Written by
Charles Baudelaire |
Nature is a temple where the living pillars
Let go sometimes a blurred speech—
A Forest of symbols passes through a man's reach
And observes him with a familiar regard.
Like the distant echoes that mingle and confound
In a unity of darkness and quiet
Deep as the night, clear as daylight
The perfumes, the colors, the sounds correspond.
The perfume is as fresh as the flesh of an infant
Sweet as an oboe, green as a prairie
—And the others, corrupt, rich and triumphant
Enlightened by the things of infinity,
Like amber, musk, benzoin and incense
That sing, transporting the soul and sense.
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Written by
Robert Browning |
I.
Let them fight it out, friend! things have gone too far.
God must judge the couple: leave them as they are
---Whichever one's the guiltless, to his glory,
And whichever one the guilt's with, to my story!
II.
Why, you would not bid men, sunk in such a slough,
Strike no arm out further, stick and stink as now,
Leaving right and wrong to settle the embroilment,
Heaven with snaky hell, in torture and entoilment?
III.
Who's the culprit of them? How must he conceive
God---the queen he caps to, laughing in his sleeve,
`` 'Tis but decent to profess oneself beneath her:
``Still, one must not be too much in earnest, either!''
IV.
Better sin the whole sin, sure that God observes;
Then go live his life out! Life will try his nerves,
When the sky, which noticed all, makes no disclosure,
And the earth keeps up her terrible composure.
V.
Let him pace at pleasure, past the walls of rose,
Pluck their fruits when grape-trees graze him as he goes!
For he 'gins to guess the purpose of the garden,
With the sly mute thing, beside there, for a warden.
VI.
What's the leopard-dog-thing, constant at his side,
A leer and lie in every eye of its obsequious hide?
When will come an end to all the mock obeisance,
And the price appear that pays for the misfeasance?
VII.
So much for the culprit. Who's the martyred man?
Let him bear one stroke more, for be sure he can!
He that strove thus evil's lump with good to leaven,
Let him give his blood at last and get his heaven!
VIII.
All or nothing, stake it! Trust she God or no?
Thus far and no farther? farther? be it so!
Now, enough of your chicane of prudent pauses,
Sage provisos, sub-intents and saving-clauses!
IX.
Ah, ``forgive'' you bid him? While God's champion lives,
Wrong shall be resisted: dead, why, he forgives.
But you must not end my friend ere you begin him;
Evil stands not crowned on earth, while breath is in him.
X.
Once more---Will the wronger, at this last of all,
Dare to say, ``I did wrong,'' rising in his fall?
No?---Let go then! Both the fighters to their places!
While I count three, step you back as many paces!
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Written by
Pablo Neruda |
The artichoke
With a tender heart
Dressed up like a warrior,
Standing at attention, it built
A small helmet
Under its scales
It remained
Unshakeable,
By its side
The crazy vegetables
Uncurled
Their tendrills and leaf-crowns,
Throbbing bulbs,
In the sub-soil
The carrot
With its red mustaches
Was sleeping,
The grapevine
Hung out to dry its branches
Through which the wine will rise,
The cabbage
Dedicated itself
To trying on skirts,
The oregano
To perfuming the world,
And the sweet
Artichoke
There in the garden,
Dressed like a warrior,
Burnished
Like a proud
Pomegrante.
And one day
Side by side
In big wicker baskets
Walking through the market
To realize their dream
The artichoke army
In formation.
Never was it so military
Like on parade.
The men
In their white shirts
Among the vegetables
Were
The Marshals
Of the artichokes
Lines in close order
Command voices,
And the bang
Of a falling box.
But
Then
Maria
Comes
With her basket
She chooses
An artichoke,
She's not afraid of it.
She examines it, she observes it
Up against the light like it was an egg,
She buys it,
She mixes it up
In her handbag
With a pair of shoes
With a cabbage head and a
Bottle
Of vinegar
Until
She enters the kitchen
And submerges it in a pot.
