Written by
Amy Lowell |
Streaks of green and yellow iridescence,
Silver shiftings,
Rings veering out of rings,
Silver -- gold --
Grey-green opaqueness sliding down,
With sharp white bubbles
Shooting and dancing,
Flinging quickly outward.
Nosing the bubbles,
Swallowing them,
Fish.
Blue shadows against silver-saffron water,
The light rippling over them
In steel-bright tremors.
Outspread translucent fins
Flute, fold, and relapse;
The threaded light prints through them on the pebbles
In scarcely tarnished twinklings.
Curving of spotted spines,
Slow up-shifts,
Lazy convolutions:
Then a sudden swift straightening
And darting below:
Oblique grey shadows
Athwart a pale casement.
Roped and curled,
Green man-eating eels
Slumber in undulate rhythms,
With crests laid horizontal on their backs.
Barred fish,
Striped fish,
Uneven disks of fish,
Slip, slide, whirl, turn,
And never touch.
Metallic blue fish,
With fins wide and yellow and swaying
Like Oriental fans,
Hold the sun in their bellies
And glow with light:
Blue brilliance cut by black bars.
An oblong pane of straw-coloured shimmer,
Across it, in a tangent,
A smear of rose, black, silver.
Short twists and upstartings,
Rose-black, in a setting of bubbles:
Sunshine playing between red and black flowers
On a blue and gold lawn.
Shadows and polished surfaces,
Facets of mauve and purple,
A constant modulation of values.
Shaft-shaped,
With green bead eyes;
Thick-nosed,
Heliotrope-coloured;
Swift spots of chrysolite and coral;
In the midst of green, pearl, amethyst irradiations.
Outside,
A willow-tree flickers
With little white jerks,
And long blue waves
Rise steadily beyond the outer islands.
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Written by
Amy Lowell |
Cross-hatchings of rain against grey walls,
Slant lines of black rain
In front of the up and down, wet stone sides of buildings.
Below,
Greasy, shiny, black, horizontal,
The street.
And over it, umbrellas,
Black polished dots
Struck to white
An instant,
Stream in two flat lines
Slipping past each other with the smoothness of oil.
Like a four-sided wedge
The Custom House Tower
Pokes at the low, flat sky,
Pushing it farther and farther up,
Lifting it away from the house-tops,
Lifting it in one piece as though it were a sheet of tin,
With the lever of its apex.
The cross-hatchings of rain cut the Tower obliquely,
Scratching lines of black wire across it,
Mutilating its perpendicular grey surface
With the sharp precision of tools.
The city is rigid with straight lines and angles,
A chequered table of blacks and greys.
Oblong blocks of flatness
Crawl by with low-geared engines,
And pass to short upright squares
Shrinking with distance.
A steamer in the basin blows its whistle,
And the sound shoots across the rain hatchings,
A narrow, level bar of steel.
Hard cubes of lemon
Superimpose themselves upon the fronts of buildings
As the windows light up.
But the lemon cubes are edged with angles
Upon which they cannot impinge.
Up, straight, down, straight -- square.
Crumpled grey-white papers
Blow along the side-walks,
Contorted, horrible,
Without curves.
A horse steps in a puddle,
And white, glaring water spurts up
In stiff, outflaring lines,
Like the rattling stems of reeds.
The city is heraldic with angles,
A sombre escutcheon of argent and sable
And countercoloured bends of rain
Hung over a four-square civilization.
When a street lamp comes out,
I gaze at it for fully thirty seconds
To rest my brain with the suffusing, round brilliance of its globe.
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Written by
Bernadette Geyer |
And so I look back
still thinking of her
with painful heart,
this clench of inner flesh.
—Kakinomoto Hitomaro
from Manyoshu
*
Praise the irritant, that genesis,
implanted within the soft
and malleable animal that bore you.
*
Your brethren strung around my neck,
dangling from my earlobes.
