifies without deceit.
Nor strength, nor wisdom, nor fresh youth shall fade,
Nor death shall see, but are immortal made.
This pearl of price, this tree of life, this spring,
Who is possessed of shall reign a king.
Nor change of state nor cares shall ever see,
But wear his crown unto eternity.
This satiates the soul, this stays the mind,
And all the rest, but vanity we find.


Written by Matthew Arnold | Create an image from this poem

The Strayed Reveller

 1 Faster, faster, 
2 O Circe, Goddess,
3 Let the wild, thronging train 
4 The bright procession 
5 Of eddying forms, 
6 Sweep through my soul! 

7 Thou standest, smiling
8 Down on me! thy right arm,
9 Lean'd up against the column there,
10 Props thy soft cheek;
11 Thy left holds, hanging loosely,
12 The deep cup, ivy-cinctured,
13 I held but now. 

14 Is it, then, evening 
15 So soon? I see, the night-dews, 
16 Cluster'd in thick beads, dim 
17 The agate brooch-stones 
18 On thy white shoulder; 
19 The cool night-wind, too, 
20 Blows through the portico, 
21 Stirs thy hair, Goddess, 
22 Waves thy white robe! 

Circe. 

23 Whence art thou, sleeper? 

The Youth. 

24 When the white dawn first 
25 Through the rough fir-planks 
26 Of my hut, by the chestnuts, 
27 Up at the valley-head, 
28 Came breaking, Goddess! 
29 I sprang up, I threw round me 
30 My dappled fawn-skin; 
31 Passing out, from the wet turf, 
32 Where they lay, by the hut door, 
33 I snatch'd up my vine-crown, my fir-staff, 
34 All drench'd in dew- 
35 Came swift down to join 
36 The rout early gather'd 
37 In the town, round the temple, 
38 Iacchus' white fane 
39 On yonder hill. 

40 Quick I pass'd, following 
41 The wood-cutters' cart-track 
42 Down the dark valley;-I saw 
43 On my left, through the beeches,
44 Thy palace, Goddess, 
45 Smokeless, empty! 
46 Trembling, I enter'd; beheld 
47 The court all silent, 
48 The lions sleeping, 
49 On the altar this bowl. 
50 I drank, Goddess! 
51 And sank down here, sleeping, 
52 On the steps of thy portico. 

Circe. 

53 Foolish boy! Why tremblest thou?
54 Thou lovest it, then, my wine?
55 Wouldst more of it? See, how glows,
56 Through the delicate, flush'd marble,
57 The red, creaming liquor,
58 Strown with dark seeds! 
59 Drink, thee! I chide thee not, 
60 Deny thee not my bowl. 
61 Come, stretch forth thy hand, thee-so! 
62 Drink-drink again! 

The Youth. 

63 Thanks, gracious one! 
64 Ah, the sweet fumes again! 
65 More soft, ah me, 
66 More subtle-winding 
67 Than Pan's flute-music! 
68 Faint-faint! Ah me, 
69 Again the sweet sleep! 

Circe. 

70 Hist! Thou-within there! 
71 Come forth, Ulysses! 
72 Art tired with hunting? 
73 While we range the woodland,
74 See what the day brings. 

Ulysses. 

75 Ever new magic! 
76 Hast thou then lured hither,
77 Wonderful Goddess, by thy art, 
78 The young, languid-eyed Ampelus, 
79 Iacchus' darling- 
80 Or some youth beloved of Pan, 
81 Of Pan and the Nymphs? 
82 That he sits, bending downward 
83 His white, delicate neck 
84 To the ivy-wreathed marge 
85 Of thy cup; the bright, glancing vine-leaves
86 That crown his hair, 
87 Falling forward, mingling 
88 With the dark ivy-plants-- 
89 His fawn-skin, half untied, 
90 Smear'd with red wine-stains? Who is he, 
91 That he sits, overweigh'd 
92 By fumes of wine and sleep, 
93 So late, in thy portico? 
94 What youth, Goddess,-what guest 
95 Of Gods or mortals? 

Circe. 

96 Hist! he wakes!
97 I lured him not hither, Ulysses.
98 Nay, ask him! 

The Youth. 