Thus ends
In peace
This career
Of the armed vegetable
Which is called an artichoke,
Then
Scale by scale,
We strip off
The delicacy
And eat
The peaceful mush
Of its green heart.
|
Written by
Phillis Wheatley |
NO more the flow'ry scenes of pleasure rife,
Nor charming prospects greet the mental eyes,
No more with joy we view that lovely face
Smiling, disportive, flush'd with ev'ry grace.
The tear of sorrow flows from ev'ry eye,
Groans answer groans, and sighs to sighs reply;
What sudden pangs shot thro' each aching heart,
When, Death, thy messenger dispatch'd his dart?
Thy dread attendants, all-destroying Pow'r,
Hurried the infant to his mortal hour.
Could'st thou unpitying close those radiant eyes?
Or fail'd his artless beauties to surprise?
Could not his innocence thy stroke controul,
Thy purpose shake, and soften all thy soul?
The blooming babe, with shades of Death o'er-
spread,
No more shall smile, no more shall raise its head,
But, like a branch that from the tree is torn,
Falls prostrate, wither'd, languid, and forlorn.
"Where flies my James?" 'tis thus I seem to hear
The parent ask, "Some angel tell me where
"He wings his passage thro' the yielding air?"
Methinks a cherub bending from the skies
Observes the question, and serene replies,
"In heav'ns high palaces your babe appears:
"Prepare to meet him, and dismiss your tears."
Shall not th' intelligence your grief restrain,
And turn the mournful to the cheerful strain?
Cease your complaints, suspend each rising sigh,
Cease to accuse the Ruler of the sky.
Parents, no more indulge the falling tear:
Let Faith to heav'n's refulgent domes repair,
There see your infant, like a seraph glow:
What charms celestial in his numbers flow
Melodious, while the foul-enchanting strain
Dwells on his tongue, and fills th' ethereal plain?
Enough--for ever cease your murm'ring breath;
Not as a foe, but friend converse with Death,
Since to the port of happiness unknown
He brought that treasure which you call your own.
The gift of heav'n intrusted to your hand
Cheerful resign at the divine command:
Not at your bar must sov'reign Wisdom stand.
|
Written by
Elizabeth Bishop |
Man-Moth: Newspaper misprint for "mammoth."
Here, above,
cracks in the buldings are filled with battered moonlight.
The whole shadow of Man is only as big as his hat.
It lies at his feet like a circle for a doll to stand on,
and he makes an inverted pin, the point magnetized to the moon.
He does not see the moon; he observes only her vast properties,
feeling the ***** light on his hands, neither warm nor cold,
of a temperature impossible to records in thermometers.
But when the Man-Moth
pays his rare, although occasional, visits to the surface,
the moon looks rather different to him. He emerges
from an opening under the edge of one of the sidewalks
and nervously begins to scale the faces of the buildings.
He thinks the moon is a small hole at the top of the sky,
proving the sky quite useless for protection.
He trembles, but must investigate as high as he can climb.
Up the façades,
his shadow dragging like a photographer's cloth behind him
he climbs fearfully, thinking that this time he will manage
to push his small head through that round clean opening
and be forced through, as from a tube, in black scrolls on the light.
(Man, standing below him, has no such illusions.)
But what the Man-Moth fears most he must do, although
he fails, of course, and falls back scared but quite unhurt.
Then he returns
to the pale subways of cement he calls his home. He flits,
he flutters, and cannot get aboard the silent trains
fast enough to suit him. The doors close swiftly.
The Man-Moth always seats himself facing the wrong way
and the train starts at once at its full, terrible speed,
without a shift in gears or a gradation of any sort.
He cannot tell the rate at which he travels backwards.
Each night he must
be carried through artificial tunnels and dream recurrent dreams.
Just as the ties recur beneath his train, these underlie
his rushing brain. He does not dare look out the window,
for the third rail, the unbroken draught of poison,
runs there beside him. He regards it as a disease
he has inherited the susceptibility to. He has to keep
his hands in his pockets, as others must wear mufflers.
If you catch him,
hold up a flashlight to his eye. It's all dark pupil,
an entire night itself, whose haired horizon tightens
as he stares back, and closes up the eye. Then from the lids
one tear, his only possession, like the bee's sting, slips.