The imperfections the jeweler slights, I praise.
*
Artifact of a biological process,
why do we expect
symmetry from a grain of sand?
*
Praise the oblong beauty
of you, solidified raindrops,
your stony quietude.
*
Let me praise the waters that bestow
your milky luster,
worshipped to ensure a bountiful hunt.
*
Manyoshu poems praised the ama,
female divers, who collected you,
as gently as quail eggs.
*
Let me rub you against my teeth to test
the veracity of you, roll you
around my tongue to weigh your heft.
*
The heart clenches, hides its moon
among clouds. Would that I, too, could build
a radiant world around a bitter nucleus.
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Written by
Carl Sandburg |
IN the cool of the night time
The clocks pick off the points
And the mainsprings loosen.
They will need winding.
One of these days…
they will need winding.
Rabelais in red boards,
Walt Whitman in green,
Hugo in ten-cent paper covers,
Here they stand on shelves
In the cool of the night time
And there is nothing…
To be said against them…
Or for them…
In the cool of the night time
And the clocks.
A man in pigeon-gray pyjamas.
The open window begins at his feet
And goes taller than his head.
Eight feet high is the pattern.
Moon and mist make an oblong layout.
Silver at the man’s bare feet.
He swings one foot in a moon silver.
And it costs nothing.
One more day of bread and work.
One more day … so much rags…
The man barefoot in moon silver
Mutters “You” and “You”
To things hidden
In the cool of the night time,
In Rabelais, Whitman, Hugo,
In an oblong of moon mist.
Out from the window … prairielands.
Moon mist whitens a golf ground.
Whiter yet is a limestone quarry.
The crickets keep on chirring.
Switch engines of the Great Western
Sidetrack box cars, make up trains
For Weehawken, Oskaloosa, Saskatchewan;
The cattle, the coal, the corn, must go
In the night … on the prairielands.
Chuff-chuff go the pulses.
They beat in the cool of the night time.
Chuff-chuff and chuff-chuff…
These heartbeats travel the night a mile
And touch the moon silver at the window
And the bones of the man.
It costs nothing.
Rabelais in red boards,
Whitman in green,
Hugo in ten-cent paper covers,
Here they stand on shelves
In the cool of the night time
And the clocks.
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Written by
Edward Lear |
When awful darkness and silence reign
Over the great Gromboolian plain,
Through the long, long wintry nights; --
When the angry breakers roar
As they beat on the rocky shore; --
When Storm-clouds brood on the towering heights
Of the Hills of the Chankly Bore: --
Then, through the vast and gloomy dark,
There moves what seems a fiery spark,
A lonely spark with silvery rays
Piercing the coal-black night, --
A Meteor strange and bright: --
Hither and thither the vision strays,
A single lurid light.
Slowly it wander, -- pauses, -- creeps, --
Anon it sparkles, -- flashes and leaps;
And ever as onward it gleaming goes
A light on the Bong-tree stems it throws.
And those who watch at that midnight hour
From Hall or Terrace, or lofty Tower,
Cry, as the wild light passes along, --
"The Dong! -- the Dong!
"The wandering Dong through the forest goes!
"The Dong! the Dong!
"The Dong with a luminous Nose!"
Long years ago
The Dong was happy and gay,
Till he fell in love with a Jumbly Girl
Who came to those shores one day.
For the Jumblies came in a sieve, they did, --
Landing at eve near the Zemmery Fidd
Where the Oblong Oysters grow,
And the rocks are smooth and gray.
And all the woods and the valleys rang
With the Chorus they daily and nightly sang, --
"Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and the hands are blue
And they went to sea in a sieve.
Happily, happily passed those days!
While the cheerful Jumblies staid;
They danced in circlets all night long,
To the plaintive pipe of the lively Dong,
In moonlight, shine, or shade.
For day and night he was always there
By the side of the Jumbly Girl so fair,
With her sky-blue hands, and her sea-green hair.