99 Who speaks' Ah, who comes forth
100 To thy side, Goddess, from within?
101 How shall I name him?
102 This spare, dark-featured,
103 Quick-eyed stranger?
104 Ah, and I see too
105 His sailor's bonnet,
106 His short coat, travel-tarnish'd,
107 With one arm bare!--
108 Art thou not he, whom fame
109 This long time rumours
110 The favour'd guest of Circe, brought by the waves?
111 Art thou he, stranger?
112 The wise Ulysses,
113 Laertes' son? 

Ulysses. 

114 I am Ulysses. 
115 And thou, too, sleeper? 
116 Thy voice is sweet. 
117 It may be thou hast follow'd 
118 Through the islands some divine bard, 
119 By age taught many things, 
120 Age and the Muses; 
121 And heard him delighting 
122 The chiefs and people 
123 In the banquet, and learn'd his songs.
124 Of Gods and Heroes, 
125 Of war and arts, 
126 And peopled cities, 
127 Inland, or built 
128 By the gray sea.-If so, then hail! 
129 I honour and welcome thee. 

The Youth. 

130 The Gods are happy. 
131 They turn on all sides 
132 Their shining eyes, 
133 And see below them 
134 The earth and men. 

135 They see Tiresias 
136 Sitting, staff in hand, 
137 On the warm, grassy 
138 Asopus bank, 
139 His robe drawn over 
140 His old sightless head, 
141 Revolving inly 
142 The doom of Thebes. 

143 They see the Centaurs
144 In the upper glens
145 Of Pelion, in the streams,
146 Where red-berried ashes fringe
147 The clear-brown shallow pools,
148 With streaming flanks, and heads
149 Rear'd proudly, snuffing
150 The mountain wind. 

151 They see the Indian
152 Drifting, knife in hand,
153 His frail boat moor'd to
154 A floating isle thick-matted
155 With large-leaved, low-creeping melon-plants 
156 And the dark cucumber. 

157 He reaps, and stows them,
158 Drifting--drifting;--round him,
159 Round his green harvest-plot,
160 Flow the cool lake-waves,
161 The mountains ring them. 

162 They see the Scythian
163 On the wide stepp, unharnessing
164 His wheel'd house at noon.
165 He tethers his beast down, and makes his meal--
166 Mares' milk, and bread
167 Baked on the embers;--all around
168 The boundless, waving grass-plains stretch, thick-starr'd
169 With saffron and the yellow hollyhock
170 And flag-leaved iris-flowers.
171 Sitting in his cart
172 He makes his meal; before him, for long miles,
173 Alive with bright green lizards,
174 And the springing bustard-fowl,
175 The track, a straight black line,
176 Furrows the rich soil; here and there
177 Cluster of lonely mounds
178 Topp'd with rough-hewn,
179 Gray, rain-blear'd statues, overpeer
180 The sunny waste. 

181 They see the ferry
182 On the broad, clay-laden
183 Lone Chorasmian stream;--thereon,
184 With snort and strain,
185 Two horses, strongly swimming, tow
186 The ferry-boat, with woven ropes
187 To either bow
188 Firm harness'd by the mane; a chief
189 With shout and shaken spear,
190 Stands at the prow, and guides them; but astern
191 The cowering merchants, in long robes,
192 Sit pale beside their wealth
193 Of silk-bales and of balsam-drops,
194 Of gold and ivory,
195 Of turquoise-earth and amethyst,
196 Jasper and chalcedony,
197 And milk-barred onyx-stones.
198 The loaded boat swings groaning
199 In the yellow eddies;
200 The Gods behold him. 

201 They see the Heroes
202 Sitting in the dark ship
203 On the foamless, long-heaving
204 Violet sea.
205 At sunset nearing
206 The Happy Islands. 

207 These things, Ulysses,
208 The wise bards, also
209 Behold and sing.
210 But oh, what labour!
211 O prince, what pain!
212 They too can see
213 Tiresias;--but the Gods,
214 Who give them vision,
215 Added this law:
216 That they should bear too
217 His groping blindness,
218 His dark foreboding,
219 His scorn'd white hairs;
220 Bear Hera's anger
221 Through a life lengthen'd
222 To seven ages. 

223 They see the Centaurs
224 On Pelion:--then they feel,
225 They too, the maddening wine
226 Swell their large veins to bursting; in wild pain
227 They feel the biting spears
228 Of the grim Lapith?, and Theseus, drive,
229 Drive crashing through their bones; they feel
230 High on a jutting rock in the red stream
231 Alcmena's dreadful son
232 Ply his bow;--such a price
233 The Gods exact for song:
234 To become what we sing. 