Slyly he palms it, and if you're not paying attention
he'll swallow it. However, if you watch, he'll hand it over,
cool as from underground springs and pure enough to drink.
|
Written by
Elizabeth Barrett Browning |
I
'But where do you go?' said the lady, while both sat under the yew,
And her eyes were alive in their depth, as the kraken beneath the sea-blue.
II
'Because I fear you,' he answered;--'because you are far too fair,
And able to strangle my soul in a mesh of your golfd-coloured hair.'
III
'Oh that,' she said, 'is no reason! Such knots are quickly undone,
And too much beauty, I reckon, is nothing but too much sun.'
IV
'Yet farewell so,' he answered; --'the sunstroke's fatal at times.
I value your husband, Lord Walter, whose gallop rings still from the limes.
V
'Oh that,' she said, 'is no reason. You smell a rose through a fence:
If two should smell it what matter? who grumbles, and where's the pretense?
VI
'But I,' he replied, 'have promised another, when love was free,
To love her alone, alone, who alone from afar loves me.'
VII
'Why, that,' she said, 'is no reason. Love's always free I am told.
Will you vow to be safe from the headache on Tuesday, and think it will hold?
VIII
'But you,' he replied, 'have a daughter, a young child, who was laid
In your lap to be pure; so I leave you: the angels would make me afraid."
IX
'Oh that,' she said, 'is no reason. The angels keep out of the way;
And Dora, the child, observes nothing, although you should please me and stay.'
X
At which he rose up in his anger,--'Why now, you no longer are fair!
Why, now, you no longer are fatal, but ugly and hateful, I swear.'
XI
At which she laughed out in her scorn: 'These men! Oh these men overnice,
Who are shocked if a colour not virtuous is frankly put on by a vice.'
XII
Her eyes blazed upon him--'And you! You bring us your vices so near
That we smell them! You think in our presence a thought 'twould defame us to hear!
XIII
'What reason had you, and what right,--I appel to your soul from my life,--
To find me so fair as a woman? Why, sir, I am pure, and a wife.
XIV
'Is the day-star too fair up above you? It burns you not. Dare you imply
I brushed you more close than the star does, when Walter had set me as high?
XV
'If a man finds a woman too fair, he means simply adapted too much
To use unlawful and fatal. The praise! --shall I thank you for such?
XVI
'Too fair?--not unless you misuse us! and surely if, once in a while,
You attain to it, straightaway you call us no longer too fair, but too vile.
XVII
'A moment,--I pray your attention!--I have a poor word in my head
I must utter, though womanly custom would set it down better unsaid.
XVIII
'You grew, sir, pale to impertinence, once when I showed you a ring.
You kissed my fan when I dropped it. No matter! I've broken the thing.
XIX
'You did me the honour, perhaps, to be moved at my side now and then
In the senses--a vice, I have heard, which is common to beasts and some men.
XX
'Love's a virtue for heroes!--as white as the snow on high hills,
And immortal as every great soul is that struggles, endures, and fulfils.
XXI
'I love my Walter profoundly,--you, Maude, though you faltered a week,
For the sake of . . . what is it--an eyebrow? or, less still, a mole on the cheek?
XXII
'And since, when all's said, you're too noble to stoop to the frivolous cant
About crimes irresistable, virtues that swindle, betray and supplant.
XXIII
'I determined to prove to yourself that, whate'er you might dream or avow
By illusion, you wanted precisely no more of me than you have now.
XXIV
'There! Look me full in the face!--in the face. Understand, if you can,
That the eyes of such women as I am are clean as the palm of a man.
XXV
'Drop his hand, you insult him. Avoid us for fear we should cost you a scar--
You take us for harlots, I tell you, and not for the women we are.
XXVI
'You wronged me: but then I considered . . . there's Walter! And so at the end
I vowed that he should not be mulcted, by me, in the hand of a friend.
XXVII
'Have I hurt you indeed? We are quits then. Nay, friend of my Walter, be mine!