Till the morning came of that hateful day
When the Jumblies sailed in their sieve away,
And the Dong was left on the cruel shore
Gazing -- gazing for evermore, --
Ever keeping his weary eyes on
That pea-green sail on the far horizon, --
Singing the Jumbly Chorus still
As he sate all day on the grassy hill, --
"Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and the hands are blue
And they went to sea in a sieve.
But when the sun was low in the West,
The Dong arose and said;
-- "What little sense I once possessed
Has quite gone out of my head!" --
And since that day he wanders still
By lake and dorest, marsh and hills,
Singing -- "O somewhere, in valley or plain
"Might I find my Jumbly Girl again!
"For ever I'll seek by lake and shore
"Till I find my Jumbly Girl once more!"
Playing a pipe with silvery squeaks,
Since then his Jumbly Girl he seeks,
And because by night he could not see,
He gathered the bark of the Twangum Tree
On the flowery plain that grows.
And he wove him a wondrous Nose, --
A Nose as strange as a Nose could be!
Of vast proportions and painted red,
And tied with cords to the back of his head.
-- In a hollow rounded space it ended
With a luminous Lamp within suspended,
All fenced about
With a bandage stout
To prevent the wind from blowing it out; --
And with holes all round to send the light,
In gleaming rays on the dismal night.
And now each night, and all night long,
Over those plains still roams the Dong;
And above the wail of the Chimp and Snipe
You may hear the squeak of his plaintive pipe
While ever he seeks, but seeks in vain
To meet with his Jumbly Girl again;
Lonely and wild -- all night he goes, --
The Dong with a luminous Nose!
And all who watch at the midnight hour,
From Hall or Terrace, or lofty Tower,
Cry, as they trace the Meteor bright,
Moving along through the dreary night, --
"This is the hour when forth he goes,
"The Dong with a luminous Nose!
"Yonder -- over the plain he goes;
"He goes!
"He goes;
"The Dong with a luminous Nose!"
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Written by
Stephen Vincent Benet |
There were not many at that lonely place,
Where two scourged hills met in a little plain.
The wind cried loud in gusts, then low again.
Three pines strained darkly, runners in a race
Unseen by any. Toward the further woods
A dim harsh noise of voices rose and ceased.
-- We were most silent in those solitudes --
Then, sudden as a flame, the black-robed priest,
The clotted earth piled roughly up about
The hacked red oblong of the new-made thing,
Short words in swordlike Latin -- and a rout
Of dreams most impotent, unwearying.
Then, like a blind door shut on a carouse,
The terrible bareness of the soul's last house.
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Written by
Carl Sandburg |
GUNS,
Long, steel guns,
Pointed from the war ships
In the name of the war god.
Straight, shining, polished guns,
Clambered over with jackies in white blouses,
Glory of tan faces, tousled hair, white teeth,
Laughing lithe jackies in white blouses,
Sitting on the guns singing war songs, war chanties.
Shovels,
Broad, iron shovels,
Scooping out oblong vaults,
Loosening turf and leveling sod.
I ask you
To witness--
The shovel is brother to the gun.
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Written by
Robert William Service |
His portrait hung upon the wall.
Oh how at us he used to stare.
Each Sunday when I made my call! --
And when one day it wasn't there,
Quite quick I seemed to understand
The light was green to hold her hand.
Her eyes were amorously lit;
I knew she wouldn't mind at all.
Yet what I did was sit and sit
Seeing that blankness on the wall . . .
Horatio had a gentle face,--
How would my mug look in his place?
That oblong of wall-paper wan!
And while she prattled prettily
I sensed the red light going on,
So I refused a cup of tea,
And took my gold-topped cane and hat--
My going seemed to leave her flat.
Horatio was a decent guy,
And when she ravished from her heart
A damsite better man than I,
She seemed to me,--well, just a tart:
Her lack of tact I can't explain.
His picture,--is it hung again?
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