235 They see the Indian
236 On his mountain lake; but squalls
237 Make their skiff reel, and worms
238 In the unkind spring have gnawn
239 Their melon-harvest to the heart.--They see
240 The Scythian: but long frosts
241 Parch them in winter-time on the bare stepp,
242 Till they too fade like grass; they crawl
243 Like shadows forth in spring. 

244 They see the merchants
245 On the Oxus stream;--but care
246 Must visit first them too, and make them pale.
247 Whether, through whirling sand,
248 A cloud of desert robber-horse have burst
249 Upon their caravan; or greedy kings,
250 In the wall'd cities the way passes through,
251 Crush'd them with tolls; or fever-airs,
252 On some great river's marge,
253 Mown them down, far from home. 

254 They see the Heroes
255 Near harbour;--but they share
256 Their lives, and former violent toil in Thebes,
257 Seven-gated Thebes, or Troy;
258 Or where the echoing oars
259 Of Argo first
260 Startled the unknown sea. 

261 The old Silenus
262 Came, lolling in the sunshine,
263 From the dewy forest-coverts,
264 This way at noon.
265 Sitting by me, while his Fauns
266 Down at the water-side
267 Sprinkled and smoothed
268 His drooping garland,
269 He told me these things. 

270 But I, Ulysses,
271 Sitting on the warm steps,
272 Looking over the valley,
273 All day long, have seen,
274 Without pain, without labour,
275 Sometimes a wild-hair'd M?nad--
276 Sometimes a Faun with torches--
277 And sometimes, for a moment,
278 Passing through the dark stems
279 Flowing-robed, the beloved,
280 The desired, the divine,
281 Beloved Iacchus. 

282 Ah, cool night-wind, tremulous stars!
283 Ah, glimmering water,
284 Fitful earth-murmur,
285 Dreaming woods!
286 Ah, golden-haired, strangely smiling Goddess,
287 And thou, proved, much enduring,
288 Wave-toss'd Wanderer!
289 Who can stand still?
290 Ye fade, ye swim, ye waver before me--
291 The cup again! 

292 Faster, faster,
293 O Circe, Goddess.
294 Let the wild, thronging train,
295 The bright procession
296 Of eddying forms,
297 Sweep through my soul!
Written by Emily Dickinson | Create an image from this poem

Like trains of cars on tracks of plush

Like trains of cars on tracks of plush
I hear the level bee:
A jar across the flowers goes,
Their velvet masonry

Withstands until the sweet assault
Their chivalry consumes,
While he, victorious, tilts away
To vanquish other blooms.

His feet are shod with gauze,
His helmet is of gold;
His breast, a single onyx
With chrysoprase, inlaid.

His labor is a chant,
His idleness a tune;
Oh, for a bee's experience
Of clovers and of noon!
Written by Philip Levine | Create an image from this poem

The Present

 The day comes slowly in the railyard 
behind the ice factory. It broods on 
one cinder after another until each 
glows like lead or the eye of a dog 
possessed of no inner fire, the brown 
and greasy pointer who raises his muzzle 
a moment and sighing lets it thud 
down on the loading dock. In no time 
the day has crossed two sets of tracks, 
a semi-trailer with no tractor, and crawled 
down three stories of the bottling plant 
at the end of the alley. It is now 
less than five hours until mid-day 
when nothing will be left in doubt, 
each scrap of news, each banished carton, 
each forgotten letter, its ink bled of lies, 
will stare back at the one eye that sees 
it all and never blinks. But for now 
there is water settling in a clean glass 
on the shelf beside the razor, the slap 
of bare feet on the floor above. Soon 
the scent of rivers borne across roof 
after roof by winds without names, 
the aroma of opened beds better left 
closed, of mouths without teeth, of light 
rustling among the mice droppings 
at the back of a bin of potatoes. 

* 

The old man who sleeps among the cases 
of empty bottles in a little nest of rags 
and newspapers at the back of the plant 
is not an old man. He is twenty years 
younger than I am now putting this down 
in permanent ink on a yellow legal pad 
during a crisp morning in October. 
When he fell from a high pallet, his sleeve 
caught on a nail and spread his arms 
like a figure out of myth. His head 
tore open on a spear of wood, and he 
swore in French. No, he didn't want 
a doctor. He wanted toilet paper 
and a drink, which were fetched. He used 
the tiny bottle of whisky to straighten 
out his eyes and the toilet paper to clean 
his pants, fouled in the fall, and he did 
both with seven teenage boys looking on 
in wonder and fear. At last the blood 
slowed and caked above his ear, and he 
never once touched the wound. Instead, 
in a voice no one could hear, he spoke 
to himself, probably in French, and smoked 
sitting back against a pallet, his legs 
thrust out on the damp cement floor. 