Come, Dora, my darling, my angel, and help me to ask him to dine.'
|
Written by
Czeslaw Milosz |
Burning, he walks in the stream of flickering letters, clarinets,
machines throbbing quicker than the heart, lopped-off heads, silk
canvases, and he stops under the sky
and raises toward it his joined clenched fists.
Believers fall on their bellies, they suppose it is a monstrance that
shines,
but those are knuckles, sharp knuckles shine that way, my friends.
He cuts the glowing, yellow buildings in two, breaks the walls into
motley halves;
pensive, he looks at the honey seeping from those huge honeycombs:
throbs of pianos, children's cries, the thud of a head banging against
the floor.
This is the only landscape able to make him feel.
He wonders at his brother's skull shaped like an egg,
every day he shoves back his black hair from his brow,
then one day he plants a big load of dynamite
and is surprised that afterward everything spouts up in the explosion.
Agape, he observes the clouds and what is hanging in them:
globes, penal codes, dead cats floating on their backs, locomotives.
They turn in the skeins of white clouds like trash in a puddle.
While below on the earth a banner, the color of a romantic rose,
flutters,
and a long row of military trains crawls on the weed-covered tracks.
|
Written by
Conrad Aiken |
Southeast, and storm, and every weathervane
shivers and moans upon its dripping pin,
ragged on chimneys the cloud whips, the rain
howls at the flues and windows to get in,
the golden rooster claps his golden wings
and from the Baptist Chapel shrieks no more,
the golden arrow in the southeast sings
and hears on the roof the Atlantic Ocean roar.
Waves among wires, sea scudding over poles,
down every alley the magnificence of rain,
dead gutters live once more, the deep manholes
hollow in triumph a passage to the main.
Umbrellas, and in the Gardens one old man
hurries away along a dancing path,
listens to music on a watering-can,
observes among the tulips the sudden wrath,
pale willows thrashing to the needled lake,
and dinghies filled with water; while the sky
smashes the lilacs, swoops to shake and break,
till shattered branches shriek and railings cry.
Speak, Hatteras, your language of the sea:
scour with kelp and spindrift the stale street:
that man in terror may learn once more to be
child of that hour when rock and ocean meet.
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Written by
Friedrich von Schiller |
See in the babe two loveliest flowers united--yet in truth,
While in the bud they seem the same--the virgin and the youth!
But loosened is the gentle bond, no longer side by side--
From holy shame the fiery strength will soon itself divide.
Permit the youth to sport, and still the wild desire to chase,
For, but when sated, weary strength returns to seek the grace.
Yet in the bud, the double flowers the future strife begin,
How precious all--yet naught can still the longing heart within.
In ripening charms the virgin bloom to woman shape hath grown,
But round the ripening charms the pride hath clasped its guardian zone;
Shy, as before the hunter's horn the doe all trembling moves,
She flies from man as from a foe, and hates before she loves!
From lowering brows this struggling world the fearless youth observes,
And hardened for the strife betimes, he strains the willing nerves;
Far to the armed throng and to the race prepared to start,
Inviting glory calls him forth, and grasps the troubled heart:--
Protect thy work, O Nature now! one from the other flies,
Till thou unitest each at last that for the other sighs.
There art thou, mighty one! where'er the discord darkest frown,
Thou call'st the meek harmonious peace, the god-like soother down.
The noisy chase is lulled asleep, day's clamor dies afar,
And through the sweet and veiled air in beauty comes the star.
Soft-sighing through the crisped reeds, the brooklet glides along,
And every wood the nightingale melodious fills with song.
O virgin! now what instinct heaves thy bosom with the sigh?
O youth! and wherefore steals the tear into thy dreaming eye?
Alas! they seek in vain within the charm around bestowed,
The tender fruit is ripened now, and bows to earth its load.
And restless goes the youth to feed his heart upon its fire,
All, where the gentle breath to cool the flame of young desire!
And now they meet--the holy love that leads them lights their eyes,
And still behind the winged god the winged victory flies.
O heavenly love!--'tis thy sweet task the human flowers to bind,
For ay apart, and yet by thee forever intertwined!
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