* 

In his white coveralls, crisp and pressed, 
Teddy the Polack told us a fat tit 
would stop a toothache, two a headache. 
He told it to anyone who asked, and grinned -- 
the small eyes watering at the corners -- 
as Alcibiades might have grinned 
when at last he learned that love leads 
even the body beloved to a moment 
in the present when desire calms, the skin 
glows, the soul takes the light of day, 
even a working day in 1944. 
For Baharozian at seventeen the present 
was a gift. Seeing my ashen face, 
the cold sweats starting, he seated me 
in a corner of the boxcar and did 
both our jobs, stacking the full cases 
neatly row upon row and whistling 
the songs of Kate Smith. In the bathroom 
that night I posed naked before the mirror, 
the new cross of hair staining my chest, 
plunging to my groin. That was Wednesday, 
for every Wednesday ended in darkness. 

* 

One of those teenage boys was my brother. 
That night as we lay in bed, the lights 
out, we spoke of Froggy, of how at first 
we thought he would die and how little 
he seemed to care as the blood rose 
to fill and overflow his ear. Slowly 
the long day came over us and our breath 
quieted and eased at last, and we slept. 
When I close my eyes now his bare legs 
glow before me again, pure and lovely 
in their perfect whiteness, the buttocks 
dimpled and firm. I see again the rope 
of his sex, unwrinkled, flushed and swaying, 
the hard flat belly as he raises his shirt 
to clean himself. He gazes at no one 
or nothing, but seems instead to look off 
into a darkness I hadn't seen, a pool 
of shadow that forms before his eyes, 
in my memory now as solid as onyx. 

* 

I began this poem in the present 
because nothing is past. The ice factory, 
the bottling plant, the cindered yard 
all gave way to a low brick building 
a block wide and windowless where they 
designed gun mounts for personnel carriers 
that never made it to Korea. My brother 
rises early, and on clear days he walks 
to the corner to have toast and coffee. 
Seventeen winters have melted into an earth 
of stone, bottle caps, and old iron to carry 
off the hard remains of Froggy Frenchman 
without a blessing or a stone to bear it. 
A little spar of him the size of a finger, 
pointed and speckled as though blood-flaked, 
washed ashore from Lake Erie near Buffalo 
before the rest slipped down the falls out 
into the St. Lawrence. He could be at sea, 
he could be part of an ocean, by now 
he could even be home. This morning I 
rose later than usual in a great house 
full of sunlight, but I believe it came 
down step by step on each wet sheet 
of wooden siding before it crawled 
from the ceiling and touched my pillow 
to waken me. When I heave myself 
out of this chair with a great groan of age 
and stand shakily, the three mice still 
in the wall. From across the lots 
the wind brings voices I can't make out, 
scraps of song or sea sounds, daylight 
breaking into dust, the perfume of waiting 
rain, of onions and potatoes frying.
Written by Amy Lowell | Create an image from this poem

Behind a Wall

 I own a solace shut within my heart,
A garden full of many a quaint delight
And warm with drowsy, poppied sunshine; bright,
Flaming with lilies out of whose cups dart
Shining things
With powdered wings.
Here terrace sinks to terrace, arbors close
The ends of dreaming paths; a wanton wind
Jostles the half-ripe pears, and then, unkind,
Tumbles a-slumber in a pillar rose,
With content
Grown indolent.
By night my garden is o'erhung with gems
Fixed in an onyx setting. Fireflies
Flicker their lanterns in my dazzled eyes.
In serried rows I guess the straight, stiff stems
Of hollyhocks
Against the rocks.
So far and still it is that, listening,
I hear the flowers talking in the dawn;
And where a sunken basin cuts the lawn,
Cinctured with iris, pale and glistening,
The sudden swish
Of a waking fish.


Written by Matthew Arnold | Create an image from this poem

Strayed Reveller The

 The Youth

Faster, faster,
O Circe, Goddess,
Let the wild, thronging train
The bright procession
Of eddying forms,
Sweep through my soul!
Thou standest, smiling
Down on me! thy right arm,
Lean'd up against the column there,
Props thy soft cheek;
Thy left holds, hanging loosely,
The deep cup, ivy-cinctured,
I held but now.
Is it, then, evening
So soon? I see, the night-dews,
Cluster'd in thick beads, dim
The agate brooch-stones
On thy white shoulder;
The cool night-wind, too,
Blows through the portico,
Stirs thy hair, Goddess,
Waves thy white robe!


Circe.

Whence art thou, sleeper?


The Youth.

When the white dawn first
Through the rough fir-planks
Of my hut, by the chestnuts,
Up at the valley-head,
Came breaking, Goddess!
I sprang up, I threw round me
My dappled fawn-skin;
Passing out, from the wet turf,
Where they lay, by the hut door,
I snatch'd up my vine-crown, my fir-staff,
All drench'd in dew-
Came swift down to join
The rout early gather'd
In the town, round the temple,
Iacchus' white fane
On yonder hill.
Quick I pass'd, following
The wood-cutters' cart-track
Down the dark valley;-I saw
On my left, through the beeches,
Thy palace, Goddess,
Smokeless, empty!
Trembling, I enter'd; beheld
The court all silent,
The lions sleeping,
On the altar this bowl.
I drank, Goddess!
And sank down here, sleeping,
On the steps of thy portico.


Circe.

Foolish boy! Why tremblest thou?
Thou lovest it, then, my wine?
Wouldst more of it? See, how glows,
Through the delicate, flush'd marble,
The red, creaming liquor,
Strown with dark seeds!
Drink, thee! I chide thee not,
Deny thee not my bowl.
Come, stretch forth thy hand, thee-so!
Drink-drink again!


The Youth.

Thanks, gracious one!
Ah, the sweet fumes again!
More soft, ah me,
More subtle-winding
Than Pan's flute-music!
Faint-faint! Ah me,
Again the sweet sleep!


Circe.

Hist! Thou-within there!
Come forth, Ulysses!
Art tired with hunting?
While we range the woodland,
See what the day brings.


Ulysses.

Ever new magic!
Hast thou then lured hither,
Wonderful Goddess, by thy art,
The young, languid-eyed Ampelus,
Iacchus' darling-
Or some youth beloved of Pan,
Of Pan and the Nymphs?
That he sits, bending downward
His white, delicate neck
To the ivy-wreathed marge
Of thy cup; the bright, glancing vine-leaves
That crown his hair,
Falling forward, mingling
With the dark ivy-plants--
His fawn-skin, half untied,
Smear'd with red wine-stains? Who is he,
That he sits, overweigh'd
By fumes of wine and sleep,
So late, in thy portico?
What youth, Goddess,-what guest
Of Gods or mortals?


Circe.

Hist! he wakes!
I lured him not hither, Ulysses.
Nay, ask him!


The Youth.

Who speaks' Ah, who comes forth
To thy side, Goddess, from within?
How shall I name him?
This spare, dark-featured,
Quick-eyed stranger?
Ah, and I see too
His sailor's bonnet,
His short coat, travel-tarnish'd,
With one arm bare!--
Art thou not he, whom fame
This long time rumours
The favour'd guest of Circe, brought by the waves?
Art thou he, stranger?
The wise Ulysses,
Laertes' son?


Ulysses.

I am Ulysses.
And thou, too, sleeper?
Thy voice is sweet.
It may be thou hast follow'd
Through the islands some divine bard,
By age taught many things,
Age and the Muses;
And heard him delighting
The chiefs and people
In the banquet, and learn'd his songs.
Of Gods and Heroes,
Of war and arts,
And peopled cities,
Inland, or built
By the gray sea.-If so, then hail!
I honour and welcome thee.


The Youth.

The Gods are happy.
They turn on all sides
Their shining eyes,
And see below them
The earth and men.
They see Tiresias
Sitting, staff in hand,
On the warm, grassy
Asopus bank,
His robe drawn over
His old sightless head,
Revolving inly
The doom of Thebes.
They see the Centaurs
In the upper glens
Of Pelion, in the streams,
Where red-berried ashes fringe
The clear-brown shallow pools,
With streaming flanks, and heads
Rear'd proudly, snuffing
The mountain wind.
They see the Indian
Drifting, knife in hand,
His frail boat moor'd to
A floating isle thick-matted
With large-leaved, low-creeping melon-plants
And the dark cucumber.
He reaps, and stows them,
Drifting--drifting;--round him,
Round his green harvest-plot,
Flow the cool lake-waves,
The mountains ring them.
They see the Scythian
On the wide stepp, unharnessing
His wheel'd house at noon.
He tethers his beast down, and makes his meal--
Mares' milk, and bread
Baked on the embers;--all around
The boundless, waving grass-plains stretch, thick-starr'd
With saffron and the yellow hollyhock
And flag-leaved iris-flowers.
Sitting in his cart
He makes his meal; before him, for long miles,
Alive with bright green lizards,
And the springing bustard-fowl,
The track, a straight black line,
Furrows the rich soil; here and there
Cluster of lonely mounds
Topp'd with rough-hewn,
Gray, rain-blear'd statues, overpeer
The sunny waste.
They see the ferry
On the broad, clay-laden
Lone Chorasmian stream;--thereon,
With snort and strain,
Two horses, strongly swimming, tow
The ferry-boat, with woven ropes
To either bow
Firm harness'd by the mane; a chief
With shout and shaken spear,
Stands at the prow, and guides them; but astern
The cowering merchants, in long robes,
Sit pale beside their wealth
Of silk-bales and of balsam-drops,
Of gold and ivory,
Of turquoise-earth and amethyst,
Jasper and chalcedony,
And milk-barred onyx-stones.
The loaded boat swings groaning
In the yellow eddies;
The Gods behold him.
They see the Heroes
Sitting in the dark ship
On the foamless, long-heaving
Violet sea.
At sunset nearing
The Happy Islands.
These things, Ulysses,
The wise bards, also
Behold and sing.
But oh, what labour!
O prince, what pain!
They too can see
Tiresias;--but the Gods,
Who give them vision,
Added this law:
That they should bear too
His groping blindness,
His dark foreboding,
His scorn'd white hairs;
Bear Hera's anger
Through a life lengthen'd
To seven ages.
They see the Centaurs
On Pelion:--then they feel,
They too, the maddening wine
Swell their large veins to bursting; in wild pain
They feel the biting spears
Of the grim Lapith?, and Theseus, drive,
Drive crashing through their bones; they feel
High on a jutting rock in the red stream
Alcmena's dreadful son
Ply his bow;--such a price
The Gods exact for song:
To become what we sing.
They see the Indian
On his mountain lake; but squalls
Make their skiff reel, and worms
In the unkind spring have gnawn
Their melon-harvest to the heart.--They see
The Scythian: but long frosts
Parch them in winter-time on the bare stepp,
Till they too fade like grass; they crawl
Like shadows forth in spring.
They see the merchants
On the Oxus stream;--but care
Must visit first them too, and make them pale.
Whether, through whirling sand,
A cloud of desert robber-horse have burst
Upon their caravan; or greedy kings,
In the wall'd cities the way passes through,
Crush'd them with tolls; or fever-airs,
On some great river's marge,
Mown them down, far from home.
They see the Heroes
Near harbour;--but they share
Their lives, and former violent toil in Thebes,
Seven-gated Thebes, or Troy;
Or where the echoing oars
Of Argo first
Startled the unknown sea.
The old Silenus
Came, lolling in the sunshine,
From the dewy forest-coverts,
This way at noon.
Sitting by me, while his Fauns
Down at the water-side
Sprinkled and smoothed
His drooping garland,
He told me these things.
But I, Ulysses,
Sitting on the warm steps,
Looking over the valley,
All day long, have seen,
Without pain, without labour,
Sometimes a wild-hair'd M?nad--
Sometimes a Faun with torches--
And sometimes, for a moment,
Passing through the dark stems
Flowing-robed, the beloved,
The desired, the divine,
Beloved Iacchus.
Ah, cool night-wind, tremulous stars!
Ah, glimmering water,
Fitful earth-murmur,
Dreaming woods!
Ah, golden-haired, strangely smiling Goddess,
And thou, proved, much enduring,
Wave-toss'd Wanderer!
Who can stand still?
Ye fade, ye swim, ye waver before me--
The cup again!
Faster, faster,
O Circe, Goddess.
Let the wild, thronging train,
The bright procession
Of eddying forms,
Sweep through my soul!
Written by Elinor Wylie | Create an image from this poem

The Fairy Goldsmith

 Here's a wonderful thing, 
A humming-bird's wing 
In hammered gold, 
And store well chosen 
Of snowflakes frozen 
In crystal cold.

Black onyx cherries 
And mistletoe berries 
Of chrysoprase, 
Jade buds, tight shut, 
All carven and cut 
In intricate ways.

Here, if you please 
Are little gilt bees 
In amber drops 
Which look like honey, 
Translucent and sunny, 
From clover-tops.

Here's an elfin girl 
Of mother-of-pearl 
And moonshine made, 
With tortise-shell hair 
Both dusky and fair 
In its light and shade.

Here's lacquer laid thin, 
Like a scarlet skin 
On an ivory fruit; 
And a filigree frost 
Of frail notes lost 
From a fairy lute.

Here's a turquoise chain 
Of sun-shower rain 
To wear if you wish; 
And glittering green 
With aquamarine, 
A silvery fish.

Here are pearls all strung 
On a thread among 
Pretty pink shells; 
And bubbles blown 
From the opal stone 
Which ring like bells.

Touch them and take them, 
But do not break them! 
Beneath your hand 
They will wither like foam 
If you carry them home 
Out of fairy-lannd.

O, they never can last 
Though you hide them fast 
From moth and from rust; 
In your monstrous day 
They will crumble away 
Into quicksilver dust.
Written by D. H. Lawrence | Create an image from this poem

The Hands of the Betrothed

 Her tawny eyes are onyx of thoughtlessness, 
Hardened they are like gems in ancient modesty; 
Yea, and her mouth’s prudent and crude caress 
Means even less than her many words to me. 

Though her kiss betrays me also this, this only
Consolation, that in her lips her blood at climax clips
Two wild, dumb paws in anguish on the lonely 
Fruit of my heart, ere down, rebuked, it slips. 

I know from her hardened lips that still her heart is
Hungry for me, yet if I put my hand in her breast
She puts me away, like a saleswoman whose mart is
Endangered by the pilferer on his quest. 

But her hands are still the woman, the large, strong hands
Heavier than mine, yet like leverets caught in steel
When I hold them; my still soul understands
Their dumb confession of what her sort must feel. 

For never her hands come nigh me but they lift 
Like heavy birds from the morning stubble, to settle 
Upon me like sleeping birds, like birds that shift 
Uneasily in their sleep, disturbing my mettle.

How caressingly she lays her hand on my knee, 
How strangely she tries to disown it, as it sinks 
In my flesh and bone and forages into me, 
How it stirs like a subtle stoat, whatever she thinks!

And often I see her clench her fingers tight
And thrust her fists suppressed in the folds of her skirt; 
And sometimes, how she grasps her arms with her bright
Big hands, as if surely her arms did hurt. 

And I have seen her stand all unaware 
Pressing her spread hands over her breasts, as she
Would crush their mounds on her heart, to kill in there 
The pain that is her simple ache for me. 

Her strong hands take my part, the part of a man 
To her; she crushes them into her bosom deep 
Where I should lie, and with her own strong span
Closes her arms, that should fold me in sleep. 

Ah, and she puts her hands upon the wall, 
Presses them there, and kisses her bright hands,
Then lets her black hair loose, the darkness fall 
About her from her maiden-folded bands.

And sits in her own dark night of her bitter hair 
Dreaming—God knows of what, for to me she’s the same
Betrothed young lady who loves me, and takes care 
Of her womanly virtue and of my good name.
Written by Emily Dickinson | Create an image from this poem

His Feet are shod with Gauze --

 His Feet are shod with Gauze --
His Helmet, is of Gold,
His Breast, a Single Onyx
With Chrysophrase, inlaid.

His Labor is a Chant --
His Idleness -- a Tune --
Oh, for a Bee's experience
Of Clovers, and of Noon!
Written by William Butler Yeats | Create an image from this poem

The Mountain Tomb

 Pour wine and dance if manhood still have pride,
Bring roses if the rose be yet in bloom;
The cataract smokes upon the mountain side,
Our Father Rosicross is in his tomb.

Pull down the blinds, bring fiddle and clarionet
That there be no foot silent in the room
Nor mouth from kissing, nor from wine unwet;
Our Father Rosicross is in his tomb.

In vain, in pain; the cataract still cries;
The everlasting taper lights the gloom;
All wisdom shut into his onyx eyes,
Our Father Rosicross sleeps in his tomb.

Book: Radiant Verses: A Journey Through Inspiring Poetry